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Mongrain Glass makes beautiful and fancy wine glasses. James Mongrain is the artist behind this beauty. The thing that impresses me most about James Mongrain is that he has worked with Dale Chihuly since the late 1990?s. Dale Chihuly is a world class glass artist.
I looked through the Mongrain Glass website at the pictures of fancy wine glasses. The white glass goblets were magnificent, as were the chartreuse and yellow. I looked further at the Solid Series and there were more fancy wine glasses in blue, pink and the prettiest black glass I?ve ever seen.
James Mongrain and Mongrain Glass have so many fancy wine glasses for sale. It is important to keep in mind that each of the pieces is handmade and one-of-a-kind. If you want to order any of the Mongrain Glass fancy wine glasses, you need to e-mail or call with your order.
Mongrain Glass has a series of fancy wine glasses called the Creature Series. These are so beautiful. The stems of the fancy wine glasses are creatures like swans and sea horses. There is one design in particular, that has a frosted look to it. There are even dainty flowers around the base of these fancy wine glasses.
The Modern Venetians line of Mongrain Glass fancy wine glasses are very sophisticated in appearance. The glass detail work brings lace to mind because of its intricacy. I would have a very hard time trying to choose which line of Morain Glass fancy wine glasses I wanted. I actually like them all.
In addition to fancy wine glasses, Morain Glass makes commissioned pieces of art. Some of the pieces pictured in the gallery on their website were very large. There are no prices listed on this website, but these look like they cost many thousands of dollars.
Fancy wine glasses really do seem to be a small part of what Morain Glass does in their studio. I found a picture of a piece of art entitle Vortex. Vortex is described as a 7-foot stainless-steel slice of sensuality. The foundation of this piece of art is set in steel and a collection of glass forms illuminate neon light from within. The union of glass and steel in this piece of art is somewhat of a contrast, both in form and idea. Glass and steel are two distinct elements that have been joined so intimately it?s as if they are one.
The specific origins of the name are unclear, but it is known that Pinot Noir appeared in the Cote d?Or prior to the 14th century, possibly as early as the 5th century B.C.
I wrote this post in advance, knowing that I'd probably have to throw it up here at the last minute and sprint. Things might be a little erratic around here for the next couple of weeks, thanks to a new addition to the Vinography family.
See what happens when you drink wine? Let this be a lesson to you. A few good nights with a few good bottles, and nine months later? Pop. Just like a cork.
So we're off to the hospital with a bottle of Krug, and you probably won't see a post here for a few days while we get to know our daughter, Sparrow Lieu. I know it will be tough, but you'll just have to hang in there without your daily dose. Perhaps you can wait in anticipation that my tasting notes will go off the deep end as I'm making them in a state of complete sleep deprivation when I resurface. Lord knows I'll need a good glass of wine.
The warm days of summer are almost upon us - time to break out the white wine. Versatile as an aperitif and food-friendly, Sauvignon Blanc is as varied in style and complexity as are completely different ... via Well Fed Network
Wine is all about the senses. About sensory evaluation, sensuality and consensual enjoyment. And wouldn't it be awful to lose your sense of taste, of smell, of touch, of sight?
It happens. Years ago, a wine-loving colleague went through a devastating course of chemotherapy to treat cancer and was cured. Afterwards he told me he had permanently lost his taste for wine. He sold his not inconsiderable cellar soon afterwards. Another friend had an operation on his nose that left him without a sense of smell. He'll drink a glass of wine with dinner but admits to being indifferent to its finer points.
I was reminded of this aspect of wine and the senses recently while listening to a wine expert banging on about the unimportance of colour in wine. If I heard him correctly, his thesis was that if the wine smelt and tasted good you shouldn't worry too much about its colour.
I couldn't disagree more. I love the colour of wine in the morning, or the evening. The crystal clear, green-hued glisten of a young riesling; the black cherry colour of a young shiraz; the vibrant inky purple of a Coonawarra cabern? [enough already! - Ed.] The visual appeal of wine in the glass is to me an unmissable part of wine drinking.
The banging on wine person finally admitted to being colour blind! They used to call this attitude making a virtue of a necessity.
And talking of sensory evaluation Long due for reassessment is the ancient scoring system used at most Australian wine shows. The one where wines are scored out of 20 - with a possible three points (15%) awarded for appearance, seven (35%) for bouquet and ten (50%) for palate. Anyone who's ever had a cold will tell you that smell is probably the most important sensory sensation where wine is concerned. When people have colds they typically complain, ?I can't taste a thing.' What they really mean is, ?I can't smell a thing.' It's their noses that are blocked up - not their mouths.
I realise that many judges just award an intuitive score out of 20 rather than individually scoring each component and then adding up the total. Nevertheless, I'd re-jig the weighting thus: three points (15%) for appearance, nine (45%) for bouquet, five (25%) for palate and three (15%) for overall finesse and balance. Whether the scoring system is out of 20 or 100, or whatever, the percentage weighting would remain the same.
2002 Grosset Watervale Riesling ? A little bit shy on the nose, but some citrus and floral characters can be noted. Palate has racy acid but is beautifully balanced. Full and long. Lovely wine, drinking well now. 91/100
1989 Jeffrey Grosset Polish Hill Riesling ? Honey, toast and ginger on the nose. Palate is tired, with some prickly acid and rapidly fading intensity. 81/100
1995 Penfolds Yattarna Chradonnay ? Honey, butter, some caramel and pine aromas. Nice richness to the palate with good carry across the palate. 88/100
2003 Te Kairanga Reserve Pinot Noir ? Stalk, liquorice, raspberry and sour cherry. Interesting texture, with lots of rich fruit leading into a dry finish. Not really my preferred style. 86/100
1968 Lindemans Reserve Bin 3820 Auburn Burgundy Hunter Coonawarra Clare ? Sweet perfume, leather, earth and raspberry. Soft, delicate palate. A lovely, fully mature wine. 89/100
1996 Henschke Lenswood Abbotts Prayer Merlot ? Briary, ash, graphite and chocolate. Medium bodied, with medium length but some alcohol sticks out and disrupts the line of the wine. 85/100
2001 Domaine Bruno Clavelier Chambolle-Musigny 1er Cru La Combe d’Orveaux Vieilles Vignes ? Lovely perfumed nose, black fruits, some earth, cherry and floral notes. The acid on the palate stands out a bit, although the structure seems good otherwise. Short to medium length, probably just struggled among the bigger wines surrounding it tonight. 87/100
2001 Brokenwood Graveyard Shiraz ? Sultana, smoke and earth. Palate is dry and spicy, with the acid sticking out over the fruit somewhat. Disappointing. 85/100
1996 Leasingham Cabernet Sauvignon Classic Clare - Mint, blackberry, vanilla and blackcurrant. Rich fruit to the palate, long and bright. Very young still. 88/100
2004 Henry of Pelham Riesling Icewine ? Nice nose of peach, apricot, citrus peel and mandarin. Palate is rich and very sweet. Quite simple, but enjoyable as long as the massive sweetness isn’t an issue for you. 89/100
NV Buller?s Rare Muscat ? Raisin, spice, tea leaves and some alcohol showing. Softly sweet on the palate, not as complex as previous bottles but still very nice. 90/100
"An international consortium, drawn from FIVS membership, is developing a wine industry green house gas calculator which looks as all aspects of the wine supply chain"
The Wine and Spirit Trade Association will next week launch a new online tool is says will allow the industry to better assess how much of environmental impact transportation has on their operations. via FoodNavigator
Kansas City, there I came, for an evening of 1947 Bordeaux assembled by one of the Midwest?s top connoisseurs, Mark. When it comes to Kansas City and wine, there is only one Mark. It was actually a wine weekend, but I could only get away for a Saturday night due to a June catalog production [...]
The roots of Taittinger date back to 1734, when Champagne merchant Jacques Fourneaux established his company. The business prospered through the 19th century, ultimately Fourneaux-Forest merged with the Taittinger family, who retained control.
Join us as we accompany Cellarmaster Loïc Dupont through the famous Taittinger cellars, located in Reims on the site of Gallo-Roman chalk mines dug during the 4th century, and enlarged in the 13th century by the Saint Nicaise Abbey monks to provide storage for the Champagne wines which they traded in. Remains of the Abbey, which was destroyed during the French Revolution, are still visible today throughout the tunnels, in an excellent state of preservation.
Open-textured, silky and appealing for its cherry and plum flavors, shaded with coffee and bittersweet chocolate notes, which come up stronger on the finish. Drink now through 2012. 4,000 cases made.
Whether you're envisioning open-air fields of grapevines or the intimate mystique of a wine cellar, there's something thoroughly romantic about a vineyard wedding. via Today's 6
Tequila. Whether it conjures images of swarthy, ammo-strapped banditos sidled up to the bar in a captive Mexican border town or fantasies of idyllic hours in hammocks on tropical vacations, the word tequila is perhaps the most evocative in the drinker's lexicon.
Tequila's siren song is mysterious and sexy, with a hypnotic off-key recklessness. She lures you in by seducing your mind, secure in the knowledge that your body - and taste buds - will have no choice but to follow.
While this exotic spirit has tempted drinkers around the world for centuries, few of us who make margaritas a staple of summertime understand or appreciate the journey tequila has taken from Mexico's highlands to the local supermarket shelf. It's not all blender drinks and body shots. Tequila has a long and increasingly turbulent history - one that's almost as complex as the spirit itself.
Once Upon A Time In Mexico...
The tale of tequila is at least as long as the history of Europeans in North America. The spirit's precursor, mezcal wine, was produced shortly after the Spaniards arrived in the New World in 1521. Unaccustomed to drinking plain water (which, in their European homeland was rife with bacteria and bugs, and often a one-way ticket to the plague pit), the Conquistadors were eager to create a new alcoholic beverage. They found the makings at hand in pulque, a nutrient-packed brew derived from the fermented sap of agave plants, which had been a staple of the native diet millennia before the arrival of these thirsty men. The Conquistadors set to work distilling pulque into a drink considerably more potent, and in less than a century they were cultivating local agave and turning pulque into mezcal wine for exportation back to the Old World. Fortunately for generations of drinkers that followed, the Conquistadors never did know how to leave an indigenous people's traditions well enough alone; mezcal wine eventually evolved into the treat we now call tequila.
Though the origin of the word itself remains a mystery, it's believed that tequila was named for the small town of Tequila in the Jalisco state of Mexico. The "Father of Tequila," Don Pedro Sanches de Tagle, Marquis of Altamira, saw the potential for this potent liquor and established the first tequila factory in his hacienda in 1600. Over the next hundred years, tequila was used for everything from generating taxes for public works to curing New World illnesses. It became so popular, in fact, that Spain's king began to worry about the competition tequila was causing, and in 1785 banned production of all spirits in Mexico in order to promote the importation of Spanish wines and spirits. Unwilling to give up their livelihood to a monarch an ocean away, makers of mezcal wines simply continued their trade in secret - at times literally baking agave underground - until the ban was lifted when King Ferdinand IV took the throne the following decade.
The tequila manufacturer who remains perhaps the most famous today, Jose Antonio Cuervo, was the first licensed manufacturer in Mexico in 1758. His family's Casa Cuervo proved very profitable, by the mid-19th century boasting fields of over three million agave plants. Cuervo was the first distiller to put tequila in bottles instead of barrels, selling the first in 1906. Though other tequila distillers rose to compete with Cuervo and continue to join the market today (perhaps the most notable being Sauza), pioneer Cuervo remains the world's largest tequila manufacturer.
Improvements in transportation during the 19th century helped take the fruits of Mexican distillers' tequila labor into North America and beyond. As its popularity increased beyond Mexico's borders, tequila also experienced a growing reputation within the country during the revolution of the early 1900s, when the drink became a symbol of national pride. Caught in a nationalistic fervor, Mexicans quickly cast aside imports in favor of home-grown products of all kinds. Before long, tequila became synonymous with hard-living, fearless gunslingers like Pancho Villa - heroes of the era. In America, the Mexican favorite experienced a surge in popularity during Prohibition, when thirsty drinkers were tempted by tequila smuggled across the border, and again during WWII, when hostilities made European imports scarce.
Legend has it that the drink tequila made famous, the margarita, was first mixed in Mexico or a nearby state sometime between 1930 and 1955. The cocktail made its way into gringo hands, and no lime or Mexican flag on a toothpick has been safe since.
Don't Call It Cactus
Though often confused, mezcal and tequila are not one and the same. Both are distilled from the agave plant, a succulent from the same family as the lily and the amaryllis, but only liquors made from the blue agave are called tequila. Contrary to popular belief, agave is not a cactus. Though agave shares a common habitat with many prickly cacti neighbors, it has a different life cycle, and there are 136 Mexican species in its own unique agave family.
The process of creating tequila begins when the blue agave plant ripens, usually eight to 12 years after planting. Because the plant must be ripe enough to have sufficient sugars for fermentation, a jimador first performs the crucial task of chopping leaves away from the plant's core to assess its ripeness. If the plant is deemed ready, the core - or piña - is cut away and taken to a distillery for roasting in furnaces called hornos. After roasting, the piñas are shredded, and the juices pressed out and placed in vats or fermenting tanks. Once in the vats, yeast is added to the juices to convert the sugars of the agave to alcohol. These agents are so vital to the process and to creating unique tastes in tequila that distillers keep very tight-lipped about their individual yeasts. The resulting juices then ferment 30 to 48 hours before undergoing distillation twice. The outcome is a rich, potent, colorless liquid between 70 and 110 proof. The color comes later, brought on by wooden barrel aging, or from the addition of caramel or wood essence. In the final step of processing, most tequila is filtered through cellulose filters or activated carbon before bottling.
Protecting a National Treasure
Mexicans are understandably proud and protective of their national alcoholic spirit, and between World Wars I and II, the Mexican government began efforts to closely monitor production and distribution of tequila. In 1944, the government decreed that any product called tequila had to be made by distilling agave in the state of Jalisco. Today, there are only five regions where tequila can be legally made; most are in the semi-arid plateaus and highlands of Jalisco and the adjoining states of Guanajuato, Michoacan and Nayarit, and the northeastern state of Tamaulipas.
To help guarantee the quality of tequila, in 1978 the Normas Oficial Mexicana (NOM) was established, regulating all agricultural, industrial and commercial processes related to the spirit. Since then, the industry has continued to grow, with more than 50,000 hectares of agave under cultivation and more than 500 brands of tequila available today. To help control the burgeoning industry, the Tequila Regulatory Council (TRC) was founded in 1994 to oversee industry production, quality and standards.
The fundamental standard set by these oversight agencies categorizes tequila based on the percentage of blue agave juice it contains. Tequila 100 percent Agave must be made with solely blue agave juices and bottled in Mexico. Tequila or "ordinary tequila" must be made with at least 51 percent blue agave juices and may be exported in bulk for bottling in other countries according to the NOM standard.
Which tequilas are "best" is primarily a matter of individual taste. With increasing manufacturers pumping cash into spiffy packaging, sexy bottles and glossy ads, a more expensive tequila doesn't necessarily mean a better product. There are numerous quality tequilas available for $20-$50 USD. Most brands available for under $20 are usually mixto (not 100 percent agave) and are mass-produced for local markets. A good and tasty way to find a favorite is to sample a wide variety of brands in the different styles: Blanco for its young, rough edge and rich agave flavor; Reposado, which is sharp and peppery; and the woody, smooth Anejo. Trying to settle on a personal favorite is a good excuse to work one's way across the tequila shelf at the local bar, one bottle at a time.
Tequila's Uncertain Future
While tequila has a good-time reputation as the key ingredient of backyard fiestas and frat parties, there's a dark side to this South-of-the-Border libation. The popularity of Mexico's national treasure has, in some ways, caused tequila more harm than good. Growing demand has led to discontent among agave farmers who, in 1996, organized a protest against exploitation by some producers. Their blockade ultimately cost the industry millions, and the loss was passed on to consumers via price increases.
Another blow struck the tequila industry in 1997, when producer Don Jesus Lopez Roman was killed in a gangland-style execution outside his factory. Roman, whose Tequila San Matias distillery was founded in 1884, had become unpopular after taking a vocal stance in support of bottling all tequilas in Mexico and banning bulk exports to ensure content and quality. His murder remains unsolved.
If labor disputes and murder aren't enough, a recent plague of pests, diseases and impending shortage of agave has led to potential crisis. Faced with spiraling agave costs, several distillers have discontinued their low-end brands to concentrate on their premium, higher-priced tequilas. The buzz among bartenders is that as availability of blue agave declines, the price of tequila will rise and quality may not go along for the ride.
But those who love tequila for its unique, sultry taste and colorful history won't be dissuaded by these natural and man-made dramas. As the Conquistadors discovered, once you've been captivated by this ancient spirit, there's no turning back from tequila.
RECIPES
True aficionados say the only way to enjoy tequila is straight up, but these tasty recipes are definitely worth a shot.
1 1/2 oz. tequila 1 oz. Galliano 1 oz. Blue Curaçao Cream
Shake tequila, Galliano and Curaçao with ice, and strain into cocktail glass. Float cream on top.
How to Drink Tequila
Leave lime-and-salt shooters to the chain restaurant happy hour and sip tequila slowly. This is a rich, complex liquor that deserves full sensory attention.
Serve tequila at room temperature (though those who like it icy can keep a bottle in the freezer).
Enjoy Tequila Blanco and Reposado from a traditional "caballito" glass; sniff the aromatic Anejo from a snifter.
Serve up Blanco and Reposado with a "sangrita" made of tomato and orange juice with salt and chili.
When drinking tequila on the town, ask your server to bring the bottle and pour it in your presence to be sure you get the gusto you deserve (and the brand you actually ordered).
What About That Worm?
Everyone's heard tales of folks who ate the worm in a bottle of tequila and were rendered temporarily able to glimpse into a parallel universe. Truth is, tequila worms and their supposed visionary properties are the stuff of Hollywood movies and high school urban legends. One will never see a worm in Mexican-bottled tequila, though some U.S. bottlers toss in a critter for novelty.
If you're really hankering for a worm with your booze, it's possible to find some types of mezcal that include a gusano or "butterfly caterpillar" in the bottle. Even this isn't a Mexican tradition. Those in the know say the addition of worms was a marketing ploy developed in the 1940s - the drinkers' equivalent of the toy prize in cereal boxes.
Women Wine Writers on the Web has an interesting library of links to women's wine newsletters, blogs, books and more. Definitely a recommended stop. And Jack and Joanne over at Fork & Bottle have a resource site with links to the best books, websites and wine maps. To find wines you're reading about at a shop near you, try WineSearcher. This free service will show you which stores have your target wine in stock, along with the price and ordering options. (A paid upgrade provides even more information.) Don't have the time to read wine blogs? But you'd like to...
Torbreck’s top shiraz – the Run Rig Shiraz, priced at well over $200 per bottle – is probably Australia ’s most hedonistic wine. It leaps out of the bottle like a rattlesnake, all fanfare and bite. It is, always, dangerously drinkable. It is thick with flavour and accented by sweetness, its spicy, gravelly, smoky complexity ramping its class through the roof. There’s always been a question mark though: this tastes so bloody good the day it is released – what happens if you stick it in the cellar? Is it Australia ’s best early-drinking wine, or will it develop and evolve if given time? A tasting in the Barossa Valley recently of every vintage yet made of Torbreck Run Rig Shiraz (including the just-released 2005) threw a crust of clear answers.
More gewurtz. The good news is that this is an excellent wine. The bad news is that it is sold out. I thought I would review it anyway because it is worth reviewing and you might spot it on a restaurant list somewhere or other. This is barrel femented in old French oak and left on lees for an extended period. All very interesting and artisanal.
Aromas of lychee, ginger marmalade, musk and roses. On the palate a lighter more delicate style with flavours of ruby red grapefruit, peach, lychee, ginger and spice. Distinctly dry chalky texture. Not a big fat impact wine like many but rather more subtle, spicy and lean. Finishes with spicy grapefruit flavours. A food style with style.
I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home. A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961.
It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old.
The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air? I pour a glass to see what has happened to this 40-something wine.
The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear.
The taste and finish on this wine is surprising, still full of black cherry, truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse. It is an Amarone at its heights. Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future.
SUSAN'S NOTE:
This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all.
And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas.
(Photos of Maria Callas and Sophia Loren are both dated 1960, only a year before this wine was produced.)
Rich nose of crushed blackberry, spice, and a layer of dusty earth
Dense, fruity core
Moderate tannins on finish with raspberry, cocoa, spice, and pepper
Very nice wine! This wine costs $20 and is a step up from the delicious and simple "Vigne Nuove" label that prices in around $12. It's slightly more dense and structured, showing darker fruit flavors and more spice.
I rarely see this wine and should have grabbed more. The Montepulciano D'Abruzzo wines are common now, but almost exclusively just the entry level bottlings. It's unusual to see the next step up, such as this. Hope you find one. And raise a glass!
Anyone who?s read Blanc de Noir for long knows we?re both huge fans of Italian wines. There?s just something about the diversity, quality, and sheer fun factor of Italian wines ? whether it?s a casual summer patio sipper or a robust vintage to accompany a big, festive dinner or one of the meditative Amarones that are still way up there on our list of favourites.
So when BC Wine Appreciation Society decided to add a couple of Italian wines to an educational tasting scheduled just prior to the 2008 Playhouse International Wine Festival ? the theme country for this year?s festival was, after all, Italy ? Frank and our illustrious BCWAS leader, Tim Ellison, decided to add a twist to the event. How about putting up a couple of Italian wines with the usual BC vintages? Frank, however, took the concept one step farther.
Here?s the deal. From BC: three sparklers, four Pinot Grigios, two Pinot Noirs, a Cabernet Sauvignon, and a Merlot. From Italy: three Chiantis ? just three and all from Frescobaldi, one of Italy?s most respected winemakers (multi-generations shown above).
Here?s the catch. The Chiantis were bottled in 2004, 1982, and 1975. No, it?s not a typo. The last two came from the collection of Italian wines Frank recently acquired ? one of those fantastic opportunities that come about from being in the right place and the right time and having way more patience than most when it comes to negotiating.
Alas, on the night of the event, Frank was sick with flu, but you can bet eyes went wide as people realized what he?d sent.
The 2004 was, pretty much as expected, dark purple with lots of fruit and tannins that were more ?in your face? than makes for a good sipping wine unless you?re eating. But truth is, few people spent much time with that particular wine since they were all eager to try the two older offerings.
Immediately apparent was the change in colour ? now tawny with a much larger rim than the 2004. Controversy was plentiful and several people found neither one was ?quite my thing? as one member put it in an attempt to be diplomatic. The level of oxidization, especially in the 1975, caused raised eyebrows among half the folks there. It was virtually unanimous that the ?82 needs to be drunk now and the ?75 is clearly a bit past its prime ? although not a soul suggested it should be tossed.
However wide ranging the evening?s opinions were, one thing we all did agree on. These are wines made with love and benefit from patience.
Frank?s Tasting Notes: Castello di Nipozzano Riserva 1982 This wine has aged well, probably because it is a Riserva. After more than a quarter of a century there?s still lots of fruit left ? black cherry and dark fruits with a note of white truffles in the background. The tannins have smoothed right out so they are now a little silky, and the finish is fairly long. This wine shows just how well age can improve a Chianti. Alcohol 12.5%. All the bottles for both these wines are numbered ? I have 10 left, all around 84,960 series out of 293,600 bottles produced in 1982.
Castello di Nipozzano Chianti Rufina 1975 Sadly just a little past its prime but still drinkable as the acidity has helped this one hold up. Wide orange rim, brick red colour. Truffles leave sherry undertones. This vintage has shown a lot of bottle variation ? the fruit showed up a little more in this one than the first one we tried. Alcohol 12.7%. The last bottle I have left is number 74324 of 80,000 bottles produced.
A magnificent Malbec! It picked up a trophy at the inaugural Wines of Argentina Awards held in Mendoza in 2007, having wowed the international panel of judges - included among them wine expert Jancis Robinson, who gave it an impressive 17 out of 20. This mulberry and spice-flavoured red wine was made by Herve Fabre, who was originally involved in the Bordeaux wine trade, before he and his wife fell in love with Argentina and moved there to establish a boutique winery. Herve's experience in producing top quality wines shines through in this tremendously rich, silky-smooth wine. Ripe blackberry and bramble aromas merge seamlessly with spicy oak and vanilla flavours. Full bodied, yet seriously smooth and warming. This 89 Parker point wine is sure to survive for many years to come. Definitely a wine to enjoy with fine food ... try it with rare roast beef or a juicy steak.
Tecnorati
More gewurtz. The good news is that this is an excellent wine. The bad news is that it is sold out. I thought I would review it anyway because it is worth reviewing and you might spot it on a restaurant list somewhere or other. This is barrel femented in old French oak and left on lees for an extended period. All very interesting and artisanal.
