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My addiction started innocently enough, through a college job waiting tables at a Japanese restaurant. That's when I had my first sushi buzz. I'm not sure if it was the gorgeous presentation, the sinus-clearing rush of the green horseradish or the sublime flavor of raw fish that sucked me in. Whatever it was, I was hooked.
My obsession didn't stop with this one restaurant. I worked at three more sushi bars after college, while in pursuit of the perfect fix. But even that wasn't enough. I had to learn how to make my own sushi, ending my dependence on Japanese restaurant chefs forever!
I began my sushi-making quest by picking up a bamboo rolling mat and an assortment of sushi fixin's at a Japanese market in San Francisco. Finding a recipe for sushi rice was a bit challenging, but I eventually managed to dig one up in a Japanese cookbook. Over the next year or so I tried making sushi exactly twice -- with disastrous results. Suffice it to say, my sushi wouldn't have looked much different if I'd made it with my foot.
I decided it was time for professional help. Not in the form of a shrink, but rather a two-hour sushi workshop offered by a nearby cooking school.
I happily forked over 70 bucks for the class, certain I'd learn some secret technique that would transform my homemade sushi creations from frumpy fish wads to exquisite culinary works of art. The workshop was held in a smallish room above an upscale kitchen store, outfitted with professional cooking equipment and mirrors above the food prep counter for easy viewing. I took a seat at one of the large round tables scattered around the room and eyed the magical sushi implements set on a plastic cafeteria lunch tray before me: a bamboo rolling mat, sheets of dried seaweed of various sizes, and plastic ramekins filled with crab and pickled ginger. In the center of the table, a communal plate of sliced avocados, Japanese radishes and cucumbers beckoned. Soon, I'd be able to make sushi at home whenever the urge struck -- I could sit in front of the TV nightly, munching tekka maki like it was popcorn!
My fantasy was soon interrupted when the instructor appeared to reveal the secrets of proper ricemaking and sushi assembly. After about an hour of cooking-show-style demonstration, she set a plate of raw fish and a large bowl of rice on each table. Elbow to elbow with my fellow students, I set to work trying to emulate the beautifully prepared sushi on the sample dish at the front of the room.
Fat chance, brother.
Despite my best artistic efforts, my sushi came out looking like some kid had run it over with his bike. The rolls practically exploded as I cut them; my unagi lay flacidly on its bed of rice like a lopsided toupee; my futomaki spilled its guts onto the table like a disgraced samurai committing hara kiri.
After trying in vain to detach the sticky sushi rice from my forearms, shoulders and face, I surveyed the room. To my great relief I was not the only aspiring home sushi chef with mutilated maguro. Some people's sushi looked even worse than mine!
SO WHERE DID WE GO WRONG?
Leafing through my workshop handout sheets I found the answer: 10 years. In Japan, that's how long an apprentice sushi master is required to train before becoming a full-fledged chef. This information made me realize that expecting to make beautiful California rolls after a two-hour sushi workshop is the culinary equivalent of trying to dance the lead in Swan Lake after one ballet lesson. Chances are you're going to fall on your face.
Even if I didn't learn any double-secret sushimaking techniques in class, the workshop did teach me one very important lesson: $50 is a small price to pay for a gorgeous plate of sushi made by real chefs who actually know what the hell they're doing. Get thee to a sushi bar!
WINE WITH SUSHI: Sacrilege or a Perfect Pairing?
There are people out there who'd say that drinking wine with sushi instead of downing Japanese beer or sake is nothing short of blasphemous. Of course, none of those people is me.
Sure, beer and sake are obvious choices at Japanese restaurants, where wine lists are often notoriously lame or nonexistent. But what to drink when at home? For me, that's where the wine and sushi combo makes the most sense. I just order myself a mess of sushi from my favorite raw fish emporium and open up a bottle of whatever I've got lying around the house.
On such occasions I've discovered that wine is actually a better match for sushi than beer or sake. That's because wine has the power to enhance sushi's flavor, while beer and sake simply stand back and let the sushi take center stage. Wine's complexity and inherent compatibility with food take the pairing concept to a higher level.
Although finding a wine to match the combination of delicate raw fish, sweet sushi rice, spicy wasabi and salty soy sauce may seem tricky, it's actually easier than you'd think.
RED OR WHITE?
When choosing the ultimate sushi wine, the old "red wine with red meat, white wine with fish" rule still holds true. Although reds can be wonderful with grilled fish, they tend to overpower the delicate flavor of the raw variety. (If you must have red wine, try something like Beaujolais or a very light pinot noir.)
STYLE
Crisp, clean wines work better with sushi than rich, intensely flavored wines. If there's too much going on in your glass, the sushi's subtle flavor may not be able to compete. Think sauvignon blanc, sparkling wine or a crisp chardonnay from Carneros or Burgundy.
SWEETNESS
Fear not the gewurztraminer. Wines with a touch of sweetness tend to be excellent with spicy foods like wasabi-smeared sushi. Even if you don't normally like sweet wines, you'll be amazed how well they work with sushi.
THE MOMENT OF TRUTH
Sure, pairing tips are nice, but how well do they hold up in the real world with real sushi? To find out, I recruited a couple of like-minded friends to join me in a little sushi and wine pairing experiment at our local sushi hangout.
In the name of hard-hitting investigative reporting, we sampled seven varieties of sushi with five different wines. Our sushi selection included maguro (tuna), hamachi (yellowtail), spicy tuna roll, sake (salmon), California roll (crab and avocado with fish eggs), Kamikaze roll (yellowtail, scallions and avocado) and unagi (eel). We washed down our sushi delights with a white wine from France's Rhone Valley, a riesling/gewurztraminer/pinot blanc blend from Alsace, a California fume blanc, a California chardonnay and an Italian merlot. (Ain't research tough?!)
Following is a summary of our findings, in order of overall preference:
Riesling/gewurztraminer/pinot blanc blend: Great with the maguro. The sweetness of the wine cut through the spiciness of the wasabi very nicely. For the same reason, it was excellent with the spicy tuna roll. The wine was deemed "a tasty match" for the hamachi, and everyone agreed it was "wonderful" with the California roll and "excellent" with the Kamikaze roll. The only disappointments were the salmon and unagi. This wine was the clear winner!
Fume blanc: The wine was a little dry for the maguro, but we loved it with the hamachi. One taster was inspired to remark, "Damn it, that was good!" after trying it with the spicy tuna. It was "excellent" with both the Kamikaze roll and unagi, and "good" with the sake and California roll. This one tied for second place, along with the chardonnay.
Chardonnay: The chard was good with the maguro and hamachi, but disappointing with the salmon. It matched surprisingly well with the spicy tuna roll, and everyone thought it paired well with the California roll and unagi. The wine was also good, "but not amazing," with the Kamikaze roll.
Rhone white: This wine was fabulous with the maguro -- refreshing and clean. It also did well with the hamachi and spicy tuna, though these pairings were "nothing to write home about." We all liked it with the salmon, and loved it with the California and Kamikaze rolls. The wine was a bit too dry for the unagi.
Merlot: This wine was awful with the maguro, but surprisingly good with the hamachi. After sampling it with the spicy tuna, one taster advised, "Don't ever try this at home!" Similar warnings were issued for the salmon and California roll. It was declared "pretty good" with the Kamikaze roll and "excellent" with the unagi, due to the barbecue sauce. Not surprisingly, this one came in last place.
With the exception of the merlot, I'd heartily recommend any of the above wines as great companions for sushi. But then, for sushi freaks and wine geeks like me, even the bad combinations are still pretty damn good.
Some notes taken at a New Years Eve event … in 2006 leading into 2007.
Seppelt Salinger 1994 A slightly better bottle than the last one, this was fresher on the palate. On the nose there were aromas of creme brulee, toast, lime and a dab of oak. Still not amazingly complex on the palate, but the length is good and it is well balanced. 88/100
Moet et Chandon 1999 Green apples and grass on the nose. Very lean palate, acid stands out and this is very simple and short. 82/100
T’Gallant Moscato 2006 A pale salmon colour. Very light spritz. Strawberry, turkish delight and cherry on the nose. Palate has a medium level of sweetness, needs a touch more acid to be refreshing but it is still quite nice. 86/100
Tyrrell’s Vat 1 Semillon 1994 Honeyed nose with toast and lemon as well. There is an oily texture to the medium intensity palate. No rough edges, this was very nice drinking now. 91/100
Raymond Boulard Cuvee Reserve NV Apples, some florals and some candy style raspberry notes. Crisp palate, medium length. No elements of great excitement but it is well made and enjoyable. 87/100
Best’s Great Western Chardonnay 1986 Grapefruit, honey and wet wool aromas. Incredibly youthful palate, it was fresh, balanced and long. Seemed as though it could live another 10 years as well. 90/100
Robert Groffier Les Amoureuses 1996 Brilliant, shifting, challenging nose of cherry, earth, violets, spice and fleeting notes of coffee beans. The palate is so delicate and wonderfully poised. the mouthfeel is beautiful with well integrated tannin and acid. Superb. 94/100
Charles Melton Sparkling Shiraz (disg. February 99) Cola, chocolate and a strong horse stable component. The palate is almost sickly sweet. Worst bottle of this that I’ve had. 79/100
Orlando Lawson Shiraz 1991 Dark crimson colour. Sweetly fruited with a touch of mint. Nice intensity to the palate, it is bold without being over the top or losing focus. Very youthful, it will go another 5 years without any trouble and it wouldn’t surprise me if people were saying the same thing in 5 years. 89/100
J. Vidal-Fleury Cote-Rotie Brune et Blonde 1998 From magnum. Lifted florals, pepper, five spice and red cherries. Savoury palate with good acidity and a medium length finish. Very good. 90/100
Domaine Michel Gros Vosne-Romanee Clos des Reas 1998 Deeply coloured. Very perfumed nose, with florals and light raspberry. Tannins are quite grippy at present, but contribute to the good structure. Well balanced acidity. 90/100
Casanova di Neri Tenuta Nuova Brunello 2001 Briary and tobacco aromas followed by vanilla, coconut and some floral characters. Quite aggressive tannins on the palate, but the length and structure are both excellent. Give this time and you will be rewarded. 91/100
Larmandier-Bernier Champagne Brut 1er Cru Blanc de Blancs 1998 Opened to drink at midnight. Corked. Happy new year. NR/100
Pol Roger Brut 1998 Apples, yeast, toast and some smoke. Good length and balance, with medium flavour intensity. Will be nice to drink over the next 5 years. 89/100
Henschke Cyril Henschke 1994 DMS city with blackcurrant, tinned corn, blackberry and chocolate oaky aromas. Palate is alright, but the wine as a whole isn’t up to the standard of one had a year prior. 84/100
Chateau d’Yquem 1958 An incredibly generous gesture from a friend of Phil’s to bring this along to share. This has been open for a while, the nose was deeply scented and consisted of caramel, burnt sugar, orange peel and almond. Luscious mouthfeel, the acid struggling a little bit to keep pace. I was immensely glad to have gotten the chance to try this. 92/100
Veuve Fourny Blanc de Blancs 1er Cru Brut NV Apples, cinnamon, honey and smoke. Dry on the good length palate, with racy acidity and great refreshment value. 88/100
After our recent Wine Book Club foray into Bordeaux, I thought you might be in the mood to buy some wine from the region to stash away in your cellars and closets for drinking in three to five more years.
If you are looking for some good value in Bordeaux, then you should check out the list of 100 affordable wines that was selected in a blind tasting by a jury that included Chanterelle Master Sommelier Roger Dagorn, Binny's Fine Wine Buyer Barbara Hermann, and author Leslie Sbrocco. I had hoped to attend their tasting last month in Los Angeles, but was felled by such a bad cold that I couldn't taste or smell anything--not ideal for sampling Bordeaux.
Thankfully, the list is still up on the web so I wanted to let you all know that it's a well-rounded list of dry whites, reds, and roses, as well as sweet dessert wines. Though I didn't get a chance to taste my way through the whole list, the inclusion of wines from Chateau Lamothe de Haux, Chateau Andron Blanquet, and Chateau L'Embrun all inspired confidence. None of these names will be terribly familiar to you, because they are produced by smaller producers who are vastly overshadowed by the big Bordeaux names. But they were selected for the list because they were excellent representatives of Bordeaux for the price.
So if you want to try some Bordeaux, but are not prepared to pay premium prices, this list could help you to find more affordable options that will still deliver great taste and classic varietal flavors.
You can feel safer in your bed tonight knowing that the United States government is protecting you from another danger. That new evil is, of course, Brunello di Montalcino that might have a bit of cabernet or merlot adulterating the sangiovese grosso. These are the same consumer protectors that brought you the 75% rule for American varietal wines, which requires that the stated variety make up at least three quarters of the named wine. So while it’s fine for an American producer of pinot noir to blend in 25% syrah or anything else the missteps of a few producers in Brunello will bring down the wrath of the TTB on all producers.
It’s great to know that our government is always on the watch.
A wonderful surprise. Light golden colour. Lovely nose of honey, toast and citrus. Silky palate with depth and richness. Long, every element in balance. At its peak now, this is a world-class wine. Cork. 11.5% - 92/100
I received a big honor today. I’m proud to announce that I’ve been asked to become the Chief Cat Herder (Chairman) of the Wine2.0 group (officially housed on Facebook). Here is the description from the group’s page:
Wine 2.0 is a wine industry networking group featuring the newest generation of emerging companies, services and communication tools that are changing the world of wine. Participating players are using technology to change the way wine is made, marketed, communicated about or sold. Wine 2.0’s focus is on better identifying where the opportunities for all players in the space are and providing a forum to communicate the best ideas. From winery direct sales to virtual wineries, Wine 2.0 is blending the line between wine and technology … We also have awesome networking parties.
The group currently stands at around 450 members and pretty much encompasses most of the up and coming companies in this area of technology and wine convergence.
I guess I’ve been part of the Wine2.0 movement since 2004 when I started Vivi’s Wine Journal. That was (and still is - reincarnated) my wine blog. Back then, I wanted to publish ideas and share them with people, investigated several simple publishing systems and learned about Weblogs. I started Vivi’s as a dedication to a beloved Aunt who passed away from complications of he Lupus. From the day I put it up until now its been an interesting ride! Add to that Wine Life Today, my favorite little community Wine News bookmarketing service (no typos there), and all the people, wine makers, technologists, hikers, etc…etc… that I’ve met over the last three years and I guess I’ve been part of this movement without completely understanding a movement was underway!
Now as I contemplate this role, I think that’s mission #1 - getting others to understand that there is a movement underway here. Something is changing, and in a fundamental way. I’ve been in technology for almost 20 years. When you’re a part of the change in an area its sometimes hard to recognize that breeze you feel are the winds of change. The concept of "Wine2.0", the essence of it, is touching all facets of the industry - publishing, shipping, producing, marketing, sales, PR, you name it. I believe the Internet and associated technologies are finally catching up with the wine industry - the "Internet" is becoming a network for interaction and community as opposed to simple communication and commerce.
Interaction and community? Isn’t that what has made wine so popular for centuries? Absolutely. So when that technology collides with an industry steeped in these traditions great things happen and, believe me, the wine industry will never be the same. What you’ll see as "Wine2.0" evolves is the technology of interaction becoming more and more "invisible". In other words, it’ll just be part of what you do with wine.
I’m not sure yet where this will lead or what ultimately the Wine2.0 movement will look like but the past few years have been exciting! I’ll be happy to chronicle the goings-on of Wine2.0 here on WLT Blog…OH, and no, this is not the idea I’ve been hatching…just further evidence that my idea is spot on…
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I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home. A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961.
It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old.
The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air? I pour a glass to see what has happened to this 40-something wine.
The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear.
The taste and finish on this wine is surprising, still full of black cherry, truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse. It is an Amarone at its heights. Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future. Susan?s Note:
This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all.
And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from Colgin Cellars that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas.
(Photo of Maria Callas dated 1960, only a year before this wine was produced.)
When you start building a cellar and amass any quantity of wine, you're bound to forget some of the bottles you've stashed away. Rediscovering them is like meeting up with an old friend.
So much to talk about, so many memories to rehash.
Last night, when the Chef brought up the Trapiche 2000 Malbec Oak Cask, it was a surprise. I'd forgotten about this bottle, which my friend Rachel gave to me years ago. Why I'd never thought to drink it, I don't know. The wine's not expensive - maybe $7-$10 - but I'm glad I held on to it. The aroma was powerful, with touches of violets, baked goods, cigar and cherries. The flavor itself was ripe with purple, stain-year-teeth fruit and spice. It started out weak in the middle of my mouth, but opened up beautifully and finished long. I'd put this wine up against any mid-priced, big California wine, and at the end of the day I'd have a few more dollars in my pocket.
It's been the case for me that these forgotten bottles tend to resurface at just the right time, for just the right meal, just the right occasion. This one - surprising, but still very promising - came as I'm preparing to make some job changes.
Some people have horoscopes, others magic eight balls. Me, I turn to my cellar. I'm taking this bottle as a good sign.
Italy is green, lush and flowering in April and early May. Roadsides are red with poppies. The hills seem to topple over with blooming trees of every kind. Mild days and cool nights bring an invigorating balance. The air is fresh and bright. It is the best of times. More follow. Click on images to enlarge.
Errol at Washington Winemaker in Bellevue, Washington relates the story of three women winemakers being threatened by the U.S. Olympic Committee for daring to use the name 'Olympic Cellars' for their winery, which is located on the Olympic Peninsula of Washington State'. Gee fellas, I think the Olympic Mountain range has been around longer than your trademark. The mountain range name was made official in 1864 and was in common and published use before that.
Today, we're tasting another good wine to serve for all of those summer patio parties-the Little Black Dress Pinot Grigio. Little Black Dress Wines were introduced by Brown-Forman in 2006, the 80th anniversary of the Coco Chanel's little black dress. The collection includes a Pinot Grigio, Chardonnay, and Merlot. Although marketed toward women, these wines are versatile and enjoyable for any wine lover.
The Pinot Grigio is a straw-colored wine, made of 84 percent Pinot Grigio grapes, 10 percent Chardonnay, and just a hint of Muscat and Vigonier. The wine is light and crisp with hints of green apples, pears, and peaches. The Muscat lends a spicy touch and the Viognier a fruity floral note.
Little Black Dress wines are available throughout the United States and Canada. The Pinot Grigio retails for $9.99.
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2004 Bass Phillip “Estate” Chardonnay: Cloudy light golden colour. Oatmeal, nutty characters, soap and citrus peel on the nose. Rich and round palate with acidity that seems a little bit prickly. I think it was better than I’ve made it sound, but I can’t muster a whole lot of enthusiasm for it. 87/100
2007 Primo Estate “d’Elena” Pinot Grigio: Very pale colour. Banana and tropical fruits (mostly pineapple) aromas. Texturally interesting, but there is also a bit of alcohol heat on the palate that I found distracting. 85/100
1997 Paringa “Estate” Pinot Noir: Dark ruby colour, a little bit murky as well I thought. Cherry, raspberry, stalks and damp soil. The acid is sticking out, but I thought the rest of the flavour on the palate carried well. May have looked a bit better a couple of years ago. 87/100
1986 Domaine Jacques-Frederic Mugnier Chambolle-Musigny 1er Cru Les Amoureuses: Light red, with some orange tints around the rim. Yeasty and baked aromas on opening, we feared that it may be dead. We moved on to another wine to give this some time to see what happened and the recovery was pleasing. After around 60 minutes there were some earthy, dusty aromas coming through. Then another look after 90 minutes showed some spice, cherry and perfume like aromas. Palate never shed its dominant tannin, but it was quite drinkable anyway. It didn’t hit any great heights, but the recovery was remarkable and it ended up a nice drink. 87/100
1996 Domaine Bart Bonnes Mares Grand Cru: Medium purple coloured. Nose was very shy throughout the time we spent with it - there were fleeting scents of dark cherry, mocha, rose petal and some other floral notes. The palate is lovely though, it is quite youthful but layered, balanced and very long. Plenty of potential in this wine over the next 10 years. 91/100
1977 Graham Vintage Port: (375ml) Light crimson colour. Earth, spice, roast nuts and mint on the nose. There is a pleasing brown sugar style flavour to the palate, but it is noticeably lacking in depth. Not really what I expected in terms of richness and complexity, would like to know how it looked on following nights. 88/100
This wine was in a flight of 2004s from DRC at the Mornington Peninsula International Pinot Noir Celebration. I wrote about the Echezeaux 10 days ago and someone pointed me to an article on DRC in the Dec/Jan 07 Gourmet Traveller Wine, which gives some indicative pricing. This wine has not been officially released but I may take out a loan to get a bottle or 2 for a benchmark tasting of the future. DRC is not the sort of stuff your average serious pinotfile buys all the time. In fact the Chardonnay Princess reminds me how many lovely Chardonnays I could buy for a single bottle of DRC. But that is why I want to write about it so the Winorama readers can share this very fortunate experience. The nose was very clean, showing pure fruit, mainly of the cherry tree type. The palate was rich with silky sweet red cherry as well that seemed to flow on and on with just a little crescendo of plum on the finish. Over the hour I managed to keep my meagre portion in the glass it revealed some dark cherry and plum. The classic iron fist in a silk glove fruit power and texture combination.
May 17 & 18, 2008 from Noon-6pm Located in Columbia,Maryland at Symphony Woods.
It?s their 16th Year! Celebrate the charm and character of an event that has aged to perfection! Sample Maryland's finest wines from a souvenir glass; make food purchases from an abundance of high quality, distinctive restaurants and caterers; sharpen your palette by attending wine education seminars; enjoy exceptional works offered by invited artists and craftspersons; and revel in continuous live entertainment on the jazz and main stages. Ask about the designated driver program.
Volunteers are needed; please call 410-313-4624. Advance purchase admission: A wristband will be mailed with your receipt; take your wristband to the gate for admission. Online registration requires an approved online account. To purchase admission for more than one person, change the quantity and update the cart. Advance purchase ends Wed., May 7. Walk-in purchase only May 8, 9 and 12-16.
On-line ticket sales begin March 6, 2008. On-line ticket sales end Wed., May 7th to ensure that tickets are received before the event.
Advance (walk-in) ticket sales begin March 6, 2008 at these locations, and end Friday, May 16th.
General Admission Gate Price is $25. Advance tickets & Designated Drivers $20.
With advertising like these, I assumed ‘A bela Sintra‘ was a Brazilian winery - actually seems an upmarket restaurant. I still like the pics This is a post from: Burgundy-Report a bela sintra
California Pinot Noir lovers take note. Wine lovers with a free weekend, listen up. It's Spring, and the wine events are coming fast and furious. It seems like every week there's a new wine tasting to go to. But some are more worth paying attention to than others.
Anderson Valley is known for two things in California, and not coincidentally, it has more or less two major wine tasting events per year. The first, the International Alsace Varietals festival took place a few months ago, and I was sadly prevented from attending.
The second is the annual Pinot Noir Festival, which it looks like I'll also be unable to attend, much to my disappointment. But if you're a fan of Pinot Noir and you don't have plans this coming weekend, I seriously recommend it. It's definitely worth the three hour drive.
Not only is this a gorgeous time of year in the Anderson Valley, but the Pinot Noirs on offer include a few of the better ones in the state. This isn't a huge tasting, and consequently you'll find very few huge wineries there. Instead you'll find a bunch of small, dedicated growers and producers pouring their (mostly) small production wines.
The event includes a technical conference and BBQ on Friday May 16th. One of the guys speaking at the technical conference is John Winthrop Haeger, author of North American Pinot Noir, which is one of the definitive works on the grape. Saturday features the grand tasting and winemaker dinners, and those who choose to stay through Sunday can wander around to the many open houses hosted by the valley's wineries.
Participating wineries include: Baxter Winery, Black Kite Cellars, Breggo Cellars, Brogan Cellars, Cakebread Cellars, Copain Wines, Drew, Elke Vineyards, Foursight Wines, Goldeneye Winery, Greenwood Ridge Vineyards, Gryphon Wines, Handley Cellars, Harmonique, Husch Vineyards, Jim Ball Vineyards, La Crema, Lazy Creek Vineyards, Londer Vineyards, MacPhail Family Wines, Madrigal Vineyards, Navarro Vineyards, Phillips Hill Estates, Philo Ridge Vineyards, Raye's Hill Vineyards & Winery, Roederer Estate, Roessler Cellars, Saintsbury, Scharffen
Tecnorati
airport waiting lounges, I try to make study time for my 
truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
This wine was in a flight of 2004s from DRC at the Mornington Peninsula International Pinot Noir Celebration. I wrote about the Echezeaux 10 days ago and someone pointed me to an article on DRC in the Dec/Jan 07 Gourmet Traveller Wine, which gives some indicative pricing. This wine has not been officially released but I may take out a loan to get a bottle or 2 for a benchmark tasting of the future. DRC is not the sort of stuff your average serious pinotfile buys all the time. In fact the Chardonnay Princess reminds me how many lovely Chardonnays I could buy for a single bottle of DRC. But that is why I want to write about it so the Winorama readers can share this very fortunate experience. The nose was very clean, showing pure fruit, mainly of the cherry tree type. The palate was rich with silky sweet red cherry as well that seemed to flow on and on with just a little crescendo of plum on the finish. Over the hour I managed to keep my meagre portion in the glass it revealed some dark cherry and plum. The classic iron fist in a silk glove fruit power and texture combination. 
