The Saleschick of the Year Award has been awarded to me.

And here's why: At a tasting in a southern suburb of Buffalo yesterday, I sold over a case of a 2005 Altesse.

You read right: Altesse.

I began each pour with the caveat of "I have to warn you, this is a weird one.." I went on to describe the odd almond/cheese/metallic notes that make it a partner for fondue and therefore gravy. I know, the two have NOTHING in common, but it worked, and I honestly do think it would pair well. One woman even bought four bottles, putting back the Chardonnay she was going to serve at Thanksgiving.

In a search for a photo of Altesse to go with this blurb, I re-found one of my favorite sites: The Wine Info Site. In addition to having photos of some supremely esoteric varietals (y'all can find those Hungarian grapes there, if you guys are reading this!), The Wine Info Site is apparently out of The Netherlands and the English translations are sometimes hilarious. Case in point: Altesse is a full-bodied grape variety with plenty of taste, for white wine. It is grown in the Savoie, France. This grape is also called Roussette and produces strong wines with a pleasant dosis of acidity and a herbal taste with a touch of mineral.

I do totally agree about the herbal taste with minerality, but what the schmeck is a 'dosis'? Is that the Latin plural of 'dose'? And I adore that Altesse has plenty of taste "for white wine."

The always erudite Eric Felten bemoans the Mimosa, “the official semi-alcoholic drink of brunch” as “an ordeal.” True enough because of OJ from a carton and cheap, off-dry bubbly. Then he spells out his recipe for success with the drink: freshly squeezed orange juice and good dry champagne.

In my limited cocktail making, I have come to learn that the fresher and better the ingredients, the better the cocktail. But I’ve also learned that there really aren’t that many great wine cocktails. While I agree in principal with Eric’s suggestion for the Mimosa makeover (though his suggestion of Veuve Clicquot is hardly the driest champagne around in these days of brut zero), I can’t bring myself to put OJ in my Bollinger (his second, and much better, champagne suggestion). If I have a fresh OJ and a glass of fine champange I’d rather enjoy them separately and never the twain shall meet. For me, it’s a nice dry cava or prosecco that is the best way to go with the fresh OJ in a Mimosa.

What do you say? Is the Mimosa where you’d put your Bollinger?

Image: istockphoto

Best of the wine blogosphere for April 7th through April 11th:

• looks like i’m back drinking the stormhoek kool-aid again
• Wine Pricing Could Stand a Correction
• WBW #45: Old World Riesling
• The Problem With Gary Vaynerchuk
• Randall Grahm of Bonny Doon, Interview
• Neal Family Vineyards, Napa: Current Releases
• Do wine blogs and expensive wine make a good blend?
• Substance and Wine-ing 2.0
• Wine Book Club ?Spin the Bottle? selection: Wine Across America
• Vin de Napkin and the Art of Missing the Boat
• Napa With Altitude Tasting: April 23, San Francisco
• An Audience With … Me
• Checking in on ?Hopes for 2008?
• Wine Bloggers Are Bought and Paid For
• Wine Book Club Reminders
• Vin de Napkin
• Death to the Fine Wine Retailers!
• Not So Big Zinfandel

At any rate, the MAN 2005 Pinotage, sourced from Perdeberg Hills (Coastal), is a very pleasant surprise. I remember being in London last year, trying many of the paltry £4,99 South African wines available in major supermarkets. Small clarification?I?ve had very nice supermarket selections there, though I wasn?t lucky enough to stumble upon wines like these?unexpectedly balanced and satisfying for the price-point ($5.99). If you must buy a wine this inexpensive, you?d always hope for a comparable standard. Unlike some of the other cheaper reds which gratuitously used terms such as ?barrel-aged? on the back-labels, MAN openly discloses their use of oak staves for maturing part of the wine, in addition to fining and filtering. As I mentioned before, you can read the technical sheets on their website. Now, for the sake of consistency, if I can just get my hands on the other wines in their line?wouldn?t it be something if the other varieties were quaffable at $5.99?

Visual/Aromatic Profile: Medium ruby with translucent edges in the glass. The nose is clean, with pronounced intensity of the predominant red fruit (red cherry & plum), soft earth, spice and minerality.

Texture and Finish: Dry, with medium acidity, medium tannin and high body. Bold plum and red cherry sweetness are accompanied by pepper, spice and stony minerality. The spices, minerality and soft earth lead into the interesting medium finish.

It’s been awhile since we really blogged. You know the original blog post, a wrap up of the blogger’s life and ideas that pop in their heads. Usually we write in a more educational manner trying our best to educate. Today is different. This weekend we had a perfect storm of visitors. Our old roommates from the good old days when we lived in Madrid were in town for the long weekend, which inevitably meant lots of fun foods and some unexpected card games of Liar. A wonderful weekend, as well as an opportunity throw down on a few meals since I had such an attentive audience. First night, it was port brined pork loin (that’s a mouthfull), followed by Country chicken paired with roasted purple potatoes and green beans with walnuts and cured ham the following night. Both meals deserved pictures and descriptions, but alas, the food disappeared before I had a chance. For those of you with a grill and some gumption, however, here’s how to cook the the Pork(everyone’s favorite)!

Combine in a large pot, or bucket, the following: 1 x3lb-5lb piece of whole pork loin, 1 bottle cheap Port wine(ruby), a few cloves, a few sticks of cinnamon, 2 bay leafs, a cup and a half of rock salt, a cup of sugar and half a nutmeg nut chopped coarsely. Cover the meat with cold water and let sit for approximately 8 hours.

When the meat has finished brining, get a very hot two stage fire going in your grill. Remove the pork from the brine and dry throughly. Quickly blacken the pork on the hot side of the grill, turning it so that the entire piece is all nice and charred. Then move the pork to the other side of the grill and place a lid on the grill. It should take about 30 minutes to cook, though it depends on your grill. Just keep an eye on it! When it’s done, let it rest for at least 10 minutes before cutting into thick chops. Enjoy!

Let me know if you try it out!

Saturday, we woke late, and Gabriella and I headed to a meeting with a small port producer who is looking to explore the world of Web2.0. Had a nice lunch filled with great conversation and plates of grilled sardines and shrimp along the sea. After several hours of excited banter back and forth, we’re already excited to visit their property in the middle of the Douro valley!

Saying our goodbyes, we then wandered our way along the coast filled with pale German and British bathers in the for the weekend, and into the center of the city to meet up with both our friends and my sister and brother-in-law visiting who were visiting from out of town. Our goal was to meander through the streets and enjoy a range of Tapas, which we succeeded in tackling rather quickly. The first place we stopped at had some of the finest “Bombas” drenched in a slightly spicy white sauce. Bombas are slightly spicy potato filled croquettes with bits of meat inside a crispy, fried bread shell. YuM!

Our second stop was a disappointment, though the food was quite good. We ended up in a place where the owner became too big of an influence on the ambiance, hovering around us, making awkward jokes just to fit in. That’s always tough, especially when you’d rather focus on your company than the waiter. How do you tell him to bugger off and just feed us some good food? The restaurant, Mam i Teca, wasn’t all bad, as the food was pretty good, but it may not be worth your while. Too small, uncomfortable seats and pushy service doesn’t really make up for a decent meal.

We did have fun though, and I had some nice pics result from the evening. Oh, and one new piece of information on my quest for Iberian Beer! I have a place to review. La Cerveceria located in the Gothic quarter is a serious beer joint that goes out of their way to bring good beer to Spain. I will be doing a full review shortly, but I just wanted to let everyone who was feeling badly for me know that I now have a Titan IPA, a Snakedog IPA, and a new Beligum that beer claiming to the be the Hoppiest beer of the them all! We’ll see!

Ok, till soon,

Ryan

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Sainsburys Taste the Difference Sancerre 2004 £8.54 has a round, fruity, open nose with a touch of minerality and a clean freshness. The good, underlying fruit with its tantalising honeycomb edges was somewhat hidden by the very high acidity on the palate. So I thought perhaps what it needed was some cheese to round it out...

First up Organic Wensleydale. This crumbly white is more texture than flavour but did fill out the wine and brought forward the fruit -peachy aromatics. The lightness of the almost cottage cheese texture really complemented the delicacy of the wine. There was a hint of a salty tang too.

Then Woolsery, http://www.woolserycheese.co.uk , this is a medium hard goat's cheese from Dorset and is so tasty. It was the best in combination with the wine too. The slightly salty creaminess perfectly cut the acidity of the wine down to size. The cheese had a decent level of acidity to it as well. It was grassy and had a goaty note but was not overly pungent. Great stuff.

Next up Vintage Gouda, the label didn't give a year or age though - perhaps this is cheese parlance that someone can enlightenment me about? This had a wonderful flavour, nutty, earthy, hay aromas, very fruity in fact. It is a dense and creamy cheese which cancelled out the acidity in the wine altogether and made it seem almost flabby! Not quite right together.

Finally Doux de Montagne, very like a Spanish Manchego with its subtle flavour and rubbery texture. It tasted slightly soured too but in a good way. The wine overwhelmed this cheese though and it had very little impact when tasted together.

Bloggerview #19
Who: Peter Liem
Blog: Besotted Ramblings and Other Drivel
Where: http://www.peterliem.com

Peter Liem is the second Wine & Spirits Magazine writer to take up blogging, beating his colleague Wolfgang Weber to the punch by a couple months. Peter's personal blog, Besotted Ramblings and Other Drivel, has a certain derogatory ring to it, but please don't let this fool you. Peter is W&S's Senior Correspondent based in Champagne, giving him a unique and insider perspective particularly on the European wine scene. I learned about Peter's Blog from Brooklyn Wine Guy who highly recommended it and I was not disappointed. Peter's Besotted Ramblings are likely the best source of information on the Champagne wine region and Champagne the product on the net. It's an education in the waiting. Peter was kind enough to agree to be Bloggerviewed.

1. When did you begin blogging and why?
I started my blog in November of 2007, mostly because I was living halfway around the world from the majority of my friends, and it was an easy way to stay connected. It?s since grown into something beyond what I anticipated, and I find that I enjoy writing it.

2 In two sentences describe the focus of your wine blog.
I?m fortunate in that I?m based in one of the most dynamic and intriguing wine regions in the world, constantly surrounded by wine, vineyards and winemakers, and my blog allows me to develop ideas about issues and random bits of information that I encounter from day to day. My goal is to keep it mostly about champagne, but as I travel fairly regularly, I also end up writing about other things that I happen to be drinking or eating at the time.

3. What sets your wine blog apart from the pack?
You mean other than its babbling incoherence and child-like grasp of HTML? Seriously, I suppose that one unique element of my blog is that among people blogging in English about champagne, I?m one of the very few who actually live in the region, and among those I?m the only journalist, as far as I know (the rest are winemakers or connected with wineries). Both of these things shape my perspective in particular ways.

4. How would you characterize the growth in your readership since beginning your blog?
It?s been shocking, really. Each week surpasses the previous one. I don?t look at my stats a lot, mostly because I use Blogger, which doesn?t have an internal stat counter. But whenever I do, I think, ?Damn, where did all these people come from? And don?t they have anything else better to do??

5. Do you accept sample for review?
Well, most of my tasting is done at wineries, so I suppose that tasting wine "sur place" constitutes accepting samples in some way. I don?t feel any sort of conflict of interest, since I?m not actually reviewing wine, nor do I feel compelled to write about something just because someone opened a fantastically expensive or rare bottle for me. The whole point of having a personal blog is so that I can write about whatever I want to write about.

6. What kind of wine rating/review system do you use and why?
I don?t. At my day job I?m required to use the 100-point scale, which I like to think that I can wield competently as a professional. Personally, however, I don?t believe in numeric scoring, although I recognize the need for a system to communicate a concept of quality, if you?re going to be in the business of reviewing wine. Fortunately, my blog isn?t about reviewing wine, and it certainly isn?t about rating wine. It?s more about establishing a context in which to place the wines that I write about, creating a backdrop so that the reader is better empowered to assess these wines for himself or herself.

7. How do you fit the maintenance of your wine blog into your daily schedule?
It?s a sort of mental exercise, usually in the morning. I don?t like spending much more than fifteen minutes on a post ? I?ll pick a sufficiently narrow topic and try to make myself write whatever I have to say within the allotted time. As I often spend much of my day writing other things, it?s a nice change of pace to write a short, focused post on something that I?m interested in.

8. Have you utilized any particular techniques to successfully market your blog?
I?ve done absolutely nothing to market my blog. In fact, I think the only thing I?ve ever done that could remotely be considered marketing is registering on Technorati. I must be the worst self-promoter in the entire world.

9. In your view how, if at all, is blogging different than traditional wine writing for print?
As others have said, a blog connects you with your readers in a much more immediate way than print journalism. For one thing, you can write much more frequently, and your writing is delivered instantaneously to your audience, which offers huge advantages. When I write for print, sometimes it won?t be read until several months later, which has an impact on both how you write and what you can write about. Also, one of the most valuable things about blogging is a direct interaction with your audience, via comments, e-mails and the like, and it?s very rewarding to exchange ideas in this manner.

10. Which other wine blogs do you read regularly?
I browse whenever I can, generally around the blogs that I?ve linked to on my site. I like Brooklynguy?s well-written and down-to-earth Wine & Food Blog. Dr. Vino is always a fantastic source of information, and generally a hoot to read. Wolfgang Weber?s Spume is intelligent and entertaining, not always about wine but that?s a good thing. I also like Ray Isle?s blog at Food & Wine ? he?s the best writer I?ve ever worked with, as well as an all-around great guy.

11. Do you believe wine blogs have made any marked impact on the wine industry or wine culture?
I can?t say that I see a big impact on the industry. On wine culture, I suppose that it gets more people engaged in a dialogue about wine, whether they?re reading or writing. I think that blogs still occupy a fringe element rather than the mainstream, but their presence and influence is only going to grow.

12. Vacation: Paris or the Caribbean?
I would say Paris, except that I live close by and am there quite regularly, so it doesn?t feel like much of a vacation to me! I do love the city, though. For a proper vacation, I try to remove myself completely from Europe and North America, with Asia being a preferred continent to wander in.

13. Pet: Dog or Cat?
Cats, unquestionably. They are by far the more civilized of the two. I?ve been in too many places in the world where I?ve had to carry a pocketful of rocks to fend off canine marauders. In Vietnam, however, I exacted my revenge upon the canine race when I ate dog prepared three different ways, including a boiled paw floating in soup, nails and all. It was a very Lance Henriksen in "Dead Man"sort of moment.

14. Airplane Reading: New Yorker or People?
The New Yorker. In fact, it?s become something of a ritual for me ? when I fly I almost always have both the New Yorker and Wired in my bag. One of the things I love most about flying is that it frees me of all duties and obligations, and I have absolutely nothing to do but sit there and read a magazine.

15. Car: Prius or BMW?
A Prius would be a blessing, with gas prices the way they are here in Europe. Although as my current vehicle is a Peugeot 206, I would be thrilled to drive either a Prius or a BMW. The French make many wonderful things, but automobiles are not exactly their strong suit.

16. Chablis or California Chardonnay?
Chablis, without a doubt. I?m an old-world, old-school, cool-climate, rocks-and-minerals sort of guy. I guess I sort of have to be ? I live two hours <I>north</I> of Chablis.

17. Describe what you would have at your last meal?
I would have Kouei Furukawa, the kaiseki-trained chef of Shokkan in Tokyo?s Shibuya district, make me a multi-course extravaganza from whatever he found at the market that morning. I?d bring a ton of champagne, of course, as well as an ample supply of sake, and try out all sorts of combinations with Furukawa-san?s exquisitely elegant and refined cuisine.

18. What is Heaven Like?
Of course the champagne flows freely, and by some miracle it's all organically grown. The views are spectacular, rather like sitting out on the patio at the Ventana Inn in Big Sur. The chefs are Japanese, and the sommeliers probably are, too. And on the television, Arsenal is perpetually thrashing Manchester United, over and over again for the rest of eternity.

19. If you could invite 4 people dead or alive to your fantasy dinner party, who would they be and who would you have bring the wine?
There are many famous people living and deceased whom I might choose, but I?d have to say that my group of friends in Portland, Oregon, who all have fabulous cellars and are all complete wine dorks, will always be my favorite dining companions. Unfortunately we hardly ever get to see each other these days. There are more than four of them, but so be it.

20. What advice would you give to someone considering starting a wine blog?
Don?t use Blogger! Just kidding. I think it?s important to remember that while writing on the web allows you to be more casual and relaxed than writing in print, the rules of good writing still apply. Write with a purpose and keep your audience in mind. It doesn?t have to be Pulitzer Prize-worthy, but it ought to have a point ? writing ?I drank this last night and it was yummy? is not very useful to anybody, plus it?s boring.

Although I missed the boat on this one completely, the results are in for the latest Wine Blogging Wednesday over at CorkDork. This month’s objective was to try new red wines from New Zealand. 31 bloggers participated this time! Check it out!

How many times have you bought a wine based on a promotional price?  Or bought multiple wines you didn’t really want because of a three for two type offer?  We may be all falling for “artificial promotions” that are anything but a good deal. 

According to a fascinating article in The Guardian, brought to our attention by regular Bottletalker Wine-Scribbler, up to 80% of sales of some wine brands are generated through “half price” offers that are anything but genuine.

There are some good quotes in the article from wine industry insiders confirming that what have long been speculated to be dubious “offers” are exactly that and give no real value to the wine drinker at all.

 Read more for the full story.

Just in case^? you were wondering; Matt Kramer (winespectator.com) writes:

You've probably been in this situation yourself. You're the one choosing the wines for a dinner with friends. You look at the menu and perform the usual mental matchups about what goes with what. But then, much more subtly?even furtively?you also do a mental matchup about which wines go with, ahem, the guests.
 
If you're a lover of Italian wines, especially traditional-style^? versions, you might find yourself in this situation more often than most.
 
This subject is not much discussed because it makes you feel like, sound like, or realize that you actually are, a snob. Nevertheless, most people who know their way around wine pay as much attention to the "who's drinking" as to the "which dish."
 
This lesson is often first (painfully) learned at the family Thanksgiving table. You trot out some of the treasures you've been hoarding for that special moment. Big^? mistake. Emergency wards are filled with wine lovers traumatized by watching guests guzzle their prized bottles like elephants at a watering hole.
 
I thought about this when deciding recently which wines to bring to a high-end Italian restaurant. A good host, by definition, wants his or her guests to feel comfortable. Our guests were, thankfully, wine lovers. However, that's not the same as wine savvy. No crime there, of course. But when the time came to reach for Barolo or even Barbera, my hand hovered over those bottles and then, Ouija board-like, moved to red Burgundy and California Pinot Noir.
 
Now, maybe it was timidity on my part. Perhaps I've lost my belief in the redemptive, even transformative, power of fine wine?never mind the grape variety^? or region^?. Surely a traditional Barolo can move not merely the uninitiated but even the unreceptive, especially when served with the right food.
 
I used to think so. Ask any of my long-suffering friends who have been subjected to my evangelical enthusiasm for, say, Gattinara. Or Recioto^? della Valpolicella. Or more bizarrely yet, the caramel-colored, sediment^?-rich delights of Italy's new-wave/old-way whites, fermented with skin contact