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[04/14/2008, 20:48] Among the Stones - The Wines of Cayuse
Welcome to our video podcast of the Among the Stones - The Wines of Cayuse - Video Show #30.

Click the Image Below to Play the Video:

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Click Here to Download File

Some might say Christophe Baron had rocks in his head to plant Syrah in 1997 in Washington’s Walla Walla Valley. But actually, it is the vineyards of Cayuse that are loaded with rocks. As with most of his colleagues, Christophe feels the answer to great wines is to work hard work in the vineyard. But, the weather is a tough variable here in Southeastern Washington. To keep the vines from freezing during the harsh winter, Christophe must bury the vines with rocks and dirt. And, since grafting is a problem because of the cold winters (grafts would have difficulty surviving), all of his vines are all on their own rootstalks.

Join us as we listen to this fascinating vigneron, and his take on working among the stones to make great wines from the Walla Walla Valley.



[01/01/1970, 02:00] Crush
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Going against the better advice of my high school English and sex education teachers, this story starts with the climax. For anyone involved in wine, the three months from the end of August until the end of November are both the most exciting and the most frightening of the year. These three months dictate the final say in whether you happily learn that your wines will be served at the White House or whether you become the largest vinegar producer in your neighborhood. These are months of 60- to 80-hour work weeks (and many times more) that on one hand require complete control of the environment around you and on the other hand require you to give in completely to the whims of nature. These are months where all thoughts of family and friends dim in an ever growing purple haze as your sleep deprived mind attempts to reconcile the hundreds or thousands of details that'll make or break the next year of your life. This is Crush.

More specifically this is my accounting of Crush for David Coffaro Vineyards and Winery. This vineyard/winery is owned and operated by (take a big guess here) David Coffaro and I'm his assistant winemaker (i.e. only employee). This is the inside scoop of what we have to do in order to put a prime bottle of vino on your table. David Coffaro Vineyard and Winery consists of 20 acres of grapes that Dave planted in 1979 and a winery building that he's been operating since 1994. We make wines that are big and red; zinfandel, petite sirah, carignane, an "Estate Cuvee" (a blend of the previous grapes plus cabernet sauvignon) and a "Neighbors Cuvee" (our only non-estate wine whose blend changes from year to year). Like a sandblaster to Tammy Faye Baker's face, I hope to strip away the layers of overglamorized marketing rhetoric and highlight the best advice I ever got about becoming a winemaker -- "Don't do it!"

The excitement of crush takes place on two separate but intertwined stages that seem to spin and twist in independent motion. The first of these stages is the vineyard. The 20 acres of vines we grow is minuscule by industry standards (There are certainly vineyards that are smaller but we are definitely of the side of pretty-darn-tiny). The first job we have in the vineyard is to wait for the grapes to turn from a rather pretty translucent pink color into an intense dark purple/black color. This process is called veraison. Once the color changes we're in the picking ballpark and ready to play the game. The second step is doing a large amount of grape sampling from each block of vines. It's amazing how grapes will vary from one small block to another, even if they're only 10-100 feet away. For about a month before the actual harvest, my job is to pick a representative sampling of all the grapes we grow and monitor them for sugar content. In general we're looking for a level of 24 to 25 percent sugar, which we measure as 24 to 25 degrees Brix.

The Brix reading is only the second stage however. Knowing the sugar level lets you know the technical ripeness of the grapes but not their actual flavors. Somewhere in the early to mid-twenties (sugar level), grapes go through an incredible change of flavors that ultimately add to the complexity of flavors in the finished wine. This change can only be determined by tasting the grapes themselves. So during the final week before harvest Dave and I walk through every block and randomly snack on grapes to make sure they have the flavors we want. If the sugars are perfect but the flavors aren't there then we simply wait until they develop before picking. Once they do, Whamo!, it's time to wake up really damn early and pick some grapes!

Harvesting grapes is a demanding and sticky job. The grapes are about 25 percent sugar and as the workers dump their picking tubs into the half-tons bins, grape juice splashes everywhere. It's well worth the effort, however, because I get to drive a really cool tractor. Once the half-ton bins are full they are driven to the winery and weighed. From there they're taken, by forklift, into the winery and the grapes are put through a machine called a crusher/destemmer. Now, agricultural machine manufacturers are not very creative when it comes to naming their equipment. When I say we dump the grapes into a crusher/destemmer you can be well assured that the machine will probably crush (lightly) the grapes and destem then, doing very little if anything else. We then pump the destemmed/crushed grapes (a.k.a. "must") into a one-ton bin (again, no big guess on how much it holds). The must is then inoculated with yeast and the transformation into wine begins. [As a side note I should mention that this is specifically the process for making red wine. White wine is processed in a similar but distinctly different manner. I'll get into the whites later.]

The addition of yeast is technically a winemaking choice and not a requirement. Native yeasts, which accumulated on the grape skins in the vineyard, will naturally transform the grapes into wine. But most winemakers don't trust these native yeast strains for the same reason you don't let your crazy cousin Leroy baby-sit your kids -- you just don't know what might happen and, even though the results might be fine, it's just not worth taking the chance. Yeast contribute four things to the winemaking process: heat, alcohol carbon dioxide (CO2) and sulfites. The heat and alcohol produced make it possible to adequately extract the flavors and characteristics from the grape skins (almost all of the character and all of the color of red wine comes from the skins being broken down). Alcohol acts as a solvent that extracts organic compounds in the grape skins and the heat aids in and speeds up the chemical reaction involved in fermentation.

The CO2 has a separate and interesting effect on the fermenting grape skins. As the CO2 is released by the yeast cells it catches in the grape skins and causes them to float to the surface of the fermentation bins. This forms a solid layer of covering the top of the bins like ice on a lake. This layer is called the "cap" and can get so thick in larger tanks that a full-grown person can walk across it without falling through. The cap, however, presents a small problem. Since most of red wine's character comes from the skins, having them separate from the juice during fermentation can be bad. This small problem is solved by either "punching down" or "pumping over" your bins or tanks. Punching down involves taking a stick-like device (a 2x4, garden hoe, etc.) and breaking up the cap while at the same time mixing it with the juice. Pumping over involves hooking up a pump to the bottom of the tank and pumping the juice over the top of the cap. These actions insure that the grape skins have enough opportunity to breakdown into the wine.

We monitor the fermenting bins at Coffaro constantly and record the residual sugar levels and temperatures at least once a day. When our measurements show that there's one percent sugar or less left in the wine we prepare the press. We use what's called a bladder Press (For $200, what item is inside this press?). The bladder press is a long cylinder made up of a perforated screen. We pump the fermented juice and skins into the press and rotate it while inflating the internal bladder. This is such an efficient form of pressing that when we remove the grape skins -- the squeeze-dried skins is now called pomace -- they are dry, warm and flaky. They serve no real further purpose and are dumped back into the vineyard as fertilizer.

The pressed wine is pumped from the press into a selection of barrels that we've pre-chosen dependent on the wine varietal and individual character it exhibits. At Coffaro we use six to 10 different cooperages, with barrels ranging from American, French and Hungarian oak. However, this doesn't mean we make "oaky" wine. Barrels serve two general purposes; the first is storage and aging; the second is imparting flavor. Barrels only contribute oak flavors to wine for the first two-to-three years of their life, then, after that, are considered "neutral." As storage containers they can be used for decades with the proper care. So, although all of our wines are barrel aged, we only use 20-25 percent new oak to contribute delicate oak flavors. (This percentage varies from winery to winery. Some use as much as 100 percent new oak, some don't use any depending on the varietals grown and the style of wine preferred by the winemaker.

Once the wine is in the barrel we inoculate it with a malo-lactic starter. All red wines and most whites go through a process called malo-lactic fermentation (ML). ML is a bacterial process that changes the malic acid that's naturally found in wine (it's the same acid that makes green apples taste tart) and changes it into lactic acid (the same acid found in milk). This process makes reds more chemically stable, and for white wines it adds flavor (i.e. that "buttery" flavor in most chardonnays). Now that this is done both the wine and the winemakers get a chance to take a short break and recuperate before it's time to start the whole process over again.

Next time we'll learn why they call cellar workers "rats."


Check out Brendan's "Harvest Diary -- A week in the life of Crush at David Coffaro Winery" at http://www.coffaro.com.
[03/12/2008, 02:57] Wirra Wirra winery collapse ... how it looks

enzo boglietti merlotThe collapse of part of McLaren Vale's Wirra Wirra winery last week was widely reported - but not widely seen. The visual is far more dramatic than the telling. This is a substantial winery in the middle of vintage - or it was in the middle of vintage.

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[05/11/2008, 21:30] 2001 Henri Boillot, St. Romain, Burgundy ($40)

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Enjoyed with good friends and good fondue!

[05/13/2008, 19:08] Brunello's Mess Worsens
You are going to see a lot less Brunello di Montalcino in the United States very soon if Italian authorities and wine producers don't get their act together. The Italian Embassy in Washington DC recently received notification from the US Alcohol and Tobacco Tax and Trade Bureau (TTB) warning that, beginning on June 9, imports of Brunello di Montalcino to the United States will be blocked unless producers can guarantee that their wines are pure Sangiovese, as required by Italian wine law.
[05/07/2008, 17:18] Interview with Ed Lehrman of Vine Connections: First Installment
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Following the theme of my last post about Americans? increasing awareness of the quality wines that many artisan producers of Argentina are exporting, I?m pleased to post the first installment of my interview with Ed Lehrman of Vine Connections. Along with his business partner, Nick Ramkowsky, they formed a company that not only imports the wines of artisan Mendoza producers, but selectively forges meaningful, long term relationships with them. As Ed Lehrman explains in the interview, this type of involvement encompasses much more than shipping and distribution, extending into representation, consulting, label design and many other crucial aspects which in the end, bring American consumers the types of genuine artisan wines that multinationals couldn?t even conceive of delivering.

Based out of Sausalito, CA, Vine Connections has been at the forefront of the changing of the guard, in terms of tastes, that I described in my last post. Their portfolio includes excellent California, New Zealand and Japanese Saké producers, alongside the wines of star Mendoza winemakers Susana Balbo and Pedro Marchevsky, along with others to look out for, such as Mapema, Tikal and La Posta del Viñatero. If you really want to know what Argentines really like to have at the table and moreover, the breadth that Argentine wines are capable of achieving, I encourage you to explore the types of artisan producers that Vine Connections represents and whose work, over the coming years, will ultimately triumph over the characterless, corporate-backed South American wines saturating our shelves.

I would like to thank Ed Lehrman for taking the time to provide his in-depth responses concerning Vine Connections, its vision and inspiration. Our conversation unfolded over e-mail:

*What is the vision behind your company and what were some of the key experiences that led you and your business partner to get started?

- My partner, Nick Ramkowsky, and I have both been in the wine business since 1986 (we started very young), and we could have done any number of things together. Nick was a small California distributor at the time, and I had just sold my direct-to-consumer wine business where he had been one of my suppliers. A fateful trip together in May of 1999 launched us into the importing/national sale & marketing business. We spent about a week in Mendoza on that trip tasting wines from bottle, barrel, tanks?you name it?and we met some incredible winery owners and winemakers. By the end of the week, we were looking at each other and asking, ?How does the 5th largest wine producer in the world hide incredible wines like these from the US?? It seemed like this must be the opportunity of a lifetime for wine guys like us to lead the charge in introducing Argentine wine to the US, and in a way that they would be fully appreciated for their quality and authenticity, and not just their price. As an aside, of the first 12 wines we imported from Argentina, the LEAST EXPENSIVE wine was $22 retail! So in fact, Vine Connections was originally formed in order to be an Argentine wine importer.

*Compared to other importers, what is the depth of Vine Connection's involvement with the producers its represents? (in terms of consulting, marketing, other assistance, etc.)


- It is hard to speak about other importers, since some do quite a lot and some just taste and buy. As for us, we take the approach that we are the winery?s own sales & marketing department and they can use us for as little or as much as they need. That may mean writing back label copy, helping with label design, or determining whether a new blended wine is even a good idea to add to their portfolio.

For all of our wineries, we do the copywriting for all printed materials since we can communicate their stories in English more effectively, and along the same lines, we handle most press relations since we are here and readily available. And I guess the most valuable thing we do would be called ?consulting? since we offer our advice on many topics based on our 40 years of working in the U.S. wine biz.

*How does your company forge relationships with producers? In this vein, what is the process like for you when considering an addition to your portfolio? Do the producers come towards you in the way of trade events, do you travel to areas to scout, so to speak, or some combination thereof?


- We are very careful in this regard since our objective as an importer is to build brands and not just sell wine. That requires long-term relationships, so besides tasting backwards and forwards through a winery?s production, we spend as much as time as we can with the owners and the winemakers to see whether there is a good fit for working closely together. When we meet people who already think they know it all about winemaking, marketing, etc., we politely walk away no matter the wine quality. Our initial screen is the wines?they have to be particularly good since that is what we are known for importing. Then we start talking about their philosophies, their dreams, their business objectives, and where we should all eat dinner together (a meal with a potential supplier is always a good way to gain more insight).

This process means that while we have run into some wines that we like, we have sometimes been unwilling to take the winery on. The most common stumbling block for us seems to be that the winery lacks a strong winemaking philosophy, and often because they have abdicated this cornerstone to a consulting winemaker (and most often to foreign winemakers). As time has passed, we have pretty much settled into the idea of only representing wineries owned by Argentines and with Argentine winemakers since the winemaking vision is usually clearer and more grounded in expressing what makes Mendoza so special compared to other regions.

From the first moment that we meet a winery team, it usually takes about 18 months before we come to an agreement, do the ground work, and then start selling the wines in the U.S. It seems to work--we have never lost an Argentine winery and every brand that we represent has achieved a significant level of success.

I wish I could say that finding these producers followed a particular recipe, but in truth, all of our brands have come to us via different sources. The key is to have your radar on all the time so that the best ones don?t slip by accidentally.

*You represent Susana Balbo and Pedro Marchevsky's Dominio del Plata Winery?how did that relationship come about and how far back do you go?

- Well, if it weren?t for the ?dynamic duo? of Mendoza, we may never have been Argentine wine importers. We met them on our first trip to Mendoza in 1999, and they were so obviously talented and knowledgeable that they got us thinking a lot about the possibilities. We also formed a trusting relationship so quickly that it became obvious that we would work together, and together push forward a common vision of making Argentine wine part of the daily American fine wine conversation. That seems like an ominous task looking back now?we had no company yet and they were renting a very small winery at the time?but at the time it just seemed like destiny.
[05/14/2008, 07:31] $25 and Under: Quick and Tasty, but Hold the Ambiance
Cheap, quick and utterly delicious food in the East Village, at Punjab and the Polish G. I. Delicatessen.

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[05/05/2008, 10:08] Does Napa's Best Cabernet Live in Oakville?: A Recent Tasting

While often referred to as a single "place" when it comes to wine, Napa is hardly a single monolithic growing region. Each of its 14 established AVAs (American Viticultural Areas) lays claim to a separate identity, characterized by geology, microclimate, and different histories of production.

The Oakville AVA has one of the most storied of such histories. It is home to the famed To Kalon Vineyard, purchased by H.W. Crabb in 1868, shortly after the installation of a railroad stop made the tiny village of Oakville spring to life. In 1876 Crabb's neighbor John Benson bottled his inaugural vintage of Far Niente wine just down the road.

By the year 1880 the Oakville area had 430 acres under production, and these would nearly triple to more than 1000 acres in the next 10 years and continue to grow until Prohibition turned off the spigot in the 1920's.

In 1965 Heitz Vineyards made the first vintage of Martha's Vineyard Cabernet, a wine that Robert Mondavi probably tasted around about the time he established his own winery a year later. Over the next thirty years, Oakville would gradually become home to some of the best wines on the planet. Acre for acre, the Oakville appellation may be the enzo boglietti merlotheaviest hitting single wine region in the western hemisphere. It is home to many of the highest scoring and highest priced wines in America, including Harlan Estate, Screaming Eagle, and Dalla Valle, to name just a few.

Oakville is ground zero for Napa Cabernet, and with good reason. Year over year it produces some of the most tremendous wines in the valley. It's hard to say that one particular area of Napa truly produces the best Cabernet, but it's also hard to find someplace that has more claim to that title than the Oakville AVA.

Last week the Oakville Winegrowers Association put on its annual Taste of Oakville event, which gives members of the wine trade and the press an opportunity to sample wines from its members. This meant an opportunity to taste through a lot of excellent 2004 and 2005 Cabernets (as well as a few other reds and a few random whites), most of which I enjoyed greatly. There were a few wines at the tasting which I didn't get a chance to taste, as they had run out of wine by the time I got there, but the list below represents all but a few of the wines poured. The tasting took place on the upper level catwalks of the Robert Mondavi Winery surrounding their large oak fermentation tanks, which you can see in the photo.

WHITE WINES
2006 Flora Springs Winery & Vineyards Soliloquy White Blend. Score: 9. Cost: $25
2006 Cosentino Signature Winery Oakville Chardonnay. Score: 9. Cost: $30
2005 Kelham Vineyards Sauvignon Blanc. Score: 9. Cost: $30
2006 Oakville Ranch Chardonnay. Score: between 8.5 and 9. Cost: $48
2007 Swanson Rosato. Score: between 8.5 and 9. Cost: $18
2004 Teaderman Vineyards Sauvignon Blanc. Score: between 8.5 and 9. Cost: $28
2007 Saddleback Cellars Pinot Blanc. Score: between 8.5 and 9. Cost: $24
2006 Robert Mondavi Winery Fume Blanc Reserve, "To Kalon Vineyard." Score: between 8 and 8.5. Cost:$20


Now that we've gotten those out of the way, let's move on to the main event, shall we?

RED WINES WITH A SCORE BETWEEN 9.5 and 10
2005 FUTO Red Blend. $250
2004 Harlan Estate Red Wine. $450?

RED WINES SCORING AROUND 9.5
2004 BOND "Vecina". $400?
2004 BOND "St. Eden". $400?
2004 Dalla Valle Vineyards Cabernet Sauvignon. $150
2004 Sophie's Rows Bordeaux Blend. $75
2005 Rudd Winery Oakville Estate Proprietary Red. $105

RED WINES WITH A SCORE BETWEEN 9 and 9.5
2004 Enzo Wines "Saunders Vineyard" Oakville Cabernet Sauvignon . $75
2002 Atalon "Beckstoffer Vineyard" Cabernet Sauvignon. $80
2006 Casa Nuestra Winery & Vineyards Tinto Classico - Old Vines Red Blend. $40
2005 Detert Family Vineyard Cabernet Sauvignon. $75
2004 Emilio's Terrace Cabernet Sauvignon. $50
2005 Flora Springs Winery & Vineyards "Holy Smoke" Cabernet Sauvignon. $85
2005 Gargiulo Vineyards 575 OVX Cabernet Sauvignon . $??
2005 Gargiulo Vineyards 575 OVX G Major 7 Cabernet Sauvignon. $??
2005 Nickel & Nickel "Martin Stelling Vineyard" Cabernet Sauvignon. $135
2004 Opus One Red Blend. $165
2005 Showket Vineyards Cabernet Sauvignon. $85
2005 Swanson Merlot. $38
2005 Tierra Roja Vineyards Cabernet Sauvignon. $110

RED WINES SCORING AROUND 9
2005 Enzo Wines "Tierra Roja" Vineyard Oakville Cabernet Sauvignon. $85
2005 Far Niente Estate Bottled Cabernet Sauvignon. $125
2005 Gargiulo Vineyards "Money Road Ranch" Cabernet Sauvignon. $54
2004 Kelleher Family Vineyard "Brix Vineyard" Cabernet Sauvignon. $65
2005 Kelleher Family Vineyard "Brix Vineyard" Cabernet Sauvignon. $75
2005 Nickel & Nickel "John C. Sullenger" Vineyard Cabernet Sauvignon. $90
2005 Nickel & Nickel "Branding Iron Vineyard" Cabernet Sauvignon. $90
2005 Oakville Ranch Cabernet Sauvignon. $65
2004 Paradigm Merlot. $44
2005 Showket Vineyards "Asante Sana" Red Wine. $50
2005 Showket Vineyards Sangiovese. $35
2005 Stanton Vineyards Cabernet Sauvignon. $75
2005 Swanson Alexis Cabernet Sauvignon. $75
2002 Teaderman Vineyards Cabernet Sauvignon. $80

RED WINES WITH A SCORE BETWEEN 8.5 and 9
2005 Cosentino Signature Winery Oakville Estate Cabernet. $75
2005 Ghost Block Cabernet. $55
2004 Oakville Ranch Robert's Blend, Cabernet Franc. $90
2005 Paradigm Cabernet Sauvignon. $62
2005 PlumpJack Estate Cabernet Sauvignon. $74
2005 Robert Mondavi Winery Cabernet Sauvignon Reserve . $125
2005 Venge Vineyards, Family Reserve, Merlot. $45

RED WINES SCORING AROUND 8.5
2005 Groth Cabernet Sauvignon Oakville. $57
2005 Hoopes Oakville Cabernet Sauvignon. $65
2002 Kelham Vineyards Merlot. $45
2005 Oakville East "Exposure" Cabernet Sauvignon. $100
2005 Robert Mondavi Winery Cabernet Sauvignon, Oakville. $45
2005 Tamber Bey Vineyard Estate Cabernet . $65

RED WINES WITH A SCORE BETWEEN 8 and 8.5
2002 Kelham Vineyards Reserve Cabernet Sauvignon. $100


RED WINES SCORING AROUND 8
2002 Kelham Vineyards Cabernet Sauvignon. $45

[03/17/2008, 07:54] Wines reviewed in the past week ...

enzo boglietti merlotIf you're not a subscriber to The Wine Front you don't get to see the reviews that are added to the site on most days. In the past seven days the following wines have been reviewed in the Subscriber Only section of this website.

All Saints Estate Chardonnay Viognier 2006
All Saints Estate Family Cellar Marsanne 2006

All Saints Estate Sangiovese Cabernet 2006
All Saints Estate Shiraz 2006
All Saints Estate Durif 2006
All Saints Estate Family Cellar Durif 2006
Aradon Rioja 2006

Casa Santos Lima Quinta Das Setencostas 2005
d'Arenberg Galvo Garage Cabernet Sauvignon Merlot Petit Verdot 2006

Dog Point Vineyard Marlborough Chardonnay 2006
Dog Point Vineyard Marlborough pinot Noir 2006
Dog Point Vineyard
Marlborough Section 94 2006
Grapes of
Ross Barossa Valley Black Rose Shiraz 2006
Grapes of Ross Barossa Valley Old Bush Vine Grenache 2006 
Henry Pelle Menetou Salon 2006
Les Nuages Organic Touraine Sauvignon Blanc 2006
Lethbridge
Geelong Shiraz 2005
Longview Adelaide Hills Devils Elbow Cabernet Sauvignon 2006

Maison Champy Bourgogne Pinot Noir 2005
Mount
Horrocks Clare Valley Shiraz 2005
Piana
del Sole Salento Negroamaro 2004
Postcode 2320 Reserve Shiraz 2004
Postcode 2587 Cabernet Sauvignon 2005
Punt Road Yarra Valley Shiraz 2005
Punt Road Yarra Valley Cabernet Sauvignon 2005
Rymill Coonawarra Cabernet Sauvignon 2005
Scorpiiion Barossa Valley Grenache Shiraz Mataro 2006
Scorpiiion Barossa Valley Shiraz 2006
Scorpiiion Barossa Valley Cabernet Sauvignon 2006
The Berrio Sauvignon Blanc 2006
Torbreck Barossa The Struie Shiraz 2006

Torbreck Run Rig
Shiraz 1995
Torbreck Run Rig
Shiraz 1996
Torbreck Run Rig
Shiraz 1997
Torbreck Run Rig
Shiraz 1999
Torbreck Run Rig
Shiraz 1998
Torbreck Run Rig Shiraz 2001
Torbreck Run Rig Shiraz 2002

Torbreck Run Rig Shiraz 2003
Torbreck Run Rig Shiraz 2004
Torbreck Run Rig Shiraz 2005
Tramin Alto
Adige Pinot Grigio 2006
Villa terlina Gradale Barbera d’Asti 2004 ($35)
Voyager
Estate Margaret River Cabernet Merlot 2004

For subscription details to The Wine Front click here.

[01/01/1970, 02:00] Mushroom Madness - Cooking Class
Tue Mar 1st, 2005, San Luis Obispo
Chef Charlie Paladin Wayne will teach you how to store, clean, prepare and use fresh and dried mushrooms.
[07/06/2007, 20:25] Wine and Housekeeping
This post is to add the Pinot Gris blog to technorati.

Technorati Profile
[05/10/2008, 10:38] May 10, Adelaide Hills Wine Region
The Adelaide Hills wine region overlooking the City of Adelaide is hometo some innovative wineries
[05/09/2008, 10:31] May 9, Cinsaut, an overlooked red wine variety
Cinsaut aka Blue Imperial is a red wine grape variety which is unfashionable but still makes good red and rose wines.
[01/01/1970, 02:00] Nudist Camp
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images by Christopher Sawyer

It was like a freaky safari. There we were, winemaker Neil Collins and me, stalking chickens running loose on the property. No, not for dinner. Collins wanted to show me the benefits of using the feathery flock in the vineyard.

I expected them to scatter. But as we got closer they paid no attention to us. They were too busy chomping away at the green stuff planted between the vineyard rows: gourmet grasses, wild flowers and their favorite treat - the spiky Yellow Star Thistle.

Collins explained the idea behind using chickens is based on the concept of biodiversity. The chickens eat the natural material, process it, then put it back as a rich type of, well, specialized manure. Eventually the manure and cover crops are softly tilled into the ground and serve as a natural soil fertilizer. In springtime, packed with powerful nutrients, the mixture acts like a sort of alarm clock, waking the vines and energizing them from their dormant winter snooze.

Believe it or not, the chickens are an upgrade to how vineyard farming has been done for the past 50 years. Since World War II, most growers have gone the easy route - purchasing synthetic chemical fertilizers packaged in commercialized plastic bags. But things are changing now as more natural, eco-friendly farming techniques have come back in style.

"For quality wine, grapes should be an expression of the soil and the vineyards where they?re grown," Collins says. "Using synthetic chemicals means there?s something missing from the wine as far as authenticity or natural personality is concerned."

Certified as organic in January 2003, Tablas Creek Vineyards is a member of a new wave of premium U.S. wine producers recognizing the benefits of using old-fashioned farming methods. The concept is simple: work closely with nature instead of against it.

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enzo boglietti merlot What Does Organic Mean?

By definition, organic agriculture refers to fruit, vegetable and other food products cultivated without the use of toxic pesticides, herbicides and synthetic fertilizers. Like a touch of TLC from Mother Nature, the main goal is to build healthy soil and healthy plants, and to protect the surrounding environment and workers in the most natural way possible.

Over the past decade, more than 15,000 vineyard acres in the U.S. have been farmed organically, an amazing increase from only 200 acres in 1989. California is a hotspot for this movement. There are nearly 7,000 acres of certified vineyards planted by 113 producers in the state. Many others do it without applying for certification. "No compromise!" is the shared bravado.

For a vineyard to become certified, the land must be farmed for three years without the use of chemicals. The vineyard is inspected twice within that period by the California Certified Organic Farmers (CCOF), the state?s regulatory certification organization. Monitoring is yearly after certification.

Gettin? Down With Nature

Okay, let?s set things straight. The general problem with synthetic chemicals is that they eat the natural nutrients and minerals in the soil. Conversely, the organic approach adds natural resiliency to the soil, thus strengthening the plants.

To make this happen, organic soils are nourished with a variety of natural ingredients, like cover crops, manure and powerful compost made with recycled materials such as pomace (grape skins), straw and other landscape debris. The idea is to have as much commotion - otherwise known as energy from microorganisms - moving around in the soil as possible. Near the vineyards, flowers, herbs, vegetables and fruit trees are planted to create additional activity that?ll benefit the native flora and fauna. In other words, it?s all about raw material, baby!

John Williams, winemaker at Frog?s Leap Wine Cellars in Napa Valley, is a true believer in the power of organic farming. All vineyards comprising the Frog Farm property have been certified organic since 1999.

Williams offers this analogy, which addresses use of conventional chemicals as a "quick fix" in the old days: "It?s like if your kids are on a soda and candy bar diet: response is impressive, sustainability is not. Our goal is to make sure that our soil has a balanced diet at all times. Financially and as far as quality is concerned, it?s a very viable situation."

While sustainable farming practices have quickly caught on with many grape growers, controlling pesky weeds remains a main obstacle that keeps many from taking the organic plunge. As a result, most grape growers still rely on annihilating the green material with toxic products.

Organic producers, however, have found ways of getting around this. Techniques include mulching vineyard rows to suppress weeds; using the pyrotechnical alternative ("fire, fire!" as Beavis once said) to burn them with propane torches; or employing small tractors with soft rubber bumpers to cut the weeds without harming the vines.

Another difficult matter has been the ongoing battle with insects that can cause serious vine damage. However, instead of using harmful conventional sprays, organic converts focus on creating unique insectaries that feature a variety of flowers, shrubs and trees. The idea is to attract beneficial insects that?ll eat the problematic vine pests.

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Mendocino and Beyond

The birthplace of this organic wine movement was California?s Mendocino County. Today, more than 3,000 acres of grapes grown in the county are farmed organically.

Charlie Barra, whose family owns the Barra and Girasole brands of organic wine, has been working with grapes in Redwood Valley since he was just nine years old. "Most of us were farming organically for as long as I can remember," said Barra, 78. "We couldn?t afford chemicals back then, and we still don?t need them today. There just wasn?t a name to call this practice until the last 25 years."

While Redwood Valley?s Frey Vineyards was one of the first to have certified vineyards in the U.S., it was the more recognizable brand - Fetzer Vineyards - that ultimately became the prototype for sustainable agriculture in the mid-1980s. In 1989, Fetzer began its eco-friendly commitment by converting 1,600 vineyard acres to organic.

Natural Flavors

Until recently, the concept of organic wines left a sour impression on critics and consumers. Most of this was due to bad winemaking or bottling techniques. But thanks to new, innovative farming methods, including reducing the amount of water used, minimizing crop load and hand harvesting, as well as new technology used in the winemaking process, the overall quality of wines - both organic and conventional - have improved significantly in the past decade. As a result, the lingering hippy cliche or "stigma" commonly associated with organic wines has started to fade, being replaced instead with images of more racy, premium style wine.

Moon Mountain Vineyards, located on the rugged Mayacamas mountain range overlooking Sonoma Valley, began its conversion to organic farming techniques in 1998. Winemaker Randall Watkins has been impressed with how much more concentrated the fruit flavors have become since chemicals are no longer used. "The vineyard now speaks for itself," Watkins says.

Granted, there are many producers like Moon Mountain that grow grapes organically but are very discreet about it, meaning they don?t say much about it on their labels. Those that do feature it fall into two general categories: "Organic Wine," for wines that contain no added sulfites; or "Made with Organic Grapes," for wines that contain a small percentage of sulfites.*

Signs of such producers? success are evident in the marketplace. For example, Whole Foods, Cost Plus and specialty wine shops now feature organic wine sections on their shelves that cater to a growing number of environmentally conscious consumers.

Want to know more? Read Nudist Camp Part II in the next issue.

* Sulfites are natural by-products of fermentation. It?s impossible to have no sulfites in wine. However, winemakers can choose not to add sulfur (which eventually turns into sulfites) to their wines during the winemaking process, thus minimizing the amount of sulfites in the finished product.

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Eco-Friendly Ladybugs

Lolonis Winery, located in Mendocino?s Redwood Valley, farms 250 acres of organic vineyards, including a large number of old, gnarly vine plantings of zinfandel, petite sirah and carignane. The saving graces on the property have been ladybugs.

Each year, Lolonis purchases millions of these little critters and releases them in the vineyards to combat harmful pests. "We?re looking for consistent quality and not variability," says Philip Lolonis, a third-generation member of the Greek family that planted the original vines in the 1950s. "We?ve harnessed the power of the ladybug to help us get there. They?re not only cute, but very effective!"

[01/13/2006, 20:28] Wine Blogging Wednesday 17 Results

Although I missed the boat on this one completely, the results are in for the latest Wine Blogging Wednesday over at CorkDork. This month’s objective was to try new red wines from New Zealand. 31 bloggers participated this time! Check it out!

[11/10/2007, 21:59] Skovin Syrah Cabernet 2005

enzo boglietti merlotQuite an unusual combination for the Balkans, since Syrah is fairly rare in the region. Skovin is probably trying to follow the world commercial trends with this Syrah Cabernet Sauvignon combination, and it’s not doing a bad job. Syrah brings in the spiciness and the earthy taste, which brings memories of those strong South African tastes of Syrah wines. Cabernet softeness it a bit, so overall it’s a nice wine, but distinctively dryer than the famous Australian Syraz-Cabernet’s.

Rating: 6/10
Price: 400 RSD (5 euro)
Retailer: Super Vero

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WorldWine Tags: Macedonian Wine, Skovin, Shiraz, Syrah, Syrah Cabernet,
[05/10/2008, 02:10] The Velvet Bite

I'm going to buy this wine...because I just think it's terribly cool that a winery would honor one of the greatest jazz vocalists in the history of the genre. (Have you ever heard Ella sing "mack the knife"?!!?)

However, I'm probably not going to drink this Domaine Carneros Sparkling Wine while listening to any jazz, including Ella. Here's why.

I've long believed that even given the range and the diversity of the Jazz genre, the absolutely most appropriate drink to accompany Jazz is something that attacks the senses, throat, palate and body with a Velvet Bite.

No pure wine I've ever consumed possesses this quality.

By "Velvet Bite" I mean, first, that sensation of a subtle sting that warms just as the sting diminishes when the liquid is poured over your palate. You need to feel the relief of the alcohol sting diminishing just as the alcohol also begins to warm the throat and stomach. 

There must be a soft clamping down on the palate that does not linger, but also is not escapable. The sensation alerts the senses in a momentary shock like no wine can do, yet fades away, relinquishing its bite in favor of alertness and warmth.

This state, I think, is best suited for listening to Jazz. Bourbon, Whiskey, Scotch and even cognac and armagnac are the proper drinks to pair with Jazz; best suited to provide a velvet bite.

Further, I believe the full affect of pairing the Velvet Bite with Jazz occurs when a shot of any of the above beverages is taken in advance of sipping on a second round of the same. And, how this shot is performed can affect the pleasure of the pairing even more if done right.

The shot, while it should be taken in all at once, should not be targeted at the throat so that it slips down past the palate with minimal contact. On the other hand, taking time to swish the beverage around the palate will also ruin the experience. Rather, the throat should be half to 3/4s closed when the shot enters the mouth. The partially closed throat will promote a slow movement of the bourbon over the palate, followed in quick order by it slowly sliding down the gullet. The technique delivers the bite, but does not sear the palate. And at the same time, a decent amount of alcohol enters the body and the blood stream in relatively quick fashion.

Yes, I'm suggesting that Jazz is best appreciated with a slight buzz. Not a "drunk". But a warm, comfortable, smirk inducing buzz.

It should be noted that after the initial shot of our preferred beverage, the second round can be sipped, and probably enjoyed even more due to the palate, body and mind having been properly prepared by the initial shot.

Wine is simply too week to stand up to the challenging nature of jazz; the subtle, complex and sometimes jolting nature of jazz rhythms require the body to be properly prepared with an anesthesia that both weakens one's grip on convention, yet provides a bite.

Thus, Jazz is best paired with beverage.

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[05/08/2008, 18:51] Trimbach Frederic Emile, 2001 - WBW 45

SThe Trimbach Cuvee Frederic Emile is one of the world’s great white wines. And at $35, it’s also one of the world’s great white wine bargains.

I had the 2001 recently with a friend and loved it. I tried the 2002 at a tasting last week and found it higher in acidity and not quite as subtle as the 01, so I went out and bought some more of the 01. I’ve never had the top wine from the Alsatian producer, the $120 Clos Ste. Hune (find this wine), but one of my friends who has had it describes the “Freddy” as “more than half the wine at a quarter the price.”

Although I prefer German Riesling on the whole to the Alsatian versions, this Freddy has a German-like precision, alluring aromas of lime zest, lemon grass, wet rocks and a touch of honey, while the palate has excellent richness while remaining dry and a long finish. I’d like to try a version of this wine with some age on it so I’ve stashed away a few bottles for just that purpose. Next time I’ll try it with pan-seared scallops.

The wine is from grand cru vineyards but still seems to have a production size that means that it actually can be found. Search for it now before it is all gone.

Why write about this wine today? Why, it is for Wine Blogging Wednesday #45, with a theme of Old World Riesling that Tim Elliott selected. Surf on over to Tim’s site to see a roundup of which other Rieslings people chose to explore. And thanks for the one day grace period, Tim!

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