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Welcome to KitchenBoy.net to KitchenBoy.net Posted by kitchenboy under: About. First a little about myself, I am someone who loves to cook, bake and talk about all things culinary. I got my real start just over 15 years ago. After I married, I began to take a greater interest in cooking. I was concerned with making healthy food and found the best way to do that was to prepare it myself. Prior to meeting my wife, I did cook, but it was mostly steamed veggies and buttered noodles - single guy food, quick simple p
Welcome to KitchenBoy.net to KitchenBoy.net Posted by kitchenboy under: About. First a little about myself, I am someone who loves to cook, bake and talk about all things culinary. I got my real start just over 15 years ago. After I married, I began to take a greater interest in cooking. I was concerned with making healthy food and found the best way to do that was to prepare it myself. Prior to meeting my wife, I did cook, but it was mostly steamed veggies and buttered noodles - single guy food, quick simple p
I'd like to point you readers to an interesting post by Clark Smith, at his GrapeCrafter blog, about Natural Winemaking (yes, capitalized) and the role of yeasts in the winemaking process.
Clark spent some time recently at a wine industry event where panelists and the audience discussed the definition of what Natural Winemaking actually is. It comes as no surprise to me that the group couldn't achieve consensus around a concept that remains, as far as I am concerned, a broken metaphor (vinegar is natural, wine requires technological intervention).
One particular sticking point arose out of a discussion surrounding the use of commercial yeasts. Many proponents of Natural Winemaking, including those that practice Biodynamic winemaking eschew commercial yeasts in favor of the yeasts that are found on and around the grapes, citing their role in the concept of terroir. Some do not.
Smith, in particular, seems to favor commercial yeasts for all the reasons that winemakers usually do: they prevent stuck fermentations, they allow the winemaker more choices in how, where, and at what temperature the fermentation process takes place, and finally they avoid the sometimes nasty odors and flavors that can be byproducts of some natural yeasts.
Smith goes on to make quite an interesting argument, however. He alleges that those concerned with the expression of terroir are actually better served by commercial yeasts than by so called "wild yeast" or "native yeast" fermentations. By virtue of eliminating or reducing the aromas and flavors that are merely byproducts of the yeast itself, Smith argues, the terroir is more likely to shine through. The implication being that native yeasts actually obscure terroir more than they create it.
I'm entirely ambivalent about commercial yeasts in winemaking. I've had phenomenal wines made both ways. Frankly, most of the time I (and I would venture, most wine lovers) don't know what kind of yeasts were used in the wine I'm drinking. I recognize that 50 years ago, there were no commercial yeasts on the market, but I also accept that there were an awful lot of wines full of Brettanomyces and other uglies that made for unpleasant drinking.
What do you think? Yeast as terroir or yeast as tool?
This wine is wild and untamed! It has an exotic taste of berries and herbs, and is still quite tannic. After decanting, the wine softened a bit but continued to be chewy and dense. It also has a striking dark purple color, that looked beautiful in the decanter.
From a tiny region in Southern France, Bandol is made primarily from Mourvedre. The grapes are extremely ripe, but there's an underlying herbal tone that makes some of these wine taste almost wild and this is no exception.
I paid $32 for the bottle, and have seen it for as much as $40. If you're ready to do some exploring in France's lesser-known regions, look for a Bandol. And raise a glass!
PAUMANOK CHENIN BLANC from Long Island got a nice plug by New York Times wine writer Eric Asimov on his wine blog (The Pour). He noted that there aren?t many good American chenin blancs, but Paumanok?s ?stands out as delicious on almost any scale you choose?it has weight and presence without being heavy or big?a combination of lemon, apples and honey, yet was thoroughly dry with a refreshing acidity?.
It’s almost time for the next round of the Wine Book Club which I am also hosting. Even if you haven’t started reading my pick, William Echikson?s Noble Rot: A Bordeaux Wine Revolution, you can start this weekend and probably have it read by Monday. Or you could read it the next weekend.
Just pick it up soon, read and post your review by April 29th.
Quite an unusual combination for the Balkans, since Syrah is fairly rare in the region. Skovin is probably trying to follow the world commercial trends with this Syrah Cabernet Sauvignon combination, and it’s not doing a bad job. Syrah brings in the spiciness and the earthy taste, which brings memories of those strong South African tastes of Syrah wines. Cabernet softeness it a bit, so overall it’s a nice wine, but distinctively dryer than the famous Australian Syraz-Cabernet’s.
Rating: 6/10 Price: 400 RSD (5 euro) Retailer: Super Vero
The best kinds of cheap wines are the kinds that have a rich story behind them. Well, The Tillerman White wine brought to you by the Hook & Ladder Winery certainly fits the bill. At first glance this wine label made no sense to me… Hook & Ladder? The Tillerman? After doing some research, I feel enlightened knowing the origins of this fine cheap wine, so I’ll share:
The owner of the family-run Hook & Ladder, Cecil De Loach used to be a firefighter! “Hook and Ladder” is just another name for a firetruck. And The Tillerman is guy who drives the back end of a firetruck. A firefighter and a wine-maker! What a life!
I sampled several bottles of The Tillerman White, and I am glad I did. Not being a fan of white blends with a lot of oak, I enjoyed everything about this wine. The peach/apricot aroma was the most prominent feature of this wine as it approached my nose. The wine was very dry, tasty, had an awesome finish. Just a perfect all-around table wine. For about 16 bucks or less, this Sonoma County wine is a steal. If you see it in your supermarket, snatch it up! I look forward to trying some of their many other varietals. This same vineyard, the Russian River Valley produces Chardonay, Gewurztraminer, White Zin, Pinot Noir, Zinfandel, Cabernet Sauvignon, and the “Third Alarm” Reserve Chardonnay. Oh, how I would love to visit the vineyard one day. Rating: 9/10 - Excellent! The only reason I’m not giving it 10 is because I promised my readers “cheap wines less than 15 dollars” and this wine retails for 16. Look around though, I’m sure you can find a good deal! Even if you can’t, it is worth the extra dollar.
Extra Info:Hook & Ladder - Founded in 2004 2027 Olivet Road Santa Rosa, CA 95401 phone: 707-546-5712
I'm going to buy this wine...because I just think it's terribly cool that a winery would honor one of the greatest jazz vocalists in the history of the genre. (Have you ever heard Ella sing "mack the knife"?!!?)
However, I'm probably not going to drink this Domaine Carneros Sparkling Wine while listening to any jazz, including Ella. Here's why.
I've long believed that even given the range and the diversity of the Jazz genre, the absolutely most appropriate drink to accompany Jazz is something that attacks the senses, throat, palate and body with a Velvet Bite.
No pure wine I've ever consumed possesses this quality.
By "Velvet Bite" I mean, first, that sensation of a subtle sting that warms just as the sting diminishes when the liquid is poured over your palate. You need to feel the relief of the alcohol sting diminishing just as the alcohol also begins to warm the throat and stomach.
There must be a soft clamping down on the palate that does not linger, but also is not escapable. The sensation alerts the senses in a momentary shock like no wine can do, yet fades away, relinquishing its bite in favor of alertness and warmth.
This state, I think, is best suited for listening to Jazz. Bourbon, Whiskey, Scotch and even cognac and armagnac are the proper drinks to pair with Jazz; best suited to provide a velvet bite.
Further, I believe the full affect of pairing the Velvet Bite with Jazz occurs when a shot of any of the above beverages is taken in advance of sipping on a second round of the same. And, how this shot is performed can affect the pleasure of the pairing even more if done right.
The shot, while it should be taken in all at once, should not be targeted at the throat so that it slips down past the palate with minimal contact. On the other hand, taking time to swish the beverage around the palate will also ruin the experience. Rather, the throat should be half to 3/4s closed when the shot enters the mouth. The partially closed throat will promote a slow movement of the bourbon over the palate, followed in quick order by it slowly sliding down the gullet. The technique delivers the bite, but does not sear the palate. And at the same time, a decent amount of alcohol enters the body and the blood stream in relatively quick fashion.
Yes, I'm suggesting that Jazz is best appreciated with a slight buzz. Not a "drunk". But a warm, comfortable, smirk inducing buzz.
It should be noted that after the initial shot of our preferred beverage, the second round can be sipped, and probably enjoyed even more due to the palate, body and mind having been properly prepared by the initial shot.
Wine is simply too week to stand up to the challenging nature of jazz; the subtle, complex and sometimes jolting nature of jazz rhythms require the body to be properly prepared with an anesthesia that both weakens one's grip on convention, yet provides a bite.
*Wave* Hi! I'm just getting into the wonderful world of vino, and I can safely say that my experience is fairly limited. My fiance got me into wines, more specifically red wines. I've had my share of Merlots and Cabernets, but those always tended to have too strong of a finish for me (I do love me a good Merlot from Blackstone winery though...YUM.) More recently, however, we went out to dinner at the Tasting Room with some friends, and ordered a Speri Valpolicella ripasso. I was in HEAVEN. Not too sweet, with a light finish.
On the white side, I like 'em sweet...Gewurtztraminers and Rieslings. I had a Pinot Grigio once...too dry. Chardonnay is middle-of-the-road to me, and champagne is just NOMMY.
However, there is a point to all of my ramblings...this is my wine experience so far, and I have a dillemma. My Blackstone Merlot, for example, is described as having "rich fruit aromas, elegance, supple oak characters and soft tannins. With lifted dark cherry and berry aromas and a touch of spicy clove, this wine is sure to be a crowd-pleaser. The texture is ripe and soft in the mouth, with bright cherry fruit flavors and a soft, lingering finish." However, I don't taste ANY of that. My mouth goes "hmmm....strong, heavy with a mouthpuckery finish." I don't taste the "lifted dark cherry" or the "bright cherry". How, then, can I develop my palate? (Or is the wine description merely a longwinded way of saying "hey, this is a Merlot"?)
*Edit* I just realized I missed a "t" in the Tasting Room link...the Tasing Room sounds like a restaurant I'd want to avoid. ;)
SIPPED: Sauternes Chicago’s foie gras ban has been repealed in a 37 - 6 vote by the City Council, overturning the 48 - 1 vote that put the ban into effect two years ago. The prices of Sauternes, the unctuous sweet wine often served as an accompaniment, just went up an additional ten percent. [Sun Times, thanks Stephen!]
SIPPED: Cork back for an encork When a member of the Culinary Institute of American saw my cork iPhone case in February, she exclaimed that it would be the perfect product for recycling their corks! But apparently someone had other plans as the 900 corks pulled there a day will now be recycled in a new program called ReCORK America, sponsored by a cork producer to underscore the “natural” qualities of cork. But what is the carbon footprint of sending all that cork into be recycled into floor tile (and sidebars for wine blogs). Wouldn’t the CIA be better reusing them as festive holiday wreaths–or those iPhone covers?!?
SPIT: Critter labels On the heels of our worst wine label contest comes more advice, this time from Wines & Vines. One item: a label designer Down Under has a “no critters” policy after seeing the kangaroo reinvented some “50,000 times.” [Wines & Vines] Related: ”
SPIT: Brunello di Montalcino Not content with the FAA’s Global War On Toiletries, US federal authorities are now turning their eyes on another liquid: Brunello di Montalcino! A recent scandal has revealed blending of grapes other than sangiovese, the only one permissible under the local DOC rules in the wine. Now, as a result, the feds are threatening to block US imports of the pricey Italian wine as of June 9. ?Part of our mandate is to make sure all labels are truthful, accurate and not misleading to the American consumer,?? Mr. Resnick of the US Alcohol and Tobacco Tax and Trade Bureau told Eric Asimov. Um, OK, how about starting with Korbel “California Champagne”? [NYT]
SPIT: asparagus in December In a piece that, oddly, has not received much attention here in the US of A, celebrity chef Gordon Ramsay–known for his high-end restaurants in several countries as well as cursing like, well, a chef–lays into out-of season like nobody’s bidness calling for it to be outlawed in the UK. While absolutely laudable in principal, the legislative angle may be the wrong way to achieve this policy goal. And let’s hope eating local in his case doesn’t mean eating any more horse! [BBC]
Chinese wine will conquer the world in terms of volume and fine wine, a recent study suggests.
According to the Future of Wine report, drawn up by London-based wine merchants Berry Bros & Rudd (BBR), China, which is already the world's sixth largest producer, will lead the world by the year 2058.
The report, which predicts the state of world of wine in 50 years, also says China will ?rival the best of Bordeaux?.
I've often wondered why New Zealand was anointed/anointed itself as the land of Sauvignon Blanc. To be sure, NZ SB has been quite successful as an import to the US wine market (and certainly names like 'Monkey Bay' don't hurt its mass appeal to the garanimal-wine-loving crowd). However, I think this success has come at a price. Kiwi Blanc has overshadowed every other grape variety. And this is a very sad thing.
Think about it. When was the last time you sampled a New Zealand Riesling or Gewurztraminer? These grapes have found a very cozy home on the Islands way down under. In fact, while I find most New Zealand Sauvi Blanc, easy-to-enjoy, I also find it a tad bit uni-dimensional (see here for a great descriptor of NZ SB). I have discovered extraordinarily sublime Riesling and intoxicating (in the figurative sense of the word) Gewurz. Think I'm nuts. Take this little NZ non-SB challenge:
Huia Gewurztraminer 2006 - A chewy, thick wine, which echos the Alsatian style but with a bit less earth
Villa Maria Riesling 2005- A remarkable feat of a wine. This Riesling stews together new world heft with teutonic crispness.
Am I alone in thinking the OenoKiwis might want to diversify their white wine portfolio?
The secret is out: there?s always something to celebrate in British Columbia, particularly in the regions famed for their wine and food: Vancouver, Whistler, the Okanagan Valley and Vancouver Island. Eat, drink and be merry at ten of the most...
Fewer sales reps are more paranoid these days than cork salespeople. They barrage you with emails damning all other types of closures. At trade shows they meet winemakers with frigid stares that have changed over from cork to something else.
The battle is fully engaged on what is the best closure for a wine bottle and as always, in the heat of battle there is often more confusion than fact. Much as a war correspondent sees through the smoke of conflict, writer George Taber has cut through all the brouhaha to offer us a clear look at the cork conflict in his book, To Cork or Not to Cork: Tradition, Romance, Science and The Battle for the Wine Bottle. Taber is also the author of Judgment of Paris, which is bound for the big Hollywood screen. The journalistic temperament that Taber brings to his book, a rarity in wine writing, should be no surprise as he is a twenty-one year veteran of Time Magazine.
The combat is about the dreaded TCA (2,4,6 trichloroanisole) that destroys anywhere (depending on whose giving the stats) from 3% to 15% or so of every bottle of wine sealed with a cork in the world. These are the so called “corked” bottles as wines spoiled by TCA have a distinct musty character that can range from the wine seeming just not quite right, to bottles that almost make you gag. What makes TCA the nightmare of winemakers it that most affected bottles are consumed by unsuspecting consumers that are unaware the the wines are actually spoiled, instead thinking that whatever the winery is just doesn’t make very good wine. This dramatic rate of failure combined with disastrous PR has turned many wineries away from natural cork to closures like screwcaps, crown caps and glass stoppers.
To Cork or Not to Cork is a must read for wine professionals and aficionados alike. Don’t expect to have the best closure revealed in the last chapter as Taber presents the whole story without judgment as you would expect from someone with his journalistic credentials.
As Taber points out, all closures currently in use have potential issues so the jury is still out and the closure of the future probably is not invented yet. My major issue with many cork fundamentalists is the constant reference to the tradition of cork and the romance of the ritual and sound of pulling a cork. Screw tradition, the argument should always be about wine quality not superficial issues like romance. What’s romantic about a corked bottle of $50 wine?
Perhaps in the end the solution will be different closures for different wines. After all, cabernet sauvignon and pinot noir age very differently and what is good for one may not be good for the other. Put a cork in it? The answer seems to be sometimes yes and sometimes no. Whatever happens in the future, the century old monopoly of the cork is over. Technorati Tags: TCA, wine, corked wine
At a recent tasting of South African Great Whites I was really excited by the wines I tried.
In the past I have sometimes been disappointed that in general the wines could seem out of balance, either too acidic or flabby, the fruit almost a cariacature of itself and even in the worst cases just dirty.
These wines however showed exuberant fruit, great balance of refreshing acidity with richness and depth and really distinctive character. I thought they showed very well and certainly will lead me to the South African shelves when I want good value white.
My favourites from each section as follows, full tasting notes seem to a bit of a dream at the moment but one day I hope to get them all up!
Jan Daneel Chenin Blanc 2005 Napier: Very simple but stylish label would have great shelf presence. Pretty, sunny apricot nose. The broad oak at the front palate is a touch too heavy but underneath is gorgeous fruit. Well-rounded, almost heavy, weight in the middle with enough crisp acidity to take you back for another sip. The fruit pushes right through to the end and lingers for ages. Lovely. 17 Stockist -Jeroboams £15
Tokara Sauvignon Blanc 2005 Stellenbosch: Fresh, flower petals delicacy on nose followed by vibrant, exciting fruit on the palate. Well-handled oak comes pouring through on its tail but is integrated and adds complexity. Balanced and fine with a crisp, juicy finish. 18 Stockist - Wimbledon Wine Cellars £17.99
Other very good Sauvignon Blancs - Quoin Rock 2005 Stellenbosch £9.49 Andrew Chapman Wines; Cape Point Vineyards 2005 Cape Point £14 Jeroboams; Neil Ellis Groenekloof 2005 Stellenbosch £9.99 Christopher Piper Wines, Villeneuve Wines, SA Wines Online
Jordan Nine Yards Chardonnay 2005 Stellenbosch: Up front fruit balanced with a sure and light touch. Fine and nutty with integrated oak tannins backing it up. Silky mouth feel kept frech with tangy acidity. 17 Stockist Laytons; SA Wines Online £17.25
Other recommended chardonnays - Glen Carlou Quartz Stone Chardonnay 2005 Paarl £11.99-12.49 Oddbins, Christopher Piper, SA Wines Online, Genesis Wines; Quoin Rock Chardonnay 2002 sent by mistake but very high scoring, see previous info for stockist leads.
Fairview Viognier 2006 Paarl :Very aromatic nose but avoids parody. Crystallised fruit, nice levels of acidity. Not just floral but lively and fresh. 17 Stockists Harrods; Noel Young Wines; Valvona & Crolla £9.95
Also very good was the Bellingham Maverick Viognier 2005 Wellington £8.49 Majestic, SA Wines Online.
I recommend the Villiera Inspiration 2006 Stellenbosch £9.99 Tesco This desert wine has an unctuous, lovely texture, a nose of marmalade ice cream, very fresh and fine. Rich and great value.
Very good intensity to berry, black cherry and roast duck flavors, with plenty of cedary oak and stony notes extending through the taut, tannic finish. Needs time to show its best. Best from 2009 through 2012. Tasted twice, with consistent notes. 3,500 cases imported.
Tasted by glymps. Strong black berry on the nose with a slight hint of pepper. And not to be too sound too sound (VAY NER CHUK)-ish, I am tasting blackberry cereal bar with a hint of ground black pepper. Medium body and a short finish. Not too bad. 87 (87 pts.) - Tasted 5/16/2008. [FIND IT!]
The winery of Luigi Reale was a real discovery. It raised my expectations of wine made in a world-famous beauty spot, in this case the Amalfi Coast of Campania. All of the essential components of interesting wine are present: good land, indigenous grapes of singular character and the informed intuition of the winemaker. Located in the village of Gete in the larger commune of Tramonti a few winding miles from the sea, Azienda Agricola Reale Andrea, is situated on a very steep 2.5 hectares on two small plots. The elevation...
2002 Grosset Watervale Riesling ? A little bit shy on the nose, but some citrus and floral characters can be noted. Palate has racy acid but is beautifully balanced. Full and long. Lovely wine, drinking well now. 91/100
1989 Jeffrey Grosset Polish Hill Riesling ? Honey, toast and ginger on the nose. Palate is tired, with some prickly acid and rapidly fading intensity. 81/100
1995 Penfolds Yattarna Chradonnay ? Honey, butter, some caramel and pine aromas. Nice richness to the palate with good carry across the palate. 88/100
2003 Te Kairanga Reserve Pinot Noir ? Stalk, liquorice, raspberry and sour cherry. Interesting texture, with lots of rich fruit leading into a dry finish. Not really my preferred style. 86/100
1968 Lindemans Reserve Bin 3820 Auburn Burgundy Hunter Coonawarra Clare ? Sweet perfume, leather, earth and raspberry. Soft, delicate palate. A lovely, fully mature wine. 89/100
1996 Henschke Lenswood Abbotts Prayer Merlot ? Briary, ash, graphite and chocolate. Medium bodied, with medium length but some alcohol sticks out and disrupts the line of the wine. 85/100
2001 Domaine Bruno Clavelier Chambolle-Musigny 1er Cru La Combe d’Orveaux Vieilles Vignes ? Lovely perfumed nose, black fruits, some earth, cherry and floral notes. The acid on the palate stands out a bit, although the structure seems good otherwise. Short to medium length, probably just struggled among the bigger wines surrounding it tonight. 87/100
2001 Brokenwood Graveyard Shiraz ? Sultana, smoke and earth. Palate is dry and spicy, with the acid sticking out over the fruit somewhat. Disappointing. 85/100
1996 Leasingham Cabernet Sauvignon Classic Clare - Mint, blackberry, vanilla and blackcurrant. Rich fruit to the palate, long and bright. Very young still. 88/100
2004 Henry of Pelham Riesling Icewine ? Nice nose of peach, apricot, citrus peel and mandarin. Palate is rich and very sweet. Quite simple, but enjoyable as long as the massive sweetness isn’t an issue for you. 89/100
NV Buller?s Rare Muscat ? Raisin, spice, tea leaves and some alcohol showing. Softly sweet on the palate, not as complex as previous bottles but still very nice. 90/100
I get a lot of press releases but don’t often publish them here as I don’t usually find an angle to blog about. But a release this morning by the Center for Wine Origins and Office of Champagne caught my eye for it’s use of a YouTube video:
As a longtime wine lover, I agree with the objectives of this group in protecting their place names but I wonder if the average American consumer really would understand the group’s message. Would consumers buy less Andre or Korbel if those producers were forced to remove the word “champagne” from their labels? Are consumers of American “sherry” or “port” really looking for the real deal from Spain or Portugal?
I doubt it.
Back when American producers were using European place names to label their wine blends there was a clear point of difference between a Napa Valley “burgundy” and Pinot Noir from the French region. Now there is less difference in the bottle outside of a handful of the finest vineyards.
So is this distinction still relevant in today’s market or is it just semantics?
There are two Montepulcianos in Italy: one is an appellation, the other is a grape. Today, I'm reviewing a wine from Le Marche that's made with that other, grapeyMontepulciano. It is a delicious and affordable wine that would be perfect with any traditional Italian trattoria fare from grilled meats to pizza and pasta.
The 2005 Fattoria Laila Rosso was a very good QPR blend of Montepulciano (80%) and a bit of Sangiovese ($12.95, Chronicle Wine Cellar; find it online for between $13 and $17) Montepulciano grapes carry a lot of pigment in their skin and that gives the wine a dark, blackish-purple color that is rich and cooling. Blackberry and black cherry fruit aromas are clearly present when you uncork this wine and give it a sniff. There's more dark berry and cherry in the flavors, too, along with a bit of roasted coffee bean. The overall impression is not of enormous fruitiness, but fruit kept in check with bitter notes and acidity and a bit of spiciness in the aftertaste. It was a food-friendly wine, and we had it with some spicy chicken in red sauce with penne. Bits of chicken breast are tossed with ground fennel, pepper, and coriander and then sauteed in a pan until golden. After a quick deglaze with some leftover white wine, you simmer lots of garlic and tomatoes until the pasta is cooked, and finish it off with some basil. The wine stood up nicely to the sweet acidity of the tomatoes, and the spicy chicken picked up the nice spicy notes in the wine, as well.
Fattoria Laila is located in the hills of Ancona above the Adriatic Sea. The area's chalky soils are great for Montepulciano. The Rosso Piceno DOC covers an ancient viticultural region. Ancient writers tell us that Hannibal, at a pit-stop along the way to Rome, had his horses rubbed down with red wine from Piceno to give them more energy and strength for the last part of the journey. You can find out more about Rosso Piceno, and an earlier vintage of this wine, at The Wine Lover's Page 30-second Wine Advisor.
As with most of the Italian wines I've had so far, these little known regions and lesser known grapes are capable of combining great quality and traditional Italian flavors with a very attractive price. If you like Chianti or Nero d'Avola, give reds from Rosso Piceno a try. They may become your preferred Friday night pizza and pasta wine.
I've put off reviewing the Pillar Box Red 2006 from Henry's Drive for quite a while because of something my mother taught me: If you can't say anything nice, don't say anything at all.
The Pillar Box Red 2005 was any easy-to-drink red blend ? all one needed to do was to crack open the screwcap, pour it in a glass, and drink it. When the 2006 vintage arrived last winter, I expected it to be much the same, but it wasn't. Instead, as it came out of the bottle it was bitter and harsh, and packed a lot of alcoholic heat.
Due in part to the perseverance of our wine rep, we wine guys and gals discovered that its personality changed dramatically after it was exposed to air for a while, so we sold the ?06 with a caveat: Decant it for at least half an hour, or leave the bottle open for three days before drinking. Because of those requirements, it definitely wasn't a party wine.
Lately I'd been curious about what effect six months of bottle age had wrought on the Pillar Box Red, so I gave it another try last night. Cracked open the bottle, poured a bit, gave the glass a swirl, and ... "hey, this is good!"
Age has definitely mellowed this vintage of Pillar Box Red. It does open with a streak of tannin, but that is quickly overpowered by jammy blackberry, blueberry and cassis flavors. It's full-bodied, and th
Tecnorati
The San Francisco Chronicle has 
Quite an unusual combination for the Balkans, since Syrah is fairly rare in the region. Skovin is probably trying to follow the world commercial trends with this Syrah Cabernet Sauvignon combination, and it’s not doing a bad job. Syrah brings in the spiciness and the earthy taste, which brings memories of those strong South African tastes of Syrah wines. Cabernet softeness it a bit, so overall it’s a nice wine, but distinctively dryer than the famous Australian Syraz-Cabernet’s.
SIPPED: Sauternes 
Chinese wine will conquer the world in terms of volume and fine wine, a recent study suggests.
Fewer sales reps are more paranoid these days than cork salespeople. They barrage you with emails damning all other types of closures. At trade shows they meet winemakers with frigid stares that have changed over from cork to something else.
Here's a sure sign that Spring has actually arrived, and that Summer is on the way: The local farmers markets are beginning to stir. 
I've put off reviewing the Pillar Box Red 2006 from