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More banging on from me about how we should look to the independent merchant for the more interesting wines - small producers, interesting flavours, unknown grapes etc etc but such purchases do not have to be the idiosyncratic, often you just need something decent and mainstream but still retaining that small producer mentality...
Wine Tasting Note: Château Les Tonnelles, 2004, Fronsac, France. Available from Bordeaux-Undiscovered [more] for £7.99 (normally £11.99). Very French (for which read Bordeaux) in style and structure - the aroma has a lovely fruity edge that needs a little teasing (swirl/decant) to really reveal itself - don't forget that aroma offers so much to the overall enjoyment of wine - is that blackcurrant, blackberry, leaves, undergrowth?
The Bordeaux Undiscovered website states that this 'drinks well on it's own' but I disagree - it's a classic French food wine - unless you enjoy hearty tannins - and in that regard is highly recommended with a simple roasted game bird. In this case it is stuffed with herby sausage and served with a potato-parsley-garlic mash and a broad bean puree (the latter left over from the Pappardelle with Broad Beans and Rocket dish).
The wine is 100% Merlot. Alcohol 13.5%. Scribblings Rating - 90/100 [3.75 out of 5]
Half bottles of wine are great, at least in principal. They are a perfect way to prevent having to deal with left over wine. I am delighted to find them in restaurants, as it gives me a chance to sample more than one wine through a meal.
All life it seems is a compromise. With half bottles you get great benefits, but there is the inevitable downside. A half bottle of wine is more prone to environmental circumstance. In other words, it goes bad more easily.
I have been in a position of late to try many half bottles in a row (I am temporarily single). These have been bottles of my favorite wines, and I was delighted to find them in 375s. The delight turned to disappointment, repeatedly, as one after the other was in some way less than I expected.
The smaller size means that any heat or vibration damage has a greater impact. It is the inverse of why Magnums are the perfect sized bottles for aging wine. Small bottles also tend to not fit well in wine racks, unless you plan for them in advance.
I am not saying that all half bottles are likely to be bad, far from it. My spate of bad luck can be attributed to the fact that I bought all of the wines from the same place. Whatever ruined the first bottle, probably was responsible for the downfall of the others as well.
I have had better luck in the past, and I am far from swearing off half bottles. I just thought it was important to point out that a bad half bottle or two is no reason to swear off the size in general.
Ask for half bottles in restaurants, let them know you are interested. This will help propagate them in the industry, so if your favorite restaurant doesn't have any half bottles now, perhaps they will in the future.
Wine by the glass in a restaurant is a great concept, but too often poorly implemented. If the bottle has been open too long the wine will be much worse than the little variation a half bottle may be prone to.
Speaking of restaurants, I love starting with a half bottle of Champagne. Then a half bottle of white wine followed by a half bottle of red, and perhaps even a half bottle of dessert wine to finish it off. This is ideal for two, but even for the solo diner 2 or more half bottles can still be ideal. Remember, no one said you have to finish all of the wine! By the way, I send my left over wine to the Chef - the kitchen rarely gets a tip.
We return to Cyrus after a couple of years and have a truly great meal. Prices are up but our recent experience definitely justified the Michelin two stars. The food sets the highest mark in Sonoma county, but we'd still like to see more focus on local purveyors. If elaborate dining is what you seek in Sonoma, Cyrus is the perfect destination for indulgence.
With the help of Bron Marshall and J I seem to be back on track. I'm now under www.winosandfoodies.com . Which means you will need to alter your subscription in your readers as originally my URL was set to winosandfoodies.TYPEPAD.com and that is where you would have subsscribed to.
Today, we're tasting another good wine to serve for all of those summer patio parties-the Little Black Dress Pinot Grigio. Little Black Dress Wines were introduced by Brown-Forman in 2006, the 80th anniversary of the Coco Chanel's little black dress. The collection includes a Pinot Grigio, Chardonnay, and Merlot. Although marketed toward women, these wines are versatile and enjoyable for any wine lover.
The Pinot Grigio is a straw-colored wine, made of 84 percent Pinot Grigio grapes, 10 percent Chardonnay, and just a hint of Muscat and Vigonier. The wine is light and crisp with hints of green apples, pears, and peaches. The Muscat lends a spicy touch and the Viognier a fruity floral note.
Little Black Dress wines are available throughout the United States and Canada. The Pinot Grigio retails for $9.99.
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You can feel safer in your bed tonight knowing that the United States government is protecting you from another danger. That new evil is, of course, Brunello di Montalcino that might have a bit of cabernet or merlot adulterating the sangiovese grosso. These are the same consumer protectors that brought you the 75% rule for American varietal wines, which requires that the stated variety make up at least three quarters of the named wine. So while it’s fine for an American producer of pinot noir to blend in 25% syrah or anything else the missteps of a few producers in Brunello will bring down the wrath of the TTB on all producers.
It’s great to know that our government is always on the watch.
Compassion and California wine-making skills have combined to create a home for 90 mentally disabled "students" of all ages and to craft some surprisingly good wine. Coco Farm, founded in the 1950s, has been making wine since the 1980s, using mentally-challenged students to tend the vines, harvest the grapes, and perform a range of responsibilities from labeling to scraring crows away from the vines. In 1989, the winery brought in Sonoma wine-maker, Bruce Gutlove and the quality of the wine has been improving. So much, in fact, that Coco Winery's sparkling wine, "Novo," was served at the recent G-7 Summit of world leaders.
Coco Farm and Winery is located about one hour north of Tokyo. Because of its small production-just 150,000 to 180,000 bottles annually-Coco wines are not available in the United States. However, the winery welcomes visitors and has a tasting room and cafe.
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When you're gazing at endless rows of wine and you have no clue what to buy, here some generalized tips that can help weed out the crap and allow you to make an educated guess:
1) Don't buy any wine that has dust on it. Chances are there is a reason it hasn't moved. It is either a horrible wine or its a terrible value.
2) If you only see a couple bottles of a particular wine left on the shelf, it may be worth trying. This could be an indication that people are buying it up like crazy and you just happened to walk in at the right time.
3) Read the back label for helpful flavor guides. Smart wineries include descriptions and food pairings. Those that don't have any indicators are anyone's guess as to how it will taste.
Hopefully these easy-to-remember tips will help those in need. Be smart. Use common sense. Don't blindly buy another bottle of vino without making at LEAST an educated guess. Cheers!
Tasted by TashNYC. Jen liked this wine and thought it drank the best of the 3 reds. At Bob Tarjan's 60th birthday party, in Princeton, NJ (88 pts.) - Tasted 5/9/2008. [FIND IT!]
Part of becoming a connoisseur of cheap wines is knowing where to look for them. I’ll share with you one of my little secret places I attempt to seek out cheap wine: the “Reduced for Quick Sale” shelf at your local supermarket. At Meijer, my local super-mega-ultra-store, this shelf is usually located in the bottle return area. Not a very pleasant place to be searching for wines, but just think of it as a treasure hunt! You may find a bounty of cheap wines that you never knew existed.
While picking over the wines yesterday, a cartoon label caught my eye: Big Daddy Vineyards Merlot. I picked up the March 2002 vintage for about 6 dollars.
Why was this reduced for quick sale? Was it worth enduring the stench of the bottle return area to bring home this wine? Yes, yes it was. It’s almost sad that this wine traveled all the way from Argentina to end up in my bottle return area.
Big Daddy knows how to make a good cheap wine. Believe it or not, the first attribute of this wine I picked up on was the light hint of bacon. Mmm bacon. Who doesn’t love bacon? Big Daddy loves it, that’s for sure. Look at that belly! On top of the bacon was a strong berry with a leathery taste.
If you’re looking for a full bodied cheap red wine with a lot of character, give the Big Daddy Merlot a try.
Rating: 8/10 - High score for originality Price: 6.00 Place of purchase: Meijer Vineyard Info: Big Daddy Vineyards Mendoza, Argentina www.bigdaddyvineyards.com
Sun Feb 20th, 2005, Sandy Hook Join us for eagle watching at the Shepaug Dam along the Housatonic River, wine tasting and hot chocolate at the Winery, and a 3 course lunch with wine at the Inn at Newtown.
Tasted by TashNYC. Jen said this was extremely tight / closed, and needed a few years. But had potential. I didn't have the wine. At Bob Tarjan's 60th birthday party in Princeton, NJ (88 pts.) - Tasted 5/9/2008. [FIND IT!]
by Martin Field Nuts are a favourite accompaniment to wine. They are delicious when served with bubbly and other aperitifs and a plate of nuts and dried fruit is obligatory when savouring a vintage port after dinner. But did you ever notice that in any bowl of mixed nuts, in shell or not, certain varieties are always eaten in exactly the same order of preference?
Once a bartending necessity that reigned supreme in soda guns the world over, tonic water - and her friends club soda, Coke and 7Up - is fizzling in today?s hipster scene. What?s bubbled to the forefront? Energy drinks, which in a few short years have gone from mini-mart obscurity to VIP status behind the bars of even the hottest, Paris-Hilton-worthy nightclubs and restaurants.
As anyone who?s chugged Gatorade or Lucozade knows, energy drinks are nothing new. They?ve been around since the 1930s, are sold throughout the world and have traditionally enjoyed especially strong popularity in the Far East. (Think Pocari Sweat. Yum.) In their early incarnations, energy drinks were meant to quickly rehydrate the body and to provide energy through carbohydrates in the form of sugar. They were the savior of many exhausted athletes, lethargic kids with the flu and pathetically hungover frat boys.
In the mid-?80s, an Austrian businessman looking to cash in on the energy drink craze in Asia took the concept and gave it a decidedly modern twist. The result was Red Bull, a unique-tasting drink spiked with caffeine and the amino acid taurine, which pumps up the heart rate.
Red Bull?s slick silver mini cans, clever ad campaign and energy-boosting properties made it an instant hit among club-goers and those looking for a quick boost from something other than espresso (or a powdery South American import that might invite a sentence of five to 10). By the late ?90s, Red Bull was available worldwide, had taken up sponsorship of popular new extreme sporting events and was well on its way to becoming a pop culture icon.
Since then, the energy drink market has exploded. New entrants include Rockstar (which contains liver-rejuvenating milk thistle), Monster, Socko, Full Throttle, Hype, Bomba (which comes in four flavors), Roaring Lion, Go Fast, Atomic X and Boo Koo. (The entertainment value alone - ?I?ll have an Effen Boo Koo? - keeps us enthralled.)
Everyone from traditional soft drink marketers to celebs are getting in on the energy drink craze, scrambling to create new concoctions with fresh hype. Rap star Nelly is hoping to grab a piece of the market with his bright green, sweet sour-apple brew PimpJuice, which contains taurine, guarana and multi-vitamins. (No word on whether the nutrient properties of the drink will finally heal the boo-boo that lurks beneath his omnipresent Band-Aid. Or what test group approved of the name PimpJuice.)
Though all energy drinks are unique, they share in common some form of caffeine and sugar as key ingredients. Guarana, a natural source of caffeine, replaces the straight chemical in some brands. What gives energy drinks their rocket boost is the amount of caffeine and sugar they include: studies show energy drinks pack four times the amount of caffeine as soda and as many as 13 teaspoons of sugar in a single bottle.
Energy drinks also get an extra kick from ingredients such as ginseng and vitamins B12, B6, riboflavin and niacin. The most popular addition (and the one that put Red Bull on the energy drink map) is taurine, one of the most abundant amino acids in the body. It functions as a metabolic transmitter, has detoxifying properties and has been shown in studies to be beneficial to cardiovascular functioning. Mix these peace-and-love herbs and vitamins with some cutting-edge nutritional research, and the old standbys caffeine and sugar, and you?ve got yourself a recipe for a go-the-distance, 21st century good time.
Not long after these space age potions hit the shelves, smart consumers realized if energy drinks could keep them going as they burned the midnight oil or blasted through a road trip, they could put a whole new spin on a night of partying. Thus was born Red Bull-vodka. In the late ?90s, European drinkers started a new trend in cocktails by marrying the recently released Red Bull with vodka, creating a mix packing a potent alcohol punch and a lift of herbs and caffeine, and enabling drinkers to get maximum pleasure out of a hard-earned weekend night of raving or pub crawling.
As more energy drinks were born, more cocktails were created. Bars around the world now stock energy drinks as mixing basics and look for innovative blends to create their own signature cocktails. While most drinkers still prefer flavored vodkas such as Stoli Citros or Skyy Melon to add intrigue to their energy drinks, more innovative experiments are being undertaken every day: how about an energy drink/Jagermeister mix? Perhaps a little Johnny Walker Black? (Any carpet fluff you might ingest later will simply add to the...mouthfeel.)
If mixing isn?t your thing, consider an energy/alcoholic drink that comes straight from the bottle. Zygo is a peach-flavored vodka blended with so-called ?functional ingredients? taurine, D-ribose, guarana and yerba mate. Known as the ?morning vodka? with a 35 percent alcohol content, it hits the spot with partiers still pounding the dance floor at dawn. Sparks, a sickly sweet, citrusy concoction with taurine, caffeine, guarana, Siberian ginseng and a 6 percent kick of alcohol, is becoming a popular party alternative, as are MoonShot, a (believe it or not) lightly carbonated, caffeinated beer, and XXL Orange, which packs 8.9 percent vodka, orange juice and caffeine into a curvy plastic bottle. (Frankly, that sounds to us like what a pimp would really be juicing.)
In a culture that?s dancing as fast as it can, it seems energy drink cocktails are the perfect libation for the new millennium. And who knows, tonic and club soda might even make a comeback - thanks to the recently released Hi-Ball Modern Mixers line, which offers classic mixers enhanced by B-vitamins, caffeine, taurine, guarana and ginseng. So grab a can of liquid energy, throw in the spirit of your choice and start channeling Don ?The Magic? Juan. And remember, it takes seven to make a stable.
Black Magic Bomba Energy Drink 1 1/3 oz. vodka 2/3 oz. triple sec 2/3 oz. lime juice
Shake vodka, triple sec and lime juice together. Pour into chilled martini glass. Top with Black Magic Bomba Energy Drink.
Warning: Consume energy drink cocktails in moderation. Caffeine is a primary ingredient in energy drinks and can, when combined with the dehydrating effects of alcohol, lead to feelings of dizziness and faintness. In some cases, sensitivity to caffeine can also raise blood pressure and trigger potentially deadly heart reactions. Drink responsibly.
Going against the better advice of my high school English and sex education teachers, this story starts with the climax. For anyone involved in wine, the three months from the end of August until the end of November are both the most exciting and the most frightening of the year. These three months dictate the final say in whether you happily learn that your wines will be served at the White House or whether you become the largest vinegar producer in your neighborhood. These are months of 60- to 80-hour work weeks (and many times more) that on one hand require complete control of the environment around you and on the other hand require you to give in completely to the whims of nature. These are months where all thoughts of family and friends dim in an ever growing purple haze as your sleep deprived mind attempts to reconcile the hundreds or thousands of details that'll make or break the next year of your life. This is Crush.
More specifically this is my accounting of Crush for David Coffaro Vineyards and Winery. This vineyard/winery is owned and operated by (take a big guess here) David Coffaro and I'm his assistant winemaker (i.e. only employee). This is the inside scoop of what we have to do in order to put a prime bottle of vino on your table. David Coffaro Vineyard and Winery consists of 20 acres of grapes that Dave planted in 1979 and a winery building that he's been operating since 1994. We make wines that are big and red; zinfandel, petite sirah, carignane, an "Estate Cuvee" (a blend of the previous grapes plus cabernet sauvignon) and a "Neighbors Cuvee" (our only non-estate wine whose blend changes from year to year). Like a sandblaster to Tammy Faye Baker's face, I hope to strip away the layers of overglamorized marketing rhetoric and highlight the best advice I ever got about becoming a winemaker -- "Don't do it!"
The excitement of crush takes place on two separate but intertwined stages that seem to spin and twist in independent motion. The first of these stages is the vineyard. The 20 acres of vines we grow is minuscule by industry standards (There are certainly vineyards that are smaller but we are definitely of the side of pretty-darn-tiny). The first job we have in the vineyard is to wait for the grapes to turn from a rather pretty translucent pink color into an intense dark purple/black color. This process is called veraison. Once the color changes we're in the picking ballpark and ready to play the game. The second step is doing a large amount of grape sampling from each block of vines. It's amazing how grapes will vary from one small block to another, even if they're only 10-100 feet away. For about a month before the actual harvest, my job is to pick a representative sampling of all the grapes we grow and monitor them for sugar content. In general we're looking for a level of 24 to 25 percent sugar, which we measure as 24 to 25 degrees Brix.
The Brix reading is only the second stage however. Knowing the sugar level lets you know the technical ripeness of the grapes but not their actual flavors. Somewhere in the early to mid-twenties (sugar level), grapes go through an incredible change of flavors that ultimately add to the complexity of flavors in the finished wine. This change can only be determined by tasting the grapes themselves. So during the final week before harvest Dave and I walk through every block and randomly snack on grapes to make sure they have the flavors we want. If the sugars are perfect but the flavors aren't there then we simply wait until they develop before picking. Once they do, Whamo!, it's time to wake up really damn early and pick some grapes!
Harvesting grapes is a demanding and sticky job. The grapes are about 25 percent sugar and as the workers dump their picking tubs into the half-tons bins, grape juice splashes everywhere. It's well worth the effort, however, because I get to drive a really cool tractor. Once the half-ton bins are full they are driven to the winery and weighed. From there they're taken, by forklift, into the winery and the grapes are put through a machine called a crusher/destemmer. Now, agricultural machine manufacturers are not very creative when it comes to naming their equipment. When I say we dump the grapes into a crusher/destemmer you can be well assured that the machine will probably crush (lightly) the grapes and destem then, doing very little if anything else. We then pump the destemmed/crushed grapes (a.k.a. "must") into a one-ton bin (again, no big guess on how much it holds). The must is then inoculated with yeast and the transformation into wine begins. [As a side note I should mention that this is specifically the process for making red wine. White wine is processed in a similar but distinctly different manner. I'll get into the whites later.]
The addition of yeast is technically a winemaking choice and not a requirement. Native yeasts, which accumulated on the grape skins in the vineyard, will naturally transform the grapes into wine. But most winemakers don't trust these native yeast strains for the same reason you don't let your crazy cousin Leroy baby-sit your kids -- you just don't know what might happen and, even though the results might be fine, it's just not worth taking the chance. Yeast contribute four things to the winemaking process: heat, alcohol carbon dioxide (CO2) and sulfites. The heat and alcohol produced make it possible to adequately extract the flavors and characteristics from the grape skins (almost all of the character and all of the color of red wine comes from the skins being broken down). Alcohol acts as a solvent that extracts organic compounds in the grape skins and the heat aids in and speeds up the chemical reaction involved in fermentation.
The CO2 has a separate and interesting effect on the fermenting grape skins. As the CO2 is released by the yeast cells it catches in the grape skins and causes them to float to the surface of the fermentation bins. This forms a solid layer of covering the top of the bins like ice on a lake. This layer is called the "cap" and can get so thick in larger tanks that a full-grown person can walk across it without falling through. The cap, however, presents a small problem. Since most of red wine's character comes from the skins, having them separate from the juice during fermentation can be bad. This small problem is solved by either "punching down" or "pumping over" your bins or tanks. Punching down involves taking a stick-like device (a 2x4, garden hoe, etc.) and breaking up the cap while at the same time mixing it with the juice. Pumping over involves hooking up a pump to the bottom of the tank and pumping the juice over the top of the cap. These actions insure that the grape skins have enough opportunity to breakdown into the wine.
We monitor the fermenting bins at Coffaro constantly and record the residual sugar levels and temperatures at least once a day. When our measurements show that there's one percent sugar or less left in the wine we prepare the press. We use what's called a bladder Press (For $200, what item is inside this press?). The bladder press is a long cylinder made up of a perforated screen. We pump the fermented juice and skins into the press and rotate it while inflating the internal bladder. This is such an efficient form of pressing that when we remove the grape skins -- the squeeze-dried skins is now called pomace -- they are dry, warm and flaky. They serve no real further purpose and are dumped back into the vineyard as fertilizer.
The pressed wine is pumped from the press into a selection of barrels that we've pre-chosen dependent on the wine varietal and individual character it exhibits. At Coffaro we use six to 10 different cooperages, with barrels ranging from American, French and Hungarian oak. However, this doesn't mean we make "oaky" wine. Barrels serve two general purposes; the first is storage and aging; the second is imparting flavor. Barrels only contribute oak flavors to wine for the first two-to-three years of their life, then, after that, are considered "neutral." As storage containers they can be used for decades with the proper care. So, although all of our wines are barrel aged, we only use 20-25 percent new oak to contribute delicate oak flavors. (This percentage varies from winery to winery. Some use as much as 100 percent new oak, some don't use any depending on the varietals grown and the style of wine preferred by the winemaker.
Once the wine is in the barrel we inoculate it with a malo-lactic starter. All red wines and most whites go through a process called malo-lactic fermentation (ML). ML is a bacterial process that changes the malic acid that's naturally found in wine (it's the same acid that makes green apples taste tart) and changes it into lactic acid (the same acid found in milk). This process makes reds more chemically stable, and for white wines it adds flavor (i.e. that "buttery" flavor in most chardonnays). Now that this is done both the wine and the winemakers get a chance to take a short break and recuperate before it's time to start the whole process over again.
Next time we'll learn why they call cellar workers "rats."
Check out Brendan's "Harvest Diary -- A week in the life of Crush at David Coffaro Winery" at http://www.coffaro.com.
I’m trying to find out how the term “racking” originated. The French term for racking is “soutirage“, but in the sources I’ve looked at, I’ve gotten no indication of where or how this term came about. “The Rack”, of course, was a medieval torture device (thus, “racking my brain” translates as a form of torture for one’s brain in retrieving information from it—very applicable to me, I’m afraid), but racking wine isn’t tortuous. If anyone know the answer to this question, please let me know…..
Anyway, here is racking, VISUALIZED. I think this a somewhat opaque term to someone who actually hasn’t done it, so when I was racking some tank-fermented sauvignon blanc the other days from it’s primary lees, I remembered to take my camera along. So the first photo was taken when I had mostly emptied the tank. Two things to take note of here: the tartrates lining mostly the back of the tank, and the color of the wine. Potassium bitartrate can be formed in a liquid of alcohol, water, potassium and tartaric acid, the main acid in grapes, grape juice and wine. It tends to form and fall out of solution in it’s solid, crystalline form usually when the solution is chilled. General winery practice when making white wine is to chill the wine at pretty low temperatures (as low or slightly lower, even, than 32 degrees F) to make the tartrates “drop out” of solution, thus preventing any cloudiness, flakes, or crystalline chunks from forming in the bottle. This tank has four squared sides, and only the back side is refrigerated, so the tartrates formed there mostly as it is the coldest area and also because the texture of the stainless steel encourages crystal formation. These tartrates are actually very hard and I will need to steam this tank quite a bit to “melt” the tartrates and clean the tank. Also, potassium bitartrate is what “cream of tartar” is made from—a tidbit for all of you baking fans out there. Now, regarding the color—it looks pretty brown, but that’s mostly because we are also seeing the color of the lees at the bottom of the tank. The wine is actually a nice, true light yellow—no browning and a very fresh, pretty color.
The next photo shows the primary lees left on the bottom of the tank after I have taken the wine from the top. This stuff is goopy and thick. It looks like silly putty and acts like mud.
The last picture shows the wine that I have blended with the barrel-fermented portion in a second tank. See the difference in color?
If one were to speculate on the wine market as a savvy investor might in the small-cap stock market, the game would be the same: follow people you know with good track records. In the wine world, we'd also have to include a corollary about betting on great vineyard sites, but leaving aside the raw materials, it's clear that most good wines don't happen by accident. They're made by talented people.
Finding talented people in Napa isn't hard at first. There are a lot of them, many of whom have big brand names. When they start working for a winery, everyone pays attention.
But there are many more talented folks in Napa that never get the limelight of the big names. These are the "small cap" talents that are responsible for many of the small production wines throughout the valley that are just waiting to be discovered by anyone who can start connecting the dots between great vineyards and the people that work them.
Piña Napa Valley is owned and operated by the Piña Family, a name that might not mean much to most wine drinkers, but will turn the head of anyone who is reasonably involved in growing grapes in Napa. In the current generation, the Piña Family, through their firm Piña Vineyard Management are responsible for farming some of Napa's most prestigious vineyards (Bryant, Pahlmeyer, Cafaro, Gemstone, Outpost, Showket, Sawyer, O'Shaughnessy, just to name a few), but the family has been making its home in the Napa valley since 1856 when their progenitor Bluford Stice led a wagon train into the valley from Missouri.
Only a few years after that wagon train, the family became involved in the wine business in Napa. They owned a vineyard just south of St. Helena, and Bluford Stice's son became a prominent winemaker at the then famous Inglenook winery (now Rubicon Estate) The family has been part of the Napa wine industry ever since.
As early as 1979 the family had thought about making their own wine, even founding a company called Piña Cellars with that intention, yet somehow never found the time until they purchased a small property on Howell Mountain in 1996 and decided to put their viticultural talents to work for themselves.
Their Howell Mountain property is known as the "Buckeye Vineyard" and its partially terraced hillside surrounded by Redwoods, Oaks and Madrone trees border Ladera and Beatty Ranch.
The family has been producing wine from their estate vineyard for the past 7 years, and the last couple of years they have been acquiring long term leases on several more vineyard sites around Napa with the goal of producing single vineyard wines.
One of these sites is the D'Adamo vineyard which sits at the foot of Atlas Peak in the southern part of Napa. This sustainably farmed vineyard is planted with 100% Cabernet Sauvignon.
The Piña's began their project with the wines being made by winemaker Cary Gott (a longtime Napa wine veteran and consultant who has worked for more vineyards than are possible to list). In 2001, Ted Osborne (of Storybook Mountain Vineyards most recently) took over as head winemaker, and is responsible for this particular wine. Osborne recently departed Piña, and has been replaced by the young Anna Monticelli.
This particular wine is aged for 18 months in 100% French oak (50% new) before bottling. 1147 cases are made.
Full disclosure: I received this wine as a press sample.
Tasting Notes: Inky ruby in color, this wine has a rich and juicy nose of cherry and dark cassis aromas that are surprising and arresting for a Napa Cabernet. In the mouth the surprises continue with dark juicy flavors of black cherry and cassis wrapped in a package of silky tannins. The wine is beautifully balanced and dynamic on the palate, conveying darker fruits than typical for the varietal, making for an unusual and compelling experience. The wine finishes nicely, with lingering notes that nearly reach blueberry.
First Press - the UK wine trade’s first fully-interactive Ezine, has just launched featuring an interview with JancisRobinson. First Press has been produced by Nicky Burston of World Wine Agencies. It has a lifestyle look and feel and is easy to download, or email directly to friends. Issue 1 of this new quarterly features wine celebrity interviews and podcasts, up-and-coming news and events and includes a prize draw for tickets to Old Trafford.