For those who have been around the wine blog-o-sphere for a few years, the Caveman's blog was a gem.  Bill Z. offered world class wine knowledge with a down-to-earth attitude.  Like many blogs (this one included) the Caveman posted less regularly, and then poof!  it became frozen in time (kind of like Han Solo in Empire). 

Well, my pal Bill, the Caveman, is back and writing for the Montreal Gazette.  It's good to see his voice is being appreciated by those lucky folks in Quebec.

"It was my first evening back working the floor as a sommelier. I was invigorated after an exceptional week touring and tasting wine in France's Languedoc-Roussillon.
My second table that night was a couple from France, so I started going on and on about the place, even recommending to them one of my favourite wines from the region. They looked at me and said, "Yes, it's beautiful there, but we would never drink their wines."

Read the rest of the column here.

Good on ya Bill!

The always erudite Eric Felten bemoans the Mimosa, “the official semi-alcoholic drink of brunch” as “an ordeal.” True enough because of OJ from a carton and cheap, off-dry bubbly. Then he spells out his recipe for success with the drink: freshly squeezed orange juice and good dry champagne.

In my limited cocktail making, I have come to learn that the fresher and better the ingredients, the better the cocktail. But I’ve also learned that there really aren’t that many great wine cocktails. While I agree in principal with Eric’s suggestion for the Mimosa makeover (though his suggestion of Veuve Clicquot is hardly the driest champagne around in these days of brut zero), I can’t bring myself to put OJ in my Bollinger (his second, and much better, champagne suggestion). If I have a fresh OJ and a glass of fine champange I’d rather enjoy them separately and never the twain shall meet. For me, it’s a nice dry cava or prosecco that is the best way to go with the fresh OJ in a Mimosa.

What do you say? Is the Mimosa where you’d put your Bollinger?

Image: istockphoto

Scott Paul Wines is a boutique winery dedicated to producing ultra-premium Pinot Noirs from the Willamette Valley of Oregon. Proprietor and winemaker, Scott Paul Wright, came to winemaking as a second career. For thirty years, he had a career in the radio and music industries. As a disc jockey, his handle was “Shadow Stevens” and those of you from the East Coast remember him well. His financial success in the music world allowed him to cellar and drink good wine from an early age. As the music business became more and more a corporate-driven industry, Scott lost interest in continuing in that field, and left to learn winemaking.

Under the mentorship of Greg Le Follette and others, and taking inspiration from Burgundy, he developed his winemaking skills. After ten vintages in Oregon, he is now very comfortable with his career change.

For more info on Scott Paul Wines: www.scottpaul.com

Sponsor: The Beaches of South Walton: www.beachesofsouthwalton.com

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Since everyone loved my review of the Fish Eye Merlot, I figured I’d give the Cab a shot.

Ringing in at 13.5% alcohol by volume, this cheap wine was an equal match to the FishEye Merlot. From Ripon, California, this wine lets the fruit speak for itself. Along with the dark plum taste, I also experienced a little pepper in the nose.

At only 8 dollars a bottle, I found this to be a great wine. I had mine with Spicy Montreal seasoning. Try it!

Rating: 7/10
Price: 7.99
Place of purchase: L&L Grocery
Vineyard Info:
FishEye Winery
Ripon, CA
www.fisheyewines.com

More than 2,350 wines, from nearly 500 wineries, spanning 39 states, and 14 different countries, were entered into the recently...

Pax Mahle has been making some of the most interesting and complex Syrah in California for nearly a decade now. Although he makes other Rhone varietals, Syrah is his focus with several vineyard designated offerings each year. In tasting 2005 Pax Syrah from the barrel last year, I was impressed with the range of aromas and flavors he brings out with distinct wines even made from within the same vineyard.

All Pax Syrah have a similar thread running through them: they are big. Some are fruit bombs, others super concentrated and structured for aging and some are masterpieces of balance even at 15-16% alcohol. When I asked Pax about his process, he pointed to the traditional techniques of France’s Burgundy region where whole-cluster fermentation and the minimum of cellar treatment was the norm at the finest vineyards for centuries. Somehow, Pax has taken these Old World techniques and combined them with aggressive crop management in the vineyard to produce stunning wines.

The Syrah from Griffin’s Lair in the Sonoma Coast AVA is one of the most massive wines in the lineup with very concentrated fruit along with firm tannins. Although this wine is quite enjoyable right now, I would suggest at least another 5 years of cellaring before you will fully comprehend all the nuances this wine brings to the table.

I enjoyed this Syrah last night paired with traditional Steak Frit at a restaurant in San Francisco. I shared this bottle with Alan Baker who longtime listeners of the podcast will remember from Winecast 51 where we tasted Pax Cellars Walker Vine Hill Syrah. Over the 90 minutes we enjoyed this wine it evolved quite a bit but I would imagine even more aromas would have been present on day two. If you open a bottle now, decanting is highly recommended.

Pax Cellars, Syrah, Griffin’s Lair, Sonoma Coast 2004 ($70) - Very dark purple-black in color with massive aromas of blackberry, meats, fennel, green olive, chaparral, leather and baking spices. Huge, mouth-filling blackberry fruit flavors with cracked black pepper finishing with firm, but fine-grained, tannins. The finish lingers for nearly a minute making this one of the most stunning wines I’ve tasted from Pax Cellars to date. This wine will continue to improve for at least another decade in the cellar.

14.8% ABV
Natural cork closure
Score: 96
Rating: 4.5 out of 5 stars

Buy this wine online

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I found a really great site for custom wine racks. I found wineracks.com and I absolutely cannot decide which design I like best. They have a selection of smaller capacity wine racks that can store three to forty eight bottles of wine.

Wineracks.com has wine racks in both wood and metal. I?ve found several that suit my current needs and several that I wish my needs would suit! Some of the different styles are just simple stackable racks that assemble without tools. There are other wine racks that are elegant, solid oak racks with tabletop and stemware storage.

The twelve bottle modular wine racks are made of pine and can be configured in many different ways. There are kits available to add and expand these wine racks. Wineracks.com has this item listed for $22.50.

The Cha Cha Wine Racks sold by wineracks.com are made of colored plastic. They snap together with clips and come in four colors. The colors that the components for these wine racks come in are orange, light blue, green and white. Each color is sold separately for $22.50.

I was particularly taken with the Lisbon wall wine racks. They are black wooden wine racks that hold both bottles and stemware. Wineracks.com has the Lisbon wall wine racks listed for $69.00.

I am pretty sure that I do not want the Accordia wine racks that wineracks.com have for sale. My mother had one that looked like this when I was growing up and I always thought that it was ugly. I much prefer any other style.

The Bali fifteen bottle wine racks were inspired by contemporary Indonesian style. I like the wavy look of these wine racks. The price for the Bali wine racks is $96.00. These come in a natural color. There are also twelve bottle Bali wine racks that are $72.00 in either crimson color or black.

I do believe that my favorite wine racks have to be the cellar cubes. Wineracks.com has the cellar cubes in both unfinished Pine and Mahogany. The Mahogany cellar cubes sell for $59.95 and the Pine cellar cubes sell for $34.95. These wine racks require simple assembly and the holes are pre-drilled and the hardware is provided.

Tasting notes:

Bright nose of peach and lemon

Nicely textured on the palate; fruity and acidic

Finish of citrus, melon, and lingering vanilla

This South African beauty is a steal at just $6! Well, that was the sale price. Regardless, the regular price is more like $10 which is still a good deal for a fruity, elegant, and nicely textured wine.

I could see this pairing well with a variety of dishes, and it also was delicious to drink on its own. I encourage you to seek out South African Chenin Blanc. Some wineries use the grape name Steen, however, it seems more of them are reverting back to the French name for the grape on the label. Either way, it's often great stuff at a modest price. Raise a glass!

The wines of France’s Bordeaux region have long been a benchmark for quality due to a combination of tradition, terroir and mystique. William Echikson’s “Noble Rot: A Bordeaux Wine Revolution” attempts to lift the veil and show the inside of the Bordeaux wine trade which makes for some fascinating reading.

Mr. Echikson is the Brussels bureau chief for Dow Jones Newswires and a wine columnist for the Wall Street Journal Europe but his narrative here stays closer to the business side of things in his account of the 2001 growing season. Along the way, we are introduced to the movers and shakers of the Bordeaux wine scene, including critic Robert Parker, consulting winemaker Michel Rolland and garagiste Michel Gracia, but the central story is of the Lur-Saluces family of Chateau d’Yquem.

The wines of Chateau d’Yquem are well known to wine lovers as the standard-bearer of Sauternes, the late harvest desert wine made in Bordeaux. The fungus on the grapes, known as “noble rot”, concentrates the juice making the resulting wine lusciously concentrated and sweet but still has plenty of acidity to make you come back for more. My own experience with d’Yquem is nothing short of phenomenal; this is one of those wines you want to just keep your nose in the glass for hours at a time.

As it turns out the Lur-Saluces family is as complex as their wines and much of Noble Rot is devoted to telling their somewhat tragic story. While interesting, I found this part of the book a bit gossipy and liked the vignettes of other characters in Bordeaux better. But at just under 300 pages, Noble Rot makes for a quick weekend read and one I hope more wine lovers will check out.

That’s why I chose this book for the second installment of the Wine Book Club created by Dr. Debs of Good Wine Under $20. In Deb’s review of this book, she focuses on the Bordelaise wine culture and the historical aspects of the story, not surprising for an esteemed history professor from USC.

Richard, The Passionate Foodie, commented on how winemakers need to adapt to change or face the consequences in his review. Good insight into the tradition-laden culture of Bordeaux.

The Dude checked in with his thoughts on Noble Rot and gave it a thumbs up for, “…a) You love you some Bordeaux wine, b) You prefer your history shaken, & with a twist of gossip, c) You are in the wine industry.” Well played, Dude.

Farley came out from Behind The Vines to post her review and highlight the educational aspects of Noble Rot. I, too, learned a lot about what makes Bordeaux tick and why they are able to command such prices in the international marketplace.

Kori from The Wine Peeps gave a rundown of several juicy quotes from the book in her review but concluded that, “…If you are interested in learning more about Bordeaux, the people, places, and history, this could be a book for you, and you can head over to Amazon or your book retailer of choice to pick up a copy. However, if you are looking for a wine guide or basic wine information, I would suggest that you look elsewhere.”

Colin from the Grapefan’s Wine Adventures blog in the UK posted a mixed review of Noble Rot commenting, “…I’m still not sure what to make of it.” He thought the book might be best suited to Americans but ended up giving the work an 84 on the 100 point scale.

I know other bloggers started the book and hope they finish and post their reviews. As they do, I will update this post. Please send me your link if I missed your review or if you post a bit later than my tardy effort.

Thanks again to Dr. Debs for letting me host Wine Book Club on it’s sophomore edition. I’m hoping to see a better turnout on the 3rd outing to be announced next week.

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Oil prices edged to a new record. Light, sweet crude for June delivery jumped $2.17 to settle at $126.29 on the New York Mercantile Exchange. via Today's 6

It wasn?t until the early nineties that Familia Zuccardi managed to become the first Argentine producer to export wines made from this variety. Although demand for fruit-forward Malbec cuvées and Cabernet have always outpaced that of Tempranillo wines?, Zuccardi did something quite praiseworthy?not allow foreign demand to solely dictate their wine styles and choice of projects. Case in point, I?ve happily recommended reviews of their Torrontés and other red wines, however, their Tempranillo went on to hold its own against similarly priced Rioja wines at UK-based blind tastings.

It is no surprise though, that I have always looked toward Zuccardi for innovation in Argentina?the kind that doesn?t involve foreign tasting panels, glossy-rag journalists and marketing gurus. Zuccardi has proven itself unorthodox and highly idiosyncratic concerning many aspects of its operations. Their ?new varieties program? consists of expanding their already exciting selection of rare varieties through vine nurseries; some of the exciting prospects include finding sophisticated Andean expressions of Barbera, Marsanne, Aglianico, Tannat and Mourvèdre, among other favorites of mine. In addition to this, they are obsessed with the importance of utilizing yeasts indigenous to their vineyards, rather than the standard strains. Other exciting offerings I would love to get my hands on would be their Malbec-based fortified wine and Torrontés-based dessert wine.

Don?t get me wrong. While I consider myself a bit more obsessed about rarer varieties than most, I have reverence and much appreciation for the way in which Tempranillo shows its pedigree in good examples of Valdepeñas, Rioja, Ribera del Duero and several other styles. Given this, it takes quite a bit for me to take the plunge and gush about a New World interpretation that does the variety any justice. Why do I appreciate Zuccardi? Because they haven?t simply produced an above-par Argentine Tempranillo, but because they have produced Tempranillo wines in Mendoza with an unmistakable personality of their own. While I recognized the variety?s general characteristics when tasting Zuccardi?s, I simply could not accuse Zuccardi of copying the style of any particular Spanish region?s Tempranillo expression, although I honestly tried.

Even if the variety came along with Spanish settlers centuries ago, it wasn?t until recently that Tempranillo in Mendoza achieved its very own stylistic idiosyncrasy. I especially recommend trying the Zuccardi Q Tempranillo to those who enjoy the prestige Spanish regions? Tempranillo-based wines, particularly if making comparisons to similarly priced $15-$20 range Rioja.

Visual/Aromatic Profile: Deep ruby and garnet in the glass. I would decant this one to let the gorgeous nose unfold for a nice couple of hours at least. It features very pronounced dark cherry, blackberry, currant and sweet orange peel. The oak is not an overbearing presence, with aromas of toast, vanilla, chocolate and soft leather.

Texture and Finish: Knockout balance and complexity. The wine was matured in medium toasted American oak barrels (new), and never clarified in any way. The style is dry, with medium acidity and high tannin structure holding up the full body. Flavors are nicely concentrated, with dark cherry, blackberry, toast, chocolate and smoky leather. Some of these more robust elements power on through to the lengthy finish, with dark chocolate, toast and soft leather.