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by Martin Field So I?m sculling a tasty New Zealand pinot noir at Laguna Jacks and this guy comes up to me and asks me in an American accent how I like his wine. I learn that his name is Quintin Quider and that the pinot is from a Central Otago winery, Wild Earth that he owns with wife, Avril. He adds that he hails originally from California, came to Australia after a stint in New Zealand, and now lives in Noosa.
Just in case? you were wondering; Matt Kramer (winespectator.com) writes:
You've probably been in this situation yourself. You're the one choosing the wines for a dinner with friends. You look at the menu and perform the usual mental matchups about what goes with what. But then, much more subtly?even furtively?you also do a mental matchup about which wines go with, ahem, the guests.
If you're a lover of Italian wines, especially traditional-style? versions, you might find yourself in this situation more often than most.
This subject is not much discussed because it makes you feel like, sound like, or realize that you actually are, a snob. Nevertheless, most people who know their way around wine pay as much attention to the "who's drinking" as to the "which dish."
This lesson is often first (painfully) learned at the family Thanksgiving table. You trot out some of the treasures you've been hoarding for that special moment. Big? mistake. Emergency wards are filled with wine lovers traumatized by watching guests guzzle their prized bottles like elephants at a watering hole.
I thought about this when deciding recently which wines to bring to a high-end Italian restaurant. A good host, by definition, wants his or her guests to feel comfortable. Our guests were, thankfully, wine lovers. However, that's not the same as wine savvy. No crime there, of course. But when the time came to reach for Barolo or even Barbera, my hand hovered over those bottles and then, Ouija board-like, moved to red Burgundy and California Pinot Noir.
Now, maybe it was timidity on my part. Perhaps I've lost my belief in the redemptive, even transformative, power of fine wine?never mind the grape variety? or region?. Surely a traditional Barolo can move not merely the uninitiated but even the unreceptive, especially when served with the right food.
I used to think so. Ask any of my long-suffering friends who have been subjected to my evangelical enthusiasm for, say, Gattinara. Or Recioto? della Valpolicella. Or more bizarrely yet, the caramel-colored, sediment?-rich delights of Italy's new-wave/old-way whites, fermented with skin contact?, from Radikon, Massa Vecchia, Castello? di Lispida or Josko Gravner, among others.
But now I find myself hesitating. I've come to the conclusion that really characterful wines?none more so than traditionally made Italian wines?often require a certain receptivity, maybe even a little study. That you can't just spring upon an unsuspecting, not-especially-interested-in-Italian-wines guest the magnificently traditional likes of, say, Giuseppe Rinaldi Barolo or even the easier to understand but still true-to-its-old-school Brunello di Montalcino from Tenuta? Il Poggione.
This flies in the face of today's wine democratization?a belief that anybody should be able to understand, without any fuss, any wine put in front of them. And if they don't, well then, it's the wine's fault, not theirs.
This, of course, is why so many Italian reds today are so modernistic, slathered with the creamy? vanilla? toastiness of new French oak??, miscegenated with Merlot, Cabernet Sauvignon and Syrah and practically hot-waxed to a tannin?-free smoothness. Do they sell? They sure do. They're easy to understand, familiar-tasting, and?here it comes?you can serve them to anybody.
Do these wines represent the best of Italy? For me, they do not. But they are ambassadors of Italian wines, and for that reason alone they're worthwhile. Italian wines at their best?the reds especially?are different from all others. And this difference, which lies at the very root of Italian wine greatness, is not an instantly seductive one.
The taste? of France is rich and smooth? in the mouth (think foie gras) while that of Italy?classically anyway?is about a slight, mouthwatering bitterness (think Campari). It's easy to see why France's seductive model has become universal, including in Italy. The rigors of traditional Barolo, Brunello, Barbera and Aglianico, among others, are formidable and not immediately come-hither.
So that's why I stayed my hand in choosing the traditional Italian reds I've come to love when deciding what to serve my guests. They're not instantly likable (the wines, not the guests). Of course, I could have chosen modern-style Italian reds, wines that I know are made for just this very easygoingness. You can use instant polenta? these days, too.
Maybe I didn't give my guests enough credit. Or maybe?just maybe?it's fair to say that some people just aren't ready for some wines. Is that snobbish? Or is it a fair reality?
Monday blues? Here at Vin Vini Vino, we've got Monday Hangovers, a weekly dose of headaches, hangups and how-not-to's. Consider it your worst-case-scenario guide to wine. Grab an aspirin - we'll try not to yell.
OK, so this weekly feature hasn't been so weekly lately. Frankly, I haven't been all that snappy with the posts, either.
Like any passion (cross-stitch, anyone?), wine has a habit of getting lost in the shuffle when the stampede of daily life comes barreling through. We've been painting our office, landscaping, working, entertaining. It's a tough job, but someone's got to do it.
But how do you pick up with your passion once you find the time again?
How do you get inspired? How do you find the energy?
If wine is your cup of tea, er, juice, you go to the store. That's right, when the going gets tough, the tough go shopping. Even if you have a cellar full of drinkable bottles, shelf browsing can be quality time. There's nothing like a few hundred brand new, shiny bottles lined up like soldiers to remind you that there's a world of wine out there - and that what you've tasted wouldn't fill a bucket.
Something to try at every turn. Single-varietal gamay, beerenauslese, pinot blanc from Sonoma, muscat, ripasso, Douro, Kongsgaard, vernaccia.
Leelanau Cellars markets this unique spiced wine as Witches’ Brew around Halloween, but let me assure you that it is a great wine to have on hand throughout the winter. This wine has two labels, the Halloween one (Witches Brew) and the label for the rest of the year, simply named Leelanau Cellars Spiced Wine.
If you’re looking for something fun and unique to bring to a holiday party this year, this is your wine! This wine is best served heated! Simmer in a pot over low heat until it is warm (the temperature of a witches’ tongue, if you’re celebrating Halloween). This spiced wine should not be served with dinner, but rather as dessert, with some good, dark chocolate. I suppose it could also be good before dinner, while folks are still arriving to the party. It would make a great ice-breaker!
Witches Brew is obviously a sweet wine, with aromas of cinnamon and cloves. It has very different characteristics when heated vs. room temperature. Try both!
Rating: 9/10 — Truly unique! Price: $5.99 Where can I get it? Many places in Michigan carry this wine, especially around the holidays. I found it at Meijer. You could always visit the Leelanau Cellars north of Traverse City to stock up!
With English wines now winning awards over and above some of their more established competitors and many international wine companies buying up acres of southern England now’s a very good time to find out what you might have been missing.
If you feel a bit in the dark about what English wines have to offer English Wine Week from Saturday 26th May to Sunday 3rd June provides the perfect opportunity to find out more. With events taking place throughout the country at vineyards, restaurants and local fairs there’s sure to be something in your area that will give you the opportunity to taste a drop or two or learn more about this emerging industry.
Italy is green, lush and flowering in April and early May. Roadsides are red with poppies. The hills seem to topple over with blooming trees of every kind. Mild days and cool nights bring an invigorating balance. The air is fresh and bright. It is the best of times. More follow. Click on images to enlarge.
Okay, it was actually a few days before Valentine?s. But clearly our uncharacteristically small group of Vancouver American Wine Society members who had gathered to compare a horizontal flight of ten 2002 Zinfandels were jumping into the spirit of romance.
Here they come in the order we tasted, and although it would be fun, we can take no credit for the final ?heartfelt? evaluations of the ten offerings ? each was delivered from an appointed, if sometimes reluctant, spokesperson at a different table.
Wine #1: Paso Robles Westside from Peachy Canyon Winery Thin, weak, and presenting surprisingly little fruit either on the nose or the palate. This wine is like a ghostly and somewhat disappointing lover. Neat tasting room though as seen at the right.
Wine #2: Alexander Valley Todd Brothers Ranch from Dashe Cellars Made with 4% Petit Syrah, the general consensus was that this wine was approaching ? or perhaps even past ? its prime. Tannins were still a bit coarse, and there was definite sediment. This wine was ranked as a dark and sultry, if a bit over the top lover. Wine #3: Sonoma Valley Rhinefarm Vineyard from Gundlach Bundschu Winery Softer and with a better balance than the previous one, most people agreed this wine showed coffee, chocolate, and mint overtones. The finish was longer, smoother like a well-oiled lover ? apparently appealing as this wine was ranked Number One of the evening.
Wine #4: Amador County Grandpere from Renwood Winery Made from old vines though from a newer winery (shown right), this wine was deemed somewhat austere. Oak on the nose but light in fruit, this wine ? according to the table?s spokesperson ? would not be finding its way onto her table nor into her bedroom even on Valentine?s Day.
Wine #5: Dry Creek Valley from Chateau Souverain Not offensive, merely flat and faded from time with not enough fruit remaining to be worth mentioning. This wine is one lover who simply doesn?t deliver ? even after midnight.
Wine #6: Dry Creek Valley from Foppiano Vineyards Although we knew this vineyard specializes in ?affordable,? this vintage was rather like stuffing your face full of penny candy in the general store. A fickle lover ? even on a one night stand, first he thought he loved her, then he didn?t, then he did.
Wine #7: Napa Valley from Napa Wine Company Like a chameleon, this wine exhibited the most dramatic amount of change of any poured this evening and garnered second favourite in the process. On the palate cedar, tobacco, and barnyard. In bed, an almost schizoid lover ? but definitely one you?d happily suggest a roll in the hay with.
Wine #8: Napa Valley Old Vines from Fife Vineyards Simple and somewhat nondescript but still comfortable, this wine is from old vines. Good for mindless quaffing on an open-air patio. A lover wearing nothing but flannel pajamas.
Wine #9: Napa Valley from Ravenswood Winery Although this wine didn?t open as much as many of us had expected, it was ?no wimpy wine.? Brawny and well structured, a few people found a hint of cream soda. This one is a somewhat reticent lover but definitely well built lover ? perhaps even a redhead. (Note: these guys have a really fun website and a terrific sense of humour. Here?s an excerpt: At Ravenswood, there?s no pinkie raising, Brie eating, wine spitting wimpiness. Oh no. At the home of No Wimpy Wines, you?ll get to taste mind blowing zinfandel, witty conversation with our behind-the-bar staff and, if you so choose, private or group tours of the winery aka Zinfomania Central.)
Wine #10: Napa Valley from Rutherford Ranch Controversy swirled around this wine as it became clear there was an almost unbelievable amount of bottle variation between each of the three that were poured. Some felt theirs was corked, others said ?no, it?s just the style.? Was it a Madame wearing pancake make up and a feather boa or a great lover who hadn?t showered for a week? Few could agree.
My picks from todays Kemeny SMH adverts and some new Yalumba releases incl. Signature 2004 at Nicks. Plus a bunch of updates yesterday if you didn't visit.
In terms of export trends, it seem as though higher-end Argentine Malbec/Cab types of blends imported to the North American and UK markets have garnered better consumer reception than single varieties.Don?t get me wrong, I have enjoyed many of these and will continue to do so, though recently I must confess that I?ve been feeling a bit bored.This is precisely when I need to turn to a winemaker who can think outside the box and take me somewhere different than the usual Cab/Malbec blends.Who could I turn to?
Susana helped me think outside the box?Susana Balbo, that is.One of Argentina?s premier winemakers, her Syrah-Bonarda blend is one of various compelling examples of her brilliance.It?s an intelligent value steal and as a bonus, it is meant to be consumed more or less young.Argentine Syrah as a whole doesn?t get all of the credit that it deserves?combined with the second most planted red, Bonarda, you get this beauty, with meaty tannins and lots of dark fruit/red fruit complexity.My favorite aspect of this one revolved around the irresistible, concentrated plum, cherry and black raspberry flavors, with the Bonarda contributing the nice red berry acidity.The oak and warm spices are a great, subtle backbone that won?t overwhelm with one of those cheap death-by-vanilla finishes.As with a great deal of grapes harvested from the Andean foothills (elev. about 2300ft), both components of this 50/50 blend were hand-harvested from vines in Mendoza?s Rivadavia department that are on average, 40 years old.
What a wonderful blend to try with grilled meats now that the weather is improving.Yet another excellent example that shows what finesse Mendoza blends can have without Malbec involvement.
Susana Balbo?s Crios wines are made available by Vine Connections, the premier boutique Argentine wine importer out of San Francisco.If you?re having trouble finding it in your area, try Wine-Searcher or the importers themselves.
I helped out at a trade event in London devoted to Sauternes and Barsac the other week. Entitled ?Sweeties with Savouries? it set out to show how both Sauternes and Barsac can be drunk not only with the usual foie gras and desserts but also with all the courses of a complete meal. With courses ranging from roquefort crème brulee with figs (see picture) through roast Moroccan quail with sweet potato mash to blue cheese cheesecake, the food was absolutely wonderful. Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.
Tasting through the 16 wines was an education in itself. Considering they were all the recently bottled 2005 vintage, there was a range of aromas from honey, peach, minerals and smoke to flavours on the palate of marmalade, peach, citrus and honey. There were also subtle but significant differences in the weight and texture on the palate. The differences can be understood when looking at the percentages of grapes with everything from 90% semillon and 10% sauvignon of the premier cru classe Chateau Clos Haut-Peyraguey through to the 70% semillon, 25% sauvignon and 5% muscadelle of Chateau d’Armajan des Ormes. The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.
The key to good Sauternes and Barsac, apart from the terrroir, is the botrytis that is required to shrivel up the grapes and concentrate the sugar in the grapes. From talking to several of the producers the 2007 vintage was going to be a worry as the summer was cool. However the autumn was as hoped with cool misty mornings followed by sunny afternoons, the perfect environment for the ?mushroom? spores of botrytis cinerea to develop.
There is a much history associated with the ownership of the chateau in Sauternes with many of them having been in the same family for generations. Check out the web site of Chateau Dudon if you want some history of a typical family owned Sauternes producing chateau.
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
Inspired by a comment I received from Josh at Pinotblogger in response to my review of a BioD wine (found here). He raised the question, a very valid question, about whether I would enjoy the wine as much if I tasted it blind. He’s right. How much is my tasting the “vitality” in a BioD wine related to my own psychosomatic predisposition to being intrigued by BioD wines made with natural yeasts?
But, just as soon as you start to go down one path of mental resolution, you open up a $22 bottle of BR Cohn Silver Label Cab and a Trader Joe’s $5 bottle and you realize that the TJ’s wine is better. A normal predisposition would say the more expensive wine is better.
It’s all subjective; fortunately I’m a sales and marketing guy with a liberal arts degree so I don’t have to get bound up in quantifying the science in it all. This subjectiveness is illustrated as much by our desire to date to attractiveness (or, in my case, marry) demonstrated by eHarmony (it don’t mean a thing without the picture). Blind tastings and personalities matches are great, but, yeah, I guess the label does matter.
This wine is wild and untamed! It has an exotic taste of berries and herbs, and is still quite tannic. After decanting, the wine softened a bit but continued to be chewy and dense. It also has a striking dark purple color, that looked beautiful in the decanter.
From a tiny region in Southern France, Bandol is made primarily from Mourvedre. The grapes are extremely ripe, but there's an underlying herbal tone that makes some of these wine taste almost wild and this is no exception.
I paid $32 for the bottle, and have seen it for as much as $40. If you're ready to do some exploring in France's lesser-known regions, look for a Bandol. And raise a glass!
I understand that many rave about Riesling being the epitome of fine wine making. These people see the poise, quality, long life and expression of terrior while not overshadowing the grapes inherent characteristics, as representing the very best of the classic grapes.
Me? I don't give a monkeys. Dessert wines aside, I just don't like the grape.
I would rather not drink something akin to kerosene (aged Riesling) and when young most taste of little more than lime-splashed sugar water. Some of the mineral and lime Australian dry Rieslings I do enjoy; it might just come down to the European versions (generally) being low in alcohol. This is a bit strange as the weighty wines, often with an inkling of sweetness (thinking Pinot Gris, New World Chard's) are just what I enjoy. Alternatively high acidity as found in New Zealand Sauvignons is another characteristic of Riesling; love the former; ignore the latter. OK, so I WILL drink Rieslings; I just wish I was drinking something else, that's all.
In the spirit of Wine Blogging Wednesday a bottle of German Riesling found its way into the fridge. The Riesling range in Waitrose was rather impressive. Ranging in price from £6.99 up to £15.99 I do wonder how many they actually sell. Good to see a distinct lack of those Germanic scripted labels put down as one of the main reasons for disappointing sales of German wine over the last few years.
Wine Tasting Note: Rüdesheimer Berg Rottland Riesling Spätlese, 2002, Rheingau, Germany. From Waitrose for £9.99. Rather a surprise in the quality here - nicely judged acidity balanced with a under-ripe pear and lime flavoured lightly sweet palate. Honey on the nose. Fresh crisp acidity and no noticeable kerosene from a wine still young from the 2002 vintage. Alcohol 8%.
The Dr Wegeler estate was founded in 1882 and is now run by the 4th generation of the same family.
Scribblings Rating - 86/100 [3.25 out of 5]
The picture is a little dark (taken late in the evening) but highlights the wines (and sweeter Rieslings in general) affinity with spicy food. The dish is Chili Beef Ramen from the Wagamama Cookbook one of favourite 'oriental' cookbooks. A white wine with beef! Almost as radical as me drinking a German Riesling!
Today, we're tasting another good wine to serve for all of those summer patio parties-the Little Black Dress Pinot Grigio. Little Black Dress Wines were introduced by Brown-Forman in 2006, the 80th anniversary of the Coco Chanel's little black dress. The collection includes a Pinot Grigio, Chardonnay, and Merlot. Although marketed toward women, these wines are versatile and enjoyable for any wine lover.
The Pinot Grigio is a straw-colored wine, made of 84 percent Pinot Grigio grapes, 10 percent Chardonnay, and just a hint of Muscat and Vigonier. The wine is light and crisp with hints of green apples, pears, and peaches. The Muscat lends a spicy touch and the Viognier a fruity floral note.
Little Black Dress wines are available throughout the United States and Canada. The Pinot Grigio retails for $9.99.
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The best thing about this very moment is that I am in my own bed. Finally. After camping out for five days at Vinitaly and then taking to the road for another week in northern Italy, I came home exhuasted and relieved. Airplanes filled with sick children coughing for eleven hours must have broken down my resistance. A week in the office trying to put together a series of wine seminars across Texas and then a very important dinner for an important Italian winemaker, almost broke me. I spent a weekend alternating between duties at wine dinners and laying on my couch trying to prevent getting any sicker. But come Monday I was stung. Maybe it was a little flu, or a cold or allergies, whatever it was, I should have sat the week out. Instead I took to the road. Dallas on Monday, Houston on Tuesday, Austin on Wednesday and San Antonio on Thursday, with a quick flight back to Dallas for a private and very upscale event for Riccardo Cotarella at the home of a friend in Highland Park and sixty of his closest friends and family.
Last Sunday I knew I was sunk. I had driven off the wine trail onto a shoulder, and it was leading me straight into the gates of hell. But what could I do? I was scheduled to work all week with my colleague and friend the Master Sommelier, Guy Stout. Four days, four cities. The show must go on.
I had no voice. I emailed a friend whose wife is an opera singer, a coloratura soprano. She is very protective of her voice. So I asked him to have her send me her remedy for a sore throat with no voice and the need to perform. Her email was priceless, and someday I must reprint her remedy, for it is alchemy and genius.
I proceeded to go forward. Monday was upon me. Our meeting with salespeople went well enough. That lasted for an hour and was fairly low impact. The challenge would come in the afternoon when we would be doing a ninety minute presentation and a lot of talking.
Time out. I don?t usually talk about these things. I call these kinds of posts ?mommy blogs.? See what I did, see who I talked to, see my wonderful life. I usually stick to topic. But lately I have heard from a lot of folks about how wonderful my profession and life is. And it is. But not without some downsides as well. Many hours, lots of work and when one wears themselves out, burn on through it. Don?t stop. Not very glamorous.
So I was suited up and sounding like Barry White. Dallas went well, plenty of folks showed up; it was an SRO(standing room only) kind of day. Around 5:30 I was dragging and someone suggested I go home. One stop first. A friend with MS needed some wine for her MS charity event planning meeting. So I rounded up some bottles and took them to her penthouse. And then home and straight to bed.
8 PM and it is still light out. But in eight hours I must get up and catch a plane. So I forced myself down and hoped when I awoke I would feel better.
No chance. But I'm on a 6:30 AM plane, anyway. If I wanted to feel bad about my plight I saw two other colleagues at the airport who had come from way out in the
Tecnorati
Attendees were then asked to vote for which wine made the best match with which course. There was quite a lot of agreement about which of the 16 wines went with which of the 5 courses but there were also many individual opinions. As with wine tasting there is no definitive answer in the area of food and wine matching.
The aging process whilst broadly similar in length of between 18 and 24 months, varies according to the percentage of new barrels used.
Wine Tasting Note: Rüdesheimer Berg Rottland Riesling Spätlese, 2002, Rheingau, Germany.
one of favourite 'oriental' cookbooks. A white wine with beef! Almost as radical as me drinking a German Riesling!
The best thing about this very moment is that I am in my own bed. Finally. After camping out for five days at Vinitaly and then taking to the road for another week in northern Italy, I came home exhuasted and relieved. Airplanes filled with sick children coughing for eleven hours must have broken down my resistance. A week in the office trying to put together a series of wine seminars across Texas and then a very important dinner for an important Italian winemaker, almost broke me. I spent a weekend alternating between duties at wine dinners and laying on my couch trying to prevent getting any sicker. But come Monday I was stung. Maybe it was a little flu, or a cold or allergies, whatever it was, I should have sat the week out. Instead I took to the road. Dallas on Monday, Houston on Tuesday, Austin on Wednesday and San Antonio on Thursday, with a quick flight back to Dallas for a private and very upscale event for Riccardo Cotarella at the home of a friend in Highland Park and sixty of his closest friends and family.
Last Sunday I knew I was sunk. I had driven off the wine trail onto a shoulder, and it was leading me straight into the gates of hell. But what could I do? I was scheduled to work all week with my colleague and friend the Master Sommelier, Guy Stout. Four days, four cities. The show must go on.