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You know those cool “Digg This” badges on a whole bunch of sites? Pretty nice viral marketing huh? What they serve to do is create a way for cross promotion. We’ve had success using the Feedburner “Toast This!” link but it has cause problems that require attention from time to time (you may notice them disappearing occasionally).
Well, I’ve created a WLT Chicklet/badge gallery that I’ll be adding simple Javascript code and badges to. This will allow you to add WLT vote counts and links into every post. I’m also working on a Wordpress plugin to make this a no-brainer for Wordpress. I’ve also e-mailed “AddThis.com” to see if I can get into that little widget they have. We’ll see about that.
I have to give credit to Strumerika on the small chicklet design. Her graphic was cool. I haven’t reached her yet so I may be violating some kind of copyright in which case I’ll take it down (you won’t have to do anything, the graphic is server-based) and change it.
If you want a custom one, they’re pretty easy for me to change. Just make one in Photoshop (including the words), send me the source files, and I can implement it pretty quickly.
The latest edition of Decanter (March) came out this week, and several articles caught my eye. The first was entitled Start Your Own Wine Cellar. As I’m often torn between buying bottles to drink and those I think I may like to keep for a special occasion, I was drawn to the profiles of the 3 different types of people for whom Decanter made recommendations. There was the couple who did not know much about wine, but wanted to learn and had £500 to get them going. At the other extreme was the couple who already drank a lot of good Bordeaux and had £5000 to spend. I found myself drawn to the example in the middle, someone who knows her grape varieties, but would not describe herself as a connoisseur. Decanter put together an interesting cellar at a cost of £1000 for her.
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
I always peruse the Wines of the Month to see what recommendations I can pick up. These wines are available from stockists in the UK so I feel sorry for foreign readers who may be unable to source them. However I’m always a bit frustrated to read other reviews elsewhere in the magazine and see the dreaded ?N/A? next to them. Although I figure what’s the point in reviewing them if they aren’t available in the UK I have to keep reminding myself how international Decanter is. In this month’s issue 4 of the 9 letters are from non UK readers. I am sure this helps the editorial team keep an international focus which is good for all us readers.
The panel tastings this month are both French, 2005 St Emilions and 2005 cru bourgeois. I was stunned to see a great value 2005 cru bourgeois at £7.35. I must seek it out.
Next month’s edition features Italy and is out, according to the ad in the magazine, on February 6. Oops ? I think they forgot to change the date from last month’s edition as I’m sure they mean March 6th!
Ports vary in color, taste, and complexity based on the grapes used to produce them and the material used in the aging process. Among the most commonly found types of port are:
Tawny Port - Tawny port is made from red wine grapes, aged in wood. A reserve tawny is one that has been aged at least seven years. Tawny ports are usually light yellow in color and have a slightly "nutty" taste. Tawny ports made from a single vintage are called "colheitas" and indicate the vintage year on the bottle.
Ruby Port - Just as the name indicates, ruby ports are deep red in color. These are the least expensive ports and are made with red wine grapes and aged in stainless steel to preserve the color. Generally, ruby ports are aged from three to five years.
Vintage Port - The finest kind of port wine, vintage port comes from a single year's grape production. Not every year is declared a vintage year in Portugal and, as with fine Bordeaux or Burgundy wines, some years' growing conditions create a better product. Vintage ports are aged a maximum of 2 1/2 years before bottling.
LBV Port - LBV or "Late Bottle Vintage" ports were originally crafted to be vintage ports. However, due to lack of demand or other factors, they are left in the barrel longer than allowed for a vintage port. Generally, LBV ports are lighter in color and texture than the vintage cousins.
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This cool combo of fine wines and classic jazz is one of Toronto?s premier events. Energy Savings Group Wine, Whisky & All That Jazz is set for Wed., June 20 at the Liberty Grand. Recapture the golden age of jazz...
Today, another offer to ‘pass on’: Domaine Comte Georges de Vogüé 2006 CHAMBOLLE-MUSIGNY 75cl 99.50 Swiss Francs CHAMBOLLE-MUSIGNY 1er Cru 75cl 189.00 CHAMBOLLE-MUSIGNY Les Amoureuses 75cl 398.00 BONNES-MARES 75cl 398.00 MUSIGNY Vieilles Vignes 75cl 498.00 Villages wines for 100 francs - I ask you… This is a post from: Burgundy-Report offer of the day…
When I first saw this link, I didn?t quite understand what they were talking about. But, never fear my friends, I did the research and am now perfectly prepared to tell you about the Dutty Wine Dance.
There is a Jamaican rapper who wrote a song entitled ?Dutty Wine?. To the best that I can decipher dutty should translate to dirty. The basis of the song is that he is poor and can only afford dutty wine that gets him very?.um?inebriated. Apparently it also gets the women he is with very drunk as well and this is the dance they do for him while drinking it.
The middle class is in an uproar. All their little girls are doing the 'Dutty Wine'. From left, right and centre, even disabled children, everybody is doing the 'Dutty Wine'.
Disabled children? Did they really go there?
Not wishing in any way to detract from the suggestive nature of the dance, I must point out that it is impossible to do it without long tresses. If you can't get your hair to swing round and round your head while you get down on all fours on the ground, you're not doing the 'Dutty Wine'. It requires supreme flexibility. Consequently, there's not a child who hasn't been stopped from doing it by a parent in the last few months
OK, why are CHILDREN in Jamaica doing this dance. I mean, it sure doesn?t sound like the hokey pokey to me.
The ones I feel sorry for are the disabled children. They don't have legs, so it's perfect for them. They can wine their little hearts out. But even when they do it, it's suggestive if not more so. All the adults hurriedly put a stop to it. Poor little children.
LOL! OMG, did I read that right? Why do they keep picking on the disabled kids? Are there just tons of disabled kids sitting around in Jamaica waiting to do a dance?
What?s worse is that I went on You Tube to see what it was all about and when I searched Dutty Wine I got like 50 million results. Here is one of the first ones I found but the most important question is ?How in the hell could a disabled child do this?
The assumption of the American Viticultural Area (appellation) program is that there is something unique about those areas that are granted AVA status?that there is something about Oakville, Anderson Valley, Finger Lakes and Green Valley that make them distinct.
However, the subtext of this quasi-appellation program administered by the federal government and completely embraced by the American wine industry is that the wines the emerge from specifically designated American Viticultural Areas are themselves unique because they somehow contain identifiable characteristics that can be traced to the uniqueness of the AVAs in which the grapes were grown.
This is the assumption that Appellation America has always embraced and promoted in its fantastic journalistic efforts and its the proposition that it hopes to bring real clarity to with its recently announced "Best of Appellation Evaluation Program".
As described, the Best of Appellation Evaluation Program "obliges the [program's] assessors to systematically evaluate the wines, individually and collectively, for place characteristics."
Appellation America's publisher, Roger Dial, goes on to explain, "In the days, months, and years going forward we will be doing what our readers continually ask us to do. We?re going to look at every appellation in North America, building an on-going, ever-developing picture of the mosaic of regional character and diversity that we hope will enrich our wine culture."
This is a monumental task that strikes me as being the kind of effort that will bring as much criticism as it does praise. However, the praise will be deserved and the criticism will simply be sour grapes.
What happens when the regional characteristics of Oakville Merlot are defined in a way that identifies one famous Oakville producer's Merlot as uncharacteristic of the appellation? This won't make the Oakville Merlot producer very happy. But I think this unhappiness is a natural result of winemaking philosophies that treasure style over regional characteristics. Now, I don't want to suggest that focusing on producing a specific style of wine rather than achieving regional reflection is a bad thing. It's just a thing. It's just not a very interesting thing.
Others have previously used the evaluation processes to focus on regional characteristics. For example, Dan Berger, who runs the respected Riverside International Wine Competition, recently announced that Anderson Valley's Navarro Vineyards won that competition's Terroir Award trophy, given to the winery that displays the best regional character in its wine. It should be no surprise that Appellation America sponsors this trophy.
Down the road, if Appellation America is successful, I expect we'll be able to go to their website and read something along these lines: "Carneros Syrah is a wine that typically displays X,Y and Z aromas with flavors of A, B, and C. These characteristics are best found in the Syrahs of X Vineyard, Y Cellars and Z Estate."
I, for one, hope they succeed in their quest. I'm not positive it will lead to more interest in wine or greater sales of wine or more exploration of different wines from America's many AVA's. But I am positive that it will make the wine world much more interesting.
Marketing, the life I live outside of wine, is an interesting beast. And right now I’m speaking of the segment of marketing that inspires people and creates brands. In a traditional world, you have magazines or publications with editorial calendars and predictable subject matter. When the Web1.0 world came along, things were basically the same, predictable order of operations but with a much lower barrier to entry creating a flood of information. Search engines and intelligent algorithms began indexing this information and added a way to generate leads for business by setting up Ads based on the content. The theory goes if you’re searching for the content you might be interested some related products and/or services so here they are right next to your information. That’s great for lead generation. Interestingly enough, that has minimal branding value. You can ask anyone doing search engine marketing, paid ads are great for lead generation but they work fairly similarly to how stores are merchandised - similar items are next to each other so that you generate sales. It works, everyone’s happy in Web1.0 and the world creates a multi-billion dollar online advertising industry.
In comes “Web2.0″ where there is a shift. Really the type of fundamental shift that creates markets. It was subtle and natural evolution to end users but a disruptive shift for marketeers. This new e-commerce and publishing platform suddenly became less about broadcast and more about conversations. Less about a hyper-advanced information source and catalog and more about meeting people with common interests and creating “social” groups.
When people are on MySpace, the activity they?re doing isn?t search. It?s something akin to ?hanging out? or ?networking?. Their task is almost the opposite of search. They are already on the site they want to be on. They don?t need to click on links to take them where they want to go.
In other words, the context is entirely different. When you?re in search mode, you are playing by different rules.
Social ads don?t work as well because people are being social, not searching for something.
What the Author is saying is that in the world of conversations, social networking that happens to be online, and interaction, understanding context of the situation is king. Automating the placement of a static ad based on certain keyword matches has modest success on blogs (but the blog has to be very popular because its only those doing some searching that will be interested in the ads) and much less success on an actual social platform. Ads based on keywords in content are worthwhile if the activity the “clickee” is engaged in is searching for information (Web1.0). But if the published word that is triggering the static ad is part of a conversation that Richard and I are having on his blog about the Wine.com direct shipping whistle blowing debacle…er…debate (hypothetically), then that ad won’t be of interest to me.
Additionally, straight forward ad networks won’t help either. They just lump conversations into categories (either Tags or worse), match advertisers with categories they want to serve ads to in an automated fashion, and then serve away. Its arguable that this is even MORE Web1.0 than keyword advertising.
Marketing is being disrupted and its going to take a disruption to this market, not just in the technology but in the approach to marketing, to make online marketing effective in a Web 2.0 world.
Established in 2002 by Sam and Audrey Watt from what was an apple orchard, this small vineyard makes microscopic amounts of wine. We found this place mainly due to the attractive accommodations but the wines are something of a surprise bonus. The vineyard currently spans over 5 hectares with vine densities of 2600 vines per hectare. The soil here is predominantly clay from the Moutere area. What I would really like to highlight here is their 2007 SVSauvignon Blanc which is one of the best expressions of New Zealand SB I have had this trip and perhaps the top handful I have had from New Zealand. Ladies and Gentlemen, I'm not going to mince words here - if what you want is a light, tart and aromatic quaffing wine then this is not it. Sometimes, I am convinced that the British wine trade wants to box in New Zealand Sauvignon Blanc as aromatic, tart thin thirst quenchers to serve before the serious wines- bullocks. If that's what people think will sell then it becomes a self-fulfilling prophecy.
This starts with an explosion of intense aromatic fruity & zesty fireworks. It is then followed in the mouth by intensity, density & concentrated nectar with a lingering finish. This has character, guts and strength. The fruit were late picked (by hand) and yielded 2.5 ton/acre (quite amazingly low yields for this grape and the region). 92+ Points
In a tasting of her wines, Audrey Watt put the Sauvignon Blanc last as she was afraid it would dominate if it was first. In most other shops the SB is invariably first to taste. She also told me that the wine judges didn't know what to make of her Sauvignon Blanc - I can see why it's totally out of their comfort zone and hit the ball way outside the park.
Marlborough, New Zealand. 13.6%. Screwcap. Source: restaurant wine list.
My mild aversion to Sauvignon blanc, was easily overcome by the words Clos Henri. I've read much, but till today tried none of the wine. It's a lovely story and a compelling marketing tag. A Frenchman from Sancerre, and a well regarded line of wine makers, in New Zealand making Sauvignon.
The wine itself is very interesting and quite apart from what you would normally associate with Marlborough. Whilst clearly pungent, wild and varietal, it has a different accent, with pear to complement the grass and gooseberry. Textured and ever so slightly oily, this is satisfying, brisk and full of nuance.
The Battle for Wine and Love or How I Saved the World from Parkerization Author: Alice Feiring The font of the title is pleasantly wacky, and the title itself promises a dream-like escapade in which Feiring daydreams herself ?saving the world? and falling in love with a superhero winemaker. Not a bad concept. This is not a journalistic effort like other recently released wine books, To Cork or Not to Cork, The Billionaire?s Vinegar, First Big Crush, Wine and Philosophy. This is a personal essay on a personal point of view. The book is a small-format book?hardbound, 5 ½ ?...
Two weeks ago a team of American researchers promised what the New York Times story called "guilt-free gluttony" through resveratrol, a component found in red wine.
Now, in a scientific detente, French researchers are doing them one better: cardiovascular-improving sloth. To wit:
"Resveratrol makes you look like a trained athlete without the training," said Dr. Johan Auwerx of the Institute of Genetics and Molecular and Cellular Biology in Illkirch, France who led the study. [Read full story]
This is going to be serious competition for the ab toning belt.
We all know that red wine can cause pinot envy. So only four deadly sins to go! What will resveratrol create next? Humble pride? Gentle anger? Generous greed? Platonic lust?!?
Related: "Lose weight on a red wine diet"--with video of lab mice! [Daily Telegraph]
Cheap, quick and utterly delicious food in the East Village, at Punjab and the Polish G. I. Delicatessen.
[04/18/2008, 18:15]
yesterday i started my grappa infusion. i bought a pound of not-exactly-plums-not-quite-prunes yesterday and cut them in half and shoved them into my silver medal award winning grappa that was super cheap at bevmo.
so i'm hoping for a simple plum-infused grappa. i figure even though it should realistically take about a week to infuse, i'm thinking of leaving the plums indefinitely so that the infusion gets stronger the older the grappa gets. the grappa is also ice cold so the infusion process will be a little retarded at first and get better as time goes on.
Some wines from indigenous varieties, recommended by Angela Lloyd
When wine statistics are trotted out, Italy always arrives somewhere at the top of the global list: third in area under vine (849 000 hectares? in 2004), second in wine produced (5 300 000 000 litres) and per capita consumption (46.50 litres). Another figure that would also leave many other countries in its wake is the number of indigenous grape varieties in this land of the long boot.
Of course, the ubiquitous international quintet of cabernet, merlot, shiraz, chardonnay and sauvignon blanc? are also found in Italian vineyards, but the country's real strength lies in its lesser known varieties, many producing wines of great individuality and distinction.
Such varietal? diversity is as much due to Italy's geography as its history. Wine grapes are grown from 47º North, near the Swiss and Austrian borders and close to the Alps, all the way to 37º South, on the sun scorched island of Sicily, in climates both continental and Mediterranean. Historically, the Greeks, the mysterious Etruscans and of course the Romans themselves have all helped to develop the varietal mix.
The good news is that the Italians have now realised the worth of these grapes, from both quality and marketing points of view and much more is being done to promote the wines made from them.
Fortunately for South Africans, there are several good examples available here. Before recounting a few I tasted recently courtesy of importers Stefano Gabba and his son, Lorenzo, who run Melgab International, a word on the Italian system of naming the origin of its wines.
The DOC? ? Denominazione di Origine Controllata? ? system is modelled on the French Appellation? Contrôlée. This set of regulations covers such aspects as viticulture?, winemaking and labelling. As with the French AOC?, place names rather than grape names often appear on the label, the variety or varieties being implicit in such place name.
Less confusing is the Italian culture of enjoying wine with food, thus their focus is on creating food friendly rather than show winning wines.
The following quartet is a small representation of worthwhile examples of the lesser known Italian varieties available here.
Cantina? Lunae Bosoni Colli di Luni Vermentino 2006 12%R95.19 The Colli di Luni is a DOC on the Ligurian coast just to the east of Genoa. Both white and red grapes? are grown there; the whites based on vermentino with up to 10% other white grapes. This example has presence without showiness in its firm?, fresh structure?, good flavour intensity?, without being overtly fruity?, and dry? finish?. As its coastal situation suggests, vermentino and seafood are natural partners.
La Giustiniana Gavi di Gavi DOCG? Lugarara 2006R99.75 The 'G' in DOCG stands for Garantita, its purpose to identify the finest Italian wines ? 'guarantee' as opposed to merely 'control'. If it has gained credibility in the few number of DOCG's awarded, some have been seriously questioned, but overall it does confer an image of quality where awarded. The town and DOCG of Gavi are on hilly slopes in south east Piedmont, just to the north of the Ligurian coast. Cortese, the only grape permitted, was originally used as a base wine for Asti Spumante?. As a solo act, under the Gavi di Gavi nomenclature, it rose to fame in the 1960s, in the process becoming Italy's most expensive dry white wine. Burton Anderson's Wine Atlas of Italy describes the it as having a 'clearly refined scent and acutely dry flavour with pronounced acidity? countered by a vague sensation of fruit.' Elegant La Giustiniana's fragrance combines flowers and herbs; its fine, mineral? acidity lends a lightness of touch, and it does indeed end bone dry, and has just 12% alcohol?. Again, it is the ideal partner for Mediterranean's seafood bounty.
Damilano Barbera d'Alba 2006R118 The red barbera is known in South Africa, mainly from the version produced by Durbanville winery?, Altydgedacht, although now it also features on the lists of another two or three cellars. It enjoys much greater popularity in Italy, where it was the third most planted red variety in 2000. It is best associated with Piedmont, where it comes second only to nebbiolo in terms of quality. Characteristically high in acid and low in tannin?, the black cherry/berry fruit is fresh and succulent, spiced by the pointed acid. The Damilano family, whose barbera vines are between 30 and 50 years old, follow a traditional style?, aging the wine in older, large wood, which focuses on the wine's mouthwatering qualities and leaves it ready to be opened now. This is a delicious example that should go well with any spicy or rich dishes where the richness will benefit from the wine's cutting fruity acids.
Mastroberadino Radici Taurasi Riserva? DOCG 2000R269.04 Some of my favourite Italian wines come from the great red grape of Campania, aglianico (a corruption of Ellenico, the Italian word for Hellenic). Its worth is acknowledged beyond provincial borders: the 2003 version of this example of it has recently been voted one Italy's 50 greatest wines, as selected by 19 global authorities on Italian wine. A remarkable achievement, given the Mastroberadino family was the only producer to market an aglianico until the early 1990s, but they have been in the forefront of championing Campanian varieties for ten generations. Two important features account for aglianico's success in Campania: the volcanic soils (Vesuvius is a favourite tourist destination), and the vicinity of Taurasi, which lies around 500 metres above sea level on the elevated spine that runs down the centre of the country. Aglianico is an imposing wine, especially in its youth when it is noted for its fine, if ferocious, tannins, a feature which can see it age for decades. This Radici ? single vineyard? ? remains youthfully stern, its characteristic fresh acid backbone focusing and lengthening the deep scents and savoury flavours? of plums?, tobacco and bitter chocolate?. Despite its current austerity, a game dish or mature hard cheese should show off its great potential. With the Rand weakening, it also offers value for money. Patience will be well rewarded!
Prices quoted are wholesale, including VAT. If you find these available retail, expect to pay 30+% more. Click here for the Melgab website.
It's a pleasure to try a well-made wine at such an affordable price. The 2005 Veramonte Primus is from the Casablanca Valley of Chile. Great blend of 17% Carménère, 32% Cabernet Sauvignon, 51% Merlot. 14.5% abv, $20. I'm glad to see Carménère in there, the famous "lost grape of Bordeaux" that's worked so well in Chile. I love trying these grapes that France mostly orphaned but that have found success in South America. The story of Argentine Malbec is well known, but I'm still waiting for Uruguayan Tannat to become the next breakout star.
This is the 10th anniversary vintage of Primus, developed by noted Chilean winemaker Agustin Huneeus. Glancing over the reviews it appears to have steadily improved over the years.
I decanted the wine for an hour before serving. I don't always do this but at times it adds a nice touch to the ceremony of wine consumption. Lovely green bell pepper and tomato leaf aroma. On the palate, spicy, good fruit, touches of plums and cherries. Closer to a French Bordeaux than a California Meritage.
MAN, out of Stellenbosch, produces my quick intelligent value weekender vino.I?ve always fallen easily for a wine with an underlying story.You can read all about the guys here, since I won?t pull off the usual wine blogger thing and claim that I?m writing original content that was subsequently re-hashed from producer?s websites.Oh and yes, I publish boring tasting notes which are only meant as a rough guide/tool for people to assess how much they?d probably like the wine?so deal with it and try the wines for yourself.
At any rate, the MAN 2005 Pinotage, sourced from Perdeberg Hills (Coastal), is a very pleasant surprise. I remember being in London last year, trying many of the paltry £4,99 South African wines available in major supermarkets. Small clarification?I?ve had very nice supermarket selections there, though I wasn?t lucky enough to stumble upon wines like these?unexpectedly balanced and satisfying for the price-point ($5.99).If you must buy a wine this inexpensive, you?d always hope for a comparable standard.Unlike some of the other cheaper reds which gratuitously used terms such as ?barrel-aged? on the back-labels, MAN openly discloses their use of oak staves for maturing part of the wine, in addition to fining and filtering.As I mentioned before, you can read the technical sheets on their website.Now, for the sake of consistency, if I can just get my hands on the other wines in their line?wouldn?t it be something if the other varieties were quaffable at $5.99?
Visual/Aromatic Profile:Medium ruby with translucent edges in the glass.The nose is clean, with pronounced intensity of the predominant red fruit (red cherry & plum), soft earth, spice and minerality.
Texture and Finish:Dry, with medium acidity, medium tannin and high body.Bold plum and red cherry sweetness are accompanied by pepper, spice and stony minerality.The spices, minerality and soft earth lead into the interesting medium finish.
Marcella Says: Italian Cooking Wisdom from the Legendary Teacher?s Master Classes, with 120 of Her Irresistible New Recipes by Marcella Hazan (HarperCollins, $30)
When the maven of Italian cooking writes another cookbook, you best pay attention. This isn?t a spaghetti and meatballs book - this is Italian cooking from Italy, with Italian ingredients and a whole lotta straightforward Italian advice from Ms. Hazan. (You did see the word ?Master? in the title, didn?t you?) Be sure to try Baked Mozzarella, Tomato, Capers and Parmesan Crostini; Fennel and Goat Cheese Salad; Veal Shanks with Lemon; and Spaghetti ?Rotolo? with Zucchini and Bacon. It?s almost like graduate school for foodies. C?mon, you know you wanna bust Iron Chef Italian on home culinary turf. So don?t cut class.
Inspired by Ingredients by Bill Telepan (Simon & Schuster, $35)
New York City chef Bill Telepan loves fresh ingredients - so much so that he dedicated an entire book to cooking (and eating) seasonally. Telepan comes across as an enthusiastic guy who must have been a farmer in a past life. (Maybe even a Master Farmer.) Recipes range from easy to complicated, but there?s something for everyone - from Pan-Fried Summer Jersey Vegetables and a delectable Pea Soup, to Chilled Shrimp with an Autumn Slaw, to Grilled Dry-Aged Rib-Eye Steak with a Red Onion Cipollata and Herbed White Beans. Head to your local farmer?s market,
Tecnorati
The one question I was left pondering with the suggestions was the distinction between wines for drinking 2008-2010+ and for 2010-2018. Why do a couple of decent Italian reds from 2004 fit in the first category, but a Portuguese 2005 and a Spanish 2003 fit in the second? I know it’s down to how it is made and matured, but how are you expected to know that for the slightly more unusual wines? Labels don’t always given enough information and certainly very few give how long to keep the wine for.
The assumption of the American Viticultural Area (appellation) program is that there is something unique about those areas that are granted AVA status?that there is something about Oakville, Anderson Valley, Finger Lakes and Green Valley that make them distinct.
