Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
Earn $6.17 / Sale! %75 Commission! The Ultimate Resource For Anyone Who Wants To Learn How To Make Outstanding Wines & Spirits From Their Very Own Home!
…except their QVC is called Christie?s. Maybe we don?t all shop QVC, but we?ve all been taken by a deal that seemed to good to be true. But instead of a crappy $30 cubic zirconium ring that turns your finger green, this is a story about a rich guy who paid $156,000 too much for a [...]
[08/23/2006, 03:01]
Report of the Argentina
Is this an overview report on the export situation of the Argentine vitiviniculture within the First Semester of 2006. This report tracks and reflects the performance of the main variables of Argentine vitiviniculture in foreign markets.
This works is elaborated per Caucacia Wine Thinking a company focused and devoted exclusively to provide information services to the wine industry, mainly in what respects to foreign markets.
At present, the leading wineries in Argentina, as well as the main industry-related organizations (Bodegas de Argentina AC, Wines of Argentina) make use this services.
*Wave* Hi! I'm just getting into the wonderful world of vino, and I can safely say that my experience is fairly limited. My fiance got me into wines, more specifically red wines. I've had my share of Merlots and Cabernets, but those always tended to have too strong of a finish for me (I do love me a good Merlot from Blackstone winery though...YUM.) More recently, however, we went out to dinner at the Tasting Room with some friends, and ordered a Speri Valpolicella ripasso. I was in HEAVEN. Not too sweet, with a light finish.
On the white side, I like 'em sweet...Gewurtztraminers and Rieslings. I had a Pinot Grigio once...too dry. Chardonnay is middle-of-the-road to me, and champagne is just NOMMY.
However, there is a point to all of my ramblings...this is my wine experience so far, and I have a dillemma. My Blackstone Merlot, for example, is described as having "rich fruit aromas, elegance, supple oak characters and soft tannins. With lifted dark cherry and berry aromas and a touch of spicy clove, this wine is sure to be a crowd-pleaser. The texture is ripe and soft in the mouth, with bright cherry fruit flavors and a soft, lingering finish." However, I don't taste ANY of that. My mouth goes "hmmm....strong, heavy with a mouthpuckery finish." I don't taste the "lifted dark cherry" or the "bright cherry". How, then, can I develop my palate? (Or is the wine description merely a longwinded way of saying "hey, this is a Merlot"?)
*Edit* I just realized I missed a "t" in the Tasting Room link...the Tasing Room sounds like a restaurant I'd want to avoid. ;)
New York ?The last time I saw a selection of wines this idiosyncratic was on a closeout list from a distributor,? somebody was heard to say, when talking about one of the many wine bars that have sprung up across the country.
Whether it is to find an outlet for those seldom seen wines, that do often languish in the corners of many a wholesaler?s warehouse, or if it is the result of a methodical search for a pure expression of wine, today?s wine lover need only to stumble into a wine bar. Or enoteca, as we say, on the wine trail.
Minutes before I was to do just that, I was in a clothing store that caters to young urbanites. On display were as many different T-shirt selections as I would soon be faced with when looking at the wine list. One shirt caught my attention. It read, ?Who the f*** is Mick Jagger??
An hour later, over a glass of Gruner, Mick would pass by our window, sans entourage.
30 minutes earlier I slipped into the wine bar, before my friends. Ordering up a glass of an Italian white, an Asprinio, it recalled a wine I had made a hundred years ago in California. Tangy fruit up front, a hint of volatility, not quite ready for oil and salad, but veering off in that direction. That?s OK with me in small doses. Italian whites, especially made in a rustic style, can be charming when that element is doled out judiciously. Civet in a perfume can be attractive, ask anyone who loves Chanel No.5.
Speaking of the rear end of a tomcat, I am sitting here struggling with terroir. My friend and I had an appointment with the owner of a wine bar, who walked in, and by, chatted up his staff, looked not in any direction at his clientele (one of which, wasn?t he supposed to rendevous with?), and headed back out the door.
Maybe it?s all those years I worked at being invisible when I photographed on the streets. Perhaps he is forgetful, though we met and spent time together, recently. I?m quite sure the success of his career has nothing to gain from knowing me.
All these thoughts, not just to excoriate the young lion for his comportment. More to my quest is this elusive search for recognizability in that thing we call terroir.
I use a different word which comforts me and because I understand it better than terroir. Territoriality. Probably a made up word, but one which offers focus to a blurry scatter of opinions about the spirit of a place, which means something to us for a reason. Maybe it is because grapes grow there and unforgettable wine results. Or hands making memorable music. Perhaps it is because a certain potato flourishes there, exclusively, and from those potatoes a gnocchi (that I?ll never ever forget) of which I had three bowls, at lunch, in the Marche. Back there, in the dungeon of my memories.
As the forgetful proprietor hurried off to his more important task, my friend arrived with a colleague. We sat down to drink that bottle of Gruner, Mick hurrying off in the same direction as Mr. Oblivious. Everyone to their own T-shirt. Wine boss, rock hoss, jazz joss. Not yet, Thelonious, that?s coming, uptime, uptown. Later.
While the revolutionary T-shirts are brought to the table with a sampler of appetizers, we ordered another bottle, this time a red. I proceeded to blunder, thinking the name was printed on the list with a redundancy. My younger, more mentally agile colleague gracefully corrected me. Just so everyone knows, Italian wines, even to those who make a life study of them, have many, many names. This one, known as Lacrima di Morro d?Alba, just to make things interesting, is also not from Alba. Or anywhere near Piedmont. Look it up. Oh, and the winemakers sometimes use the Tuscan governo process, but it?s not from Tuscany. Got it?
About this time one of the observant ones at our table casually mentioned that Tom Waits just shuffled by, in the direction of William Burroughs old place. One of them is late. This is one helluva people-watching wine bar.
Mr Riggs is a brand that made a splash when it first appeared a few years ago but – as much sub-consciously as anything – I always thought it would hit and run pretty fast, and disappear after a few vintages. I say this even though the wines have generally been very good. And well packaged. And reasonably priced. Maybe it’s just me, but the brand name itself just seemed to have gimmick written all over it.
Or it did. Now it doesn't. It’s good to see that the brand is still alive and going strong. In terms of quality, the following wines are the strongest bunch I have seen under this label.
This multiply reviewed wine is always a super value and a great quaff. It has an intense deep black cherry color with vegetal aromas with rich dark berries.
Palate is a rich, big, juicy Cab. that is a blockbuster wine with big dark fruit that's bready and delicious finishing with subtle chocolate. What a bargain at $15
I am a fan of Spencer-Roloson winery, so I sought out Sam Spencer for our “20 Not So Penetrating Questions for a Wine Craftsman.”
Sam and his partner Wendy Roloson produce high-end, affordably priced, small lot Rhone and Spanish style wines, mostly reds and a couple of delightful whites.
Simply, these people get it.
They sell in Indiana, which always engenders a boutique producer to me, because most others eschew distribution in the state without understanding the opportunity. They sell Direct-to-Trade, a program that I helped initiate with Inertia Beverage Group; they are starting a blog and their positioning to market is, “Provocative Wines Evocative Dirt.” Oh, and this is on top of their wine line-up being fantastic from top to bottom.
But, Sam doesn’t stop there, in fact he has side projects, too. His most recent project is the current Cameron Hughes “Hughes-Wellman” Cabernet. As a wine club selection and a slight one-off from the CH model, the $50 Cabernet with just 199 cases produced should go extremely fast. Available now at this link.
Fortunately, Sam found a few spare moments to interview with us and our 20 questions … an economy of words and a spareness of detail makes this interview kind of like the subject—smart, to the point and without a lot of artifice. Though, as a child of the 80’s and a viewer of late night Cinemax as a young teen, I do have to chuckle at his favorite movie genre.
Which of the Seven Deadly Sins are you most guilty of?
Sam: Lust mostly, pride in the balance
What is your biggest pet peeve?
Sam: Poor diction and improperly spoken English. Although I speak Spanish terribly and mangle that language daily.
Sam: Failing to keep your area/station clean
What is on your nightstand?
Sam: James Salter: Last Night John Mcphee : the founding Fish Luca Turin: Perfume: the Guide
What is in your refrigerator or pantry that you would not openly admit?
Sam: Nothing
What do you drink when you are not drinking wine?
Sam: Tecate, Campari or Patron silver-rocks and lime
What type of music or radio station is played most often in your car?
Sam: KQED for news and KCRW via satellite for the best music in CA
In what era would you live if you transport yourself?
Sam: 100 years in the future
What is the best wine-related book you have read?
Sam: The Emperor of Scent by Chandler Burr and Assembling California by John Mcphee
The former is about the science of olfaction, scent and the perfume industry the latter is about the geology of CA put into lay terms with explanations
What is your favorite movie genre?
Sam: 1970’s Soft-Porn
Is your desk messy or organized?
Sam: Both
Are you always early or terminally late?
Sam: Late
Whom would you want to play you in the movie about your life?
Sam: Jack Nicholson
What super-power would you most like to have, and why?
Sam: Super strength and endurance—Get more done with time to spare for hanging out with my family and friends
I would like to thank Earl, who posted comments and the following question on my recent Tempranillo in the Americas post: ?Why was there such a long interval between introduction of the vine into Argentina and exportation of varietal labeled wine??
Here are some important factors to consider:
It?s important to recognize the fact that culturally, there is a stark contrast between the way in which wine has been regarded in Argentina versus our very international, varietal-minded, label-aware atmosphere where getting to know the world?s wines is something many people have expressed interest in doing.Fine wine production for the gentry, in terms of seeing wine as a prestige cultural/material good simply wasn?t priority for Argentines until fairly recently.While it is true that many progressive vintners have been dabbling in exciting varieties in the past few decades (after the familiar 19th century French varieties arrived), the very first vines in the 16th century were planted by monks and priests near their newly built monasteries and church compounds in order to provide wine for masses and other celebrations.In some of the official correspondence that Spanish monks had to regularly exchange with royal authorities in the 1550?s to justify expenditures and building projects, the planting of vines was mentioned briefly and only in passing?the degree of pomp we would show in describing how we installed a light bulb today.Certainly, my modern concerns would be: Which varieties were planted?Surely this mattered to the priests, right?Not really, since in the letters they mention the generic Latin term for all wine-producing grape varieties, ?vitis vinifera.?
Records of colonial correspondence available at the Archivo General de Indias (Seville) indicate that a certain priest named Juan Cedrón (late 1550?s) first wrote of planting various types of Spanish vitis vitifera needed to carry on with life in the Argentine Northwest.The correspondence indicates that Cedrón was in charge of settling to the south of Santiago del Estero, Spanish settlers? first outpost after leaving their stronghold at Cuzco.As settlers made their way in a southwesterly direction, they encountered the dry, elevated Andean foothills of today?s provinces, the first of which is interestingly named La Rioja, then San Juan, and then Mendoza.
In terms of answering the above question about which varieties were planted, there are some interesting parallels we can draw between Northern and Southern hemisphere Spanish colonization patterns and viticultural practices.Since Valdepeñas from La Mancha was considered to be one of the finest expressions of Tempranillo by 16th century Spaniards, this is precisely the name used in correspondence to introduce the variety into Nuevo León (México) and the area that encompasses California and parts of the American southwest.In the 16th century, Spaniards didn?t refer to prestige wines by variety but as Italians did at the time, according to their region or commune of origin.On a whole and as is evidenced in classics such as Don Quixote (1605), Spaniards enjoyed drinking ?Valdepeñas? and not ?a really nice Tempranillo,? as we would say in the U.S. today.
If we take these considerations into account, it is a very well-sustained assumption that Tempranillo made its way across the Americas alongside Spanish settlers given that it was the red variety of choice.Other varieties planted for other styles of wines (acidic and sweet whites, etc.) in colonial times were Criolla Chica (also known as Criolla Sanjuanina) , Pedro Ximénez, Cereza, Muscat, Ugni Blanc (Trebbiano) and ?mónica? as it was known in Sardinia, Sicily and Spain (the famous ?Mission? grape introduced by Spanish Jesuits in 16th century California).
Tempranillo (then referred to as ?Valdepeñas?), alongside the abovementioned varieties was cultivated at the Andean foothills for home consumption since the 16th century.Much trial and error ensued, and areas with relatively higher elevation and dry weather (La Rioja, San Juan, Mendoza) and select areas in Mexico (including present-day California) became prime for producing these wines for settlers? purposes.
Here are a couple of additional ideas to support the hypothesis that Tempranillo was one of the original vines planted in the Americas.Ethnographically speaking, a great deal of Spanish settlers in the early conquest of the Americas included an overwhelmingly large number of natives of the following Spanish regions where Tempranillo was the most important red variety?the provinces encompassing Castille and La Mancha such as Avila, Ciudad Real, Albacete, Badajoz, Guadalajara, Cuenca, Toledo, Salamanca and Madrid.It?s also important to keep in mind that in terms of actual planting area, Tempranillo vines are of relatively low incidence on a worldwide scale, with Argentina being second only after Spain, of course.
Earl, I?m afraid that your question still hasn?t been fully answered:Why is it that Tempranillo has been around in Argentina since the 16th century yet the world hasn?t seen any exports of ?fine wine? versions until the early 1990?s?
Wine globalization and the consumer trends that underlie it have shown the potential to create some sink-or-swim imperatives for wine producers to expand production of different varieties and innovate in the vineyard.In fact, given many recent trends, it is likely that this projected consumer has developed tastes and accumulated enough disposable income to not want to consume the kinds of table wines that Argentines don?t mind.How does the Argentine producer see this consumer, who needs an ?international? style of their table wines?Well, the customer is someone who most likely lives abroad, and because he does not likely come from a culture were wine is a major part of his cultural identity, he is perhaps well educated and would like to learn more about wines and adopt other interests that can be considered, pardon the term, a bit bourgeois.While I don?t entirely see it the way Argentines see it because I grew up between both cultures and thus, can see each point of view, this is more or less the situation.
To answer your question, let?s think of timing and marketing.Who do many Argentine and Chilean producers wish to please?Why do the ?Wines of Argentina Awards? even exist?Spanish wines in the U.S. market at least, have really become fashionable in the past four or five years.Americans have been very receptive to various styles of Tempranillo-based Spanish reds and South American producers have realized that for the first time, the North American market is genuinely thirsty for different expressions of Tempranillo (this relic left by Spanish settlers, as far as Argentines are concerned).
What do I make of this all?The ambiguity created by the correspondence of priests such as Juan Cedrón in the 1550?s regarding vitis vinifera has unfortunately opened the gates to opportunists.One such example of opportunism can easily be seen by an article I came across in a major Spanish daily?s wine section (El Mundo Vino).In the article titled ?Argentine Wine is Not Only Malbec,? by Harold Heckle, Juan Carlos Rodriguez Villa of the venerable Finca Flichman in Barrancas (Mendoza), claims that Tempranillo vines are a relatively new phenomenon in Argentina and that it was precisely his grandfather who visited Spain and subsequently introduced the variety to the Argentine wine industry in 1940.Although the Familia Zuccardi website does not make claims this sensational, they still care very much that today?s North American grape-variety-hopping, cosmopolitan Gen. Y-wine consumer regard them as pioneers in the Argentine industry when it comes to traditionally European varieties that exclude the Bordeaux and northern Italian varieties that pan-European immigration brought to Argentina, Chile and Uruguay in the 19th and early 20th centuries.
And so, I walk down the aisles of many American retailers and see bottles of Argentine Tempranillo from producers I?ve never heard of, from the conventional Mendoza winery all the way through La Rioja, San Juan and down into Neuquén and even a general Patagonia appellation.The same question comes the mind for a native Argentine like myself?under which rock have all of these wines/producers been and why are they suddenly available now on shelves dominated by oaked Catena Chardonnays and endless rows of Malbec?Makes one think?
As we enter the holiday season, I thought it time to up the caliber of my wine recommendations, to put the focus on some truly outstanding wines, which are somewhat costlier than those I have recently recommended. For many, they are special occasion wines, and they can help make those occasions that much more special.
Many's the time someone has said or written to me, "You need some kind of rating system." Because ecstatic babblings and lots of exclamation points and CAPITALIZED words aren't precise enough. OK, I succumb. When I review or just write extensively about a wine, I will henceforth and forthwith tack on a rating at the end. The reasons for the delay are many. The main one is that no system I've ever come across suits me as a person. The way I taste, what I taste, what the wine tells...
I did a search on Google Scholar for wine. A lot of articles were returned in the search result. At first glance, I could not figure out why these results had been returned. At closer inspection, the author of the first few articles had the last name of Wine.
RH Wine has written many articles in the field of biology. JJ Wine has authored many papers on Cystic fibrosis. RN Wine writes on topics in the field of toxicology. These are just three of the authors with results dominating my search for wine on Google Scholar.
I changed my search in Google Scholar from wine to red wine. The first scholarly article returned in my search for red wine was ?Inhibition of oxidation of human low-density lipoprotein by phenolic substances in red wine?. This article was published in 1993 in the British edition of Lancet.
An article entitled ?The red wine phenolics trans-resveratrol and quercetin block human platelet aggregation and eicosanoid synthesis: implications for protection against coronary heart disease? was published in Clinica Chimica Acta in 1995. There were five authors cited on this paper.
The American journal of clinical nutrition published ?Consumption of red wine with meals reduces the susceptibility of human plasma and low-density lipoprotein to lipid peroxidation? in 1995. This paper has been cited over two hundred times. The author credited with writing it is B Fuhrman.
There were over sixteen thousand results returned when I did my Google Scholar search for red wine. The article entitled ?Antiplatelet activity of synthetic and natural resveratrol in red wine? is another article that has been cited many times. The International journal of tissue reactions published this article in 1995 and now it has been cited 116 times.
The Journal of Agricultural and Food Chemistry published an article in 1980 entitled ?Wine aroma composition: identification of additional volatile constituents of red wine?. The article has been cited five times. The author, P Schreier, has also written an article entitled ?Flavor composition of wines: a review?.
Kumala wines in South Africa is offering two free wine charms to anyone of legal drinking age who takes their survey and signs up for their newsletter. The offer is only valid in the United States. Here's their website: http://www.kumalausa.com/fun/quiz-b.php
This Bordeaux Cotes De Bourg wine is another 05 value. It has a black cherry hue with tight fruit of black cherry and some raspberry notes with minerals and steel.
In the mouth this wine is sweet with some tannic structure, bready notes but needs to open. With breathing it is a tad hot but nice flavors and body with good structure and a good food wine. Buy this wine and two more to lay down for another year and reap the rewards. All this for only $14 so raise a glass to a great vintage!
I can't hold Thai food entirely responsible for making me uproot my life and move halfway around the world to Sydney, Australia. But it did play a role.
In Sydney, incredible Thai restaurants are as ubiquitous (and about as affordable) as burrito joints in San Francisco. But no matter how authentic the cooking, it's hard to beat paying 20 baht (about 50 cents) at a bustling Bangkok market for curry that's bursting with tangy lime; tempered by the salt of fish sauce and the caramel of palm sugar; and followed, ideally, by a bold aftershock of chili. I decided a long time ago that if I couldn't eat out that way every day, the next best thing was knowing how to make it.
Having cooked up many a dish of Tom Khai Kai, Mee Khrob, and Massaman Curry, I thought I was pretty well versed in the cuisine for a Western chef. But it wasn't until a culinary tour of Thailand, including an amazing cooking course in Chiang Mai, that I really felt like I "got it."
Whether fiery hot or comparatively mild, when it comes to Thai, harmony's the guiding principle. Overpowering spices are toned down by pungent fresh herbs, like lemongrass and galangal. Salty sauces are tempered with sugars and offset by acids, such as lime. Moreover, rather than being served in courses, a Thai meal is presented all at once, so diners can enjoy the juxtaposition of contrasting flavors.
Yet despite the apparent complexity of Thai food, many dishes are surprisingly easy to concoct. Much of the art lies more in the prep work than in employing tricky techniques. In fact, you'll often find that having the ingredients lined up and ready to go is half the battle.
Of course you can just go to a restaurant or buy ready-made curry pastes and sauces, but trust me, Thai is almost certainly easier to master than you realize. And if you can't afford to travel, cooking this marvelous cuisine is the next best thing to a trip to Thailand. Or Sydney.
Wine & Thai Food
When choosing a wine to accompany a Thai meal, the same thought should be given to equilibrium as it is in cooking Thai. Riesling and pinot noir are probably your two best bets for spicy hot dishes: a good rule of thumb being that the spicier the food, the sweeter the wine. For example, pair a slightly dry number with a tangy but mild lemongrass and coconut chicken soup. But use a more sugary vintage to tone down the fire of a curry.
The German Auslese style rieslings are excellent and reasonably priced. Two U.S. producers, Bonny Doon (whose Pacific Rim is marketed to serve with Asian cuisine) and Hogue, both make good, affordable rieslings. As for pinots, their delicate flavors, which can be smothered by heavy steak or barbecue, are enhanced by hot and spicy food.
Remember that spicy food exaggerates the tannin and natural bitterness in wine. The addition of salt and sour flavors will help counteract this effect, as they make the wine milder, fruitier and less bitter.
Thus, if you're drinking a merlot or cabernet sauvignon with duck in red curry, the addition of fish sauce to the curry - or salt to the duck - will help counteract the chilies. Similarly, the addition of lime juice to a green mango salad will offset the spiciness and pair nicely with a sauvignon blanc/semillon blend. For a moderately spicy, ginger-rich dish, a good gewurztraminer makes an excellent contrast.
Another thing to consider is the method of food preparation. Generally speaking, grilled or pan-roasted foods will be better matches with your wines than those that are deep-fried. For example, Kai Yang (chicken marinated in garlic, pepper and lemongrass, and then grilled) is delicious with a crisp white wine or a fruity red.
Tips and Tricks
Never cut kaffir lime leaves, as too much oil will come off on the knife and diminish the strength of the flavor. Tear them gently instead.
When kaffir zest is unavailable, substitute lemon peel rather than lime, as the latter is too bitter.
Ginger, in smaller quantities, can be used as a substitute for galangal (also known as ginza or laos powder).
When making large quantities of curry paste to store in the fridge or freezer, it's best to fry it first in oil, and then store both the oil and the paste. This helps retain better color and flavor. Dried chilies provide a better color in paste than fresh ones.
Always add lime juice after the heat has been turned off.
Mung beans should be stored in salt, not water, to keep them crunchy.
Don't fry garlic and shallots together, as the garlic will cook quicker and turn brown. Shallots soaked in water for 10 minutes won't make you cry when cutting them.
Use a tablespoon of coconut milk as a garnish for curries to provide an attractive color contrast.
To separate coconut cream from milk, refrigerate it for 10 minutes, then skim off the top.
Milk, cucumber or tomato will stop the burning sensation from chilies; water will amplify it.
When stir-frying, always preheat your wok at least five minutes, until it's smoking hot. Add your oil and wait 10 seconds before beginning to add meat and vegetables.
Although Thai people eschew appetizers in favor of eating a variety of dishes all at once (proving yet again that it's the harmony of opposing forces that define this cuisine), for us Western cheats, this makes a great appetizer that can serve as a prelude to a wide range of main courses.
4 cups pork spareribs cut into 1-inch pieces Enough oil to deep fry 3 cups chicken stock or water 1/2 cup oil 1/2 cup chopped garlic with skin on
SAUCE 1/2 cup chopped garlic 1/4 cup roughly chopped coriander root and stem 1 t crushed white peppercorns 2 T oyster sauce 1 T light soy sauce* 1 T soy sauce 1/4 t sweet soy sauce
*You can easily cheat and just use 2 tablespoons of regular soy sauce. But try to get the sweet soy. In a pinch, just add a little palm or brown sugar instead.
Mix the spareribs together with all sauce ingredients, then put them in a pan along with the stock. Simmer 20 minutes. Drain the stock, and set the ribs aside.
Put 1/2 cup oil into a wok. When it's hot, add the unpeeled garlic, and cook on high heat until the garlic starts to turn brown. Lower the heat, and keep stirring until the garlic is crispy (about 2-3 minutes). Drain the oil, and put the garlic on some kitchen paper.
Put the oil for deep frying into a wok. When it's hot, fry the spareribs until golden brown (4-5 minutes), then drain.
To serve, put the ribs on a plate, and sprinkle with garlic.
If you can't get pandanus leaves or don't want to fry the chicken, this dish is also excellent when the marinated chicken is baked, covered, for about 30 minutes. If you do use leaves, be sure to remove them before serving, as they aren't edible.
1 cup chicken breast cut into 20 equal-sized pieces 20 pandanus leaves 4 T roasted sesame seeds 1 t ground black pepper 1 cup of oil
SAUCE 1 T light soy sauce 1 T tapioca flour 1 T sesame oil
Put chicken in a bowl, add sauce ingredients and mix well. Marinate at least 10 minutes. Then add the sesame seeds and pepper, and mix well.
Wrap each piece of chicken in a pandanus leaf, cutting off the ends if too long. The chicken can be stored in the refrigerator until ready to fry.
Put oil into pre-heated wok, and turn to medium heat. When oil is hot, add chicken pieces, frying until cooked through - about five minutes. Drain on kitchen paper and serve immediately (ideally with a sweet chili dipping sauce).
NAM JIM GAI (Sweet Chili Dipping Sauce) (serves 4)
This sauce makes a fantastic accompaniment to most Thai dishes and is added like salt and pepper. Once cooked this can be stored in a bottle for about one month at room temperature.
3/4 cup finely chopped coriander root 5 cups chopped pickled garlic 7 finely chopped big, red chilies 3 1/2 cups sugar 2 cups white radish, cut into thin strips 1 1/2 cups vinegar 1/4 t salt
Put all ingredients into a pan, and simmer on low heat about 20 minutes, until sauce is thick. Stir occasionally.
Recipes adapted from A Passion For Thai Cooking by Sompon and Elizabeth Nabnian.
Big News! Okay, I was trying to keep this one under wraps but it seems a few people have already found out and, well what better place to announce it than here right?
As of August 7th I will be back at the Wine Warehouse full time drinking for my living. I am very excited and can't wait to get back in the game.
Also My friend Andi got a new job at the O'Henry Hotel and I wish her mucho success in all of her endeavors. I will miss her.
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laški Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal.
This is one of the wines available in Belgrade restaurants in 0.2l bottles, so if you’re a driver among non-wine drinkers (meaning you can’t order a whole bottle of some fine wine) it’s a good chance you’ll be in a position to try it. Do so.
Our brains work in mysterious ways. Ever since I got my Fusebox wine blending kit from Crushpad Wine, all I think of when I think of the beautiful box of wine designed to create a custom blending experience is the notoriously sexual and metaphorical “The Who” song, Squeezebox. This, all told, is somewhat apt because if the Fusebox were not an inanimate object, I would want to make love to it.
I had the opportunity to join Indianapolis wine blogging pal Mark of winecanine.com and Renee, the doyenne of the Indianapolis food blogging scene from her outpost at Feed Me / Drink Me, along with a few other notables, including a wine distributor, on Saturday night. Couched in conviviality was the desire to put the Fusebox to work.
If you are interested in the Cliffs Notes version, I will simply say this—the Fusebox is incredibly well executed and an absolute smash for a party. At $120 bucks, it is well worth the money. In addition, the wine, six bottles of 375 ml blending varieties, is very, very good individually, let along as the sum of the parts. On top of that, the wine distributor in attendance wanted to distribute the Fusebox and Mark from winecanine.com, who works part-time at the best wine shop in Central Indiana, said the storeowner thought he could move an easy 150 units at the holidays. The Fusebox has my unequivocal Good Grape endorsement.
If that is not enough, Alder from Vinography is represented in the Fusebox with his Wine Aroma cards. It felt like a karmic match with the wine blogger representation. Though, as a sidebar, I will admit that I chuckled to myself at the end of the night, much drunken wine later, when I read “peeling willow bark” as a scent component on the wine aroma card from Alder. Ahem … note to Alder: stay away from your wife’s high-end, wacky-scented body lotion, my friend.
What transcends the Fusebox from the merely interesting to the compelling is both the organization and the quality of the wine. It is primarily comprised of six 375 ml bottles of blending wine including Cabernet Sauvignon (two bottles), Merlot, Petit Verdot, Malbec, and Cabernet Franc that top to bottom are of excellent quality.
The kit also contains a mystery wine for some palate testing and all of the accouterments necessary to blend to your heart’s content—graduated cylinder, pipettes (mini wine-thief’s) and some schwag like a corkscrew and some evaluation cards, etc.
As I noted, the thing that makes this kit sing is the quality of the wine and the fact that it works. With the ingenious recipe cards, you can custom blend your own wines adding a dash of this and a dash of that and it is a true aid in helping to understand how components add different qualities. We all know that Petite Verdot and Cab Franc are frequent blending partners, but if you have a bit of Cab and you add in the Petite Verdot and the Cab Franc it brings the whole picture together for your palate.
The other masterstroke of this kit is the recipe cards they include. They offer blending suggestions to mimic a 2002 Joseph Phelps Insignia, 1996 Lafite Rothschild, 2000 Chateau Margaux, and a 1997 Opus One, amongst other things.
Those at our party all took turns creating blends from the recipe cards and sharing. It’s vicariously thrilling to put a blend together and imagine for a moment that it may approximate a wine that retails for $2000 +
If I had to give one recommendation for the kit, it would be to include tasting notes for the marquee wines on the recipe cards so users of the kit could subsequently take some of their own notes on the created blend with a baseline. I kind of want a little more context to why my blend is supposed to equate to a very premiere wine, but, in the end, that is just a quibble.
Next time, I am going to buy a kit to do on my own blending, at home, as a self-study aid, you will want to, as well. The Fusebox is fantastic for a party, but probably equally as valuable, in a different light, as a way to hone your palate chops in a more intimate setting. In fact, I hope and fully expect Crushpad to change it up every year to keep customers coming back and trying different things.
Either way, using the Fusebox in a crowd or in your kitchen with your significant other, it’s a smash hit. Make sure to turn on “The Who” and croon with me, “Come on and tease me like you do, I’m so in love with you, Mama’s got a Fusebox …”
In 2006, while I was teaching Spanish bankers how to chat up a beautiful woman in English (hey, how else do you get students interested in learning a second language?), Ryan was slaving away at the computer, inventing new and creative ways to involve wine lovers from around the world in Spanish and Portuguese wine. After many creative attempts, he stumbled upon a zany idea he called, the 2+1 Iberian Wine Survey. Sent to a handful of bloggers and wine geeks, the survey asked them to answer 2 questions about Iberian wine, and in return, they could ask 1 of us.
However, at the time, we weren’t entirely confident the idea would work. Having only been in the wine blogging scene a year, we didn’t know if our readers would be interested in hearing about a wine blogger’s selection of Spanish wine in Canada, or whether a blogger based in the UK enjoyed the unique and diverse wines coming out of Portugal. It was a crap shoot, but indeed, it worked! Why we didn’t continue the idea? I don’t have a clue, but we are now!
We’re bringing back the 2+1 Iberian Wine Survey, and over the next few weeks, you’ll be hearing not only what other bloggers are experiencing with Iberian wine, but also some of the pressing questions they’ve had about Spanish and Portuguese wine mulling around in their heads. Let’s cross our fingers that we can make up a convincing answer
In addition, we’d like to include everyday folk who are simply interested in wine, like you! So if you’re simply a wine lover, or an uber geek interested in chiming in your ideas on our blog, let us know so that we can get a survey out to you asap. All the collected surveys will be posted on Catavino beginning on June 1st.
And to get you in the mood, I’ve included a series of questions asked of Catavino way back in 2006 when we were all still green to wine blogging!
Andrew Barrow of Spitton “Is sherry destined to go the way of Marsala and be relegated to cooking use only?” We sure don’t think so!
Erin and Michelle of Grape Juice “We?re very curious about Basque wines. Are the wines as unique as the language and culture, and if so, what sets them apart from the typical Spanish wines we?re likely to encounter? Do you yourself enjoy them? Are there any that you would recommend us trying for an introduction? I realize that?s actually about four questions, but we?re very nosy people, so I hope that?s okay.” Txakolis are typically misunderstood and under appreciated.
Tecnorati
I use a different word which comforts me and because I understand it better than terroir. Territoriality. Probably a made up word, but one which offers focus to a blurry scatter of opinions about the spirit of a place, which means something to us for a reason. 
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laški Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal. 
