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*What an unusual mix in terms of the international producers you represent?why Argentina, New Zealand and Japan?
- Not really if you consider that Argentina and Japan (Ginjo sake), and to some extent New Zealand, share the same common elements?there are great wines and sake being produced by highly talented winemakers and tojis (master brewers), and they are not getting recognized yet. The quality is already in the bottle?so why should these sell less or get less respect than wine from more obvious regions? We always say that we are really a ?national education company? since we usually explain more than we sell. Our job is to get people to taste these wines and premium sake, and the stuff inside the bottles takes care of the rest. At the heart of this idea is also the notion that in the end, it?s the people you work with who make the difference between mediocre and ?wow!?. We have been lucky, fortunate, and smart (maybe a little of each) to meet and represent some of the top talent in these regions:
Susana Balbo?Crios de Susana Balbo, Susana Balbo signature wines, Nosotros (with Pedro below)
Pedro Marchevsky ? BenMarco
Pepe Galante & Mariano di Paola ? mapema
Luis Reginato ? Luca, Tikal, La Posta
Roberto de la Mota - Mendel
Jose & Pepe Reginato ? Reginato sparkling wines
Guy Davis ? Davis Family Vineyards (Russian River, CA) and Gusto (NZ SB)
13 Master Brewers from all over Japan?each as talented as anyone we have met.
*As someone who deals so closely with Argentine producers, what types of obstacles, limitations and concerns have any of them expressed to you in terms of being able to export and promote their products abroad?
- Well, I want to stay out of trouble here since I travel to Argentina a lot, but let me just say that the Argentine government has historically been more of a hindrance than a help for wine exports. As an example, and hard to believe, they actually tax EXPORTS! Perhaps the bigger obstacle for Argentine wineries is that the economic and political situation is relatively unstable, and when you are in an industry that measures commitment and success over a decade or longer due to capital investment requirements, it is hard to deal with a system that usually looks out only 2-3 years at a time.
*In your eyes, what sets apart these Argentine producers you represent? What do their wines bring to the table of American wine consumers that large-yield, often conglomerate-backed wines simply cannot?
- I alluded to this a bit above when talking about who we represent and why. I think there are three main things that set our producers apart:
1) Our wineries are owned by and have Argentine winemakers who have lived in this unique climate and region for their entire lives. For us, that means that the wines that they make TASTE like Argentine wines, not like some random wine from somewhere in the world. And as talented as some of the flying/foreign winemakers are who are working in Mendoza, I have yet to taste a wine from them that thrills me the way our producers? wines do at the dinner table. And I taste everything from down there.
2) As good as they already are, they are still always trying to learn how to improve their wines, and in today?s wine world, that?s the only way you stay on top. It shows.
3) Obsessive attention to detail seems like an abused phrase, but in winemaking it is crucial and not as common as you would think. Our winemakers are also our close friends and in Argentina that is taken pretty seriously. They make sure that every step is done with the utmost care because they would never want to look their friends in the eye and say, ?uhh..I?m sorry but this wine is just ok because we weren?t really paying close attention when we made it.? Large wineries may be able to solve #1 above, but #2 and #3 are far harder to come by, and that?s probably as true in the US as it is in Argentina.
*Looking ahead?are there any regions Vine Connections is looking to expand its portfolio toward, and why?
- We made a strategic decision a few years ago that we would remain specialists in Argentine wine and Japanese sake. Some importers have gone in the opposite direction and are happy to sell one of everything from anywhere, but we?re just not built that way as people. We started as leaders in both of these categories and we feel the only way to stay out in front is to specialize. That?s why we spend almost a month per year in Mendoza and visit Japan for at least 2 weeks every year. It?s our own ?attention to detail? mantra, and we try to stick to it so that we can look our customers in they eye and say every time, ?This is really great Argentine wine and Ginjo sake?. Every time.
- Fortunately, we won?t be bored since there still plenty of regions and microclimates still left to discover in Argentina.
*Given the nature of the market here in the United States, what advice would you give to consumers who would like be aware of, as well as actually see, a dramatic increase in availability of premium Argentine wines such as those crafted by your producers?
- American consumers have helped their own cause a lot already by being very open to trying wines like Malbec, Bonarda, and Torrontes. I think they will help themselves even further by continuing to experiment with wines at many different prices, not just the ?great values? under $15. Nick and I firmly believe that well-made Argentine wines offer incredible value and over-deliver at all price points. A $12 wine is worth more like $16, and a $30 wine is worth more like $40 when compared to other wine regions of the world. And, of course, you can support quality-focused companies like Vine Connections by paying attention to the importer name or logo (like our compass) that appear on every bottle. As with other wine regions, a good wine importer can be your best friend when you haven?t tried a particular wine yet and would like some assurance that you are going to enjoy it?especially when spending more than $15 or so.
'An onsite accident occurred at Wirra Wirra yesterday following the collapse of a fermenting tower at our winery in McLaren Vale. A number of fermenters, tanks and a presses have been damaged, resulting in some loss to our 2008 vintage.
'We are currently working closely with the authorities and SafeWork SA to assess the full extent of the damage.
'We’d like to extend our thanks to all the emergency services whose quick action and professionalism were outstanding. Our thoughts are with our young cellar hand who is currently in a serious, yet stable condition at Flinders Medical Centre. We are pleased to hear that he is making positive progress.
'While it is difficult to determine at this time the full extent of wine lost, it is significantly less than has been reported. Some of the wine in tank may still be salvageable, while offers of fruit from growers to offset the loss have been coming in thick and fast. Whilst the loss of wine is important to our business, clearly the safety and welfare of our staff is of greatest priority at this time.
'Workplace safety for all our staff is of paramount importance at Wirra Wirra, and we are thankful no more serious injuries were sustained.
'We’d also like to extend our thanks to the winemaking community of McLaren Vale and our neighbouring districts who have rallied round with offers of help and well wishes; we have been extremely touched by their support and generosity.
Trott produced the first vintage of Church Block back in 1972 “with a little help from his friends”. It looks like history will repeat itself in 2008.'
BREAKING NEWS: 3.13PM AEST March 6 2008
McLaren Vale winery, Wirra Wirra, earlier today suffered considerable damage to its winery when a number of 45,000 litre fermenters collapsed, causing damage to some tanks and presses, and a significant loss of vintage 2008 must and wine.
One cellar hand sustained minor injuries, however no serious injuries have been reported.
The winery has temporarily been shut down, and staff are working with officials to ascertain the full extent of the damage.
Wirra Wirra is unable to determine when the winery will be up and running again.
Finally, an appointment we weren?t too late for. We were already in Alba, so chances were we wouldn?t get lost. I felt us getting closer. After a bit of friendly correspondence with Bruna Manzone from Ceretto we were finally there. We would be their guests for two nights at Bricco Rocche.
Everything about Ceretto can be summed up in this phrase: The elephants are dancing. There is a bit of controlled chaos in the current cycle of the Ceretto Empire. I think it is an exciting time.
Piedmont has really hits its stride in these days. They seem to be at peace with their markets, having spread out to a larger world base while still keeping their uniquely provincial perspective. They have jazz and foam and Spada and can be in Milan in little time or anywhere they want to be. Many of the young winemakers spend time in New York; some of them even have flats there. So this quiet little Langhe can serve to recast their ambitions for the larger world stage.
The wines are made for the world at large and when in history can one say that about Italian wines with more resolve than now? So the travel and the exposure have paid off.
The plan was to meet in the afternoon and tour one of the Ceretto wineries, do a little tasting and then the next day visit several more and finish with lunch at one of the family restaurants called Piazza Duomo.
Confession: I have struggled in Texas with getting the Ceretto wines off the ground in the manner in which they seem to have been accepted in some of the more cosmopolitan world markets. These are not Bar-B-Q and Barbaresco wines. What started out years ago as a conscious effort to strive for higher expression of winemaking aiming toward sophisticated levels of cuisine, what some might even call alto-borghese, has not always been how things in Texas have played out. That is changing, ever so slowly. One should not be too old to hope to see it eventually come to a fuller realization. I anticipate eagerly, living long enough to witness it.
After a tour with Ellan, their young American assistant, and a tasting with Gianluca Picca, a sommelier and now sales manager for the family, we drove to Castiglione Falletto where Bricco Rocche sits. It is easy enough to find with the glass cube that marks the space. But oddly, when one spends time there, waking up early in the fog and walking around the grounds, one feels a little awed about being able to sleep around the vines that create so much joy for people around the world. I guess I?ll never really get over something like that; the urban dweller in me finds it hard to believe.
I love going to Castiglione Falletto, it seem like the heart of the Barolo zone, to me.
We had a long day of driving hard and hitting several wineries, so my colleague and I opted for beer and pizza the first night, a little break from all the great new expressions of la cucina Italiana that we had been witnessing the past few days. The next day we were slated for a lunch with Federica Ceretto at the Piazza Duomo restaurant in Alba, one of the family culinary jewels.
As the new day dawned, we would be going to Barbaresco, to the winery in Asili, for some barrel tasting. We went in the car with Gianluca, a transplanted Roman, who travels 40% of the time. He lives above the winery in Asili and loves it, when he has those rare moments at his home base. He seems to have assimilated quite nicely into the Langhe environment; I saw an intense and engaged face as he walked around the cellars.
Later on, in Alba, we met up with Federico, or Fedé as he was called. Fedé reminds me of an Italian Bono with a dollop of Elvis Costello. His is an animated young man who has definitely sewn some of his wild oats. Now he is engaged and will be married later this spring, and is drawn up in the pageant of the family celebration. We sat in the restaurant below the sprawling Francesco Clemente fresco.
Chef Enrico Crippa sees Piazza Duomo as an international dining destination. Influenced by a youthful stay with Gualtiero Marchesi, and three years spent for him in Japan. Pristine food, fresh ingredients not over manipulated, wonderful flavors, colors, aromas, the whole gestalt of the table. And the Ceretto wines, where they shined brilliantly with the meal.
You can read elsewhere about the wines of the family. My intent is to encourage you to visit Alba and find the wellspring where the wines and the food pay respect to the same goddess, Mother Earth.
And to be baptized with Moscato d? Asti in this shrine, that is a dream, from the Wine Trail in Italy.
For those of you who aren't aware, the blogger Jeff Stai (El Bloggo Torcido) also runs a winery. And the Twisted Oak wine is excellent. I've had a lot of their stuff at different wine events and the Twisted Philly event they setup for us, and it's all been good. Not ...
Wine2.0 Facebook group. Its definitely an association that has potential but I wonder if the FB group that was created for the purpose of perpetuating Wine2.0 hasn’t done a disservice to the movement itself.
What I have found in the past is that FB groups are simply glorified bulletin boards. A community needs interactivity, networking opportunities, offline events, party hats, balloons…ok, maybe not party hats and balloons but you get my drift.
So, on day 2 of my reign (or is it 3?) here is what I find - the group is still active (there are still people joining), but it won’t be for long. What I also find is this - the group needs a purpose. Here are some suggestions:
* Create a standard for wine entries that facilitates eCommerce
* Become a resource for wine companies to learn about web technologies
* Create a venue to review new companies and award the best company with funding or business or both
I’m completely open. There is alot of potential there. I guess a basic tenet of the group will be to promote and evangelize the use of Web2.0+ technologies throughout the wine industry.
More gewurtz. The good news is that this is an excellent wine. The bad news is that it is sold out. I thought I would review it anyway because it is worth reviewing and you might spot it on a restaurant list somewhere or other. This is barrel femented in old French oak and left on lees for an extended period. All very interesting and artisanal.
Aromas of lychee, ginger marmalade, musk and roses. On the palate a lighter more delicate style with flavours of ruby red grapefruit, peach, lychee, ginger and spice. Distinctly dry chalky texture. Not a big fat impact wine like many but rather more subtle, spicy and lean. Finishes with spicy grapefruit flavours. A food style with style.
The warm days of summer are almost upon us - time to break out the white wine. Versatile as an aperitif and food-friendly, Sauvignon Blanc is as varied in style and complexity as are completely different ... via Well Fed Network
It is home to over one third of all vines planted in France. Yet, how the Languedoc adjusts to world glut in grapes will have a profound effect on its future. Once responsible for massive amounts of low quality grapes, growers in the France's south have had to make a choice as competition from other countries have made this a less viable business.
Faced with the option of simply pulling out vines, a new generation of winemakers have chosen to make higher quality wines. While lower yields have improved the wines, putting more emphasis on more marketable grapes like Syrah and Grenache have no doubt made them more attractive to today's varietal conscious consumer. However, this second decision has come at a price.
The Carignan grape, indigenous to the south, has suffered as many growers have switched to Syrah and Grenache. Carignan can do wonderful things if given the opportunity, adding color, structure, depth, as well as dark cooked fruits, licorice and earthy aromas. However, since it is often relegated to the more fertile plateaus where it over produces, it can become rather innocuous.
At a recent tasting of Languedoc wines, the bottles that had appreciable levels of well-grown carignan were the ones that stood out. If you place a value on the importance of regional ?distinctiveness,' look for those Languedoc wines with higher percentages of this grape. Coteaux du Languedoc 2001, Mas Jullien One of my favourite producers is Olivier Jullien. His estate, Mas Jullien, is spread out over 15 acres around the village of Jonquiers, just north of the Mediterrean coast and the city of Montpellier. I have already reviewed his Mas Jullien Blanc, a six grapes blend that includes Grenache Blanc, Viogner and Chenin Blanc, and to my taste is one of the most distinctive and interesting whites in France that requires years of cellaring to reach it's apogee.
His red, a blend of Carignan, Syrah and Mourvedre, is no less interesting. Like many carignan based wines, it requires a couple of years of cellaring to iron out some of the rougher edges, but it rewards patience like few wines from the region. This was my fourth bottle (I still have two left).
Drunk to the tune of a big juicy steak.
Deep purple in both color and style. Like Richie Blackmore's guitar playing, Jullien combines virtuosity with power, beauty without being very pretty. It smells and tastes of dark plums, marinated in licorice and sweet spices. Rich and concentrated, the tannins melted away to a dense, powerful and harmonious finish. This is not the new dulcimer Blackmore, but the Richie of Old.
On Thursday night 03/13/08, international womens charity organization Spark and the Napa Valley Vintners lit up the Rotunda and accompanying floors of San Francisco City Hall and provided quite a night of charity, wine and beats. "Nightlife Napa Valley," hosted by the Napa Valley Vintners to benefit Spark was ...
I attended an event the other night hosted by one of our local public radio stations, KAZU, and one of my favorite culinary celebrities – Lynne Rosetto Kasper—at Mary Pagan’s Culinary Center of Monterey. The food was prepared by Mary Pagan’s students and was delicious and well-conceived (as usual), and the folks who attended were a delight. Someone asked me the question of “How do I find Pinots that I like?” Good question.
These days, the field of Pinot Noir can be truly daunting and amazing at the same time [how does one pick one off a store shelf?]. Within only a decade, the Pinot Noir winemaking industry has undergone an incredible change—new folks have entered the industry, new vineyards, clones, rootstocks have been planted on new sites all over the state, new wineries and labels have popped up like Google ads, and [most importantly] a gamut of styles of Pinot Noir has developed. The range of Pinot Noir, as I see it starts on one end with a typically “light” style: light in color and weight. These wines are usually very aromatic with these aromas: cherries, strawberries, rhubarb, roses, spices. These wines will often be described as “elegant”. Then there are the middle weights. These have a darker hue—ruby to garnet and usually display darker fruit character—blackberry, black cherry, plums. These usually display a medium-weight, greater texture and nice finish. These might have a little more extracted tannin. Then there are the heavy weights. Plums, black currants, blueberries are the fruits, and many of these wines might display tobacco, cigar, coffee characters as well. These are “big” wines and are normally heavily-extracted and might have been aged in a high-percentage of new oak as well. Dark, deep , rich are some of the descriptors used.
The ongoing debate regarding Pinot Noir in the wine industry these days is about what style is “true” to Pinot’s nature? How much influence does/should a winemaker have on a wine vs. the effects of the growing conditions and vineyard site? What style of Pinot Noir is appropriate for the marketplace? The way I see it, live and let live. I don’t personally prefer all styles of Pinot Noir, but there are those who do. There is basically a style of Pinot Noir for almost every wine drinker out there—whether it is the entry level wine consumer, an experienced wine aficionado, someone who normally prefers whites, or a consumer that would usually choose Cabernet and thank goodness for that. The vibrancy of our industry depends upon the varied tastes of our customers because nowadays there’s as many different wines out there as there are clouds in the sky or cowboys in a cattle drive. That’s why it’s so easy to get lassoed by Pinot Noir…..[heck, I’m not only lassoed, I’ve been hog-tied and branded, too….yippee aye yea ]
So, getting back to answering the question—“How do I find a Pinot I like?” Here’s some advice: 1. Try a lot of Pinot Noir. Join a tasting group or create one yourself. These groups allow one to try a wide variety of wines without gutting one’s pocketbook. 2. Talk to the folks at the winery; find out what their philosophy and preferences are. If they match yours, then you just might like the wines. 3. Investigate wine critics. There are the usual suspects in print, but there are also many folks online who are reviewing wine offering more variety of opinions. Look at what they like. If they like similar wines to those you enjoy, it might be worth your while to seek out their recommendations. 4. I’ve said this before, but will say it again: trust your palate. It’s not a good wine unless you like it, and that’s all that counts.
If you were to sit down to your last dinner and were offered one last bottle of wine from anywhere in the world - what would that wine be and why?
Additionally - if two sommeliers, namely Robert Parker and Hugh Johnson, approached your table to offer you advice - who's suggestions would you take most to heart?
I'd go with Johnson and signal Parker away from my table :)
2005 Roger Belland, Santenay 1er Commes A cork amalgum seal. Richly coloured. A super nose - immediately dark and wide with a faint twist of dark oak, then in an instant has lovely red-edged fruit and a dried cranberry note - yum. The palate is actually much more acid-forward than when tasted in [...]
Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.
Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.
I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:
*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?
- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer. *Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)
- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.
For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz. *How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?
- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).
This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.
From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.
I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.
*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?
- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
WINE GRAPE TASK FORCE created by Agriculture & Markets Commissioner Patrick Hooker is making some real headway in identifying key issues and obstacles facing the New York grape and wine industry. Orchestrated by Deputy Commissioner Jackie Czub and chaired by Kareem Massoud, the task force meetings have often involved direct discussions with representatives of other state agencies like the Department of Environment Conservation, Empire State Development Corporation, the State Liquor Authority, and the Department of Transportation. Yesterday we met with the Law Review Commission, which is taking a comprehensive look at New York ?s antiquated and counterproductive Alcohol Beverage Control (ABC) law, as well as SLA regulations. The bottom line is that the State of New York (especially Agriculture & Markets) has been a great partner with our industry for decades, helping us grow and contribute ever more to the state economy; but there are certain areas like the ABC/SLA complexities that are hurting the state economy because they are preventing the true potential growth of our industry. The task force is scheduled to make final recommendations to Commissioner Hooker in early September prior to the grape harvest. - from Jim Tresize
by Martin Field Pickled eggs ?n Scrumpy I was telling Beery Mag about getting legless on scrumpy (a strongly alcoholic rustic cider) on the morning of a mate?s wedding many years ago. We rode borrowed motor bikes down narrow hedgerowed lanes near Rockwell Green in Taunton, Somerset, and stopped for morning tea at a quaint little tavern that sold cider.
100 points Parker: "Rivaling the 1994 and 1997, the 2001 Harlan Estate is a perfect wine for my palate. Tasted on four separate occasions, this offering, which spent 28 months in oak before being bottled unfined and unfiltered, is an extraordinary effort that comes across as a hypothetical blend of Mouton-Rothschild, La Mission-Haut-Brion, and Montrose. A synthesis in style between the more elegant, delineated, structured 1994, and the port-like, over-the-top, viscous 1997, this extraordinary 2001 was the ?wine of my trip,? even though I had already had it from bottle several months earlier. An inky/purple color is accompanied by a stupendous bouquet of lead pencil shavings interwoven with coffee, new saddle leather, melted licorice, cedarwood, black currant liqueur, and violets. Explosive richness, a marvelous, full-bodied texture, and fabulous purity, concentration, complexity, and nobleness are the stuff of legends. Anticipated maturity: 2009-2028+."
I had never heard of Sylvan Springs until a bottle of their “Hard Yards” Shiraz 2005 arrived for tasting last week. The wine has won a gold medal at an LA wine show and is listed in Winestates top 40 wines under $15.
Although little closed at first, dark plum and blackberry aromas emerged over the next hour. The full flavoured Shiraz fruit is supported by a little fine tannin and spice, finishing dry with some lingering cocoa and oak.
Sylvan Springs have managed to produce a well balanced Shiraz with decent length and enough complexity to keep even a snobbish drinker entertained, just don’t let them know about the price - as little as $10 per bottle if buying a case.
Score: 88/100 Price: $15 Closure: Screwcap Alcohol: 14.5% Other Opinions:Sylvan Springs, Torbwine, Winewaves Would I buy this wine? Yes, a good midweek quaffer.
If you are into Spanish wine, it is likely you are aware of the oldest Bodega in the Rioja. Founded in 1852, Marqués de Murrieta concentrates on making Reserva and Gran Reserva, each spending multiple years in large oak barrels. The Castillo de Ygay is their Gran Reserva, and is produced only in exceptional years. Incredibly, the current release of this wine is 30 years old! The 1978 vintage was not bottled until 1998, after spending 212 months in oak!
Join us as we sit with Vicente Dalmau, President of Marqués de Murrieta winery. Vicente (who is also the Conde de Creixell) discusses Tempranillo, La Rioja, and an exciting new property in the Rias Baixas area of Galicia, where they are producing Alberiño.
Hello blog, it's been a while. I'm not trying to neglect you I promise. It's the lack of high speed internet at work that's keeping me from you. I plan on paying more attention to you this week, I swear! The posts may be shorter but better short than nothing right??
Does insurance cover that??
Ulriksdals Wardshus is a famous restaurant that has made it into the Guinnes Book of World Records for their wine collection. Get this, they have a collection consisting of the 6 first growths of Bordeaux from every vintage in the 18th CENTURY!!!!!!!! That alone makes them beyond impressive, but here?s the dirt. They got robbed. Yes that?s right, robbed! I bet you can?t guess what they stole?.
Ulriksdals Wärdshus, a restaurant and old event hall world famous for its French red wine was robbed on Saturday night. Its entire collection, valued at more than 3.5 million kronor, has vanished.The collection consisted of more than 600 bottles from every vintage of the 18th century from the six Grand Cru castles of the French Bordeaux region. The collection has been registered by Guinness Book of Records for years as a unique wine collection. Ström said the alarm system was disabled allowing the thieves to have hours to burgle the place. She said the heavy-duty glass security door had been opened with a crow bar. ?It must have taken hours,? she said, adding that they took the security tape before leaving.She said the thieves then went down into the cellar where the collection was stored at 16 degrees Celsius in semi-dark conditions. ?They must have had boxes there to carry up all of that wine,? Ström said. ?They took every bottle. It must have taken a long time to pack.?She said police did not find any fingerprints or DNA, but did find a footprint. She said police told her the only way to solve this case would be to have people call in with tips.?I can?t believe all of the wine is gone,? she said. ?Guests used to love coming down and looking at it.?
Sounds like an inside job to me. But what do I know. The crazy part is that a collection like that is so rare that if it shows up on the market people would know where it came from. Maybe somebody will have a party. Either way, it?s a damn shame.
Little kids go through a phase where they need to put everything in their mouth. I wonder what it says about me that I'm pretty much stuck there? I really enjoy trying out new wines and sakes, especially those that are well off the beaten path.
So when Beau Timkin, the owner of True Sake in San Francisco handed me this bottle and said "check this out" I couldn't resist. After all, it was the sake equivalent of....well.....(if you'll excuse what may be
Tecnorati
Finally, an appointment we weren?t too late for. We were already in Alba, so chances were we wouldn?t get lost. I felt us getting closer. After a bit of friendly correspondence with Bruna Manzone from Ceretto we were finally there. We would be their guests for two nights at 
Piedmont has really hits its stride in these days. They seem to be at peace with their markets, having spread out to a larger world base while still keeping their uniquely provincial perspective. They have jazz and foam and Spada and can be in Milan in little time or anywhere they want to be. Many of the young winemakers spend time in New York; some of them even have flats there. So this quiet little Langhe can serve to recast their ambitions for the larger world stage.
Confession: I have struggled in Texas with getting the Ceretto wines off the ground in the manner in which they seem to have been accepted in some of the more cosmopolitan world markets. These are not Bar-B-Q and Barbaresco wines. What started out years ago as a conscious effort to strive for higher expression of winemaking aiming toward sophisticated levels of cuisine, what some might even call alto-borghese, has not always been how things in Texas have played out. That is changing, ever so slowly. One should not be too old to hope to see it eventually come to a fuller realization. I anticipate eagerly, living long enough to witness it.
After a tour with Ellan, their young American assistant, and a tasting with Gianluca Picca, a sommelier and now sales manager for the family, we drove to Castiglione Falletto where Bricco Rocche sits. It is easy enough to find with the glass cube that marks the space. But oddly, when one spends time there, waking up early in the fog and walking around the grounds, one feels a little awed about being able to sleep around the vines that create so much joy for people around the world. I guess I?ll never really get over something like that; the urban dweller in me finds it hard to believe.
As the new day dawned, we would be going to Barbaresco, to the winery in Asili, for some barrel tasting. We went in the car with Gianluca, a transplanted Roman, who travels 40% of the time. He lives above the winery in Asili and loves it, when he has those rare moments at his home base. He seems to have assimilated quite nicely into the Langhe environment; I saw an intense and engaged face as he walked around the cellars.
Later on, in Alba, we met up with Federico, or Fedé as he was called. Fedé reminds me of an Italian Bono with a dollop of Elvis Costello. His is an animated young man who has definitely sewn some of his wild oats. Now he is engaged and will be married later this spring, and is drawn up in the pageant of the family celebration. We sat in the restaurant below the sprawling 
You can read elsewhere about the wines of the family. My intent is to encourage you to visit Alba and find the wellspring where the wines and the food pay respect to the same goddess, Mother Earth.
More gewurtz. The good news is that this is an excellent wine. The bad news is that it is sold out. I thought I would review it anyway because it is worth reviewing and you might spot it on a restaurant list somewhere or other. This is barrel femented in old French oak and left on lees for an extended period. All very interesting and artisanal.
I attended an event the other night hosted by one of our local public radio stations, 
I had never heard of Sylvan Springs until a bottle of their “Hard Yards” Shiraz 2005 arrived for tasting last week. The wine has won a gold medal at an LA wine show and is listed in Winestates top 40 wines under $15.
Little kids go through a phase where they need to put everything in their mouth. I wonder what it says about me that I'm pretty much stuck there? I really enjoy trying out new wines and sakes, especially those that are well off the beaten path.
