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Scorpiiion are a relatively new boutique producer from the Barossa Valley who kindly sent three bottles of red for us to review. The first cab off the rank (if you would pardon the pun) is the Scorpiiion Cabernet Sauvignon 2006, a multi-regional blend of Barossa and McLaren Flat fruit.
This Cabernet exhibits fragrant aromas of tobacco and eucalypt swimming in an ocean of ripe plummy dark fruits and berries. Full bodied with loads of fruit flavour, well managed spicy oak, a velvety mouthfeel and fine, slightly powdery tannins. It’s rich, well balanced and very modern in style, with a satisfying and clean finish.
The Scorpiiion philosophy is to let the fruit do the talking, they have done a good job in producing a Cabernet that is approachable while young, without being overripe. As far as I can tell, the wine is only available direct via their website, or from Squashedgrape.
Score: 90/100 Price: $29 Closure: Screwcap Alcohol: 14.5% Other Opinions: None appear to exist online Would I buy this wine? If it was available for around $20-25, yes.
After five long days in Verona, and our after work gatherings in the local restaurants, the wine trails after Vinitaly 2008 led us to an array of wonderful restaurants. I have listed them below, with the exception of the little osteria in the hills above Trento. That one is my little secret.
In the last two weeks since returning from Italy I have posted about these restaurants. But I am sure someone will ask me someday for a nice list of places to eat and sleep in Northern Italy and this post will be my answer.
In the time I have been back from Italy, it has been a wild ride. All across Texas in four days, all the major markets, and back to Dallas for a Cotarella event, that was super VIP and muy importante. Traveling across the state and holding seminars and talking, all undertaken while sick, has taken its toll on this old dinosaur. For the past week I have been laying low, working from home when not out in the market with clients, and have been trying to piece myself back together, after taking myself to the edge.
But I am returning to health and sanity, and just in time for a little R&R to one of my favorite islands.
Before I sign off, a few pictures of folks in my world, at the table, enjoying food and wine, as it is meant to be in the Italian way.
One of the Great Gentlemen of Italian Wine
Dream Big
Laughter is the best digestivo
Entertained by Chef Ropeton's insults
Always take your consigliere with you to Italy
It's Passover and you can't find a Menorah, how about a sorbetto-labra?
At a recent tasting of South African Great Whites I was really excited by the wines I tried.
In the past I have sometimes been disappointed that in general the wines could seem out of balance, either too acidic or flabby, the fruit almost a cariacature of itself and even in the worst cases just dirty.
These wines however showed exuberant fruit, great balance of refreshing acidity with richness and depth and really distinctive character. I thought they showed very well and certainly will lead me to the South African shelves when I want good value white.
My favourites from each section as follows, full tasting notes seem to a bit of a dream at the moment but one day I hope to get them all up!
Jan Daneel Chenin Blanc 2005 Napier: Very simple but stylish label would have great shelf presence. Pretty, sunny apricot nose. The broad oak at the front palate is a touch too heavy but underneath is gorgeous fruit. Well-rounded, almost heavy, weight in the middle with enough crisp acidity to take you back for another sip. The fruit pushes right through to the end and lingers for ages. Lovely. 17 Stockist -Jeroboams £15
Tokara Sauvignon Blanc 2005 Stellenbosch: Fresh, flower petals delicacy on nose followed by vibrant, exciting fruit on the palate. Well-handled oak comes pouring through on its tail but is integrated and adds complexity. Balanced and fine with a crisp, juicy finish. 18 Stockist - Wimbledon Wine Cellars £17.99
Other very good Sauvignon Blancs - Quoin Rock 2005 Stellenbosch £9.49 Andrew Chapman Wines; Cape Point Vineyards 2005 Cape Point £14 Jeroboams; Neil Ellis Groenekloof 2005 Stellenbosch £9.99 Christopher Piper Wines, Villeneuve Wines, SA Wines Online
Jordan Nine Yards Chardonnay 2005 Stellenbosch: Up front fruit balanced with a sure and light touch. Fine and nutty with integrated oak tannins backing it up. Silky mouth feel kept frech with tangy acidity. 17 Stockist Laytons; SA Wines Online £17.25
Other recommended chardonnays - Glen Carlou Quartz Stone Chardonnay 2005 Paarl £11.99-12.49 Oddbins, Christopher Piper, SA Wines Online, Genesis Wines; Quoin Rock Chardonnay 2002 sent by mistake but very high scoring, see previous info for stockist leads.
Fairview Viognier 2006 Paarl :Very aromatic nose but avoids parody. Crystallised fruit, nice levels of acidity. Not just floral but lively and fresh. 17 Stockists Harrods; Noel Young Wines; Valvona & Crolla £9.95
Also very good was the Bellingham Maverick Viognier 2005 Wellington £8.49 Majestic, SA Wines Online.
I recommend the Villiera Inspiration 2006 Stellenbosch £9.99 Tesco This desert wine has an unctuous, lovely texture, a nose of marmalade ice cream, very fresh and fine. Rich and great value.
Eighty One is a clear example of a kind of culinary preening that may speak less to the satisfaction of customers than to the self-regard of proprietors.
Sake is a Japanese alcoholic beverage, made from a series of fermentations using steamed rice. The process removes the millet and the protein from the rice, leaving the starch-similar to how beer is made from grain. Over time, the starch is converted to sugar naturally and a little yeast, called koji, is added in later stages of the fermentation, which acts to create alcohol out of the sugar. At the end of the process, the liquid is filtered to remove any millet or other particles. The resulting product is clear and about 15 percent alcohol. Sake has been made in Japan for over 6800 years.
Types of Sake There are two kinds of sake: junmai (with no alcohol added) and honjozo (with alcohol added during the fermentation process). Over 80 percent of the sake made in Japan is honjozo sake. Within those broad classifications, there are different grades of sake:
Futsu - economy sake
Ginjo - premium sake
Daiginjo - ultra-premium sake
How to Drink Sake Futsu (ordinary) sake is warmed for drinking. (Ginjo and Daiginjo are served chilled.) Traditionally, sake is poured from a stoneware carafe, called a tokkuri (pictured above). Warm the sake in the tokkuri by placing it in a partially-filled pan of boiling water. (Don't overheat the sake; it should be warm-a little over body temperate, not hot.)
To serve the sake, pour it from the tokkuri into individual sake cups, called ochoko. It is proper sake etiquette to hold your cup while the sake is being poured. Inhale the sake's aroma gently before sipping. Sake is meant for sipping, not throwing back like a shot of whiskey.
Storing Sake Sake does not improve with age, like fine wines or Scotch whiskey. Instead, buy sake with a recent bottling date. Once open, a bottle of sake should be kept in a cool, dark place (such as the refrigerator), as the liquid is sensitive to heat and light. A bottle, stored properly should last around a year.
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Marlborough, New Zealand. 13.6%. Screwcap. Source: restaurant wine list.
My mild aversion to Sauvignon blanc, was easily overcome by the words Clos Henri. I've read much, but till today tried none of the wine. It's a lovely story and a compelling marketing tag. A Frenchman from Sancerre, and a well regarded line of wine makers, in New Zealand making Sauvignon.
The wine itself is very interesting and quite apart from what you would normally associate with Marlborough. Whilst clearly pungent, wild and varietal, it has a different accent, with pear to complement the grass and gooseberry. Textured and ever so slightly oily, this is satisfying, brisk and full of nuance.
I recently made a few Beaujolais suggestions here. It appears from the ‘complaint’ below, that rather than recover their position and take a forward-looking view, they would rather wither and die… Jean-Paul Brun’s Beautiful 2007 Beaujolais l’Ancienne Denied the AOC Beaujolais! Can you imagine the stupidity! “Jean-Paul Brun just learned that 5,222 cases of Beaujolais [...]
Peter Liem is the second Wine & Spirits Magazine writer to take up blogging, beating his colleague Wolfgang Weber to the punch by a couple months. Peter's personal blog, Besotted Ramblings and Other Drivel, has a certain derogatory ring to it, but please don't let this fool you. Peter is W&S's Senior Correspondent based in Champagne, giving him a unique and insider perspective particularly on the European wine scene. I learned about Peter's Blog from Brooklyn Wine Guy who highly recommended it and I was not disappointed. Peter's Besotted Ramblings are likely the best source of information on the Champagne wine region and Champagne the product on the net. It's an education in the waiting. Peter was kind enough to agree to be Bloggerviewed.
1. When did you begin blogging and why? I started my blog in November of 2007, mostly because I was living halfway around the world from the majority of my friends, and it was an easy way to stay connected. It?s since grown into something beyond what I anticipated, and I find that I enjoy writing it.
2 In two sentences describe the focus of your wine blog. I?m fortunate in that I?m based in one of the most dynamic and intriguing wine regions in the world, constantly surrounded by wine, vineyards and winemakers, and my blog allows me to develop ideas about issues and random bits of information that I encounter from day to day. My goal is to keep it mostly about champagne, but as I travel fairly regularly, I also end up writing about other things that I happen to be drinking or eating at the time.
3. What sets your wine blog apart from the pack? You mean other than its babbling incoherence and child-like grasp of HTML? Seriously, I suppose that one unique element of my blog is that among people blogging in English about champagne, I?m one of the very few who actually live in the region, and among those I?m the only journalist, as far as I know (the rest are winemakers or connected with wineries). Both of these things shape my perspective in particular ways.
4. How would you characterize the growth in your readership since beginning your blog? It?s been shocking, really. Each week surpasses the previous one. I don?t look at my stats a lot, mostly because I use Blogger, which doesn?t have an internal stat counter. But whenever I do, I think, ?Damn, where did all these people come from? And don?t they have anything else better to do?? 5. Do you accept sample for review? Well, most of my tasting is done at wineries, so I suppose that tasting wine "sur place" constitutes accepting samples in some way. I don?t feel any sort of conflict of interest, since I?m not actually reviewing wine, nor do I feel compelled to write about something just because someone opened a fantastically expensive or rare bottle for me. The whole point of having a personal blog is so that I can write about whatever I want to write about.
6. What kind of wine rating/review system do you use and why? I don?t. At my day job I?m required to use the 100-point scale, which I like to think that I can wield competently as a professional. Personally, however, I don?t believe in numeric scoring, although I recognize the need for a system to communicate a concept of quality, if you?re going to be in the business of reviewing wine. Fortunately, my blog isn?t about reviewing wine, and it certainly isn?t about rating wine. It?s more about establishing a context in which to place the wines that I write about, creating a backdrop so that the reader is better empowered to assess these wines for himself or herself.
7. How do you fit the maintenance of your wine blog into your daily schedule? It?s a sort of mental exercise, usually in the morning. I don?t like spending much more than fifteen minutes on a post ? I?ll pick a sufficiently narrow topic and try to make myself write whatever I have to say within the allotted time. As I often spend much of my day writing other things, it?s a nice change of pace to write a short, focused post on something that I?m interested in.
8. Have you utilized any particular techniques to successfully market your blog? I?ve done absolutely nothing to market my blog. In fact, I think the only thing I?ve ever done that could remotely be considered marketing is registering on Technorati. I must be the worst self-promoter in the entire world.
9. In your view how, if at all, is blogging different than traditional wine writing for print? As others have said, a blog connects you with your readers in a much more immediate way than print journalism. For one thing, you can write much more frequently, and your writing is delivered instantaneously to your audience, which offers huge advantages. When I write for print, sometimes it won?t be read until several months later, which has an impact on both how you write and what you can write about. Also, one of the most valuable things about blogging is a direct interaction with your audience, via comments, e-mails and the like, and it?s very rewarding to exchange ideas in this manner.
10. Which other wine blogs do you read regularly? I browse whenever I can, generally around the blogs that I?ve linked to on my site. I like Brooklynguy?s well-written and down-to-earth Wine & Food Blog. Dr. Vino is always a fantastic source of information, and generally a hoot to read. Wolfgang Weber?s Spume is intelligent and entertaining, not always about wine but that?s a good thing. I also like Ray Isle?s blog at Food & Wine ? he?s the best writer I?ve ever worked with, as well as an all-around great guy.
11. Do you believe wine blogs have made any marked impact on the wine industry or wine culture? I can?t say that I see a big impact on the industry. On wine culture, I suppose that it gets more people engaged in a dialogue about wine, whether they?re reading or writing. I think that blogs still occupy a fringe element rather than the mainstream, but their presence and influence is only going to grow.
12. Vacation: Paris or the Caribbean? I would say Paris, except that I live close by and am there quite regularly, so it doesn?t feel like much of a vacation to me! I do love the city, though. For a proper vacation, I try to remove myself completely from Europe and North America, with Asia being a preferred continent to wander in.
13. Pet: Dog or Cat? Cats, unquestionably. They are by far the more civilized of the two. I?ve been in too many places in the world where I?ve had to carry a pocketful of rocks to fend off canine marauders. In Vietnam, however, I exacted my revenge upon the canine race when I ate dog prepared three different ways, including a boiled paw floating in soup, nails and all. It was a very Lance Henriksen in "Dead Man"sort of moment. 14. Airplane Reading: New Yorker or People? The New Yorker. In fact, it?s become something of a ritual for me ? when I fly I almost always have both the New Yorker and Wired in my bag. One of the things I love most about flying is that it frees me of all duties and obligations, and I have absolutely nothing to do but sit there and read a magazine.
15. Car: Prius or BMW? A Prius would be a blessing, with gas prices the way they are here in Europe. Although as my current vehicle is a Peugeot 206, I would be thrilled to drive either a Prius or a BMW. The French make many wonderful things, but automobiles are not exactly their strong suit.
16. Chablis or California Chardonnay? Chablis, without a doubt. I?m an old-world, old-school, cool-climate, rocks-and-minerals sort of guy. I guess I sort of have to be ? I live two hours <I>north</I> of Chablis. 17. Describe what you would have at your last meal? I would have Kouei Furukawa, the kaiseki-trained chef of Shokkan in Tokyo?s Shibuya district, make me a multi-course extravaganza from whatever he found at the market that morning. I?d bring a ton of champagne, of course, as well as an ample supply of sake, and try out all sorts of combinations with Furukawa-san?s exquisitely elegant and refined cuisine.
18. What is Heaven Like? Of course the champagne flows freely, and by some miracle it's all organically grown. The views are spectacular, rather like sitting out on the patio at the Ventana Inn in Big Sur. The chefs are Japanese, and the sommeliers probably are, too. And on the television, Arsenal is perpetually thrashing Manchester United, over and over again for the rest of eternity.
19. If you could invite 4 people dead or alive to your fantasy dinner party, who would they be and who would you have bring the wine? There are many famous people living and deceased whom I might choose, but I?d have to say that my group of friends in Portland, Oregon, who all have fabulous cellars and are all complete wine dorks, will always be my favorite dining companions. Unfortunately we hardly ever get to see each other these days. There are more than four of them, but so be it.
20. What advice would you give to someone considering starting a wine blog? Don?t use Blogger! Just kidding. I think it?s important to remember that while writing on the web allows you to be more casual and relaxed than writing in print, the rules of good writing still apply. Write with a purpose and keep your audience in mind. It doesn?t have to be Pulitzer Prize-worthy, but it ought to have a point ? writing ?I drank this last night and it was yummy? is not very useful to anybody, plus it?s boring.
One of New York?s most renowned and important collectors celebrated his 50th birthday in fine fashion recently at Bouley?s private ?Test Kitchen? here in New York City. David was at the top of his game for the twenty-some-odd courses that came out. Although the tables were set, it ended up being more of a cocktail [...]
It?s been a very busy week, but after my nice catching up session with Google Reader, here are some treasures worth noting from the RSS pileup:
1)Catavino?sRioja Report and EWBC 2008:Gabriella and Ryan over at Catavino have made a labor of love?an ambitious sort of compendium that is all things Rioja.From regional gastronomy to what else? Los vinos!You can find maps, profiles of wineries, beautiful photography and even a comprehensive explanation of Rioja labeling practices.I also found their buying guide particularly valuable and look forward to bringing it along on some shopping trips in the near future.This kind of stuff is a privilege to be able to look at when you consider other ?regional reports? published by people with a sense of entitlement to wine travel and $60+ annual subscription fees.Ryan and Gabriella are accountable for their material, actively and genuinely elicit and value readers? opinions, suggestions and evince passion for this stuff, so go ahead and bookmark them.
3)Remember Mr. Show?s Worthington Law applied to wine?Looks like the research findings from that CalTech/Stanford study published earlier in the year have been further validated.Working Paper No, 16, published by the American Association of Wine Economists details a new study in which people generally preferred less expensive wines, unless told by researchers of course, that a wine was particularly expensive.
4) If you read Spanish and want to stay up on the latest happenings in the Mendoza wine industry, you may want to bookmark El Blog de Vinos de Argentina.I have been reading their blog for some time now and have found it more and more valuable in terms of getting an inside track on what they?re thinking in Mendoza.As an Argentine, I?ve become a bit tired of receiving my Argentine wine industry news solely from the perspective of English-language consumer magazines.In the Argentine wine-sense, I?m approaching the sort of frustration many over here are feeling with news sources like CNN and FOX?it?s unfortunately limited for my needs.I may not be alone in wanting something like this?I really feel that things would get interesting if insiders from many wine regions only generally covered by shiny-cover magazines began communicating their perspectives directly to readers in a couple of other languages.
5) I would like to issue a preliminary warning before checking out this final note...it is cringe-inducing. I caught this on an Argentine website related to wine news. You'll click on the link and notice the article is written in Spanish, but that won't deter you from making the appropriate inference...Madonna will be contracting some local producer to lovingly craft her own label of Malbec. My comments? Oh hell no. Truthfully though, the nausea actually set in when I read that the label will reportedly be named after "Evita." Whether you are a foreigner and think Evita was a great person or an Argentine who may have the courage to speak up and express a more balanced perspective for the legacy of this famous political figure, one thing's for sure, Madonna could have chosen ANY OTHER variety cultivated in ANY OTHER country. Why us, oh God why us?
Orogeny Russian River Valley Chardonnay 2004 $22 Rabbi Tuchman says: We were invited to a friends house for lobster on Father’s day. Yeah, it’s a tough gig. Since we tend to drink more red wine, it was my mission to pick up some Chardonnay while I was out shopping for the meal. I tend to struggle [...]
Clean and fruity, with apple and toffee character and a hint of papaya. Full-bodied, with good fruit and a lively finish. Catarratto and Chardonnay. Drink now. 20,000 cases made.
MAN, out of Stellenbosch, produces my quick intelligent value weekender vino.I?ve always fallen easily for a wine with an underlying story.You can read all about the guys here, since I won?t pull off the usual wine blogger thing and claim that I?m writing original content that was subsequently re-hashed from producer?s websites.Oh and yes, I publish boring tasting notes which are only meant as a rough guide/tool for people to assess how much they?d probably like the wine?so deal with it and try the wines for yourself.
At any rate, the MAN 2005 Pinotage, sourced from Perdeberg Hills (Coastal), is a very pleasant surprise. I remember being in London last year, trying many of the paltry £4,99 South African wines available in major supermarkets. Small clarification?I?ve had very nice supermarket selections there, though I wasn?t lucky enough to stumble upon wines like these?unexpectedly balanced and satisfying for the price-point ($5.99).If you must buy a wine this inexpensive, you?d always hope for a comparable standard.Unlike some of the other cheaper reds which gratuitously used terms such as ?barrel-aged? on the back-labels, MAN openly discloses their use of oak staves for maturing part of the wine, in addition to fining and filtering.As I mentioned before, you can read the technical sheets on their website.Now, for the sake of consistency, if I can just get my hands on the other wines in their line?wouldn?t it be something if the other varieties were quaffable at $5.99?
Visual/Aromatic Profile:Medium ruby with translucent edges in the glass.The nose is clean, with pronounced intensity of the predominant red fruit (red cherry & plum), soft earth, spice and minerality.
Texture and Finish:Dry, with medium acidity, medium tannin and high body.Bold plum and red cherry sweetness are accompanied by pepper, spice and stony minerality.The spices, minerality and soft earth lead into the interesting medium finish.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
Hmm. I wonder if anyone even bothers to stop by any more, even if it's just to note my conspicuous absence.
Lots going on, folks.
Thanks to all who wished the Chef and me well last month on the anniversary of our wedding.
On a similar note, best wishes to Scott and Jill on their nuptials last weekend. Such a beautiful party.
And, of course, there's the wine goings on. Much to do here in Northeast Ohio, especially this weekend. If you felt let down by the Tribe's oh-so-typical performance this year, you can return to Jacobs Field in Cleveland this weekend, Nov. 2-4, for a much happier occasion. It's the Heinen's/WVIZ World Series of Wine , a perennial joy for wine novices and aficionados alike. It really doesn't get much better than the grand tastings ($70-$75 a person; purchase tickets in advance). More than 400 wines, 100-plus producers, stellar munchies, unparalleled people watching. You'll find lots of opportunities to speak with winery and distributor representatives to get the real dirt on what you're tasting.
It's hard not to over imbibe with so many wines to try, so take a cab or a limo or book a hotel room. Some downtown Cleveland hotels are offering packages specifically for the occasion.
This is easily the biggest wine event of the year for Northeast Ohio. Oh, and it benefits public broadcasting, as if you needed another reason to go.
Nuits St George, Burgundy, France. 13%. Cork. Half bottle. Approx $A40.
Quite similar to the last De L'Arlot I had, though with perhaps a little more softness and flesh.
Lovely initial burst of rose petal, perfume and sap, before settling into a more earthy and understated repose. Like its sibling, there is a note of ginseng, though as mentioned I thought this was more rounded and plump. The softness is evanescent and soon replaced by something more meaty and firm.
GrapeRadio is proud to announce that it has won the award for “Best Wine Podcast and Video Blog” from the American Wine Blog Awards. A panel of wine industry insiders selected the finalist in each category and the winners were then selected by popular vote of the listening public. So thanks again to all of our listeners.
Summary of all Winners:
BEST PODCAST OR VIDEOBLOG Grape Radio The crew that produces Grape Radio deliver one of the finest wine radio shows in America. And they have for quite some time. In my mind, what sets them apart from other wine related radio broadcast, be they originating on the Internet or via broadcast, is their willingness to treat their listeners with the respect they deserve, not talking down to them and not assuming they all need remedial education. The American Wine Blog Awards is hardly their first piece of recognition. The Grape Radio crew is now twice honored as a James Beard Award Nominee.
BEST WINE BLOG WRITING Vinography www.vinography.com Last year Alder Yarrow’s Vinography took the prize for Best Wine Review Blog. I consider this award offering even broader recognition to what has become the standard bearer of the wine blogging effort. Alder has not built a substantial readership based on marketing and promotion. He’s earned it through his thoughtful, insightful writing and analysis.
Tecnorati
After five long days in Verona, and our after work gatherings in the local restaurants, the wine trails after Vinitaly 2008 led us to an array of wonderful restaurants. I have listed them below, with the exception of the little osteria in the hills above Trento. That one is my little secret.
Peter Liem is the second 
