Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
Earn $6.17 / Sale! %75 Commission! The Ultimate Resource For Anyone Who Wants To Learn How To Make Outstanding Wines & Spirits From Their Very Own Home!
It's official. Millennials are a major force in wine. Why we needed a study to tell us this, I'm not sure. We millennials are hip, sophisticated and reliably swayed by marketing. Sigh. At least we have the good sense to like wine.
Quotable: "Connoisseur, n. A specialist who knows everything about something and nothing about anything else." - Ambrose Bierce, The Devil's Dictionary
Caberiffic: Delectus 2001 Napa Valley Cabernet Sauvignon Stanton Vineyard Oakville ($50). Tobacco, mushroom, black cherry, plum. Decant, my friends, decant.
Splurge worthy: Philip Togni Vineyard 2003 Napa Valley Cabernet Sauvignon (online prices vary widely, between $80 and $150). Blackberry, dusty chocolate, plum, great acid on the back end.
The 2004 vintage for California Chardonnay was excellent, yielding fruity, well balanced wines, with enough richness to make them somewhat more appealing than many 2003s. Moreover, the wines are drinking very well now, having fleshed out in texture and opened up in terms of aroma and flavor. Tasting and comparing two examples of the wines below is a good way to learn about wine, and to highlight the described characteristics (by way of contrast). Here are some wine tasting suggestions.
Wed Feb 23rd, 2005, Los Angeles Cooking With Friends - SINGLE MEN NEEDED TO COOK Contact Robyn at http://www.dinnerwithfriends.la Wednesday–2/23/05 7:00pm-10:00pm $80.00 Cooking With Friends is back by popular demand and limited to just 12 lucky participants.
Marlborough, New Zealand. 13.6%. Screwcap. Source: restaurant wine list.
My mild aversion to Sauvignon blanc, was easily overcome by the words Clos Henri. I've read much, but till today tried none of the wine. It's a lovely story and a compelling marketing tag. A Frenchman from Sancerre, and a well regarded line of wine makers, in New Zealand making Sauvignon.
The wine itself is very interesting and quite apart from what you would normally associate with Marlborough. Whilst clearly pungent, wild and varietal, it has a different accent, with pear to complement the grass and gooseberry. Textured and ever so slightly oily, this is satisfying, brisk and full of nuance.
Keller Estate's Syrah-based 2007 Sonoma Coast Rose is a delight. I'm always searching for a rose from California that's not too pink and not too sweet (not to mention a lot of fun to drink & great with food) and this one fits the bill just right. Made for the winery founder's 75th birthday, this medium pink-hued quaffer offers up delightful aromas of watermelon Jolly Rancher candy (always a favorite), caramel, chamomile, rose water and a kiss of pink grapefruit...
On Thursday night 03/13/08, international womens charity organization Spark and the Napa Valley Vintners lit up the Rotunda and accompanying floors of San Francisco City Hall and provided quite a night of charity, wine and beats. "Nightlife Napa Valley," hosted by the Napa Valley Vintners to benefit Spark was ...
I just finished reading a very interesting book. Sensi DiVini is a tiny 80 page treatise on how our brain deals with tasting wine. It is a collection of short essays written by various experts in their fields. It is quite technical, and while I love all things techie, there can be no doubt that some of it was completely over my head.
Even while plowing through descriptions of the various parts of the brain I could immediately understand the relationship of the material to my experiences with tasting wine. The book even gave some scientific insight into why we enjoy elaborate feasts such as my famed seven course dinners.
It has been explained many times in the past, even by me, that taste is nothing without smell. We can only taste 5 things (it used to be 4, but there is a new one now). Sweet, sour, bitter, salty and the newly recognized sensation, umami. Umami has been described as our ability to taste ?savory? but the scientific description is more to the point, it is the taste of proteins.
It is the first three taste sensations; sweet, sour and bitter; that come into play in wine. The other ?tastes? in wine are due to aromas. We may only be able to taste 5 sensations, but our ability to ascertain individual aromas is seemingly endless.
From a mere 300 aroma sensors (mice have 1000) we can distinguish grapefruit from lemon, bing cherries from maraschinos, and pleasant aromas from nasty ones.
It was the need to distinguish edible from less edible foods that helped us evolve this complex interplay of flavors and aromas with recognition and selection or rejection. If it tastes good we enjoy it, and we eat it. If it tastes nasty, we spit it out, sometimes even involuntarily as with a gag reflex.
The sense of aroma is almost directly tied into the brain, making smells one of most primal senses. It is for this reason that a smell can so easily conjure a memory. We also use visual and gustatory senses when tasting, and even the sense of somatosensory (touch). These other senses combine with aroma to form recognition and pleasure through a process referred to as binding.
Binding is taking the information from several parts of the brain and creating a single unifying experience. A great example from the book is when we watch tennis. We recognize the ball as a shape, we recognize the yellow of the ball as a color, and we recognize the movement to allow us to follow its trajectory.
I have long known that I taste more effectively when I am a little hungry. This follows the research that shows that our impression of flavor (which for this discussion is a combination of taste and aroma) is highly regulated by our current level of satiety for that flavor or even nutritional value.
We are not really good at craving specific nutrients, so instead our mind equates textures, shapes and colors along with flavor, as broader nutritional needs. This is why some foods sound more appealing to us at any given time than other foods.
Once you have been eating a specific food your ability to derive pleasure from it is reduced, as is your ability to recognize the intensity of the flavor or aroma. You may be satiated from one flavor, but a new different one has all the intensity and pleasure potential you got from the first item at the start. This is the scientific reasoning behind courses or even having more than one food on your plate.
I have long held that education of any subject increases your enjoyment of it. This is especially true of wine, and the entire rationale behind my given vocation. It turns out there is some empirical evidence to support this.
Sesi DiVini recounts a study wherein wine experts and wine novices where each placed in an MRI and given tastes of wine, and of course a control solution of glucose. The wine experts had much more activity in the brain, especially in the pleasure centers. Because the experts were analyzing the wine and the novices were not, the experts ?got more out of tasting wine.?
I am not exactly a book reviewer, and this is not exactly a book review, but it is a look at a subject that I have never seen handled so scientifically. I had to write away to Italy to get the book, but they are looking into why it isn?t on Amazon any more. If you are intrigued and want a copy of your own, you can get it here.
Eating and drinking are rewarding in of themselves. Knowing how the brain reacts to flavors will probably not bring you more joy when you eat and drink, but knowing more about what you are eating and drinking will. As always I challenge you to get more out of your life by experimenting with food and wine at every opportunity. Taste something new today, it turns out the experience may even help you enjoy your old favorites all that much more.
Whilst in Bordeaux I took the time to speak to Thierry Manoncourt at Chateau Figeac to ask him about his life and how things have changed during his stewardship of the estate since the 1940s - he will be ninety in September this year. The interview will be podcast in the near future (in [...]
For lack of better phraseology, it must be a pain in the arse when your livelihood is pinned on one opinion. If New York restarantuers think they have it bad with the New York Times dining section, imagine having all of midtown or Greenwich Village predicated on the penstroke.
BORDEAUX (AFP) — Influential US wine critic Robert Parker has drawn long faces in Bordeaux, handing out a series of low scores, and telling buyers not to bother with the 2007 vintage unless chateaux owners cut prices substantially.
“There is unquestionably little need to buy these wines as futures, unless dramatic price reductions occur. I don’t expect that to happen,” said Parker in his annual vintage review, titled “2007 Bordeaux: Who Will Buy Them and at What Price?”
The Story Wines are a boutique producer based in Melbourne and a predominantly Shiraz vineyard in the Grampians region. From what I can gather the 2005 “Orphan” Shiraz is their second commercial release under the label.
Slightly off blood red in colour, this shiraz smells like damp English hedgerow berries, dark chocolate and a hint of raspberry jam. Medium bodied yet full in flavour with fleshy blackberry, blueberry and plum up front, some pepper and spices, a soft and supple texture and integrated chalky tannins on a savoury finish.
In essence this Shiraz is a reminder that I need to drink more wine from our Mexican friends south of the border. It is seriously moreish and very reasonably priced at online retailers Squashedgrape and Boccaccio.
Score: 91/100 Price: $20 Closure: Screwcap Alcohol: 14.5% Other Opinions:The Story Wines, Winorama Would I buy this wine? Yes, very good value for money
From left, Li Edelkoort (trend forecaster) one of the top 25 most influential people in fashion according to Time Magazine, and Editor of VISI, Sumien Brink.
Karen ter Morshuizen, fashion designer who heads up Lunar.
Guests enjoying the party with Melgab's Prosecco.
The VISI team, from left is Etienne Hanekom (Art Director) next to him, Heidi Finestone (Business Manager), Sumien Brink (Editor) Tina-Marie Malherbe (Décor Editor) with friend, and on the far right is Alwyn from Okasie.
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in Food and Wine magazine asked recently, “What could you get for $250 that you couldn’t for, say, $25?”
The average cost of corkage around the country is about $25, which is infinitely more reasonable, but even those establishments that have reasonable corkage fees, they, perhaps surprisingly, come with their own set of rules. One of the more popular restaurants in San Francisco, Michael Mina, for example, has a two-bottle limit with their $35 per bottle fee, and the bottles that you bring can’t be something that they have on the house list. That certainly makes sense, and if you’re planning on bringing your own bottle of wine to your next dinner reservation, it’s a good idea to call ahead to inquire as to the restaurant’s fee and their own individual rules. You know, “know before you go,” and all that.
In her recent Corkage article, Lettie shared seven cheap corkage spots for your drinking pleasure:
Where to Go
Metro Marche, New York City ($10). This bus-station brasserie has good food and cheap corkage. 625 Eighth Avenue, 212-239-1010
Sip Sak, New York City ($13). Great Turkish food and a low corkage fee. 928 Second Avenue, 212-583-1900
Dehlia Lounge, Seattle ($15). Corkage here is just $15, as it is at all of Tom Douglas’s restaurants. 2001 Fourth Avenue, 206-682-4142
Market, St. Helena, California ($15). Corkage is free on Tuesday nights at this friendly diner. 1347 Main Street, 707-963-3799
Charlie Palmer Steak, Washington, DC ($25). If you bring an American wine, the corkage is free; otherwise, it’s $25. 101 Constiutution Avenue NW, 202-547-8100
Naha, Chicago ($25). There are lots of great corkage spots in Chicago, but this restaurant also has terrific food. 500 North Clark Street, 312-321-6242
Michael Mina, San Francisco ($35). This top restaurant has a great wine list and a fair corkage fee as well. 335 Powell Street, 415-397-9222.
The judges have narrowed the field down to three finalists. To the Juice Crew members: Please vote for your favorite label by sending a message to me by 5 December. I will tally up the votes and announce the winning design shortly thereafter. Thanks to all the contestants!
*Wave* Hi! I'm just getting into the wonderful world of vino, and I can safely say that my experience is fairly limited. My fiance got me into wines, more specifically red wines. I've had my share of Merlots and Cabernets, but those always tended to have too strong of a finish for me (I do love me a good Merlot from Blackstone winery though...YUM.) More recently, however, we went out to dinner at the Tasting Room with some friends, and ordered a Speri Valpolicella ripasso. I was in HEAVEN. Not too sweet, with a light finish.
On the white side, I like 'em sweet...Gewurtztraminers and Rieslings. I had a Pinot Grigio once...too dry. Chardonnay is middle-of-the-road to me, and champagne is just NOMMY.
However, there is a point to all of my ramblings...this is my wine experience so far, and I have a dillemma. My Blackstone Merlot, for example, is described as having "rich fruit aromas, elegance, supple oak characters and soft tannins. With lifted dark cherry and berry aromas and a touch of spicy clove, this wine is sure to be a crowd-pleaser. The texture is ripe and soft in the mouth, with bright cherry fruit flavors and a soft, lingering finish." However, I don't taste ANY of that. My mouth goes "hmmm....strong, heavy with a mouthpuckery finish." I don't taste the "lifted dark cherry" or the "bright cherry". How, then, can I develop my palate? (Or is the wine description merely a longwinded way of saying "hey, this is a Merlot"?)
*Edit* I just realized I missed a "t" in the Tasting Room link...the Tasing Room sounds like a restaurant I'd want to avoid. ;)
Regular readers of Winewaves have noticed the slowing pace of new pieces in 2007. For the first 2 years I tried to keep a daily pace of providing new pictures and reviews here. Winewaves began in February of 2005, but it's over. At least for now.
Like many other well-intentioned bloggers, I simply cannot afford to provide the quality of content that I would like to. Other paying work occupies my time. The opportunity cost of the effort I've invested in Winewaves has been great and the benefits have been scarce. My balance sheet unfortunately fits on a Post-It note. Being that I don't have deep pockets, something had to give.
Thank you to those who tuned in, found themselves checking out Winewaves, and especially to those who have sent me supportive e-mails over the past 3 years.
And go figure. No other wine created the stir that Bitch Barossa Grenache has over the last 3 years. For all those who are looking for it, I DON'T KNOW where you can find it. Which brings to my mind a pet peeve. When there is an ocean of Grenache (or at least red wine) in Australia, and when so many people are looking for "Bitch" in America, and when the people who want it are not expecting the highest standard of gustatory excellence, why don't they bottle more of it? What's wrong with giving the people what they want?
Of all the lessons learned from Winewaves, the foremost one is that I wish I could be selling wine. That's because most people who have come here thought that was the point of the site. It's so frustrating that Tennessee state laws prevent a would-be entrepreneur like myself to add value to a marketplace. Most people don't see the value of great wine label pictures, except as a way of merchandising, which I am prohibited from doing. At least for now.
Lastly, if anyone has any ideas as to how to revive Winewaves, I'm all ears.
Wine2.0 Facebook group. Its definitely an association that has potential but I wonder if the FB group that was created for the purpose of perpetuating Wine2.0 hasn’t done a disservice to the movement itself.
What I have found in the past is that FB groups are simply glorified bulletin boards. A community needs interactivity, networking opportunities, offline events, party hats, balloons…ok, maybe not party hats and balloons but you get my drift.
So, on day 2 of my reign (or is it 3?) here is what I find - the group is still active (there are still people joining), but it won’t be for long. What I also find is this - the group needs a purpose. Here are some suggestions:
* Create a standard for wine entries that facilitates eCommerce
* Become a resource for wine companies to learn about web technologies
* Create a venue to review new companies and award the best company with funding or business or both
I’m completely open. There is alot of potential there. I guess a basic tenet of the group will be to promote and evangelize the use of Web2.0+ technologies throughout the wine industry.
Very good intensity to berry, black cherry and roast duck flavors, with plenty of cedary oak and stony notes extending through the taut, tannic finish. Needs time to show its best. Best from 2009 through 2012. Tasted twice, with consistent notes. 3,500 cases imported.
*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
One of our readers, Emily, asked a good question about 1, and I'm glad she did. I'm going to offer an extended reply, since this subject comes up periodically "Many people accuse you of only liking very young 'over blown,' very tannic styles of wines.
In 2006, while I was teaching Spanish bankers how to chat up a beautiful woman in English (hey, how else do you get students interested in learning a second language?), Ryan was slaving away at the computer, inventing new and creative ways to involve wine lovers from around the world in Spanish and Portuguese wine. After many creative attempts, he stumbled upon a zany idea he called, the 2+1 Iberian Wine Survey. Sent to a handful of bloggers and wine geeks, the survey asked them to answer 2 questions about Iberian wine, and in return, they could ask 1 of us.
However, at the time, we weren’t entirely confident the idea would work. Having only been in the wine blogging scene a year, we didn’t know if our readers would be interested in hearing about a wine blogger’s selection of Spanish wine in Canada, or whether a blogger based in the UK enjoyed the unique and diverse wines coming out of Portugal. It was a crap shoot, but indeed, it worked! Why we didn’t continue the idea? I don’t have a clue, but we are now!
We’re bringing back the 2+1 Iberian Wine Survey, and over the next few weeks, you’ll be hearing not only what other bloggers are experiencing with Iberian wine, but also some of the pressing questions they’ve had about Spanish and Portuguese wine mulling around in their heads. Let’s cross our fingers that we can make up a convincing answer
In addition, we’d like to include everyday folk who are simply interested in wine, like you! So if you’re simply a wine lover, or an uber geek interested in chiming in your ideas on our blog, let us know so that we can get a survey out to you asap. All the collected surveys will be posted on Catavino beginning on June 1st.
And to get you in the mood, I’ve included a series of questions asked of Catavino way back in 2006 when we were all still green to wine blogging!
Andrew Barrow of Spitton “Is sherry destined to go the way of Marsala and be relegated to cooking use only?” We sure don’t think so!
Erin and Michelle of Grape Juice “We?re very curious about Basque wines. Are the wines as unique as the language and culture, and if so, what sets them apart from the typical Spanish wines we?re likely to encounter? Do you yourself enjoy them? Are there any that you would recommend us trying for an introduction? I realize that?s actually about four questions, but we?re very nosy people, so I hope that?s okay.” Txakolis are typically misunderstood and under appreciated.
Tim Elliot of Winecast “I’m reading quite a bit about how good Portuguese red wines are and would like to explore this region for one of my podcasts. What 3 wines, $25 USD or less, would you choose for a tasting that would give me an idea of the quality of these wines?” Here are our suggestions!
Tecnorati
The Story Wines are a boutique producer based in Melbourne and a predominantly Shiraz vineyard in the Grampians region. From what I can gather the 2005 “Orphan” Shiraz is their second commercial release under the label.
Apparently I don’t get out much. Until recently, I didn’t know that some restaurants charge as much as $250 per bottle for their corkage fee. Excuse me, but that is insane. As Lettie Teague in 
