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Almost a hundred of Argentine warehouses will expose your products in the biggest Fair of Wine of Latin America.
This event - Wines and Warehouses 2006 - removes to end for the sixth year in a row. It will be realized in the Fairground Land of La Rural, in Buenos Aires, between the 14th to September 16.
This meeting of the industry of the wine incites the interest not only of the consuming public, but specially of merchants and distributors, places and foreigners who have opportunity to analyze in an alone place the variety of Argentine wines, produced both by big companies and by the warehouses called "boutique".
In the last years the Argentina realized a deep review of your position on the international market of wines and, thanks to the joint effort of the local butlers, the positioning of the mark is fortifying country in the different markets. Provided that your wines expire with all the requirements of quality and being relied on, likewise, by two varietales celebrated, the malbec and the torrontés, the Argentina marks a difference and manages to differ from other countries producers.
Wines and Warehouses 2006 foresees the accomplishment of business Rounds, where the local producers will be able to make concrete economic agreements with buyers of the whole world.
Exhibitors' list:
Alta Vista - Bodegas La Riojana Coop.- Aristides - Lariviere Iturbe - Atilio Avena - Lavaque - Babco - Los Haroldos - Balbo Luigi Bosca - Barale Biurrun - Luis Segundo Correa - Bgas. Kaufman - Lurton - Bodega Altus - Morsella - Bodega NQN - Navarro Correas - Bodegas Borbore - Nesman - Bodegas La Guarda - Norton - Bodegas Lopez - Pcia. de San Juan - Bodegas Mayol - Porvenir de los Andes - Cavas de Santos - PR Argentina - Chacras del Sol - Putruele Hnos. - Chandon - R. J Viñedos - Clos de los Siete - Revista Club del Vino - Club del Vino - Dante Robino - Roca - Crotta - Ruca Malen - Del Fin del Mundo - Saenz Briones - Domingo Hnos - Sua - Don Cristobal - Telteca Winery - EAS - Tempus Alba - EAV - Terrazas de los Andes - El Rosal - Tittareli - Eral Bravo - Toso - Familia Nofal - Trapiche - Fantelli - Trivento - Fecovita - Valentin Bianchi - Finca el Retiro - Viña El Cerno - Finca Flichman - Viñas del Baron - Finca Las Moras - Viñas del Golf - Fincas Andinas - Vinecol - Flia. Schroeder - Wine 5 - Flia. Zuccardi - Xumek - Freixenet - Honda - Guime - YPF - Humberto Canale
[04/14/2008, 11:26]
i want to punch up the grappa i'm currently storing with maybe a fruit or rind infusion. have you any experience with either creating new infusions or tasted infused grappas before? let me know.
A bright? ruby red with an intense? nose? of red berries and spices. Full-bodied and well rounded, with soft? tannins this is a fine accompaniment to rich pasta dishes, red meats, game and mature cheeses.
A bit more than 1/2 year ago, we were in Chateauneuf du Pape. Anyway long story short. The sommelier at Beaucastel came up with a short video clip to explain the varietals and the philosophy going into CdP and Beaucastel in particular. Enjoy
It's hard to believe that a year has almost gone by and Christmas Time is here. In getting into the holiday rhythm, I went looking for some music only to find most of it unsatisfying (surprise, surprise). There are exceptions, and here I think is one of them.
December 1965, "A Charlie Brown Christmas" was aired and became an instant standard. Most people will remember the Charles Schultz cartoon along with the catchy tunes. Upon listening to the recent 2006 re-master of this album by Fantasy records, I was amazed. This is so much better than coming out of a 14 inch mono TV. Arranged & composed by Vince Guaraldi, there is an underlying quality of happiness and cheer to the music. Perhaps it brings back happy memories of my childhood but I think it is intrinsic to the music. Guaraldi to me, has the lyrical qualities of Bill Evans together with the rhythm and swing of a Dave Brubeck - it is a shame he died of a heart attack at an age of 47 between sets at a jazz club. Thought I would share this one with you, the album code is FCD-30066-2 in case some of you are interested.
Merry Christmas, good health, peace on earth and may joy come over the world.
The adjective 'big' as it relates to wine often carries a slightly negative connotation. Well, if not a overtly negative, then at least, fairly rough. A big red wine is more often lauded for its power than its beauty. Perhaps those big wines that also maintain an air of nuance should be referred to as 'large' or 'grand'.
When it comes to large, grand wines, one of the world's up and coming regions is Canada's Okanagan Valley in BC. In fact, one of Canada's biggest wine-glomerates, VinCor, has partnered with a band in Bordeaux (Groupe Taillan) to develop grand Bordeaux-style winery. Osoyoos Larose produces complex, character-full grand/large wine. The 2004 Petales d'Osoyoos (~$27) may be a 2nd label wine, but it's also lovely and grand. Petales is largely blackberry, earthy spice and plum preserves. If you happen to live near the 49th Parallel, matriculate over the border and grab this wine for turkey day. At a minimum, try it before the Loonie laps the Greenback on the exchange front and the wine costs you as much as a 'first label' vino.
If you're still having difficulty wrapping your brain around the whole Big v. Large concept, let Lyle teach you. His band is most definitely large rather than big. Listen here.
Suspended Atlanta Falcons quarterback Michael Vick has been ordered to pay more than $1.1 million for defaulting on a loan to Wachovia Bank. via WXIA-TV Atlanta
This $10 sparkling wine from Vouvray France is really very nice! Made from Chenin Blanc, it is pale straw in color with a lemony melon bouquet that is understated. It is somewhat thin on flavor but is crisply made and refreshing.
Somewhat non-descript but I tell you this is a "best buy" sparkler and worth seeking out! I'll buy more if given the chance. Raise a glass!
Music can have an effect on the way listeners perceive the qualities of the wines they are drinking, according to a study performed for Viña Montes by the Heriot-Watt University of Edinburgh, Scotland.
When a powerful piece of music is played, a wine such as Montes Alpha's Cabernet Sauvignon is perceived as being 60 percent richer and more robust than when there is no musical accompaniment, according to Professor Adrian North. "It is widely acknowledged within the scientific community that music affects behavior," said North, who conducted the research. "However, this is the first time it has been scientifically proven that music can affect perception in other senses, and change the way wine tastes."
The research by North's Department of Applied Psychology is based on the theory of cognitive priming. This postulates that when a particular style of music is heard, it stimulates or 'primes' specific areas in the brain. Subsequently, when wine is tasted, these areas of the brain are already active and prime the taster to judge the wine in a corresponding way. The effect is more pronounced with red wines than with white, the study finds.
Music is already used in the production of Montes wines, as monastic chants are played to maturing casks of wine in the winery's Feng Shui-optimized barrel room. The company is now looking into adding music recommendations to its back labels.
That Arbor Crest Merlot ?03 I had a couple of nights ago was particularly good ? or was it the London Symphony Orchestra's rendition of Dvorák's New World Symphony...?
Interesting commentary on the concept and tradition of terroir.
“The problem is that not enough tasters, whether professional or amateur, are equipped to recognize distinction of character. One of the difficulties is that it’s far easier to identify technical quality than quality of character, and often I feel that many people are too easily satisfied with the former. Even the way that we taste is oriented largely towards the identification of technical quality: blind comparisons, sterile conditions, numerical scoring. On the other hand,we have not yet developed a system for identifying character, which is far more difficult. One could even say that the idea of character,while ultimately identifiable, defies the whole concept of systemization.”
The always erudite Eric Felten bemoans the Mimosa, “the official semi-alcoholic drink of brunch” as “an ordeal.” True enough because of OJ from a carton and cheap, off-dry bubbly. Then he spells out his recipe for success with the drink: freshly squeezed orange juice and good dry champagne.
In my limited cocktail making, I have come to learn that the fresher and better the ingredients, the better the cocktail. But I’ve also learned that there really aren’t that many great wine cocktails. While I agree in principal with Eric’s suggestion for the Mimosa makeover (though his suggestion of Veuve Clicquot is hardly the driest champagne around in these days of brut zero), I can’t bring myself to put OJ in my Bollinger (his second, and much better, champagne suggestion). If I have a fresh OJ and a glass of fine champange I’d rather enjoy them separately and never the twain shall meet. For me, it’s a nice dry cava or prosecco that is the best way to go with the fresh OJ in a Mimosa.
What do you say? Is the Mimosa where you’d put your Bollinger?
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
This is a dry wine, with a pleasant fruity nose. However, the impressions are far lower than it’s price. If you want to experience the Vranac variety the Montenegrin way, go for a regular Planta?e Vranac or their Vranac Pro Corde. They are much cheaper and the experience is almost the same.
Wines of the Vranac variety are produced throughout the region, apart from Montenegro, you can find them in Macedonia, Serbia, Croatia and Herzegovina.
Te Whare Ra ( "Tee Faree Ra" is supposed to mean house in the Sun in Maori)is based in Marlborough New Zealand. This is on the south Island in the town of Renwick which is host to quite a few wineries including Cloudy Bay, Montana etc...
Established in 1979, this small boutique winery probably has some of the oldest vines in the area. In 2003, the husband and wife team of Jason & Anna Flowerday took the helm and have significantly upgraded various aspects of the winery. Although offering a Pinot Noir, IMHO they are a white wine producer with offerings mainly from Sauvignon Blanc, Reisling, Gerwurztraminer and Chardonnay. It's their aromatic wines which to me show their stuff here. Current size of the vineyards ~9 hectares with many coming from the older vines planted in 1979 ( almost 30 years ago) - I was told the Gerwurztraminer. Fruit is basically hand sorted and picked - now we are talking.
Cutting to the chase, my favorite wines from their lineup would be the "Toru" bottling and their Gerwurztraminer.
The "Toru" is a blend of several aromatic grape varietals consiting of Riesling, Gerwurztraminer and Pinot Gris. While tasting this wine, images of a picnic & grilled seafood keep popping up - probably my mind telling me that's where I should be with this. 89 points The 2007 Gerwurztraminer to me is a standout here. The concentration and flavor in here just screams of old vines and low yields. The typical Lychee notes were present although not overpowering, minerals, hints of sweetness from the fruit with 22g/l of residual sugar - nice finish ( the wine was still going strong after being opened more than 24 hours). The best thing to compare this to would be an Alsatian Gewurtz VT. 92+ points
Just in case? you were wondering; Matt Kramer (winespectator.com) writes:
You've probably been in this situation yourself. You're the one choosing the wines for a dinner with friends. You look at the menu and perform the usual mental matchups about what goes with what. But then, much more subtly?even furtively?you also do a mental matchup about which wines go with, ahem, the guests.
If you're a lover of Italian wines, especially traditional-style? versions, you might find yourself in this situation more often than most.
This subject is not much discussed because it makes you feel like, sound like, or realize that you actually are, a snob. Nevertheless, most people who know their way around wine pay as much attention to the "who's drinking" as to the "which dish."
This lesson is often first (painfully) learned at the family Thanksgiving table. You trot out some of the treasures you've been hoarding for that special moment. Big? mistake. Emergency wards are filled with wine lovers traumatized by watching guests guzzle their prized bottles like elephants at a watering hole.
I thought about this when deciding recently which wines to bring to a high-end Italian restaurant. A good host, by definition, wants his or her guests to feel comfortable. Our guests were, thankfully, wine lovers. However, that's not the same as wine savvy. No crime there, of course. But when the time came to reach for Barolo or even Barbera, my hand hovered over those bottles and then, Ouija board-like, moved to red Burgundy and California Pinot Noir.
Now, maybe it was timidity on my part. Perhaps I've lost my belief in the redemptive, even transformative, power of fine wine?never mind the grape variety? or region?. Surely a traditional Barolo can move not merely the uninitiated but even the unreceptive, especially when served with the right food.
I used to think so. Ask any of my long-suffering friends who have been subjected to my evangelical enthusiasm for, say, Gattinara. Or Recioto? della Valpolicella. Or more bizarrely yet, the caramel-colored, sediment?-rich delights of Italy's new-wave/old-way whites, fermented with skin contact?, from Radikon, Massa Vecchia, Castello? di Lispida or Josko Gravner, among others.
But now I find myself hesitating. I've come to the conclusion that really characterful wines?none more so than traditionally made Italian wines?often require a certain receptivity, maybe even a little study. That you can't just spring upon an unsuspecting, not-especially-interested-in-Italian-wines guest the magnificently traditional likes of, say, Giuseppe Rinaldi Barolo or even the easier to understand but still true-to-its-old-school Brunello di Montalcino from Tenuta? Il Poggione.
This flies in the face of today's wine democratization?a belief that anybody should be able to understand, without any fuss, any wine put in front of them. And if they don't, well then, it's the wine's fault, not theirs.
This, of course, is why so many Italian reds today are so modernistic, slathered with the creamy? vanilla? toastiness of new French oak??, miscegenated with Merlot, Cabernet Sauvignon and Syrah and practically hot-waxed to a tannin?-free smoothness. Do they sell? They sure do. They're easy to understand, familiar-tasting, and?here it comes?you can serve them to anybody.
Do these wines represent the best of Italy? For me, they do not. But they are ambassadors of Italian wines, and for that reason alone they're worthwhile. Italian wines at their best?the reds especially?are different from all others. And this difference, which lies at the very root of Italian wine greatness, is not an instantly seductive one.
The taste? of France is rich and smooth? in the mouth (think foie gras) while that of Italy?classically anyway?is about a slight, mouthwatering bitterness (think Campari). It's easy to see why France's seductive model has become universal, including in Italy. The rigors of traditional Barolo, Brunello, Barbera and Aglianico, among others, are formidable and not immediately come-hither.
So that's why I stayed my hand in choosing the traditional Italian reds I've come to love when deciding what to serve my guests. They're not instantly likable (the wines, not the guests). Of course, I could have chosen modern-style Italian reds, wines that I know are made for just this very easygoingness. You can use instant polenta? these days, too.
Maybe I didn't give my guests enough credit. Or maybe?just maybe?it's fair to say that some people just aren't ready for some wines. Is that snobbish? Or is it a fair reality?
Pax Mahle has been making some of the most interesting and complex Syrah in California for nearly a decade now. Although he makes other Rhone varietals, Syrah is his focus with several vineyard designated offerings each year. In tasting 2005 Pax Syrah from the barrel last year, I was impressed with the range of aromas and flavors he brings out with distinct wines even made from within the same vineyard.
All Pax Syrah have a similar thread running through them: they are big. Some are fruit bombs, others super concentrated and structured for aging and some are masterpieces of balance even at 15-16% alcohol. When I asked Pax about his process, he pointed to the traditional techniques of France’s Burgundy region where whole-cluster fermentation and the minimum of cellar treatment was the norm at the finest vineyards for centuries. Somehow, Pax has taken these Old World techniques and combined them with aggressive crop management in the vineyard to produce stunning wines.
The Syrah from Griffin’s Lair in the Sonoma Coast AVA is one of the most massive wines in the lineup with very concentrated fruit along with firm tannins. Although this wine is quite enjoyable right now, I would suggest at least another 5 years of cellaring before you will fully comprehend all the nuances this wine brings to the table.
I enjoyed this Syrah last night paired with traditional Steak Frit at a restaurant in San Francisco. I shared this bottle with Alan Baker who longtime listeners of the podcast will remember from Winecast 51 where we tasted Pax Cellars Walker Vine Hill Syrah. Over the 90 minutes we enjoyed this wine it evolved quite a bit but I would imagine even more aromas would have been present on day two. If you open a bottle now, decanting is highly recommended.
Pax Cellars, Syrah, Griffin’s Lair, Sonoma Coast 2004 ($70) - Very dark purple-black in color with massive aromas of blackberry, meats, fennel, green olive, chaparral, leather and baking spices. Huge, mouth-filling blackberry fruit flavors with cracked black pepper finishing with firm, but fine-grained, tannins. The finish lingers for nearly a minute making this one of the most stunning wines I’ve tasted from Pax Cellars to date. This wine will continue to improve for at least another decade in the cellar.
Published on May 1st and just delivered to my doorstep via Amazon.com, The Wine Trials by Robin Goldstein enlivened (inflamed?) the wine blogosphere before anybody cracked the cover.
The striker to the matchbook? Eric Asimov, a seasoned journalist for the New York Times, wrote a post based on reading a Newsweek article about the book.
You would not expect a journalist to comment on another piece of print media, especially without having read the book, but I guess this is the blogosphere and we are all guilty of seeking inspiration outside of traditional journalistic boundaries, but what ensued in the comments section of the post when nobody had read the book was truly sociologically interesting.
After a 65 comment explosion, Asimov wrote a follow-up after receiving a pre-release galley copy of the book and that post incited 31 comments.
Piqued by all of this, I did what anybody would do with all of that content on Asimov’s blog—I cut and paste into a Word document with .5 margins and 10 pt Trebuchet font.
36 pages and 17,000 words later I am more confused than before I started. And, with no small amount of irony, the 17,000 words has to exceed the actual content in the book, which is 2/3’s wine listings.
Here is the net-net version with this book: the author did a blind tasting of many wines with large number of tasters (some 500 +) and the result was that numerous inexpensive wines (under $15) bested wines that are more expensive ($50 +) based on the panel of judges.
Pragmatically speaking, you do not have a book if people preferred more expensive wines to the less expensive wines so there is some room for question because the study, presumably, was set-up with an end conclusion in mind and not a hypothesis, but just the same it’s a fascinating book that makes for good arm chair reading over the course of a couple of hours. With 58 introductory pages and the balance of the book being wine listings of the 100 wines under $15 that bested the $50 - $150 wines, it’s a light read.
The majority of the blog comments about Asimov’ posts on the book were centered on the division of small expensive wines and large grocery store wines. This is an old ideological argument and more analogies were employed to explain the difference in art versus culture. Variants cropped up about wine appreciation versus simpleton quaffers, etc.
Ugh, wake me when this tired old song is over with. We get it. Get over it. Yes, there is a cultural difference between NASCAR fans and those that attend the symphony. By God, both of these groups of people enjoy wine, too.
Nested within all of this debate is the essential truth by Asimov.
He states:
I am not saying wine is the equivalent of art. I do say that wine can be appreciated on many different levels, but that nobody should ever feel obliged to appreciate wine on any level. In the end, the book seems to divide wine consumers into the casual buyers who are pushed this way and that by forces they don’t understand, and the wealthy conspicuous status seekers who also are not quite aware of capitalism and marketing. Unacknowledged are the serious wine lovers who are knowledgeable, experimental and passionate, and who, yes, are in control of their own destinies. The book may speak to the first two groups, but not to the third.
As a member of the third group, the “serious wine lover” I can say unequivocally that I occasionally drink inexpensive wine and, natch, this book is an interesting take and a welcome addition to the pantheon of wine studies and a nice guidebook to the maze of choices at your grocery store for a through the week glass.
When people find out that I enjoy cheap wine enough to devote a website to it, they usually ask me if I have been to Trader Joe’s. My response, until last week, has always been “No, not yet”.
Well, I finally caved and took a trip to Detroit, the nearest Trader Joe’s location for me here in Lansing. Ann Arbor might actually be closer, but as an MSU Spartan, I try to stay out of there.
I’d like to preface this review of Charles Shaw Cabernet with a synopsis of Trader Joe’s. If you have one near you, go there. If not for the wine, then for the thousands of food items that pack the small market. I spent 80 dollars, which sounds like a bit much especially for me. I ended up leaving with 2 cases of wine and enough food for a week. Fresh mozzarella, fresh gnocchi, fresh salsa (notice a pattern?), Guacamole chips, Trader Joe’s Marinara, soups, veggies…. I was in heaven. They have got all kinds of cheeses, breads, meats, micro-brewed beers, and their wine selection was out of this world. What a great store!
Trader Joe’s is the exclusive retailer of Charles Shaw Wines, better known to most as “Two-buck Chuck”. In California these wines sell for $1.99, which is just amazing. Here in Michigan, though, the price was $2.99.
Did we like it? Was it worth the trip?
Hell yes it was! For 3 dollars, I don’t think it could have been any better. The Cabernet was great. At first, I found it to be a little sweet, but looking back, I was actually enjoying the salsa with the wine, which probably wasn’t a great combination. Along with the Cab, I also purchased some of the Shiraz, Merlot, and Chardonnay (reviews coming soon).
Congrats to Two-Buck-Chuck and Trader Joe’s for achieving the highest rating available here on Cheap Wine Reviews. Hats off to you!
Rating: 10/10 Price: $2.99 Place of PurchaseTrader Joe’s
Established in 2002 by Sam and Audrey Watt from what was an apple orchard, this small vineyard makes microscopic amounts of wine. We found this place mainly due to the attractive accommodations but the wines are something of a surprise bonus. The vineyard currently spans over 5 hectares with vine densities of 2600 vines per hectare. The soil here is predominantly clay from the Moutere area. What I would really like to highlight here is their 2007 SVSauvignon Blanc which is one of the best expressions of New Zealand SB I have had this trip and perhaps the top handful I have had from New Zealand. Ladies and Gentlemen, I'm not going to mince words here - if what you want is a light, tart and aromatic quaffing wine then this is not it. Sometimes, I am convinced that the British wine trade wants to box in New Zealand Sauvignon Blanc as aromatic, tart thin thirst quenchers to serve before the serious wines- bullocks. If that's what people think will sell then it becomes a self-fulfilling prophecy.
This starts with an explosion of intense aromatic fruity & zesty fireworks. It is then followed in the mouth by intensity, density & concentrated nectar with a lingering finish. This has character, guts and strength. The fruit were late picked (by hand) and yielded 2.5 ton/acre (quite amazingly low yields for this grape and the region). 92+ Points
In a tasting of her wines, Audrey Watt put the Sauvignon Blanc last as she was afraid it would dominate if it was first. In most other shops the SB is invariably first to taste. She also told me that the wine judges didn't know what to make of her Sauvignon Blanc - I can see why it's totally out of their comfort zone and hit the ball way outside the park.
Tecnorati
Music can have an effect on the way listeners perceive the qualities of the wines they are drinking, according to a study performed for 
The always erudite Eric Felten 
This is a premium Montenegrin red wine made from the indigenous Vranac grape. The Reserve is produced from particulary good years, in small quantities, aged in barrels for several years. It is also aged in bottles for one year before being released to the market.
