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First Press - the UK wine trade’s first fully-interactive Ezine, has just launched featuring an interview with JancisRobinson. First Press has been produced by Nicky Burston of World Wine Agencies. It has a lifestyle look and feel and is easy to download, or email directly to friends. Issue 1 of this new quarterly features wine celebrity interviews and podcasts, up-and-coming news and events and includes a prize draw for tickets to Old Trafford.
This merry band of merchants, flying the flag for small, artisanal wineries with distinctive, regional wines came to Fulham last week to give both press and public a chance to see what they have to offer.
The lower and upper ends of the wine market are well served by supermarkets and the "establishment" but there is increasing demand for wine between these extremes. The best value for quality of wines with integrity and interest. These merchants are really passionate about their lists and usually have personal relationships built up with the producers so they have fairly extensive knowledge of the vineyards, wineries and vintages.
Some of the listings are inevitably idiosyncratic and not all the wines will be to everyone's taste but these are dedicated people who will help you find treasures you will come back for again and again.
Jim Monks from Decanter Wines is a private collector who started by bringing in pallets for his own cellar, his approach is unashamedly personal (all the wines are aged in his cellar until he feels they are ready to drink and only then offered to the public) and any commercial success is second to his goal of providing himself with the kind of wine he wants to drink. Luckily, his taste seems to be shared and his wines show very well.
Also showing was Nick Dobson a self-proclaimed "niche player" with some outstanding and unusual wines from Switzerland, Austria and Germany. With these countries slowly garnering a following for their wines it is worth knowing where to track down some great examples.
Also well-represented were Amordivino, Italian importers; The Big Red Wine Company showing mainly the Southern Rhone on this occasion; Abbe Arrous whose "Cyrcée, Collioure 2002" was the outstanding wine of the day for me; and Leon Stolarski with a wonderfully diverse selection of regional French wine.
The full list of tasting notes will be put up on this site but have a look at their website and sign up to their free monthly newsletter asdw.org.uk it is always going to be worth finding something a little bit different and a little bit special.
I keep bumping into the guy. First in the Bordeaux section, a couple of minutes later we?re both cruising through the Sauvignon Blancs of New Zealand. I head for Piedmont, and there he is ? again. We smile at each other over Cognac, one of those ?okay, this is either too weird or too funny? sort of smiles. But it?s not till we simultaneously hit Spain that we actually strike up a conversation.
Clearly, this man has a fairly upscale taste in wines. Not that I was actually checking out his purchases? much. I guess I just ?happened? to notice some of the bottles. Since he obviously likes all the same wine regions Frank and I do, I wanted to see if he chose anything we hadn?t tried. Not much under $40 will find its way to his table. So when I see him piling bottles of $9.95 Castillo de Monseran Garnacha from Spain into the now groaning basket, I can?t help myself ? I have to ask.
?One of the best deals going,? he tells me. Then he actually winks at me ? it?s a cute wink too. ?Just don?t tell too many people about it ? all the more for us.? A good natured laugh and he?s gone. What the heck, at the price, if it?s awful, I figure it will pour down the drain more easily than some of the pricier stuff that?s been know to suffer the same fate. I snag a bottle.
A couple of days later I?ve got a spicy chicken stir fry on the go, a quiet evening with just my book ahead, and uh-oh ? no Riesling to go with dinner. In fact, there?s nothing that seems to go with the food. I manage to catch Frank just before he goes into his meeting. ?Am I absolutely crazy or do you think the Garnacha might work??
Initially Frank?s not impressed, but after some deliberation, we decide it will probably be a more or less acceptable though not stellar pairing. With 12.5% alcohol, it?s at least not going to totally burn out the taste buds when it hits the chili spices on the chicken. I cross my fingers, open the bottle, and hope for the best. The kitchen sink is within arms reach.
The initial nose is surprising. Exotic spices ? cloves, allspice, cinnamon. There?s a whisper of anise and leather too, kind of like John Wayne strolling through the kitchen chewing on a licorice Twist. Later coffee and cocoa appear introducing a not unpleasant grittiness like riding through the desert.
And it worked with the chicken too ? as expected, not stellar, but not half bad. There was a complementary nature to the spices and just enough of fruitiness in the meat?s marinade to work with the wine. Alas, Tenderland Meats on Granville Island where I buy it aren?t parting with the secrets of all the seasonings they use, but they did confirm there?s allspice, cilantro, and sweet green chili peppers. I?m betting there might be a hint of papaya in there somewhere too.
Hopefully, one day I?ll run into the gentleman with the cute wink. I?d like to tell him he was right, this wine is a steal of a deal. And I wonder if he knows it also goes fabulously well with the chocolate Hedgehog from Purdy?s Chocolates that I had after dinner ? that pairing is almost stellar. Sorry, Frank, I guess it slipped my mind to tell you about the Hedgehog.
The Wine: Castillo de Monseran Garnacha 2006 ($9.95) - if you find their website, please let us know because we couldn't The Food: Chicken Chili Stir Fry from Tenderland Meats The Chocolate: Hedgehogs from Purdy?s Chocolates The Scoop: One of the best under $10 values going
More gewurtz. The good news is that this is an excellent wine. The bad news is that it is sold out. I thought I would review it anyway because it is worth reviewing and you might spot it on a restaurant list somewhere or other. This is barrel femented in old French oak and left on lees for an extended period. All very interesting and artisanal.
Aromas of lychee, ginger marmalade, musk and roses. On the palate a lighter more delicate style with flavours of ruby red grapefruit, peach, lychee, ginger and spice. Distinctly dry chalky texture. Not a big fat impact wine like many but rather more subtle, spicy and lean. Finishes with spicy grapefruit flavours. A food style with style.
Clean and fruity, with apple and toffee character and a hint of papaya. Full-bodied, with good fruit and a lively finish. Catarratto and Chardonnay. Drink now. 20,000 cases made.
I think this is rather important and pleasing news for the South African wine industry.
"The government has rejected an application from a South African-born scientist and his business partners to sell genetically modified yeast to local wine producers, saying it cannot risk jeopardizing the industry?s access to key European markets."
The modified yeasts may have made the winemaking process easier and perhaps resulted in more consistently good wine - but I applaud the decision and believe we should strive for more organic solutions and less preservatives in both wine and all that we consume on a day to day basis .
What do you think? Are you pro genetically modified yeasts in wine?
Reader Dag from Norway (Oslo rep-re-sents!) poses a question about Eiswein:
"May I raise a question after a discussion we had in Luxembourg recently, about icewein.
Must be picked at minus 7 degrees and pressed while still frozen.
But, I was once told that there is also something else happening to the wine stock at minus 7. That some ?elements? are withdrawn from the grape during this freezing process, which also contributes to the divine taste of eiswein. Therefore, real eiswein should/must be made this way ??
Have you heard about this process and which elements are withdrawn ??
Hope you have the answer.
Eager to hear from you.
Best regards from an eiswein lover in Norway."
Well, Dag. Allow me to first refer you to a fun article I wrote a few years ago called, "Ripeness or Ruin." It is my understanding that the divine taste of Eiswein is derived from the fact that the extract is devoid of most, if not all, water (since it's frozen). Thus the extract is fruit-essence goodness (sugars, -ols, etc.), which apparently ferments slower than typical must. Perhaps the combo of less/no water and slower fermentation adds to the otherworldly flavor of Eiswein.
Petaluma Coonawarra 2005 under screwcap for $39.99. May end at any time, don't miss out, log in and find out where. Now the cork-sealed version is 13 to the dozen at that price too!
The first of two vintages from the same producer are up for review today, the Old Mill Estate Cabernet Sauvignon 2004. The recommended retail price is $24, however it can be picked up for $20 at Squashedgrape.
Dark crimson in colour, vibrant blackberry aromas are supported by tobacco and dusty earth lurking beneath. There is plenty of chewy tannin, bold dark fruits and spicy oak on a full bodied palate.
Overall I found the tannins too overt for drinking young, however it has the structure and balance to age gracefully over the medium term.
Score: 88/100 Price: $24 Closure: Screwcap Alcohol: 14.5% Other Opinions:Torbwine, Wine Without Wank Would I buy this wine? I prefer the 2005 Cabernet from the same producer
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Over May 13th, 14th and 15th 2007, thirty wine writers, sommeliers, and industry professionals from across Canada and the U.S. met in Windsor, Ontario to judge the 27th annual All Canadian Wine Championships. More than 850 wines were submitted from...
We're speeding up the narrow two-lane road to Montalcino in Yoshi's somewhat dilapidated Datsun. After a great weekend in Siena, where I experienced a mild art glut, I was anticipating a few days in a quieter setting. Luckily I had met Yoshi four years ago during language school in Italy. After I went home, he kept hanging out and never went back to Japan. Being a confessed Italophile and vinophile, he studied Italian wine and ended up as the head wine guy at Banfi Castle in Montalcino. Now Yoshi lives and "works" in an Italian castle drinking some of Italy's most celebrated wine. Tough.
Luckily I don't suffer from nausea, so the semi-suicidal 2,000-foot climb to Montalcino rewards me with stunning views of Tuscany's grandeur. "That's where I live," Yoshi mentions casually with just a hint of pride. I follow his gaze up the mountain to the rustic hamlet now barely visible behind its wall. A few church towers rise above the crowded maze of tenant buildings. A woman opens the red shutters of her rustic apartment. March in Montalcino is a long, lingering month. With that in mind, I feel the urge to kill Yoshi and steal his job and life when I'm suddenly quelled by some amalgamate image from childhood: the Italian equivalent of Julie Andrews running down a green, mountain pasture, arms aflight, Ave Maria wafting in the background. I relax and enjoy the scenery with only mild pangs of jealousy.
We're in southern Tuscany -- the place Adam and Eve had to leave after Eve bit into that ripe sangiovese grape. Here, there's no shortage of excruciatingly quaint hilltop towns; no problem making you feel like writing home to say, "Sell everything. Never returning." Southern Tuscany is wine country, is Italy, is civilization at its very best. And if southern Tuscany is all that, Montalcino (Moan-tall-chino) is the capital in my eyes -- what most Americans must envision when they think of Italy. Picture the medieval burg clinging to its pinnacle, the serpentine cobblestone streets and squat grandmothers who negotiate them. Churchbells can be heard from anywhere in the city. Good wine is a given. Here, the pace is slower, the olive oil greener, and the entire town seems to reek of the perfection of daily life.
"There's not much to do in Montalcino," Yoshi says. But he says it in such a way that leaves me thinking "nothing to do" in Montalcino is most definitely a good thing. Here, hours are stretched free of charge. Wineglasses swell with content, and like the mythic Hydra, dishes of savory pasta seem to regenerate threefold every bite you take. There are no teenybopper discotheques, no cheesy trinket venders peddling their weary wares on the streets. Not even the Let's Go and Rick Steves backpacker hordes find their way up the mountain (often), as it's a bit difficult to reach. No train braves the perilous climb up to Montalcino's summit. Without a car, you're better off taking the one-hour bus ride from Siena.
Once at Montalcino, you're greeted by a perfectly preserved medieval hamlet. Start with a walk to the far end of the city where the fortress, or Rocca, lies. Familiarize yourself with the one main street. This requires little effort and will also let you kick off your stay in Montalcino at its Rocca. Walk the grounds, take a stroll along the catwalks, or cruise inside the turrets. And though the views from just about anywhere in Montalcino are truly inspiring, those from atop the Rocca feel somehow even more regal. Plan secret attacks on neighboring villages, wax philosophic, or just suck in the mountain air.
Although constructed in the 14th century, the Rocca has been "modernized" inside with the addition of its own wine bar, or enoteca -- arguably the first Italian term you should memorize. These blessed creatures, these enoteche, curiously absent (or at least endangered in America) thrive in Montalcino. And enoteche make me very happy. This particular one allows you to sample not only some of Italy's finest wines ($1.50 to $5 a glass) but also local meats and cheeses, like the indigenous wild boar sausage and the smooth Pecorino cheese.
Someone dead and famous once said, "To truly appreciate someplace, go there poor." That sums up my travel philosophy as much in principle as out of necessity. And while northern Italy is no budget traveler's dream, we will endure. Believe me, you'll feel better spending money on a truly memorable Tuscan experience -- like a few glasses of wine in the Rocca -- than you will getting your caricature taken outside the Duomo in Florence for triple the price.
If you're looking for something a little less, well, fortress-like and expensive, check out Enoteca Franci, one of Yoshi's hangouts. You'll find it in the main piazza to the side of the clock tower on Via Mazzini. Enoteca Franci is the Cheers of the city, attracting every living inhabitant in Montalcino, young and old, hip and otherwise. During sunny days, get a bottle of great Montalcino wine, sip a cappuccino or snack on some rustic salami and Parmigiano cheese. At night, the atmosphere is right out of a Hemingway novel: red vinyl benches; mirrors; chandeliers; and a dark, cavernous back room full of wines to choose from or to ogle, or both. Sound expensive and chic? Nah. Plus you get the whole "ex-patriot, grainy black-and-white" feeling to boot.
And there's plenty of great wine to go around. First and foremost, the top wine, the black rooster of the town: Brunello di Montalcino. Actually, its reputation doesn't just apply to Montalcino, Tuscany or even Italy. In the world of wine, Brunello is a big boy. A strain of the more familiar sangiovese grape of Chianti, Brunello (so named because of its brownish hue) is responsible for Italy's finest red wine alongside Barolo. With a minimum aging of four years -- six months of which must be in bottle -- Brunello is a dark, dry, potent wine that goes with anything it wants. For that reason, it's, well, a bit expensive. A bottle will start around $20 and run as far as your credit card can. And further. And faster. Keep in mind, though, that the same wine in America -- provided you can even find it -- costs much more. From the little investigating I've done, you're looking at around a $10 to $15 price hike in America on Brunello. In addition, you have the usually insane "dock fees" or whatever American restaurants call their premiums. Translation: if you feel like doing it up in Montalcino, Brunello is the one.
But I have good news for those who don't want to mortgage their mothers for wine: Rosso di Montalcino. This wine is made from the same sangiovese strain. In many respects, it's the same wine, the only difference is the aging time and price tag. And sure, I could probably tell the difference between Brunello and Rosso. But I can also tell the difference between a Mercedes and a Honda. And which is better for the money? Rosso starts at $5 and runs to about $10 for the top producers. Don't sweat these big names, though. Every bottle I had was a lesson in how to enjoy life. And if you're not a total wine geek, Rosso, in most cases, is a much better choice than the far pricier Brunello.
The more established wineries in Montalcino excel in most all the varietals, though. Apart from the slew of red wines, you can peruse anything in white from sauvignon blanc to the syrupy sweet moscato. In short, Montalcino is a wine town. You merely need to visit Enoteca Franci or any one of the some thirty million bars or enoteche (or so it seems, as potential wine pit stops appear with blissful regularity). And when drinking wine in Montalcino remember: being snobbish with wine doesn't come naturally to Italians. Wine is their mass consumption, normal beverage which, for most Italians, still comes in a water glass. As such, wine drinking seems a touch more genuine, more enjoyable. No pedantic rigamarole, just good wine and, of greater importance, kind, witty people.
If you're itching to taste the proverbial "fruit of the vine" and want to experience what really put Montalcino on the map, go to the tourist office and get a bus schedule for the wineries themselves. They're located outside the city, it takes a vehicle, a Japanese friend with a vehicle, a bus, a taxi or a long thumb to get there. For a taste of the original Brunello, head toward Biondi Santi. Clemente Santi was responsible for isolating the Brunello strain of the sangiovese grape in the last century. Since then, Biondi Santi has claimed awards around the world for its Brunello. Good for them. Also good for us -- if we want to spend around $40 a bottle. Prices and standards are high. However, if you're a Brunello freak, or plan on becoming one, this wine is a "must taste;" and the winery, a connoisseur's "must see."
I also highly recommend Banfi: one of the most established yet progressive wineries in Montalcino. You can enjoy the views from the tasting room, the Banfi Villa, the Banfi Castle and, most importantly, slurp some vino with Yoshi. (Tell him I sent you. Heck, it might be good for some perks.) You can even eat at the winery, if you want to drop some major cash and really impress your significant other. However, any type of winery experience is possible. Montalcino has everything from space age, stainless steel producers, to old school brothers with unpronounceable names.
Just about any type of winery experience is possible, though. Montalcino has everything from space age, stainless steel producers to old-school brothers with unpronounceable names. The smaller estate of Campogiovanni, for example, doesn't have the esteemed reputation and, therefore, must make quality wine at the lowest cost possible. Although owned by the larger San Felice, Campogiovanni is fighting to make a name for itself in the highly traditional ground of Montalcino And in this category, there's a plethora of great wineries ready to sell you on wine before non-existent, or at best, respectively small, reputations. Apart from Campogiovanni, definitely try Marchesato degli Aleramici, Col d'Orcia, Castelgiocondo, Mastroianni and la Poderina. Brunello from these producers usually runs in the $18 to $30 range; Rosso from $6 to $10. Though their wines are easy to acquire, information on most of these wineries is scarce. Check with the tourist office, or call directly upon arriving.
"But we must eat," you say. "We can't live on wine alone." Sadly, this is true. Have no fear, though. If the Montalcinese know anything beside wine, they know food. And the question is not where or what to eat, but how to sample everything without breaking your budget or your new Italian leather belt. Yoshi and I checked out his favorite place, Osteria di Porta al Cassero. From the street it may not seem like much. The actual surroundings are quite simple and unpretentious -- my favorite style. But the smell alone is enough to merit a try. I almost floated in on a wave of heavenly aromas a la Tom and Jerry. Definitely try anything with wild boar, usually prepared as a stew or ragł. And if tripe is your game, it's also the specialty. Yoshi partook. I did not. If you're like me, check out Pici -- thick, worm-like spaghetti -- or Pappardelle -- big ribbons. Both are traditionally served with one of many rustic treats from meat lover's heaven and come almost attached to a bottle of Montalcino vino.
For espresso, cappuccino and every derivative thereof, stop by Bar Mariuccia, sort of across from Enoteca Franci. I never asked, but the elderly couple who slings the java must be the Mariuccias. A real mom-and-pop operation complete with sweets from another Mariuccia who runs a pastry shop and rents rooms down the road. Stunning views of the countryside await in the backroom of the bar. There is no charge to sit down or be waited on as there is in the bars of some of the more touristy hilltop towns.
Now you're beat. You pounded out the last drop of your Brunello and went for the after-dinner grappa. Feeling oh so Italian, you even stopped for the late-night espresso. Where to stay? Hotels are scarce and expensive, but fortunately rooms abound. While taking your non-goal-oriented strolls, you probably saw signs here and there saying: "camere/zimmer/rooms." These could be anything from private rooms inside family houses to quasi-condos.
The best I found was a place called Il Moro. Also located on Via Mazzini but away from the main piazza, Il Moro is attached to the trattoria of the same name. There are four double rooms, beautifully refinished with wooden interiors, superb views and a combined kitchen/dining room/sitting room downstairs. I was there in March, and my girlfriend and I had the whole swanky place to ourselves. A room will run you about $40 a night, but it increases to $60 from Easter to the festival month of June. Well worth it, even if you have to bend, twist or otherwise alter your budget. If Il Moro doesn't turn your crank, check with the Mariuccia family or the tourist office by the main piazza for listings. Otherwise, take another leisurely stroll around the city inquiring about prices when you see the sign "camere/zimmer/rooms." Nothing could give you a better feel for Montalcino and its inhabitants.
More rustic getaways are also possible. If you're bent on getting away from everything, try an agriturismo: usually a rural hotelesque setting on the road less traveled. Being that Montalcino is already a tad "out there," agriturismo offers you the possibility of stretching your days even further. For a really different take, try Abbadia Ardenga. This ex-abbey now rents entire apartments at reasonable prices (starts at about $20 per person per day). This is particularly worthwhile for larger groups. A minimum stay of three days is required.
If Il Moro and the rustic hideaways don't turn your crank, there are, of course, the star clustered hotels. Montalcino's best -- Hotel Bellaria and Albergo Ristorante Il Giglio -- boast three stars and have all the amenities. Get the full treatment and opt for "full pension" -- two square meals along with the room, all at the same place for around $85 per person.
If you go for a posh pad, save money on eats by grabbing some sausage, cheese, good Tuscan bread and wine from the COOP supermarket. Have a picnic on the church lawn at the opposite end of the town from the Rocca. And don't worry if you find yourself becoming more Montalcinese than you thought possible: hanging out in bars when you're not thirsty, chatting with locals when you don't speak Italian. I was even eyeing Yoshi's overtly Italian shoes and coat thinking, "those are pretty sharp." Just enjoy these metabolic changes -- what I group collectively as "The Montalcino Syndrome" -- while they last.
I've often wondered why New Zealand was anointed/anointed itself as the land of Sauvignon Blanc. To be sure, NZ SB has been quite successful as an import to the US wine market (and certainly names like 'Monkey Bay' don't hurt its mass appeal to the garanimal-wine-loving crowd). However, I think this success has come at a price. Kiwi Blanc has overshadowed every other grape variety. And this is a very sad thing.
Think about it. When was the last time you sampled a New Zealand Riesling or Gewurztraminer? These grapes have found a very cozy home on the Islands way down under. In fact, while I find most New Zealand Sauvi Blanc, easy-to-enjoy, I also find it a tad bit uni-dimensional (see here for a great descriptor of NZ SB). I have discovered extraordinarily sublime Riesling and intoxicating (in the figurative sense of the word) Gewurz. Think I'm nuts. Take this little NZ non-SB challenge:
Huia Gewurztraminer 2006 - A chewy, thick wine, which echos the Alsatian style but with a bit less earth
Villa Maria Riesling 2005- A remarkable feat of a wine. This Riesling stews together new world heft with teutonic crispness.
Am I alone in thinking the OenoKiwis might want to diversify their white wine portfolio?
The "good for you" snacks he manufactures are maybe not so healthful. Parents have sued. Products have been recalled. Yet the shaman of snacks survives.
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In January, for those of you who weren’t following our play by play of the II International Conference on Climate and Wine, Catavino spent three days cornering wine celebrities, in order to get a better sense as to how wine is being affected both now and in the future by the fluctuating climate conditions. Stubborn and wonderfully determined people such as Richard Smart, Bruno Prats, Miguel Torres, Pancho Campo, Carlos de Jesus of Amorim, Dr. Gregory Jones, and of course, Al Gore, all vented their fears and frustrations with the current lackadaisical attitude held throughout the wine world regarding the impact of climate on wine. Each passionate in their own right, but there was one in particular that I had been pining to interview for months.
Having been previously introduced to Oz Clarke through his books and articles, it wasn’t until I saw his charismatic nature in Oz and James’s Big Wine Adventure that I was hooked. This BBC television program, first aired in 2006, and was undoubtedly one of my favorite wine programs, if only to see Oz flirt with yet another woman. His coy and passionate nature was fun and made learning about Bordeaux and Languedoc-Roussillon entertaining, rather than intimidating. Therefore, to have the opportunity to not only see him in person, but to interview him, albeit a little daunting, was great fun. Add a camera and question that impassions him, and Oz will keep going for hours, interweaving personal stories and jokes with highly specific wine facts that will eventually leave your head spinning.
That said, we would like to thank Richard Gillespie for filming and producing our interview, and hope you enjoy the clip! Next up a special interview, but will share that one with you later!
Ports vary in color, taste, and complexity based on the grapes used to produce them and the material used in the aging process. Among the most commonly found types of port are:
Tawny Port - Tawny port is made from red wine grapes, aged in wood. A reserve tawny is one that has been aged at least seven years. Tawny ports are usually light yellow in color and have a slightly "nutty" taste. Tawny ports made from a single vintage are called "colheitas" and indicate the vintage year on the bottle.
Ruby Port - Just as the name indicates, ruby ports are deep red in color. These are the least expensive ports and are made with red wine grapes and aged in stainless steel to preserve the color. Generally, ruby ports are aged from three to five years.
Vintage Port - The finest kind of port wine, vintage port comes from a single year's grape production. Not every year is declared a vintage year in Portugal and, as with fine Bordeaux or Burgundy wines, some years' growing conditions create a better product. Vintage ports are aged a maximum of 2 1/2 years before bottling.
LBV Port - LBV or "Late Bottle Vintage" ports were originally crafted to be vintage ports. However, due to lack of demand or other factors, they are left in the barrel longer than allowed for a vintage port. Generally, LBV ports are lighter in color and texture than the vintage cousins.
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I had the opportunity to taste the 1994 Smith Woodhouse Colheita Tawny Port this week. What a nice way to usher in spring in the Midwest. The single harvest port is a lovely, translucent red amber color and a leisurely sniff yields hints of plums and cherries. A taste confirms those notes with a little bit of oak and walnuts. It's a rich, well-balance wine, perhaps a little on the sweet side.
A neighbor of mine just started working in a cheese store and we paired the port with a creamy, truffle brie. The richness in the cheese was perfect and cut the sweetness in the port. Tawny port is also a classic accompaniment to creme brulee.
The wine purveyor suggested serving it slightly chilled in the summer (a Portuguese tradition), but I haven't tried that yet.
The 1994 Smith Woodhouse Colheita Tawny Port is available throughout the United States and Canada. Suggested retail is $46. Aged port wine will keep for four-six weeks once opened.
For more information on Smith Woodhouse port wines, visit their Web site.