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This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching . The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.
Although it does have the muscaty taste it’s a dry wine, but still does go well with desserts such as nutty cakes. Also goes well with lighter meat dishes and on it’s own.
The Ivanovi? winery is a winery with a long tradition, one of those where the younger generation has embraced it’s ancestry recipes and combined it with modern trends. Some of the details are available online. It is located in the ?upa region in southern Serbia.
Is it just my ungratefulness or does everybody find it excruciatingly frustrating to receive expensive and useless things when there's a long list of basic necessities that they, well, need?
With the season of giving quickly approaching, it's the perfect time to lure your friends and family out of their familiar patterns and into the giving of spirits. But, to lead these gift horses to water, one must first identify the reasons why well-intentioned people give lame presents:
1 They don't know what you like. 2 They were in a hurry, and couldn't find what you like. 3 They think plaid cartegan sweaters are always in fashion. 4 They're under the mistaken impression that you're difficult to buy for. 5 They saw something similar in your place and assumed you liked whatever it is. (A classic case of compounding misfortune perpetuated by a sense of obligation to display other useless gifts you've been given). 6 They have trailer park taste.
In order to get what you want, one must first condition the givers. This is easier than it may seem because givers are usually eager to please -- they just don't always have the good sense to recognize the glaring solution to their gift-giving dilemma. Here's how to help them help you:
1 Keep a running list of things you want or need. Think of the things you would buy yourself if you found a twenty, fifty or a hundred dollar bill on the ground. Every once in a while you luck out and get asked what you'd like. Be prepared, and be specific. There's no such thing as too specific -- size, store and even stock numbers help reduce guesswork.
2 Become unabashedly obsessed with a particular store (i.e., Williams Sonoma, Ikea, etc.), then endear yourself to someone on the sales staff so you can discretely exchange gifts without a receipt.
3 Develop a reputation (or perpetuate the myth) of being an aficionado or collector of something that's relatively easy to find. Wine and food lovers are already one step ahead of the game. You can never have too much fine wine or extra virgin olive oil, or too many cookbooks. Prominently display your cache, or create a shrine from the empty bottles to act as a constant reminder to potential gift givers. And once again, be specific about your tastes (e.g., Bordeaux from the St. Emillion region). If the giver is a militant teetotaler, embrace another collectible. Just be careful not to be perceived as fanatical about something that is too general (i.e., golf or cows) or you may open up a Pandora's box of useless novelty gifts. As part of the conditioning process, be expressive when receiving gifts you like (think: The Price Is Right), and restate your appreciation like a mantra each time you speak to the giver -- "I made a salad dressing last night with your olive oil, and it rocked my world."
After you graduate from this simple three-step program, you'll discover you can always get what you want. In fact, you just might find that you get a lot of it. Be sure, however, to let me know when you have too much Burgundy wine.
Using bargain wines is often preferable for occasions when it would be unwise to to invest a large amount of money in expensive wine.
Do you really want to use top-notch red wine for making sangria or for serving up at parties, when friends have already had enough to drink? No, I didn't think so!
Drinking Bargain Wines
Blended wine is usually cheaper and a reasonable bet in terms of drinkability. As a general rule, Chilean blends are the cheapest option, although it's often worth paying that little bit extra for Australian blends. In fact, a number of Australian producers market two excellent blends at the lower end of the price spectrum, one white and one red. The red is a blend of cabernet sauvignon and shiraz and the white consists of semillon and chardonnay. Keep an eye out for these grape combinations, if you're after a bargain!
Another winner at the cheaper end of the market is Spanish Rioja (both red and white). As Rioja is usually less fruity than the previously mentioned blends it is generally better for serving with food, rather than drinking on its own.
Other Uses of Bargain Wines
Sangria
If you're making sangria, you need red quaffing wine - and lots of it. As sangria is made from red wine, sugar, fruit juice and spirits, the quality of the red wine becomes largely secondary. This is where boxed wines come into their own. Buy large boxes that are relatively cheap - no one will notice! Be sure to purchase reasonable quality fruit juice and don't go for the absolute cheapest wine as you may live to regret it, the following morning!
Large Parties and Receptions
When serving wine to a large party, cost is obviously important. As a rule, boxed whites are generally more palatable than boxed reds, so if want to trim costs, anywhere, buying cheaper white wine may be a safer option.
A great way to improve boxed red wine is to add a reasonable quality bottle of red wine. Provided that you choose the correct bottle of red, this can make an impressive difference to the taste. Of course, you do need some suitable decanters or serving carafes and a little patience to pull this one off, successfully.
Finally, choose your nibbles wisely. Plain potato chips will do little to help you disguise a poor wine. Instead opt for a selection of cheeses, as they will enhance the flavor of even the cheapest of wines.
About the author: Since Neil Best first pondered the question, Who made the first wine anyway? he's been recording his findings at http://www.goodglug.comFind about your favorite wine regions, wine recipes, and speciality wines along with how it's made and how best to store it for maximum enjoyment
I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home. A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961.
It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old.
The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air? I pour a glass to see what has happened to this 40-something wine.
The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear.
The taste and finish on this wine is surprising, still full of black cherry, truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse. It is an Amarone at its heights. Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future. Susan?s Note:
This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all.
And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from Colgin Cellars that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas.
(Photo of Maria Callas dated 1960, only a year before this wine was produced.)
I played Risk as a kid. It's never a good idea to fight a war on two fronts.
But that's what winemakers are doing. They're fighting for our taste buds and our minds. And in the quest for our minds, New Worlders are winning. Why? In a word: marketing.
And that's where Old Worlders have fallen behind. For too long, they didn't play the game. They didn't embrace the global marketplace with a big, wide bear hug. They didn't think they needed to. They were wrong.
I get this.
People want at-a-glance labels, suggested pairings, critters, playful names and specified grapes. They don't want micro appellations, regular-size appellations or any appellation, for that matter. They want wine. Just wine. So many people don't really care where it comes from or about the traditions and geography behind it.
The German wine industry has taken this so much to heart that it's changing the name of one of its wine regions (they've done this before). The Mosel-Saar-Ruwer appellation will most likely become Mosel. Why? Because it's easier to say and remember. For who, you ask? Not the Germans, I'm guessing.
And this is where I get off the bus.
I fear this rush to make wine look the same on the outside will ultimately homogenize what's on the inside. And I don't think I'm far off this one. If wine drinkers have become so lazy that they can't be bothered to know that Chianti is made from the sangiovese grape, why should their taste buds be bothered to know the difference between quality and plonk or even red from white?
I know, I know. We're busy. We have far too many things floating around in our heads already. We shouldn't have to know that Sancerre is sauvignon blanc to be able to enjoy wine. But that's the thing. You don't need to know that. All you need to do is try it. Most people don't wonder what's in their beer or how their Jack Daniels was made. It's just something we drink; it's part of our culture - the way wine is a part of so many other cultures.
I'm all for demystifying wine, but for me, that's done in the mouth. The idea that generic labels will help the average consumer enjoy wine more is something that's being perpetuated by the very people who made it intimidating in the first place: marketers.
Alfonso Cevola was asking me last night if I knew of any other good places to stay in the Verona area -- besides the friendly Conca d'Oro B&B that I wrote about after Vinitaly (click here) and the beautiful Alla Colombara (click here). I told him I did and he urged me to write about it. I happily comply; I'm long overdue writing about Villa Monteleone. If the name seems familiar, it will be because I have written about the classy wines of Lucia Raimondi before. Her house is a...
Tasted by Mrbuzz. Nice dark garnet color. Wonderful nose of leather, cedar, dried currants/cherry, dusty earth spice, wet mulling spice. I can already tell this is going to be outstanding.......and, it is! Still young and alive in the mouth....similar flavors as the nose, slight sour dry finish. Still powerful in structure, great aged leather and spices....well rounded...drinks of Napa Valley, in the day. 1991 is my favorite Ca Cab Vintage of all time...this wine might just be my favorite Mondavi of all time....Cheers to Robert Mondavi...rip. (95 pts.) - Tasted 5/16/2008. [FIND IT!]
96-100 points Parker: "The 2005 Chardonnay Kistler Vineyard Cuvee Cathleen is a selection of the finest lots from all the vineyards, but most of it comes from the Kistler Vineyard. Full-bodied, firm, and backward, it is behaving more like a red wine than a Chardonnay. It boasts fabulous concentration, superb ripeness, plenty of honeysuckle, orange rind, and tropical fruit characteristics, copious minerality, and enormous length as well as richness. This beauty is as good as any Chardonnay made in either the New or Old World."
I have always loved the packaging on Xanadu wines. That ambiguous golden dragon that looks like a knarly old vine really appeals to me. This is a blend of 73% Margaret River and 27% Frankland River shiraz. Dragon is a recent addition to the Xanadu range. It sits above the Secession and below the Estate in the portfolio.
Aromas of crushed boysenberry, cherry jam, spice, meat, pepper and toasty vanilla oak. On the palate medium bodied with fresh fruits of the forest, pepper, spice and meaty toasty oak. Dry quite assertive tannins and very fresh acidity. Good flavours but suffers from some hardness.
Domaine Richaud ? Cotes du Rhone ?Terres d? Aigues? (2005)
If you?re in the mood for wonderful floral aromas followed by mind altering weirdness on the palate ? try this.
Dried herbs, strong garrigue notes and liquorice on the nose, full bodied initially, becoming seriously fat in the glass with some tobacco and grilled meat flavours which seem to fade but kick in again accompanied by a seriously weird sweaty iodine and dare I say it ? Sauerkraut fizzpop explosion which stopped me dead in my tracks between the kitchen and the lounge.
Top marks for creating something really interesting here, I just wonder if the flavours work for me. After two glasses it left me in a dizzy sweat.
Domaine Richaud produce top quality wines and I look forward to returning to the Cairanne or perhaps the Les Garrigues?decisions, decisions.
From popular wine reviewer "Dr. Debs" at Good Wine Under $20: "In the spirit of the New Year, a group of bloggers decided to start an online Wine Book Club. Many of us want to read more--hands up if you've got a stack of books sitting on your bedside table with an inch of dust on them . . ." The first bi-monthly book is Vino Italiano: The Regional Wines of Italy, and the discussion will be hosted by Philadelphia retailer David McDuff at McDuff's Food and Wine Trail. This online meme-slash-wine club will appeal, I think, to those seriously...
That's the combination Sweet WillYum's owner and baker Sue Kershner suggests for a quiet evening. Personally, I think Uncle Eric's Granola Biscotti would go just as well with a mellow wine. What would you pair with Will's Chocolate Chip Cookies? Or Chocolate Peppermint Dr. Patti's? Visit www.SweetWillYums.com today to order your ...
The wine world is chock full of gadgets these days and this is one of the funniest I have seen in such a while. A physician by trade, Patrick Farrell claims that he has an invention that will improve the quality of a wine simply by pouring wine into a glass. Let me explain?
He has created a device that will fit around the neck of a bottle that uses magnets to enhance the wine.
Farrell started out tying magnets to the neck of a bottle at the urging of business acquaintances who were distributing magnets to try to improve water quality. At the time, he thought the chance magnets would work on wine was ?about the same as seeing pigs fly.? But, he says, ?I took the thing home, put it on a bottle of shiraz from Australia and was shocked to see it made it taste smoother and fruitier. So then I went down to my cellar and I got a bottle of Bordeaux from the Medoc and it made it taste softer and fruitier.? Eventually, he came up with a molded plastic device that looks like a regular non-drip pourer and has an air hole to speed up oxygenation. That intensifies the effect of the wizard and differentiates it from other magnetic devices on the market such as The Wine Clip, which clasps around the bottle neck, says Farrell. Um?magnets?? I guessing the pourer at the top actually aerates the wine and that?s what softens the wine as opposed to the magnets. But let?s see what the critics have to say.
?Testimonials are irrelevant. Tastings are not proof,? says Ball, a professor at Cleveland State University, and ?amateur wine snob,? who says magnetic fields aren?t strong enough to change the shape of tannins. ?All that magnetic field is doing is separating you from your money,? says Ball, who won?t be trying the Bev Wizard any time soon. Awesome! At $30 for the gadget you?re better off buying a $5 corkscrew and a $25 bottle of wine!!
This really promises to be a cool event. I hope to see some of you there.
Seven North Carolina breweries - including all five from Buncombe County - are teaming up this month to host a Slow Food beer-tasting event at the downtown Asheville Brewing Company, 77 Coxe Ave. Slow Food is an international group that works to preserve food traditions and sustainable agriculture. Proceeds from the beer tasting will be used to send local delegates to the Slow Food Terra Madre gathering, Oct. 26-30 in Turin, Italy. The tasting, at 5 p.m. Aug. 27, will feature beers each from Asheville Brewing, Highland Brewing, Pisgah Brewing, French Broad Brewing, Green Man Brewing (all from the Asheville area) Catawba Brewing of Glen Alpine and Foothills Brewing of Winston-Salem. Each brewery will have at least two beers at the event, and Asheville Brewing will likely serve all of their ales, said brewmaster Doug Riley. Beers will be served in four-ounce samples, and the evening includes pizza. Tickets are $20, on sale now at Asheville Brewing and its sister operation, Asheville Pizza and Brewing, 675 Merrimon Ave. http://www.citizen-times.com/apps/pbcs.dll/article?AID=/20060809/NEWS01/60809012/1119
So, things have been really hectic at work and with dial up access only (and limited at that) blogging is very difficult. Anywho I am not giving up on it, just lagging behind. I expect the next post to be on Sunday unless the heavens open up and smile upon me. Tomorrow I am going to a Highland Beer dinner at Ganache so I'll post the deets then. Lay-tah!! Cheers!
The passionate Alice Feiring and her new book, The Battle for Wine and Love, have fanned the flames of the natural winemaking debate. In particular she has bruised the feelings of the California wine industry, to which she has not been very complimentary. This has resulted in some lively back and forth on the side of the Californians in The Los Angeles Times, hardly a surprising forum for the pro-California view. I applaud Alice’s spirited attack on industrial wines and support of wines with personality and a sense of place. Her intensity has helped keep the debate a debate.
Extreme positions help sell books and it looks like Alice has done a good job in riling up the Californians and keeping her book in the headlines. I’m sure if the truth came out Alice, like me, has a long list of California wines she loves.
It’s becoming the spoofulators vs. the natural movement and the main spoofulators seem to be in California. Yet this raises the question of what’s really natural or not and at what point the line is crossed from one to the other. It’s not as clear as it may seem. At some point it is just as bad to do too little to the wine as it is to do too much. Bad wine is bad wine, natural or not.
Let’s take a look at the revered (I agree) wines of Josko Gravner in northeastern Italy on the border with Slovenia. Gravner ferments and ages his white wines on the skins and seeds for six or seven months in terra cotta amphorae coated with beeswax. This has a somewhat dramatic (to say the least) impact on the flavor and color of his wines. Is this natural winemaking or a kind of natural spoofulation? The wines of Gravner are extreme wines manipulated to that style by the hand of the winemaker. Are the techniques of Clark Smith more intrusive than this? I’m not sure this is a question that has been answered.
There are a few buzzwords out there that seem to define the natural wine forces: biodynamic, indigenous yeasts, little or no sulfur and never, never any machines. Yet there are a whole array of interventions other than these that winemakers impose on their wines either because they dream of crafting great art like Gravner or because they are commercial winemakers that must put out a good tasting stable wine year-after-year to keep their jobs. It seems a bit preposterous to return to primitive methods of winemaking that more-often-than-not have the potential to produce faulted wines. Not all progress is inherently bad and any good winemaker will do everything needed to improve their wines. Many winemakers resolve this conflict between their desire to be part of the natural movement and the realities of putting better wine in the bottle by forgetting to talk about certain things when they talk to the press.
Great wines are made, they don’t just happen. That’s why they call them winemakers. There is an incredible array of tools and knowledge available to today’s winemakers. To not make use of any of these tools and techniques does not make any sense. However, what you do with these many new tools is all important. You can’t make wine without manipulation, but without a doubt you can’t make great wine with with over-manipulation. I believe in terroir. I have tasted it in wines way to often to have any doubt. As long as a winemakers manipulations are designed to enhance that terroir I don’t have any problems with them.
Sun Feb 27th, 2005, Los Angeles Homemade Pasta Class Sun – 2/27/05 3:00pm-6:00pm With guidance from Chef Eric, you will learn how to make perfect pastas every time.
As I’ve blogged here many times, I think wineries who are not involved in social media are missing something important. Not only is it less expensive than more traditional outreach, the results are often better from a brand and customer loyalty point of view. What social media gives you is that personal connection with the customer online, like you get in the tasting room.
So I’m going to talk about how wineries can take advantage of blogs, podcasts, wiki’s and social networks on my next trip to California later this month. Although there will be some slides involved, this will not be “death-by-Powerpoint” but an interactive talk in the vein of BarCamp. It’s open to anyone who whats to learn more about social media or who wants to share their learnings. I will prepare about 40 minutes of material and see what develops as we talk about this topic.
If you are interested in attending, just head over to my company wiki and add your name and winery or company. If you no hable wiki then just send me an email at acanmedia (at) gmail (dot) com and I’ll add you to the list.
The seminar will be held from 1:30 p.m. on Tuesday, April 29th at the Sonoma Wine Library in Healdsburg, CA. Here’s a map to the location. Special thanks to Patrick from Iridesse who arranged to get the room reserved and Josh from Pinotblogger for his advice.
I am a fan of Spencer-Roloson winery, so I sought out Sam Spencer for our “20 Not So Penetrating Questions for a Wine Craftsman.”
Sam and his partner Wendy Roloson produce high-end, affordably priced, small lot Rhone and Spanish style wines, mostly reds and a couple of delightful whites.
Simply, these people get it.
They sell in Indiana, which always engenders a boutique producer to me, because most others eschew distribution in the state without understanding the opportunity. They sell Direct-to-Trade, a program that I helped initiate with Inertia Beverage Group; they are starting a blog and their positioning to market is, “Provocative Wines Evocative Dirt.” Oh, and this is on top of their wine line-up being fantastic from top to bottom.
But, Sam doesn’t stop there, in fact he has side projects, too. His most recent project is the current Cameron Hughes “Hughes-Wellman” Cabernet. As a wine club selection and a slight one-off from the CH model, the $50 Cabernet with just 199 cases produced should go extremely fast. Available now at this link.
Fortunately, Sam found a few spare moments to interview with us and our 20 questions … an economy of words and a spareness of detail makes this interview kind of like the subject—smart, to the point and without a lot of artifice. Though, as a child of the 80’s and a viewer of late night Cinemax as a young teen, I do have to chuckle at his favorite movie genre.
Which of the Seven Deadly Sins are you most guilty of?
Sam: Lust mostly, pride in the balance
What is your biggest pet peeve?
Sam: Poor diction and improperly spoken English. Although I speak Spanish terribly and mangle that language daily.
Sam: Failing to keep your area/station clean
What is on your nightstand?
Sam: James Salter: Last Night John Mcphee : the founding Fish Luca Turin: Perfume: the Guide
What is in your refrigerator or pantry that you would not openly admit?
Sam: Nothing
What do you drink when you are not drinking wine?
Sam: Tecate, Campari or Patron silver-rocks and lime
What type of music or radio station is played most often in your car?
Sam: KQED for news and KCRW via satellite for the best music in CA
In what era would you live if you transport yourself?
Sam: 100 years in the future
What is the best wine-related book you have read?
Sam: The Emperor of Scent by Chandler Burr and Assembling California by John Mcphee
The former is about the science of olfaction, scent and the perfume industry the latter is about the geology of CA put into lay terms with explanations
What is your favorite movie genre?
Sam: 1970’s Soft-Porn
Is your desk messy or organized?
Sam: Both
Are you always early or terminally late?
Sam: Late
Whom would you want to play you in the movie about your life?
Sam: Jack Nicholson
What super-power would you most like to have, and why?
Sam: Super strength and endurance—Get more done with time to spare for hanging out with my family and friends
A bit more than 1/2 year ago, we were in Chateauneuf du Pape. Anyway long story short. The sommelier at Beaucastel came up with a short video clip to explain the varietals and the philosophy going into CdP and Beaucastel in particular. Enjoy
I was googling "Blind Tasting Party" and found this picture:
The picture is from an article talking about a blind tasting at Halloween. It's so ridiculous and the more I look at it, the more I find things to laugh at. Hope you all enjoy. Cheers!
A magnificent Malbec! It picked up a trophy at the inaugural Wines of Argentina Awards held in Mendoza in 2007, having wowed the international panel of judges - included among them wine expert Jancis Robinson, who gave it an impressive 17 out of 20. This mulberry and spice-flavoured red wine was made by Herve Fabre, who was originally involved in the Bordeaux wine trade, before he and his wife fell in love with Argentina and moved there to establish a boutique winery. Herve's experience in producing top quality wines shines through in this tremendously rich, silky-smooth wine. Ripe blackberry and b
Tecnorati
This is a dry, slightly sparkling wine, with a pleasent, rich, complex aroma. A pleasure to sniff and taste, there’s a fruity note and there’s quite an undefined spicy note, definitely requires another bottle of researching 
. The producer specifies it as a wine “with characteristic Muscat taste and smell carrying combination of spicy tones of incense, cinnamon, basil and fruit tones of pine apple and strawberry”.
airport waiting lounges, I try to make study time for my 
truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body. The acidity must be holding this wine together.
I have always loved the packaging on Xanadu wines. That ambiguous golden dragon that looks like a knarly old vine really appeals to me. This is a blend of 73% Margaret River and 27% Frankland River shiraz. Dragon is a recent addition to the Xanadu range. It sits above the Secession and below the Estate in the portfolio. 
