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Inspired by a comment I received from Josh at Pinotblogger in response to my review of a BioD wine (found here). He raised the question, a very valid question, about whether I would enjoy the wine as much if I tasted it blind. He’s right. How much is my tasting the “vitality” in a BioD wine related to my own psychosomatic predisposition to being intrigued by BioD wines made with natural yeasts?
But, just as soon as you start to go down one path of mental resolution, you open up a $22 bottle of BR Cohn Silver Label Cab and a Trader Joe’s $5 bottle and you realize that the TJ’s wine is better. A normal predisposition would say the more expensive wine is better.
It’s all subjective; fortunately I’m a sales and marketing guy with a liberal arts degree so I don’t have to get bound up in quantifying the science in it all. This subjectiveness is illustrated as much by our desire to date to attractiveness (or, in my case, marry) demonstrated by eHarmony (it don’t mean a thing without the picture). Blind tastings and personalities matches are great, but, yeah, I guess the label does matter.
I get a lot of press releases but don’t often publish them here as I don’t usually find an angle to blog about. But a release this morning by the Center for Wine Origins and Office of Champagne caught my eye for it’s use of a YouTube video:
As a longtime wine lover, I agree with the objectives of this group in protecting their place names but I wonder if the average American consumer really would understand the group’s message. Would consumers buy less Andre or Korbel if those producers were forced to remove the word “champagne” from their labels? Are consumers of American “sherry” or “port” really looking for the real deal from Spain or Portugal?
I doubt it.
Back when American producers were using European place names to label their wine blends there was a clear point of difference between a Napa Valley “burgundy” and Pinot Noir from the French region. Now there is less difference in the bottle outside of a handful of the finest vineyards.
So is this distinction still relevant in today’s market or is it just semantics?
Having smuggled, er, legally transported wine in my checked luggage across country borders many times, BottleWise is a ?D?OH, why didn?t I think of this first!? kinda thing.
My usual modus operandi for carrying wine in my suitcase is to double-bag the wine bottles in the finest grocery store plastic, twist-tie them twice for maximum liquid retention, then roll ?em up in a pair of jeans or sweatpants or heavy sweatshirt for optimum shock absorption. Except for one unfortunate casualty (I saw my suitcase drop off the belt from the plane?s baggage door onto the tarmac, after which the gorilla, er, baggage handler heaved it 10 feet into the cart transport), this method has worked flawlessly over the years.
With BottleWise, they?ve taken my proven method and spruced it up a bit. When opened, the bag houses two separate compartments, each compartment holds one 750ml bottle in an airtight plastic sleeve. When folded and secured, the bag measures approx 16? x 11? x 5?, which is about the equivalent of two bottles rolled up in a pair of XL sweatpants. (BTW ? I?m not an XL. I like my clothes baggy, okay!) According to the manufacturer, ?In case of breakage, the airtight sleeve(s) keeps wine from spilling into your suitcase and ruining your underthings.? (Hmm, pinot-scented panties? never mind.)
We wanted to test BottleWise appropriately, but with our limited travel budget (did I mention that we accept free press trips), we had to improvise. We filled each plastic sleeve with 750ml of water, then threw the bag abound a bit. Then, ?cause we were bored, we ?Myth Busted? its ass and threw it out of a second story window just to see what would happen. Nothing! It held perfectly.*
BottleWise also comes with a shoulder strap should you desire to wear it as a fashion accessory. There are two models: The Duo and the Duo Plus. Colors for the Duo range from black to, er, black. (Hey, it worked for Henry Ford.) If you order the Duo Plus, you get more color choices ? Burgundy and Cork. Cork?s a color? Who knew. Personally, I?m waiting for the screwcap color.
Costs: BottleWise Duo - $49 BottleWise Duo Plus - $59
I spend lots of time in libraries and archives. I thought it might be fun to share some of the information I pick up about wine history along the way.
Imagine yourself in Los Angeles in 1906. The streets would have looked like the one to your left, with an electric tram, horses and carriages still on the streets, colorful awnings,and low-slung brick buildings. (Los Angeles street scene from 1906, courtesy of the LA Public Library and LA Fire Department Engine Co. No. 3)
While walking along, readers of this blog would be scanning the stores for wine. Where could you have purchased it in 1906? One option would have been the Crescent Wine Company, established in 1890 and still serving up wine and spirits, as well as olive oil and bottled water, to Los Angeles residents after the turn of the century. Located downtown on West Seventh Street, the company's motto was "Quality like Truth commends itself." Their 1906 price list proudly stated: ?We do not keep nor offer for sale any imitation goods, or goods bearing counterfeit labels, and every article in this list is of irreproachable quality and even the cheapest goods quoted are choice.? Truth in advertising--and labeling--was an issue back then, just as it is now.
What the Crescent Wine Company meant by that statement, however, would not pass muster today. They sold California wines in bulk under the categories of Claret (both "Table" Claret and "Old" Claret) and Zinfandel, but also advertised California Burgundy, California Hock, California Riesling, and California Sauternes. The price? Well that ranged from 50 cents to $1.50--a gallon. You could get your Claret in a quart bottle for an extra 10 cents, and when you brought the bottles back for a refill you got a 3 cent credit. Recycling, 1906 style.
Name-brand, bottled wines were also available, including Italian-Swiss Colony Tipo Chianti; Inglenook Sparkling Moselle, Burgundy, and (eek!) Sparkling Sauternes; Cresta Blanca sparkling wines; Paul Masson; and Champagne from Coste-Follcher, Mumm's, Veuve Clicquot, and Moet & Chandon. And, for those of you reading this from the east coast, the Crescent Wine Company also sold bottles of wine produced in your neck of the woods, including Virginia Dare wine (65 cents a bottle) and Concord Port. (image from bottlebooks.com)
Those of you who know about the 19th and early 20th century may also know that medicinal "tonics" (most of which were laced with opium, cocaine, and other potent substances) were hugely popular. Crescent Wine Company sold its own medicinal tonic, called "Tone-up Port." They described it as a "perfect, all the year around tonic and nutritive for restoring debilitated conditions. A perfect food and tonic combined. As an appetizer it has no equal; invigorates and tones up the whole system; makes rich, red blood, and is especially recommended for building up ?run-down? constitutions." What was in the bottle was a carefully-guarded secret, but they offered free local shipping on 6 large bottles (which cost you $4).
Finally, the cocktail was coming into its own around 1906, and mixed drinks were all the rage. Not to be left out of the fun, the Crescent Wine Company included a number of "wine cocktail" recipes in their 1906 price list. My favorite--and a perfect follow-up to Wine Blogging Wednesday #45's Riesling theme--was this recipe for Rhine Wine Lemonade:
"Use large bar glass; 1 tablespoon sugar, juice of 1 orange, ½ glass of ice; fill up with Rhine wine. Stir well, add slice or orange with straws, and serve."
Coming in a close second was the California Wine Cobbler:
"A large bar glass half full of ice; ½ tablespoonful of sugar, juice of 1 orange, 1 wine glass California wine. Stir well, fill up with ice, dash with claret, dress with fruit, serve with a straw."
There was something strangely familiar about this price list, and it reminded me of surfing the web and browsing wine selections at local stores like domaine547 and Wally's, reading their advice about how to serve wine, and dreaming of making a big purchase. Despite the ways in which the experience was quite different from today, what I was most struck by were the ways in which buying wine from Crescent Wine Company seemed strangely modern with its recycled containers and free shipping offers. It made me think that someone from 1906 would be at home in our world of e-commerce and be delighted to shop for wine from the comfort of their own living room in 2008. It's fun to be able to imagine what it would have been like to buy wine in Los Angeles more than a century ago--although I'm not sure the Sparkling Sauternes would have made it into my cart.
There are two Montepulcianos in Italy: one is an appellation, the other is a grape. Today, I'm reviewing a wine from Le Marche that's made with that other, grapeyMontepulciano. It is a delicious and affordable wine that would be perfect with any traditional Italian trattoria fare from grilled meats to pizza and pasta.
The 2005 Fattoria Laila Rosso was a very good QPR blend of Montepulciano (80%) and a bit of Sangiovese ($12.95, Chronicle Wine Cellar; find it online for between $13 and $17) Montepulciano grapes carry a lot of pigment in their skin and that gives the wine a dark, blackish-purple color that is rich and cooling. Blackberry and black cherry fruit aromas are clearly present when you uncork this wine and give it a sniff. There's more dark berry and cherry in the flavors, too, along with a bit of roasted coffee bean. The overall impression is not of enormous fruitiness, but fruit kept in check with bitter notes and acidity and a bit of spiciness in the aftertaste. It was a food-friendly wine, and we had it with some spicy chicken in red sauce with penne. Bits of chicken breast are tossed with ground fennel, pepper, and coriander and then sauteed in a pan until golden. After a quick deglaze with some leftover white wine, you simmer lots of garlic and tomatoes until the pasta is cooked, and finish it off with some basil. The wine stood up nicely to the sweet acidity of the tomatoes, and the spicy chicken picked up the nice spicy notes in the wine, as well.
Fattoria Laila is located in the hills of Ancona above the Adriatic Sea. The area's chalky soils are great for Montepulciano. The Rosso Piceno DOC covers an ancient viticultural region. Ancient writers tell us that Hannibal, at a pit-stop along the way to Rome, had his horses rubbed down with red wine from Piceno to give them more energy and strength for the last part of the journey. You can find out more about Rosso Piceno, and an earlier vintage of this wine, at The Wine Lover's Page 30-second Wine Advisor.
As with most of the Italian wines I've had so far, these little known regions and lesser known grapes are capable of combining great quality and traditional Italian flavors with a very attractive price. If you like Chianti or Nero d'Avola, give reds from Rosso Piceno a try. They may become your preferred Friday night pizza and pasta wine.
Two weeks ago a team of American researchers promised what the New York Times story called "guilt-free gluttony" through resveratrol, a component found in red wine.
Now, in a scientific detente, French researchers are doing them one better: cardiovascular-improving sloth. To wit:
"Resveratrol makes you look like a trained athlete without the training," said Dr. Johan Auwerx of the Institute of Genetics and Molecular and Cellular Biology in Illkirch, France who led the study. [Read full story]
This is going to be serious competition for the ab toning belt.
We all know that red wine can cause pinot envy. So only four deadly sins to go! What will resveratrol create next? Humble pride? Gentle anger? Generous greed? Platonic lust?!?
Related: "Lose weight on a red wine diet"--with video of lab mice! [Daily Telegraph]
Wed Feb 23rd, 2005, Toronto MARK THE DATE! Wednesday, February 23, 2005 Sheraton Centre Toronto “To drink good wine is to enjoy the sunshine, warm and tender.” – Falstaff, (from the opera Falstaff) Would you like to spread some sunshine? Do you have vintage wines hiding in your cellar? Or are you looking to add to your growing collection? Searching for that '82 Rothschild? The COC's Wine Auction Committee is thrilled to be bringing this annual fundraising event to you once again in the Dominion Ballroom at the Sheraton Centre Toronto.
The collapse of part of McLaren Vale's Wirra Wirra winery last week was widely reported - but not widely seen. The visual is far more dramatic than the telling. This is a substantial winery in the middle of vintage - or it was in the middle of vintage.
After a year hiatus in Aspen, Daniel Johnnes brought the glory of La Paulee back to where it belongs in New York City, and over 500 hundred of the country?s most eager and avid collectors descended upon Manhattan like phylloxera to old vines for a celebration of what many feel are the world?s most desirable [...]
Reader Dag from Norway (Oslo rep-re-sents!) poses a question about Eiswein:
"May I raise a question after a discussion we had in Luxembourg recently, about icewein.
Must be picked at minus 7 degrees and pressed while still frozen.
But, I was once told that there is also something else happening to the wine stock at minus 7. That some ?elements? are withdrawn from the grape during this freezing process, which also contributes to the divine taste of eiswein. Therefore, real eiswein should/must be made this way ??
Have you heard about this process and which elements are withdrawn ??
Hope you have the answer.
Eager to hear from you.
Best regards from an eiswein lover in Norway."
Well, Dag. Allow me to first refer you to a fun article I wrote a few years ago called, "Ripeness or Ruin." It is my understanding that the divine taste of Eiswein is derived from the fact that the extract is devoid of most, if not all, water (since it's frozen). Thus the extract is fruit-essence goodness (sugars, -ols, etc.), which apparently ferments slower than typical must. Perhaps the combo of less/no water and slower fermentation adds to the otherworldly flavor of Eiswein.
by Martin Field Nuts are a favourite accompaniment to wine. They are delicious when served with bubbly and other aperitifs and a plate of nuts and dried fruit is obligatory when savouring a vintage port after dinner. But did you ever notice that in any bowl of mixed nuts, in shell or not, certain varieties are always eaten in exactly the same order of preference?
While often referred to as a single "place" when it comes to wine, Napa is hardly a single monolithic growing region. Each of its 14 established AVAs (American Viticultural Areas) lays claim to a separate identity, characterized by geology, microclimate, and different histories of production.
The Oakville AVA has one of the most storied of such histories. It is home to the famed To Kalon Vineyard, purchased by H.W. Crabb in 1868, shortly after the installation of a railroad stop made the tiny village of Oakville spring to life. In 1876 Crabb's neighbor John Benson bottled his inaugural vintage of Far Niente wine just down the road.
By the year 1880 the Oakville area had 430 acres under production, and these would nearly triple to more than 1000 acres in the next 10 years and continue to grow until Prohibition turned off the spigot in the 1920's.
In 1965 Heitz Vineyards made the first vintage of Martha's Vineyard Cabernet, a wine that Robert Mondavi probably tasted around about the time he established his own winery a year later. Over the next thirty years, Oakville would gradually become home to some of the best wines on the planet. Acre for acre, the Oakville appellation may be the heaviest hitting single wine region in the western hemisphere. It is home to many of the highest scoring and highest priced wines in America, including Harlan Estate, Screaming Eagle, and Dalla Valle, to name just a few.
Oakville is ground zero for Napa Cabernet, and with good reason. Year over year it produces some of the most tremendous wines in the valley. It's hard to say that one particular area of Napa truly produces the best Cabernet, but it's also hard to find someplace that has more claim to that title than the Oakville AVA.
Last week the Oakville Winegrowers Association put on its annual Taste of Oakville event, which gives members of the wine trade and the press an opportunity to sample wines from its members. This meant an opportunity to taste through a lot of excellent 2004 and 2005 Cabernets (as well as a few other reds and a few random whites), most of which I enjoyed greatly. There were a few wines at the tasting which I didn't get a chance to taste, as they had run out of wine by the time I got there, but the list below represents all but a few of the wines poured. The tasting took place on the upper level catwalks of the Robert Mondavi Winery surrounding their large oak fermentation tanks, which you can see in the photo.
WHITE WINES 2006 Flora Springs Winery & Vineyards Soliloquy White Blend. Score: 9. Cost: $25 2006 Cosentino Signature Winery Oakville Chardonnay. Score: 9. Cost: $30 2005 Kelham Vineyards Sauvignon Blanc. Score: 9. Cost: $30 2006 Oakville Ranch Chardonnay. Score: between 8.5 and 9. Cost: $48 2007 Swanson Rosato. Score: between 8.5 and 9. Cost: $18 2004 Teaderman Vineyards Sauvignon Blanc. Score: between 8.5 and 9. Cost: $28 2007 Saddleback Cellars Pinot Blanc. Score: between 8.5 and 9. Cost: $24 2006 Robert Mondavi Winery Fume Blanc Reserve, "To Kalon Vineyard." Score: between 8 and 8.5. Cost:$20
Now that we've gotten those out of the way, let's move on to the main event, shall we?
RED WINES WITH A SCORE BETWEEN 9.5 and 10 2005 FUTO Red Blend. $250 2004 Harlan Estate Red Wine. $450?
RED WINES SCORING AROUND 9.5 2004 BOND "Vecina". $400? 2004 BOND "St. Eden". $400? 2004 Dalla Valle Vineyards Cabernet Sauvignon. $150 2004 Sophie's Rows Bordeaux Blend. $75 2005 Rudd Winery Oakville Estate Proprietary Red. $105
RED WINES WITH A SCORE BETWEEN 9 and 9.5 2004 Enzo Wines "Saunders Vineyard" Oakville Cabernet Sauvignon . $75 2002 Atalon "Beckstoffer Vineyard" Cabernet Sauvignon. $80 2006 Casa Nuestra Winery & Vineyards Tinto Classico - Old Vines Red Blend. $40 2005 Detert Family Vineyard Cabernet Sauvignon. $75 2004 Emilio's Terrace Cabernet Sauvignon. $50 2005 Flora Springs Winery & Vineyards "Holy Smoke" Cabernet Sauvignon. $85 2005 Gargiulo Vineyards 575 OVX Cabernet Sauvignon . $?? 2005 Gargiulo Vineyards 575 OVX G Major 7 Cabernet Sauvignon. $?? 2005 Nickel & Nickel "Martin Stelling Vineyard" Cabernet Sauvignon. $135 2004 Opus One Red Blend. $165 2005 Showket Vineyards Cabernet Sauvignon. $85 2005 Swanson Merlot. $38 2005 Tierra Roja Vineyards Cabernet Sauvignon. $110
2005 Ponzi Pinot Noir The 2005 Pinot Noir Willamette Valley offers toasty cherry and strawberry aromas leading to a medium-bodied, structured wine with spicy flavors and a slightly tannic finish. Drink this tasty Pinot Noir over the next 4-6 years. Ponzi Vineyards began in 1974 making them one of Oregon?s pioneers. Dick and Nancy Ponzi, the founders, remain very much involved although winemaking duties were turned over to daughter Luisa in 1993. In addition to remaining a reference point for Oregon Pinot Noir, the winery fashions excellent wines from Italian varietals including Arneis and Dolcetto in honor of their heritage. Not yet released. Tel. (503) 628-1227; www.ponziwines.com Rating: 89 Estimated Cost: $29-$40
Visit BusinessWeek.com for an interesting article on wine web sites, including Bottletalk. There is also a slideshow walking you through seven different wine web sites, explaining how they work and who is behind them.
Fri Feb 25th, 2005, Los Angeles Cocktail Cuisine - The Art of Appetizers Fri – 2/25/05 7:00pm-10:00pm Take your cocktail parties to a cosmopolitan level of food style and presentation!
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laški Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal.
This is one of the wines available in Belgrade restaurants in 0.2l bottles, so if you’re a driver among non-wine drinkers (meaning you can’t order a whole bottle of some fine wine) it’s a good chance you’ll be in a position to try it. Do so.
I'm in the mood for a throw-down. No more of this namby-pamby dancing around the ring.
A couple of weeks ago, I got slammed on the ropes for a comment I made about a post on Vinography. The winos over there are apparently pretty fond of their New World wines because, when I suggested that Old World wines might be suffering in the global marketplace because of what is simply an archaic (or nonexistent?) approach to marketing, damn. You'd have thought I said something about their mother.
"Absurd!" they said. "Wine that tastes like fruit, not boxes of cigars and pencil lead, appeals to US consumers," they proclaimed.
Hmmm.
I'm a U.S. consumer, and I'm a pretty even-handed gal. I like New World wines; I like Old World wines. I was trying to make a point about what I considered to be the glaring difference in the marketplace. I was trying to make that point independent of taste, because I tend to believe there's a place out there for both styles of wine.
But then I started to think about it, and I've decided, even-handed is for wusses.
I'm picking sides, and do you know why? It's not about technical quality. There are New World and Old World wines of technical brilliance. It's not about image. Image is surface; popularity comes and goes.
No, this is a matter of taste, and I'm coming down on the side of the Old World.
This is my battle cry for wines that taste like cigar boxes and dirt, seashells and truffles; for wines that taste like a location; for being able to tell the difference between chadonnays made 30 miles apart; for a wine that has structure without having an alcohol content of 15 percent; for a wine that isn't obvious; for a wine that doesn't cater to a soda-pop palate; for a wine that actually pairs well with food; for a wine that goes for elegance over brawn; for a wine that doesn't give it up on the first date - one that I've got to work for, one that tastes better the next day, one that could sit on the shelf and evolve for a couple of years, one with a little mystery.
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
Remember I said to buy any 05 Bordeaux and give it s shot; there will be some real bargains to be found from this supreme vintage. This blend of 60% Merlot and 40% Cabernet Sauvignon is a cranberry jelly colored wine with a bouquet of fruity wood, and chocolate covered cherries. Nice.
In the mouth it is steely, a little tart tightly wound on opening and full of mineral flavors. BREATHE!
Really nice bouquet of ripe plum and a touch of cinnamon and pipe tobacco.
The palate is a bit tannic but this is a solid wine; give it two hours to air out and buy a couple for the under $10 price and put another year of age on it.
Tecnorati
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laški Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal. 
