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Sake is a Japanese alcoholic beverage, made from a series of fermentations using steamed rice. The process removes the millet and the protein from the rice, leaving the starch-similar to how beer is made from grain. Over time, the starch is converted to sugar naturally and a little yeast, called koji, is added in later stages of the fermentation, which acts to create alcohol out of the sugar. At the end of the process, the liquid is filtered to remove any millet or other particles. The resulting product is clear and about 15 percent alcohol. Sake has been made in Japan for over 6800 years.
Types of Sake There are two kinds of sake: junmai (with no alcohol added) and honjozo (with alcohol added during the fermentation process). Over 80 percent of the sake made in Japan is honjozo sake. Within those broad classifications, there are different grades of sake:
Futsu - economy sake
Ginjo - premium sake
Daiginjo - ultra-premium sake
How to Drink Sake Futsu (ordinary) sake is warmed for drinking. (Ginjo and Daiginjo are served chilled.) Traditionally, sake is poured from a stoneware carafe, called a tokkuri (pictured above). Warm the sake in the tokkuri by placing it in a partially-filled pan of boiling water. (Don't overheat the sake; it should be warm-a little over body temperate, not hot.)
To serve the sake, pour it from the tokkuri into individual sake cups, called ochoko. It is proper sake etiquette to hold your cup while the sake is being poured. Inhale the sake's aroma gently before sipping. Sake is meant for sipping, not throwing back like a shot of whiskey.
Storing Sake Sake does not improve with age, like fine wines or Scotch whiskey. Instead, buy sake with a recent bottling date. Once open, a bottle of sake should be kept in a cool, dark place (such as the refrigerator), as the liquid is sensitive to heat and light. A bottle, stored properly should last around a year.
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May 31 - June 1, 2008 Stevensville, Maryland Can you think of anything more fun and enjoyable than spending a beautiful sunny day on the sandy shores of the Chesapeake Bay sipping wine? We can't either, so plan to join us at the Inaugural Chesapeake Bay Wine Festival which will be held at Terrapin Nature Park, Stevensville.
This is the weekend following Memorial Day and it should be the perfect weather for enjoing amazing wines from all over the state of Maryland..
The event will feature wines from 14 Maryland Wineries, as well as local cuisine, juried arts & fine crafts and live entertainment.
Tickets $17 per ticket in advance $20 per ticket at the door Must present ID to enter
Designated Drivers and Ages 13-20: $10 per ticket in advance $10 per ticket at the door
Group Rates: $15 per ticket for groups of ten or more (advance only)
94+ Tanzer: "Full ruby. Wild, complex nose of great purity and depth: dark berries, bitter chocolate, game, minerals, flowers. Incredibly vibrant and young but with no trace of youthful hardness. Firmly structured but wonderfully sweet and perfumed in the middle palate. Finishes with very fine tannins and outstanding persistence. For those Burgundy lovers who maintain that this vineyard is close to grand cru in quality, this wine would buttress their position. A great, perfectly ripe expression of a cool site, and therefore a wine of multiple facets. This was 12.8% natural alcohol, chaptalized to 13.4%, according to Dugat."
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Domaine Richaud ? Cotes du Rhone ?Terres d? Aigues? (2005)
If you?re in the mood for wonderful floral aromas followed by mind altering weirdness on the palate ? try this.
Dried herbs, strong garrigue notes and liquorice on the nose, full bodied initially, becoming seriously fat in the glass with some tobacco and grilled meat flavours which seem to fade but kick in again accompanied by a seriously weird sweaty iodine and dare I say it ? Sauerkraut fizzpop explosion which stopped me dead in my tracks between the kitchen and the lounge.
Top marks for creating something really interesting here, I just wonder if the flavours work for me. After two glasses it left me in a dizzy sweat.
Domaine Richaud produce top quality wines and I look forward to returning to the Cairanne or perhaps the Les Garrigues?decisions, decisions.
If you want to talk Pinot talk, you need to be versed in the language of Pinot Noir. Listed here are the most frequently used words and their definitions.
Just in case? you were wondering; Matt Kramer (winespectator.com) writes:
You've probably been in this situation yourself. You're the one choosing the wines for a dinner with friends. You look at the menu and perform the usual mental matchups about what goes with what. But then, much more subtly?even furtively?you also do a mental matchup about which wines go with, ahem, the guests.
If you're a lover of Italian wines, especially traditional-style? versions, you might find yourself in this situation more often than most.
This subject is not much discussed because it makes you feel like, sound like, or realize that you actually are, a snob. Nevertheless, most people who know their way around wine pay as much attention to the "who's drinking" as to the "which dish."
This lesson is often first (painfully) learned at the family Thanksgiving table. You trot out some of the treasures you've been hoarding for that special moment. Big? mistake. Emergency wards are filled with wine lovers traumatized by watching guests guzzle their prized bottles like elephants at a watering hole.
I thought about this when deciding recently which wines to bring to a high-end Italian restaurant. A good host, by definition, wants his or her guests to feel comfortable. Our guests were, thankfully, wine lovers. However, that's not the same as wine savvy. No crime there, of course. But when the time came to reach for Barolo or even Barbera, my hand hovered over those bottles and then, Ouija board-like, moved to red Burgundy and California Pinot Noir.
Now, maybe it was timidity on my part. Perhaps I've lost my belief in the redemptive, even transformative, power of fine wine?never mind the grape variety? or region?. Surely a traditional Barolo can move not merely the uninitiated but even the unreceptive, especially when served with the right food.
I used to think so. Ask any of my long-suffering friends who have been subjected to my evangelical enthusiasm for, say, Gattinara. Or Recioto? della Valpolicella. Or more bizarrely yet, the caramel-colored, sediment?-rich delights of Italy's new-wave/old-way whites, fermented with skin contact?, from Radikon, Massa Vecchia, Castello? di Lispida or Josko Gravner, among others.
But now I find myself hesitating. I've come to the conclusion that really characterful wines?none more so than traditionally made Italian wines?often require a certain receptivity, maybe even a little study. That you can't just spring upon an unsuspecting, not-especially-interested-in-Italian-wines guest the magnificently traditional likes of, say, Giuseppe Rinaldi Barolo or even the easier to understand but still true-to-its-old-school Brunello di Montalcino from Tenuta? Il Poggione.
This flies in the face of today's wine democratization?a belief that anybody should be able to understand, without any fuss, any wine put in front of them. And if they don't, well then, it's the wine's fault, not theirs.
This, of course, is why so many Italian reds today are so modernistic, slathered with the creamy? vanilla? toastiness of new French oak??, miscegenated with Merlot, Cabernet Sauvignon and Syrah and practically hot-waxed to a tannin?-free smoothness. Do they sell? They sure do. They're easy to understand, familiar-tasting, and?here it comes?you can serve them to anybody.
Do these wines represent the best of Italy? For me, they do not. But they are ambassadors of Italian wines, and for that reason alone they're worthwhile. Italian wines at their best?the reds especially?are different from all others. And this difference, which lies at the very root of Italian wine greatness, is not an instantly seductive one.
The taste? of France is rich and smooth? in the mouth (think foie gras) while that of Italy?classically anyway?is about a slight, mouthwatering bitterness (think Campari). It's easy to see why France's seductive model has become universal, including in Italy. The rigors of traditional Barolo, Brunello, Barbera and Aglianico, among others, are formidable and not immediately come-hither.
So that's why I stayed my hand in choosing the traditional Italian reds I've come to love when deciding what to serve my guests. They're not instantly likable (the wines, not the guests). Of course, I could have chosen modern-style Italian reds, wines that I know are made for just this very easygoingness. You can use instant polenta? these days, too.
Maybe I didn't give my guests enough credit. Or maybe?just maybe?it's fair to say that some people just aren't ready for some wines. Is that snobbish? Or is it a fair reality?
Peter Liem is the second Wine & Spirits Magazine writer to take up blogging, beating his colleague Wolfgang Weber to the punch by a couple months. Peter's personal blog, Besotted Ramblings and Other Drivel, has a certain derogatory ring to it, but please don't let this fool you. Peter is W&S's Senior Correspondent based in Champagne, giving him a unique and insider perspective particularly on the European wine scene. I learned about Peter's Blog from Brooklyn Wine Guy who highly recommended it and I was not disappointed. Peter's Besotted Ramblings are likely the best source of information on the Champagne wine region and Champagne the product on the net. It's an education in the waiting. Peter was kind enough to agree to be Bloggerviewed.
1. When did you begin blogging and why? I started my blog in November of 2007, mostly because I was living halfway around the world from the majority of my friends, and it was an easy way to stay connected. It?s since grown into something beyond what I anticipated, and I find that I enjoy writing it.
2 In two sentences describe the focus of your wine blog. I?m fortunate in that I?m based in one of the most dynamic and intriguing wine regions in the world, constantly surrounded by wine, vineyards and winemakers, and my blog allows me to develop ideas about issues and random bits of information that I encounter from day to day. My goal is to keep it mostly about champagne, but as I travel fairly regularly, I also end up writing about other things that I happen to be drinking or eating at the time.
3. What sets your wine blog apart from the pack? You mean other than its babbling incoherence and child-like grasp of HTML? Seriously, I suppose that one unique element of my blog is that among people blogging in English about champagne, I?m one of the very few who actually live in the region, and among those I?m the only journalist, as far as I know (the rest are winemakers or connected with wineries). Both of these things shape my perspective in particular ways.
4. How would you characterize the growth in your readership since beginning your blog? It?s been shocking, really. Each week surpasses the previous one. I don?t look at my stats a lot, mostly because I use Blogger, which doesn?t have an internal stat counter. But whenever I do, I think, ?Damn, where did all these people come from? And don?t they have anything else better to do?? 5. Do you accept sample for review? Well, most of my tasting is done at wineries, so I suppose that tasting wine "sur place" constitutes accepting samples in some way. I don?t feel any sort of conflict of interest, since I?m not actually reviewing wine, nor do I feel compelled to write about something just because someone opened a fantastically expensive or rare bottle for me. The whole point of having a personal blog is so that I can write about whatever I want to write about.
6. What kind of wine rating/review system do you use and why? I don?t. At my day job I?m required to use the 100-point scale, which I like to think that I can wield competently as a professional. Personally, however, I don?t believe in numeric scoring, although I recognize the need for a system to communicate a concept of quality, if you?re going to be in the business of reviewing wine. Fortunately, my blog isn?t about reviewing wine, and it certainly isn?t about rating wine. It?s more about establishing a context in which to place the wines that I write about, creating a backdrop so that the reader is better empowered to assess these wines for himself or herself.
7. How do you fit the maintenance of your wine blog into your daily schedule? It?s a sort of mental exercise, usually in the morning. I don?t like spending much more than fifteen minutes on a post ? I?ll pick a sufficiently narrow topic and try to make myself write whatever I have to say within the allotted time. As I often spend much of my day writing other things, it?s a nice change of pace to write a short, focused post on something that I?m interested in.
8. Have you utilized any particular techniques to successfully market your blog? I?ve done absolutely nothing to market my blog. In fact, I think the only thing I?ve ever done that could remotely be considered marketing is registering on Technorati. I must be the worst self-promoter in the entire world.
9. In your view how, if at all, is blogging different than traditional wine writing for print? As others have said, a blog connects you with your readers in a much more immediate way than print journalism. For one thing, you can write much more frequently, and your writing is delivered instantaneously to your audience, which offers huge advantages. When I write for print, sometimes it won?t be read until several months later, which has an impact on both how you write and what you can write about. Also, one of the most valuable things about blogging is a direct interaction with your audience, via comments, e-mails and the like, and it?s very rewarding to exchange ideas in this manner.
10. Which other wine blogs do you read regularly? I browse whenever I can, generally around the blogs that I?ve linked to on my site. I like Brooklynguy?s well-written and down-to-earth Wine & Food Blog. Dr. Vino is always a fantastic source of information, and generally a hoot to read. Wolfgang Weber?s Spume is intelligent and entertaining, not always about wine but that?s a good thing. I also like Ray Isle?s blog at Food & Wine ? he?s the best writer I?ve ever worked with, as well as an all-around great guy.
11. Do you believe wine blogs have made any marked impact on the wine industry or wine culture? I can?t say that I see a big impact on the industry. On wine culture, I suppose that it gets more people engaged in a dialogue about wine, whether they?re reading or writing. I think that blogs still occupy a fringe element rather than the mainstream, but their presence and influence is only going to grow.
12. Vacation: Paris or the Caribbean? I would say Paris, except that I live close by and am there quite regularly, so it doesn?t feel like much of a vacation to me! I do love the city, though. For a proper vacation, I try to remove myself completely from Europe and North America, with Asia being a preferred continent to wander in.
13. Pet: Dog or Cat? Cats, unquestionably. They are by far the more civilized of the two. I?ve been in too many places in the world where I?ve had to carry a pocketful of rocks to fend off canine marauders. In Vietnam, however, I exacted my revenge upon the canine race when I ate dog prepared three different ways, including a boiled paw floating in soup, nails and all. It was a very Lance Henriksen in "Dead Man"sort of moment. 14. Airplane Reading: New Yorker or People? The New Yorker. In fact, it?s become something of a ritual for me ? when I fly I almost always have both the New Yorker and Wired in my bag. One of the things I love most about flying is that it frees me of all duties and obligations, and I have absolutely nothing to do but sit there and read a magazine.
15. Car: Prius or BMW? A Prius would be a blessing, with gas prices the way they are here in Europe. Although as my current vehicle is a Peugeot 206, I would be thrilled to drive either a Prius or a BMW. The French make many wonderful things, but automobiles are not exactly their strong suit.
16. Chablis or California Chardonnay? Chablis, without a doubt. I?m an old-world, old-school, cool-climate, rocks-and-minerals sort of guy. I guess I sort of have to be ? I live two hours <I>north</I> of Chablis. 17. Describe what you would have at your last meal? I would have Kouei Furukawa, the kaiseki-trained chef of Shokkan in Tokyo?s Shibuya district, make me a multi-course extravaganza from whatever he found at the market that morning. I?d bring a ton of champagne, of course, as well as an ample supply of sake, and try out all sorts of combinations with Furukawa-san?s exquisitely elegant and refined cuisine.
18. What is Heaven Like? Of course the champagne flows freely, and by some miracle it's all organically grown. The views are spectacular, rather like sitting out on the patio at the Ventana Inn in Big Sur. The chefs are Japanese, and the sommeliers probably are, too. And on the television, Arsenal is perpetually thrashing Manchester United, over and over again for the rest of eternity.
19. If you could invite 4 people dead or alive to your fantasy dinner party, who would they be and who would you have bring the wine? There are many famous people living and deceased whom I might choose, but I?d have to say that my group of friends in Portland, Oregon, who all have fabulous cellars and are all complete wine dorks, will always be my favorite dining companions. Unfortunately we hardly ever get to see each other these days. There are more than four of them, but so be it.
20. What advice would you give to someone considering starting a wine blog? Don?t use Blogger! Just kidding. I think it?s important to remember that while writing on the web allows you to be more casual and relaxed than writing in print, the rules of good writing still apply. Write with a purpose and keep your audience in mind. It doesn?t have to be Pulitzer Prize-worthy, but it ought to have a point ? writing ?I drank this last night and it was yummy? is not very useful to anybody, plus it?s boring.
Pinot Gris is a grape varietal that is a mutation of the Pinot Noir grape. The Pinot Gris vine appears similar to the Pinot Noir, but it produces a grape that is coppery gray instead of the dark violet of Pinot Noir. In fact, the only certain method of differentiating the vines is by the fruit that they produce. Researchers have found that the DNA structure of Pinot Gris and Pinot Noir are virtually identical.
The Pinot Gris grape produces a delicious white wine with a rosy platinum color. This wine captures a perfect balance of acidity, fruit flavor and sweetness.
I?ve just spent a few hours researching some wines Susan and I are tasting next week. Well, attempting to research would more appropriately describe this exercise in frustration. I?m still astonished how many winery websites are hard to find, poorly laid out, and then give little or no information. Sometimes I dig through page after page after page and finally discover a two-line tasting note ? how exciting.
To all you wineries, if you think this amount of information will have wines flying off the shelves, think again. First of all, by the time most consumers are looking up a wine on the Internet they?ve already tasted it, so they?re after more detail than ?black cherries and leather.? And could you include just a few words on your different vintages? Your 2001 tasting notes are getting a little dated. Besides, I?m sure your 2006 will taste different ? different weather, different harvest conditions, different wine.
How about a little technical information? French Oak or American Oak for example. A few lines covering pH, harvest dates, Brix at harvest, and residual sugar would be nice. Wine geeks will love you and talk up your wines ? free promotion.
I?d also think you would have your labels available for download ? after all, your design person?s already done the graphics in digital format, so just get a copy. Buyers could then print the label and take it to their favorite store as a reminder of what they?re looking for. Wine reviewers would be able add a label to their review or blog ? more free promotion. People could share copies with their friends and family: look at this great wine I just found. Even more free promotion.
People viewing your site aren?t usually there to read all about the owners and how wonderful they are ? at least not at first. Surprise ? top of most people?s hit list are the wines themselves. What grape varieties? What quantities in your Bordeaux style blend? Can we have a little story on the style of wines you are trying to produce? Who is the winemaker and what?s their philosophy, experience, and technique. What does your winery look like ? a picture or two might be nice especially for the folks buying your wine who live across the country.
Oh, and some way of getting a hold of you would be nice ? an email address or phone number would be cool. How can you except to answer questions ? like ?where do I buy your wines?? Or maybe you just like seeing your wines sitting in the warehouse.
None of this actually takes that much effort. Really, it doesn?t. All you need to do is spend a little time and money on your website to make it stand out among the rest. If you want to see what I mean, here are links to a couple of websites that get it right.
Arrow Leaf Cellars in BC?s Okanagan has a site that?s easy to negotiate and includes a contact list, newsletter, pictures of the vineyard, and a great tech sheet. There?s even info on screw caps with a link to the New Zealand Screwcap Wine Seal Initiative ? just in case you haven?t been converted yet.
Down under, Peter Lehmann Wines has another fantastic site ? history, descriptions of the area, info about the winemakers and the wines. After spending time on the site, you want to buy rush out to the store and buy a bottle or two.
And to the winery in Australia who will not put info on their web site because it is too ?techie,? it?s time to get with the Digital Age. You say you?d rather have people come to the cellar door to get info than surf the Net. Yeah, right. I?ll just hop on a plane from Canada right away. Lots of luck selling wines in our local market and no reviews from this quarter. SUSAN'S NOTE:
I confess, I have a severe love/hate relationship with the web. I admire Frank?s ability to search through layers and layers until he comes up with some nugget of information, but I certainly don?t share it. No results after a couple of Google searches and I?m on to something else. And sites that give me no contact information put me into orbit ? Frank usually doesn?t even bother telling me about them any more because then he has to listen to my usually loud, always colourful verbal tirades.
However, one interesting thing did come out of his visit to the ?We don?t believe in an Internet presence? Aussie site. Our debate on whether the owner was simply stupid or was being blatantly arrogant was lively, thoroughly entertaining, and will certainly keep them at the top of our ?Do Not Visit or Buy From? list for a long, long time. FYI: arrogant won hands down.
Note: Photos show the Arrow Leaf Cellars' vineyards and porch area. Wine bottles show Arrow Leaf's Zweigelt and Peter Lehmann's Semillon. Enjoy.
The James Beard Foundation Awards are the nation?s preeminent honors for culinary professionals. More than 60 awards are given out each year in the categories of cookbooks, restaurants and chefs, design and graphics, broadcast media, journalism, and achievement. Nominees and award winners are selected by their industry peers, with more than 600 culinary professionals involved in the voting process.
Thank you to all of our fans who have given us such great support over the years.
The last in a trio from Barossa producers Scorpiiion is their 2006 GSM, which is comprised of 45% Grenache, 42% Shiraz and 13% Mataro, all of which is sourced from the Barossa Valley.
Vibrant ripe plum and blackberry aromas are entwined with lurking chocolate and vanilla. On the palate I found intense flavours of fleshy dark fruits, a velvety mouthfeel and a little drying tannin on the finish. Its full bodied, fruit forward and very gluggable.
After having the chance to taste three different wines produced by Scorpiiion, I can definitely see the fruit driven but balanced style they are aiming for across the range. The GSM represents the best bang for your buck and is a great option if you just want to buy, open and drink. Prices appear to range from $15-23, depending on your selection of retailer and the number of bottles, Squashedgrape being the cheapest at this time.
Score: 89/100 Price: $21 Closure: Screwcap Alcohol: 14.5% Other Opinions:Wine Without Wank Would I buy this wine? Although I personally lean toward more savoury styles, $17 per bottle is a great price.
With the warm weather heading this way, a few words about white wines from Italy. Where I live, the next five months will be warm and warmer. Red wine can just be too heavy, as a daily regimen. Vegetables are coming to the table; lighter foods are appearing as well. I am turning to white wines.
A few lately have come across the table.
Marco de Bartoli Grappoli del Grillo This wine appeared on the table right before a dish of pesce crudo with grapefruit and wild greens. This Sicilian Grillo, from one of the great Marsala producers, is a bouquet of freshness. I was parched when this wine was poured into my glass, and I was blessed with a benediction of flavors, hinting at ?someday when I grow up I?m gonna be a Marsala.? Not a chance, this wine has famous grandparents, but it?s a thong and flip flop sandal set wine.
Bruno Giacosa Arneis ?I?m going to order this wine because I don?t get Arneis.? was what my colleague at lunch confessed. What he meant, he elaborated, was that there is no defining style for this variety. I agree. I've had the Ceretto and the Pio Cesare recently in Piedmont and they were polar opposites. The Giacosa entry matched up well with fare served recently at the Landmarc in Tribeca. We had it with a fois gras terrine, followed by a grilled half chicken with mashed chickpeas and arugula. The wine is a sexy-delicate quaff, but paired with food it slipped into something a little more comfortable. Not just a one-night-stand kind of wine, more of a long-weekend fling. Very nice with the food, and on a wine list priced slightly above retail to encourage experimentation.
Falesco Est! Est!! Est!!! Coming off a recent death march of a road trip, I headed straight from the airport to a reception. The last thing I wanted to do was drink wine. Water was what I needed and lots of it. But there was this little tray of white wine being passed around and I couldn?t be the speaker at a wine event only drinking water. I was pleasantly surprised when this wine splashed onto my palate. I wasn?t expecting much substance, what I got was a lingering memory of a delicate, understated wine with a striking aroma of sweet lilies. The flavor was a brisk jump into a fresh stream of nectarines and unripe green apples, sweet and tart not sinking to the bottom, floating down the course in an inner tube of contentment.
All Hail Texas Grapegrowers If you want something else, a shameless plug for the trials and tribulations of extreme winemaking in Texas. Kim Pierce has written a fascinating article about a place that makes me want to go and see what they're are doing up in the High Plains, 4,000 feet above sea level. Check it out.
And, as they say in the Bronx, ?Chin-tann? y'all. I'm heading to the Met.
I rarely pass up a dry rosé, so I was pleased to find the 2006 le Rosé de Mouton Cadet from Baron Philippe de Rothschild at a grocery store in Twinsburg, Ohio for around $12. You have to dig a bit to get the info, but it's 65% Merlot, 15% Cabernet Sauvignon and 20% Cabernet Franc. "...entirely vinified and blended at the Saint-Laurent-Médoc Winery" in Bordeaux.
Good dry rosé, very light aroma of black cherries, slightly crisp acidity on the palate with a smooth cherry cream finish. Enjoyed with a tuna salad sandwich and some fruit for a light dinner.
I'm excited to see that good rosé wine is becoming more easily available around the country and is more prevalent year-round. While I normally associate it with summer, there's no reason why you shouldn't enjoy it at any time of the year. And there are some higher-end rosés coming out, breaking the $30 mark.
Sun Feb 27th, 2005, Los Angeles Homemade Pasta Class Sun – 2/27/05 3:00pm-6:00pm With guidance from Chef Eric, you will learn how to make perfect pastas every time.
Monday blues? Here at Vin Vini Vino, we've got Monday Hangovers, a weekly dose of headaches, hangups and how-not-to's. Consider it your worst-case-scenario guide to wine. Grab an aspirin - we'll try not to yell.
OK, so this weekly feature hasn't been so weekly lately. Frankly, I haven't been all that snappy with the posts, either.
Like any passion (cross-stitch, anyone?), wine has a habit of getting lost in the shuffle when the stampede of daily life comes barreling through. We've been painting our office, landscaping, working, entertaining. It's a tough job, but someone's got to do it.
But how do you pick up with your passion once you find the time again?
How do you get inspired? How do you find the energy?
If wine is your cup of tea, er, juice, you go to the store. That's right, when the going gets tough, the tough go shopping. Even if you have a cellar full of drinkable bottles, shelf browsing can be quality time. There's nothing like a few hundred brand new, shiny bottles lined up like soldiers to remind you that there's a world of wine out there - and that what you've tasted wouldn't fill a bucket.
Something to try at every turn. Single-varietal gamay, beerenauslese, pinot blanc from Sonoma, muscat, ripasso, Douro, Kongsgaard, vernaccia.
If you happen to dwell in the land of hard copy, check out the current issue of Salt Lake Magazine. Whilst neglecting Basic Juice in cyberspace, I have been nurturing it in the world of print. Alas, I am still struggling to multitask.
For those who eschew paper, have a look at the extended, 'Author's Cut' of the article below the fold.
This I Sip Chances are you?ve read many a wine article wherein the author recommends a particular bottle or two. What exactly does one do with such recommendations? Do you accept them on blind faith, dutifully seek out said bottles and schlep them home? Of course you do! We all do. Everyone trusts and accepts expert opinions on all manner of topics ? movies, restaurants, music and, of course, wine. However, there comes a time when one realizes that expert opinions on matters of taste, are essentially just that ? opinions. For example, recall the last time you sat through a painfully bad, critic-recommended film and thought, ?I?ll never follow that guy?s advice again.? Experts and critics may know more about their specialty than you, but your tastes may be dramatically different. Taste, particularly when it comes to wine, is exceedingly personal. An expert may guide you in a general direction, but the final arbiter of taste, is you and your palate. The take home message is this: It pays to know a wine critic?s palate before plunking down 10/20/30 bucks for a bottle you may very well despise.
Over the coming months, I will recommend hundreds of wines in this space. Some you will adore, others may be consigned to the dubious category of ?cooking wine.? However, I will always do my best to explain what I like about a particular wine. I will open my mouth - as it were - and attempt to expose every nook and cranny of my wine palate. I don?t expect readers to employ oeno-faith and blindly follow my recommendations. Rather, at some point, I hope our tastes connect and a wine idea put forth in this column, yields exciting discovery and fond memories. So, in lieu of a personal introduction, allow me to introduce my wine palate, in two parts. This, I sip ? the whites.
It?s An Acquired Taste ? Everyone has that one beloved specialty food that makes others cringe (Think: Kipper snacks, Brussels sprouts or Vienna sausages). ?It?s an acquired taste.? You say. I love dry Sherry. It?s wonderfully weird wine ? slightly nutty, aggressively tangy, delightfully funky and very much an acquired taste. My favorite Sherry combo is utterly simple: An Amontillado Sherry (Lustau Los Arcos Amontillado, $18) with oven-roasted almonds is a fiesta of out-of-the-ordinary flavors. If you?re the type who relishes the challenge of acquiring tastes, give Sherry a try. Cheap and Cheerful - Let?s face it; acquiring taste is demanding work. Occasionally, I long for something uncomplicated. Wine doesn?t need to be complicated. There are plenty of good, simple wines. When I would rather sip than ponder, I go for budget-priced Austrian Grüner Veltliner (Berger Grüner Veltliner 2005, $12). This wine is simple, refreshing and exceedingly flexible with food. Budget Grüner compliments almost any entrée exiting the oven or flying off the stovetop. Cheap and cheerful wines like this don?t catalyze any epiphanies. Rather, they cause one simply to remark, ?That?s good.? I?m Feeling Naughty ? Admit it. Every so often you yearn to do something off-the-wall - something naughty. Of course, following through on such impulses can lead to a heap of trouble. When I yearn for naughtiness, I grab a bottle of decadent Alsatian Gewurztraminer (Domaine Weinbach Cuvee Laurence, $40). Gewurz-based wine has a tendency to grab one?s schnozz and hypnotize with scents of lychee, apricot, mango and honeysuckle. The talented vintners in Alsace often introduce a layer of naughty to this decadent wine by incorporating a small portion of overripe grapes into the cuvée. The result is wine with an added scent dimension best described as earthy (or dirty). The indulgence doesn?t end here. These wines possess a very thick & cheek-coating mouthfeel. Indeed, drinking such wine feels a little bit naughty. Try Gewurztraminer with salmon sashimi and commit an indulgent act of gastronomy.
Other White Palate Pleasers
Acquiring That Taste: Aveleda Vinho Verde NV, $8; Lopez de Heredia Vina Gravonia Crianza 1995, $25; Feudo Arancio Grillo Sicilia 2005, $9
Cheap and Cheerful: Saint M Riesling 2005, $10; Segura de Viudas Brut Cava, $9; Santa Julia Torrontes 2006, $7
Naughty, Naughty: Kalin Cellars Chardonnay Cuvee LD 1995, $33; Twisted Oak Viognier, $26; Pine Ridge Chenin Viognier 2006, $12 Coming in Part II, I introduce a few of my preferred, palate-pleasing red wines.
The Reds coming in Part 2 Business in the Front, Party in the Back
I Lost 2 Pounds! Let?s Gain it Back
My Imaginary Smoking Jacket
Comments/Questions: Email Beau at beau@basicjuice.com Find more wine ideas at basicjuice.blogs.com
Tecnorati
Peter Liem is the second 
The last in a trio from Barossa producers 
With the warm weather heading this way, a few words about white wines from Italy. 
A few lately have come across the table..jpg "o")
