After a week in New York - including a couple of downright cold days upstate to give a talk at Cornell - I have to say it definitely doesn't feel very spring-like on the East Coast! But, the buds are beginning to break on the trees in NYC, and last night my pal Lesley joined me out at a fab fete at the Theory store in the Meatpacking district in a skirt, sans stockings. She froze, for sure, but kept insisting, "It's spring, damnit!"

Indeed, depending on where you are the weather is turning warmer, albeit by varying degrees. In Cali, we've been enjoying beautiful days for weeks now (including two stunningly sunny 70-degree'ers when I was in Napa for a blissful Easter weekend; The French Laundry was beyond!!). And no matter where you are, it's not too early to start drinking for warmer weather. Read on for the lowdown on my favorite sippers for spring, and here's looking forward to balmier weather in everyone's not-too-distant future.

Photo: Vines at Smith-Madrone atop Spring Mountain, Napa Valley this spring

Some short notes from a long, vaguely Italian themed lunch.

N.V. Laurent-Perrier Champagne Grand Siecle:
Probably around 7-10 years bottle age and it shows on the nose with aromas of honey, citrus, quince paste and some sherry. Complex and with good presence on the palate, there is also acidity coming through strongly to keep things fresh.
91/100

2005 Livio Felluga Pinot Grigio:
Appealing nose with straw, citrus peel, mango and white chocolate. Surprisingly persistent creamy flavour balanced nicely by restrained acidity.
89/100

2000 Isole e Olena Chardonnay Collezione de Marchi:
Nutty old oak aromas, with some citrus as well. Clean flavours on the palate, it is a little bit straightforward but enjoyable regardless.
87/100

2000 Lake’s Folly Chardonnay:
Initially there were some onion skin aromas but these lifted with time in the glass, there were only some butty and resin aromas underneath. Rounded mouthfeel, alcohol sticking out a bit on the finish.
82/100

1986 McWilliam’s Semillon Mount Pleasant Elizabeth:
Typical aged Semillon aromas of honey, toast and lemon. Toasty flavour to the palate with excellent length. Balance is superb. This was at its peak and while not quite hitting the same highs as the Lovedale of the same year, it was delicious.
90/100

1995 Gérard Chavy & Fils Puligny-Montrachet 1er Cru Les Folatières:
Blue cheese, oxidative notes and some old oak. A bit tired on the palate as well, you can see some quality there behind the tiredness and it actually lifted a little bit with some air time.
82/100

1993 La Pousse d’Or Santenay 1er Cru Clos Tavannes:
The nose is quite open and giving with red cherry, forest and earth. A little bit thin on the palate, but it didn’t detract too much from the wine as a whole. Will probably improve with a few more years in bottle.
88/100

1986 Prunotto Barbaresco Montestefano:
Smoke, cherry, rose petals and some bacon fat. The tannins and acid are still at the fore of the palate but it works and it is very nicely savoury and the texture is very good.
88/100

1998 Giacomo Borgogno Barolo Riserva:
Corked.
NR/100

2006 Cape Mentelle Sangiovese:
Blue bubblegum and black cherries on the nose. Sweetly fruited palate with some spice laid over the top. Very approachable and nicely drinkable.
88/100

1999 Isole e Olena Cepparello:
Some earth and pepper to the nose, but otherwise quite bright and floral with some red berries as well. Nice balance to the palate, there is a rush of flavour along the length but it never seems over the top. I think this will be drinking very nicely over the next 7-10 years.
90/100

1988 Antinori Tignanello:
A nose of tobacco, smoke, cherry, red berries and with earthy undertones. The palate is superb, with long savoury flavour and great complexity and interest. This bottle seemed to be right at its peak.
94/100

1998 Antinori Tignanello:
A juicy nose of red berries, graphite, cedar and some floral and earth notes coming through as well. Intense and flavourful on the palate with the tannins needed food to be tamed. Clearly very good and noticeably of a similar bloodline to the ‘88 had by its side. It was approachable now, but will be better in 4-5 years.
91/100

1997 Hugel et Fils Gewürztraminer Sélection de Grains Nobles “S”:
140 cases made. Produced only in selected years (89, 97 and 00 so far), by special strict separation of fruit at the same time the regular SGN is picked.

Intoxicating lifted nose of honey, spice, mango, quince and botrytis. Has the identifiable unctuous oiliness of Gewurtraminer as well as intense sweetness but also some amazing acid to cleanse and somehow harmonise the elements and leave the palate refreshed for the next sip. Among the top dessert wines I had last year, if not the best.
97/100

1992 Winzerkeller Leiningerland eG Grunstadter Roth Scheurebe Eiswein:
Mango, guava and pineapple aromas on the nose. Palate is round with lingering, intense sweetness. Simple but delicious, and a great end to a great day.
91/100

For those who have been around the wine blog-o-sphere for a few years, the Caveman's blog was a gem.  Bill Z. offered world class wine knowledge with a down-to-earth attitude.  Like many blogs (this one included) the Caveman posted less regularly, and then poof!  it became frozen in time (kind of like Han Solo in Empire). 

Well, my pal Bill, the Caveman, is back and writing for the Montreal Gazette.  It's good to see his voice is being appreciated by those lucky folks in Quebec.

"It was my first evening back working the floor as a sommelier. I was invigorated after an exceptional week touring and tasting wine in France's Languedoc-Roussillon.
My second table that night was a couple from France, so I started going on and on about the place, even recommending to them one of my favourite wines from the region. They looked at me and said, "Yes, it's beautiful there, but we would never drink their wines."

Read the rest of the column here.

Good on ya Bill!

Little kids go through a phase where they need to put everything in their mouth. I wonder what it says about me that I'm pretty much stuck there? I really enjoy trying out new wines and sakes, especially those that are well off the beaten path.

So when Beau Timkin, the owner of True Sake in San Francisco handed me this bottle and said "check this out" I couldn't resist. After all, it was the sake equivalent of....well.....(if you'll excuse what may be a somewhat obscure (to you) Japanese animation reference) Howl's Moving Castle.

This sake is:

1. Nigori - an unfiltered sake

2. Junmai Daiginjo -- the highest grade of sake, where the rice kernels have been polished to less than 55% of their original volume.

3. Nama sake -- unpastuerized, designed to be drunk very soon after production, much like Beaujolais

4. Sparkling -- yes, that's right. Sparkling sake. Not entirely common.

Can you understand my fascination? Even if you've never seen the phantasmagorical animation movie referenced above perhaps you can understand what a strange beast this sake would be.

Many people who enjoy sake even occasionally are familiar with the cloudy nigori sakes, as they are somewhat trendy and likely to be offered in most sushi restaurants that aspire to have anything more than just the standard hot sake on the menu. Nigori sakes are cloudy because minute rice particles (think flour particles) that are normally filtered out of the sake are left in. These bits of starch both make the sake milky white, as well as add a slight sweetness to the liquid because they contain sugars.

Most nigori sakes are considered to be somewhat rustic, harkening back to the beginnings of sake when, in fact, all sake was nigori sake, since no one bothered to (or had the technology to) filter it in the early days of sake brewing. Consequently nigori sakes do not tend to be premium sakes, which is to say that they are most often made from rice that has not been polished to the level required for premium sake.

So to see a Junmai Daiginjo nigori sake is quite unusual, both because it means that the brewer has gone to quite an expense to deliberately produce such a sake, and that the brewer is confident that such a sake merits such treatment, as the rice sediments that are left in nigori sake tend, on the whole, to mask some of the more delicate flavors and aromas that a junmai daiginjo sake has been made to possess.

Nama sake or namazake is the sake world's equivalent of Beaujolais Nouveau, or perhaps more accurately, fresh raw milk, which is unfortunately illegal in the US. Unpastuerized by heat, namazake has a different character that is cherished by die-hard sake fans as more rustic and "authentic" than commercial releases that go through the pasteurization and stabilization process.

And sparkling sake? Well, what can I say. Sparkling sake is just a oddball phenomenon. It has been made here and there by various producers over the last decade, but not with any regularity, nor with any real commercial strategy. It is perhaps best characterized as one big experiment.

If there is any brewery that isn't afraid of experimenting, it's the Tsuki no Katsura brewery in the Fushimi district of Kyoto in western Japan. One of the oldest and most regal of breweries in the area, it is single-handedly responsible for the fact that nigori sake even exists today as a commercial product.

As I mentioned, originally all sake was effectively nigori, as it went unfiltered. But sometime before the 19th century, many makers began to press their sake through mesh bags to filter out the sediment. When the "rules" for how to make sake were written in the 1800's and it became regulated by the government, filtering (or more accurately, pressing, as there is most often a final filtration after pressing) became part of the required regimen, and nigori sake effectively became illegal. One of the primary reasons for this was that the filtering process was when the government levied its taxes on sake makers. For perhaps understandable reasons, the government wasn't too keen on the idea of skipping that step for aesthetic reasons.

But nigori sake wasn't forgotten, and after decades of tireless lobbying, Tsuki no Katsura managed to convince the government to allow them to make nigori sake. How did they manage to get around at least two hundred years of precedent for pressing sake through a filter to remove solids? Well, in the end they didn't. They were still forced to filter their sake, but they convinced the government to let them use a filter that had holes in it about the size of golf balls. Apparently it took a couple of years of changing their production process so the government ministry that oversees sake brewing would approve, but eventually they did, paving the way for all modern nigori sake.

Today, Tsuki no Katsura is one of the largest producers of nigori sake in Japan, and is apparently breaking new ground by moving into the sparkling sake world as well. They also produce a range of standard sakes which are rumored to be decent as well.

Full disclosure: I received this sake as a press sample.

Tasting Notes:
Cloudy white to the point of being chunky, with a medium-strong effervescence, this sake has a yeasty nose with scents of bubblegum and malted milk. In the mouth it has a thick presence on the palate and about as much carbonation as some soft drinks. The flavors are cool and rainy, with a distinct flavor of wet paper, a light floral element, and a finish that is beer like with hints of yeast. I'm not sure if my sense of the beer-like flavor was influenced by the carbonation or not. Overall this is not a sake that does a lot for me, but it was a fascinating drinking experience and one worth trying just on principle, especially for those who are interested in sake.

Food Pairing:
Nigori sakes normally reward pairings with slightly more substantial foods than their lighter, more delicate filtered brethren. I'm not confident about it, but I might try pairing this sake with tonkatsu, the traditional breaded and fried Japanese pork cutlet.

Overall Score: 8/8.5

How Much?: $20 for 300ml bottle

This sake is not available for sale on the internet. You can give Beau a call if you're interested: 415.355.9555

I have been traveling back and forth across the country for the last two weeks and have been working long days for months. In between flights and endless delays in airport waiting lounges, I try to make study time for my WSET exam coming up all too soon in a few days. After a grueling, four-city tour, tonight I feel justified in picking something special to celebrate a clean desk and being home.  A bottle of Amarone is definitely appropriate. The bottle I decide on is an Amarone Negar 1961. Yes the vintage is right, 1961.

It was a great year for Italian wine in 1961 ? rain and sun in perfect balance. John Kennedy was president of the USA. The Berlin Wall was under construction. Maria Callas was 38 and at the height of her career. Sophia Loren was starring in El Cid, and I was all of nine years old.

The label is a little worn and torn. The fill level looks promising ? still mid neck ? although there is a little sediment. The cork seems to be okay ? solid and removes easily without crumbling. Should I decant and risk adding too much air?  I pour a glass to see what has happened to this 40-something wine.

The color is amazing ? dark red, with a little orange and brick red on the rim. The nose is equally remarkable ? still lots of fruit left on the nose, black cherry with truffle, and a little sherry oxidization odors in the background. A few swirls of the glass and the oxidative aromas disappear.

The taste and finish on this wine is surprising, still full of black cherry, truffles, and forest floor with a finish that lasts for minutes. The tannins are like silk, and there are not enough descriptors to describe the mouth feel and full body.  The acidity must be holding this wine together.

Now, there is a caveat to this story. We both love Amarone, so there is a built in basis here. But points and ratings have no relevance to this wine. It is, quite simply, a great wine. It is like the Callas aria playing on the stereo ? powerful yet filled with grace and finesse.  It is an Amarone at its heights.  Yes, 1961 was a good vintage year for Italian wines. I am going to lay down some bottles for the future.

Susan?s Note:

This Amarone is a perfect example of why Frank and I both hate the point system. Is this a 98 or only a 97 point wine? After all, how do you define the difference of a single point? Or has this venerable liquid actually achieved the enviable position of 100 points despite its initial hint of oxidation? It is only two additional points after all.

And if we were to rate it as a 98, would that make it comparable to the 2004 Cabernet Blend IX Estate from Colgin Cellars that received a 98 point nod from Robert Parker? Hmmm, let?s see. A three-year old blend of 59% Cabernet Sauvignon, 22% Merlot, 13% Cabernet Franc, and 6% Petit Verdot from Napa Valley versus an Italian Amarone with almost half a century of love, care, and passion in its provenance. Somehow, the comparison just doesn?t work ? although I suppose one day, some scientist, somewhere in the world, will come up with a formula that proves you can actually make a meaningful comparison between apples and snow peas.

(Photo of Maria Callas dated 1960, only a year before this wine was produced.)

Best of the wine blogosphere for April 7th through April 11th:

• looks like i’m back drinking the stormhoek kool-aid again
• Wine Pricing Could Stand a Correction
• WBW #45: Old World Riesling
• The Problem With Gary Vaynerchuk
• Randall Grahm of Bonny Doon, Interview
• Neal Family Vineyards, Napa: Current Releases
• Do wine blogs and expensive wine make a good blend?
• Substance and Wine-ing 2.0
• Wine Book Club ?Spin the Bottle? selection: Wine Across America
• Vin de Napkin and the Art of Missing the Boat
• Napa With Altitude Tasting: April 23, San Francisco
• An Audience With … Me
• Checking in on ?Hopes for 2008?
• Wine Bloggers Are Bought and Paid For
• Wine Book Club Reminders
• Vin de Napkin
• Death to the Fine Wine Retailers!
• Not So Big Zinfandel

I'd originally written this for Lenn, but we didn't use it and I'm dry on material... read it and weep

Cabernet Sauvignon is for wimps.

Yep, you read right. Wimps, I tell ya. You want a dash of crème de cassis? Mathilde makes a pretty one for kir royales. Bursts of blackberry? Pass the Polaner All-Fruit. Chocolate and coffee notes? Starbuck?s can whip you up a mean frappucino. But please, don?t put it in my wine.

I admit, I?m being cranky. And I know it?s partially because I have a pile of dishes in my sink crying out for help as I try to type. But it?s also because I?m trying to make a point: while Cabernet Sauvignon can indeed produce beautiful wines, it?s often made into over-ripe fruit bombs smothered in vanilla-toasted oak.

I know what you?re thinking. Clearly, this woman has never tasted Silver Oak. Or Chateau Mouton-Rothschild. Or etc. etc. etc. I admit, Cab Sauvs can be made into some pretty smoking wines, but can you afford those? Nah, neither can I. The gloriously rated Howell Mountain Cabs are about as far from my price range as possible. As are top growth Bordeaux. Where does that leave me?

Cabernet Franc.

Granted, the two grapes are very different. Cab Sauvignon is all about tannins, dark fruit and leathery aromas. Cab Francs, while also firmly tannic, are lighter, earthier, and display much more herbal aromas. But for me, it?s one of the most wonderfully versatile grapes under vine, producing a plethora of styles, most of which are both food-friendly and age-worthy.

Cabernet Franc, as you know, is one of the grapes used in the classic Bordeaux blend. Along with the more famous Cabernet Sauvignon and Merlot, Bordeaux can also include Cabernet Franc, Malbec, and Petit Verdot. Percentages of Cabernet Franc vary from chateau to chateau, but its typically used more on the right bank in St-Emilion and Pomerol to add tannic structure to Merlot?s juicy roundness.

But Bordeaux is certainly not where Cabernet Franc gained notoriety. That exhalted region is none other than the Loire Valley in France. The Loire is an interesting area that?s largely held on to traditional winemaking methods and indigenous grape varieties, including Muscadet, Pineau d?Aunis, and Cot (the local name for Malbec), among others. The AOCs (Appellation d?Origine Controlle) of Chinon, Bourgeuil, and St-Nicolas-de-Bourgeuil produce reds from Cabernet Franc. The wines tend to be leaner and more acidic than Bordeaux , ranging from the chalk-textured Bourgeuil to the richer Chinon to the juicy St-Nicolas-de-Bourgeuil. While lackluster winemaking can certainly produce bland wines, the true artists of the Loire have been known to craft earthy wines, loaded with mulberry, sage, and minerality that can age for 15 years or more.

Cabernet Franc, however, was largely overlooked in the United States until recently. Some experimental winemakers out in California have been producing Cab Francs that are big, bold, and brawny ? which is just fine, but not particularly true to the nature of the grape. Happily for us, Cab Franc seems to prefer the climate of New York State, and in particular, that of Long Island.

It turns out the maritime climate of Long Island is perfect for many of the Bordeaux grapes ? they dig the summer heat moderated by the surrounding water. Long Island is also cool enough in the winter to allow an appropriate dormant phase without great risk of extended freezes. The Finger Lakes have long struggled with red grapes for lack of sufficient sunlight to ripen, but Long Island has the best of all climactic combinations. And judging from a recent tasting, Long Island winemakers are producing Cab Francs in the all of its glory ? from light and juicy to tannic and mineral-laden.

Raphael and Jamesport both produce what are perhaps the most approachable Cab Francs. Lighter and juicier in style, these wines can both be served slightly chilled as delicious, thirst-quenching sippers. This is not to say that they?re not dinner-wines; indeed, serve them at room temperature paired with rosemary-roasted chicken and asparagus and they?ll certainly blossom.

Castello di Borghese has created a more new world Cabernet Franc that?s full on the palate with sweet cherry fruit and smooth tannins ? it?s a softer, rounder version of the grape that will appeal to dyed-in-the-wool Merlot fans. In a somewhat similar style, Vineyard 48 has certainly gone new world by oak-ageing the wines to impart toasty cinnamon nuances. It?s smooth, round, and creamy, loaded with blackberry and black cherry fruit. Pair either with a hearty beef stew for a midwinter treat.

Schneider produces the most classically-styled Cabernet Francs. If I were to taste their ?Le Breton? blind, I think I?d pick it out as a ripe Bourgeuil. The chalky nose offers plum, sweet red peppers, thyme, and rosemary, with a linear palate of blackberry that expands beyond the stoniness to a smooth, round finish of plumy licorice. Schneider?s ?Roanoke Point? is a bit more elegant, with toasty sandlewood aromas interlaced with rosewater and pluots. The blackberry fruit on the palate is enhanced by notes of roses, herbs, prunes, and roasted peppers. These are both Cabernet Francs for Cab Franc lovers. And a pairing? Why, Long Island duckling, of course!

Ok, now, I?m not saying that after trying Cabernet Franc, you?ll completely abandon Cabernet Sauvignon. But let it swish around your mouth for a while. Taste the lovely herbal notes and the layers of stone and fruit and try to convince me that it?s not an underappreciated grape.

And, if you really feel the need, send me a thank you note. It?s only polite.

TO: wine shop managers and their webmasters
FROM: Dr. Vino
RE: adding importer information to e-shops

I was surfing the sites of a few online wine retailers today looking for some specific imported wines when I should have been working. Some of the sites generated other imported wines suggestions that sounded good but I hadn’t heard of the producers. Since you already list tons of information about the wine including the producer, region, vintage, possibly grape variety, and a critic’s opinion, how hard would it be to add a field to list the importer as well? I, for one, would be more likely to throw a bottle in my virtual shopping cart if I knew it was from one of my favorite importers. If I am in a shop I can look at the back label, which provides that info, but not online…

(image)

"I bought my house 19 years ago on that particular block because there were no bars"

The state's first urban winery could soon get its own zoning designation, allowing for similar uses throughout the City of Frederick. via WTOP

There are lots of things going on in my life these days. Very busy times. But for now, its a good busy…

My second daughter is due any week now (officially March 4th, but the last Dr visit said the baby was already 6 lbs and Kelly is petite so she won’t be in there too much longer…).

In my life I find I draw inspiration from many places. Usually my family and friends. A few weeks ago the wine community inspired me. I’m hatching an idea. I’ve spoken to a few of you about it and I’ll more than likely speak to a few more. But for now, I’ll use the pages of WLT to chronicle what I’m doing with my idea and its evolution.

Its amazing the what the meshing of a passion with a profession can accomplish. Its a powerful thing when that gets match with inspiration.

I have an idea…

A wonderful surprise. Light golden colour. Lovely nose of honey, toast and citrus. Silky palate with depth and richness. Long, every element in balance. At its peak now, this is a world-class wine.
Cork. 11.5% - 92/100

At the Decanter event last weekend, it was great to see so many people  enjoying fine wine. Such a joy to have so many truly outstanding wines under the same roof laid out for the consumer.

At this particular Encounter Bordeaux epecially had a strong presence and the exhibitors read like a roll-call of the great and the good - though by no means exhaustive it certainly gave a very good schooling in what the fuss is all about. It proves that the UK is not all about Blossom Hill sugar water despite all the depressing statistics.

Not only were there members of the public that you would expect - I had some lovely older gentlemen coming up to me at the Jancis Robinson stand, just to tell me with a conspiratorial wink that they were already "purple pagers" - but lots and lots of young people. The majority in fact.  I hope this means that the next generation of wine drinkers/collectors/enthusiasts are trading up as they experience these wines first hand and making relationships with producers that may last a lifetime.

As well as the wines on offer there were also Masterclasses, the two most popular being the Margaux vertical and Jancis. Both of these will be available as podcasts - once the technology has been tamed- on the Decanter website and Jancis will put hers up on www.JancisRobinson.com

As well as all that, authors - Andrew Jefford and John Radford to name just two - were there for book signings and a very nice team from Riedel explaining all the subtle nuances of the various glasses and exactly why you need at least 10 different sets (I wish).