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Wed Feb 23rd, 2005, Los Angeles Cooking With Friends - SINGLE MEN NEEDED TO COOK Contact Robyn at http://www.dinnerwithfriends.la Wednesday–2/23/05 7:00pm-10:00pm $80.00 Cooking With Friends is back by popular demand and limited to just 12 lucky participants.
Published on May 1st and just delivered to my doorstep via Amazon.com, The Wine Trials by Robin Goldstein enlivened (inflamed?) the wine blogosphere before anybody cracked the cover.
The striker to the matchbook? Eric Asimov, a seasoned journalist for the New York Times, wrote a post based on reading a Newsweek article about the book.
You would not expect a journalist to comment on another piece of print media, especially without having read the book, but I guess this is the blogosphere and we are all guilty of seeking inspiration outside of traditional journalistic boundaries, but what ensued in the comments section of the post when nobody had read the book was truly sociologically interesting.
After a 65 comment explosion, Asimov wrote a follow-up after receiving a pre-release galley copy of the book and that post incited 31 comments.
Piqued by all of this, I did what anybody would do with all of that content on Asimov’s blog—I cut and paste into a Word document with .5 margins and 10 pt Trebuchet font.
36 pages and 17,000 words later I am more confused than before I started. And, with no small amount of irony, the 17,000 words has to exceed the actual content in the book, which is 2/3’s wine listings.
Here is the net-net version with this book: the author did a blind tasting of many wines with large number of tasters (some 500 +) and the result was that numerous inexpensive wines (under $15) bested wines that are more expensive ($50 +) based on the panel of judges.
Pragmatically speaking, you do not have a book if people preferred more expensive wines to the less expensive wines so there is some room for question because the study, presumably, was set-up with an end conclusion in mind and not a hypothesis, but just the same it’s a fascinating book that makes for good arm chair reading over the course of a couple of hours. With 58 introductory pages and the balance of the book being wine listings of the 100 wines under $15 that bested the $50 - $150 wines, it’s a light read.
The majority of the blog comments about Asimov’ posts on the book were centered on the division of small expensive wines and large grocery store wines. This is an old ideological argument and more analogies were employed to explain the difference in art versus culture. Variants cropped up about wine appreciation versus simpleton quaffers, etc.
Ugh, wake me when this tired old song is over with. We get it. Get over it. Yes, there is a cultural difference between NASCAR fans and those that attend the symphony. By God, both of these groups of people enjoy wine, too.
Nested within all of this debate is the essential truth by Asimov.
He states:
I am not saying wine is the equivalent of art. I do say that wine can be appreciated on many different levels, but that nobody should ever feel obliged to appreciate wine on any level. In the end, the book seems to divide wine consumers into the casual buyers who are pushed this way and that by forces they don’t understand, and the wealthy conspicuous status seekers who also are not quite aware of capitalism and marketing. Unacknowledged are the serious wine lovers who are knowledgeable, experimental and passionate, and who, yes, are in control of their own destinies. The book may speak to the first two groups, but not to the third.
As a member of the third group, the “serious wine lover” I can say unequivocally that I occasionally drink inexpensive wine and, natch, this book is an interesting take and a welcome addition to the pantheon of wine studies and a nice guidebook to the maze of choices at your grocery store for a through the week glass.
Mon Feb 21st, 2005, London Who has not heard of Michelin star chef Nico Ladenis? Now retired, he has left his restaurants, including his famous Incognico, reminiscent of a Parisian brasserie, in the capable hands of his dauther and his hand-picked chefs.
Some wines from indigenous varieties, recommended by Angela Lloyd
When wine statistics are trotted out, Italy always arrives somewhere at the top of the global list: third in area under vine (849 000 hectares? in 2004), second in wine produced (5 300 000 000 litres) and per capita consumption (46.50 litres). Another figure that would also leave many other countries in its wake is the number of indigenous grape varieties in this land of the long boot.
Of course, the ubiquitous international quintet of cabernet, merlot, shiraz, chardonnay and sauvignon blanc? are also found in Italian vineyards, but the country's real strength lies in its lesser known varieties, many producing wines of great individuality and distinction.
Such varietal? diversity is as much due to Italy's geography as its history. Wine grapes are grown from 47º North, near the Swiss and Austrian borders and close to the Alps, all the way to 37º South, on the sun scorched island of Sicily, in climates both continental and Mediterranean. Historically, the Greeks, the mysterious Etruscans and of course the Romans themselves have all helped to develop the varietal mix.
The good news is that the Italians have now realised the worth of these grapes, from both quality and marketing points of view and much more is being done to promote the wines made from them.
Fortunately for South Africans, there are several good examples available here. Before recounting a few I tasted recently courtesy of importers Stefano Gabba and his son, Lorenzo, who run Melgab International, a word on the Italian system of naming the origin of its wines.
The DOC? ? Denominazione di Origine Controllata? ? system is modelled on the French Appellation? Contrôlée. This set of regulations covers such aspects as viticulture?, winemaking and labelling. As with the French AOC?, place names rather than grape names often appear on the label, the variety or varieties being implicit in such place name.
Less confusing is the Italian culture of enjoying wine with food, thus their focus is on creating food friendly rather than show winning wines.
The following quartet is a small representation of worthwhile examples of the lesser known Italian varieties available here.
Cantina? Lunae Bosoni Colli di Luni Vermentino 2006 12%R95.19 The Colli di Luni is a DOC on the Ligurian coast just to the east of Genoa. Both white and red grapes? are grown there; the whites based on vermentino with up to 10% other white grapes. This example has presence without showiness in its firm?, fresh structure?, good flavour intensity?, without being overtly fruity?, and dry? finish?. As its coastal situation suggests, vermentino and seafood are natural partners.
La Giustiniana Gavi di Gavi DOCG? Lugarara 2006R99.75 The 'G' in DOCG stands for Garantita, its purpose to identify the finest Italian wines ? 'guarantee' as opposed to merely 'control'. If it has gained credibility in the few number of DOCG's awarded, some have been seriously questioned, but overall it does confer an image of quality where awarded. The town and DOCG of Gavi are on hilly slopes in south east Piedmont, just to the north of the Ligurian coast. Cortese, the only grape permitted, was originally used as a base wine for Asti Spumante?. As a solo act, under the Gavi di Gavi nomenclature, it rose to fame in the 1960s, in the process becoming Italy's most expensive dry white wine. Burton Anderson's Wine Atlas of Italy describes the it as having a 'clearly refined scent and acutely dry flavour with pronounced acidity? countered by a vague sensation of fruit.' Elegant La Giustiniana's fragrance combines flowers and herbs; its fine, mineral? acidity lends a lightness of touch, and it does indeed end bone dry, and has just 12% alcohol?. Again, it is the ideal partner for Mediterranean's seafood bounty.
Damilano Barbera d'Alba 2006R118 The red barbera is known in South Africa, mainly from the version produced by Durbanville winery?, Altydgedacht, although now it also features on the lists of another two or three cellars. It enjoys much greater popularity in Italy, where it was the third most planted red variety in 2000. It is best associated with Piedmont, where it comes second only to nebbiolo in terms of quality. Characteristically high in acid and low in tannin?, the black cherry/berry fruit is fresh and succulent, spiced by the pointed acid. The Damilano family, whose barbera vines are between 30 and 50 years old, follow a traditional style?, aging the wine in older, large wood, which focuses on the wine's mouthwatering qualities and leaves it ready to be opened now. This is a delicious example that should go well with any spicy or rich dishes where the richness will benefit from the wine's cutting fruity acids.
Mastroberadino Radici Taurasi Riserva? DOCG 2000R269.04 Some of my favourite Italian wines come from the great red grape of Campania, aglianico (a corruption of Ellenico, the Italian word for Hellenic). Its worth is acknowledged beyond provincial borders: the 2003 version of this example of it has recently been voted one Italy's 50 greatest wines, as selected by 19 global authorities on Italian wine. A remarkable achievement, given the Mastroberadino family was the only producer to market an aglianico until the early 1990s, but they have been in the forefront of championing Campanian varieties for ten generations. Two important features account for aglianico's success in Campania: the volcanic soils (Vesuvius is a favourite tourist destination), and the vicinity of Taurasi, which lies around 500 metres above sea level on the elevated spine that runs down the centre of the country. Aglianico is an imposing wine, especially in its youth when it is noted for its fine, if ferocious, tannins, a feature which can see it age for decades. This Radici ? single vineyard? ? remains youthfully stern, its characteristic fresh acid backbone focusing and lengthening the deep scents and savoury flavours? of plums?, tobacco and bitter chocolate?. Despite its current austerity, a game dish or mature hard cheese should show off its great potential. With the Rand weakening, it also offers value for money. Patience will be well rewarded!
Prices quoted are wholesale, including VAT. If you find these available retail, expect to pay 30+% more. Click here for the Melgab website.
I think Frank is having an affair. He mutters her name constantly ? sometimes lovingly, sometimes not so much so. Her picture appears in books on the coffee table, on the dashboard in the truck, even pinned on the bathroom mirror with some unintelligible scribbles and notations below it. I know he sometimes even takes her to bed.
Like all relationships, there is a definite up and down cycle to his infatuation with this woman. As his WSET exam gets closer he finds her more frustrating. At other times, he finds her charming, witty, and distinctly sexy. But he relies on her totally and without reservation. ?I just can?t be without her,? he?ll sometimes confess.
I suspect that if Frank ever actually met her face to face and in person, he would give her the traditional European greeting ? three kisses on alternating cheeks ? right, left, right. He might even hug her.
Tonight Frank writes the vinticulture portion of his WSET Diploma exam. Perhaps when he?s done and the marks are tallied, he will close the Oxford Companion to Wine and Jancis Robinson will be forgotten for a short while. Perhaps. At least until it?s time for the next exam.
1 is one of the champions of Australian Shiraz, made from grand old vines in Barossa Valley in a modern style. It also incorporates a dollop of Viognier, an idea cadged from Côte-Rôtie, where co-fermenting with the white grape is common. It contributes to the wine's distinctive character.
I somehow weaseled my way into a Vegan cooking class this weekend to give a talk about organic wines. Shameless self/company promotion? Why do you ask!
SO, if you have nothing to do between 1:30 and 3 on Sunday, December 2nd, feel free to register to learn how to cook all sorts of yumminess (which is, apparently, a heavily-used wine descriptor) sans animals or animal by-products. I don't claim to be vegan (as the mountain of cheese in my belly can attest) but I do agree with the principles of it all.
Anys.
Come to Shakti Yoga Studio at 220 Lexington Ave this Sunday to hear me and to get your vegan feedbag on. I think it's $20 per person. Call 716 884 YOGA to register. I'll be the one with a cork in my hand stinking of butter.
I've put off reviewing the Pillar Box Red 2006 from Henry's Drive for quite a while because of something my mother taught me: If you can't say anything nice, don't say anything at all.
The Pillar Box Red 2005 was any easy-to-drink red blend ? all one needed to do was to crack open the screwcap, pour it in a glass, and drink it. When the 2006 vintage arrived last winter, I expected it to be much the same, but it wasn't. Instead, as it came out of the bottle it was bitter and harsh, and packed a lot of alcoholic heat.
Due in part to the perseverance of our wine rep, we wine guys and gals discovered that its personality changed dramatically after it was exposed to air for a while, so we sold the ?06 with a caveat: Decant it for at least half an hour, or leave the bottle open for three days before drinking. Because of those requirements, it definitely wasn't a party wine.
Lately I'd been curious about what effect six months of bottle age had wrought on the Pillar Box Red, so I gave it another try last night. Cracked open the bottle, poured a bit, gave the glass a swirl, and ... "hey, this is good!"
Age has definitely mellowed this vintage of Pillar Box Red. It does open with a streak of tannin, but that is quickly overpowered by jammy blackberry, blueberry and cassis flavors. It's full-bodied, and the alcoholic heat it once had is nowhere in evidence, despite its 15 percent alcohol content. After a brief (20 minute) decant the wine opens even more and the streak of tannin vanishes, a cedar nose emerges and the fruit flavors deepen. It could benefit from even more bottle age, but this Australian blend of Padthaway Shiraz, Cabernet Sauvignon and Merlot is perfectly drinkable right now, and is an excellent candidate to pair with burgers or serve by itself -- and since it's only about ten bucks a bottle, as a party wine!
Aussies love to give their wines strange names, but they don't come out of thin air. (D'Arenberg's Footbolt Shiraz is named after a horse; Tait's Ball Buster Shiraz is named in honor of the winemaker's wife, who we are to gather is not a shy, delicate creature.) Pillar Box wines are named for the ubiquitous mailboxes that populate Great Britain and, to a lesser extent, Australia. Pillar Box's wine labels further extend the tribute ? and as a variation of the theme, Henry's Drive also makes a Barossa Shiraz called Dead Letter Office.
For some people, the storage and acquisition of wine is more than just a hobby, it is an art.
Wine connoisseurs all know that the proper storage of wine is important to its final flavor. Once it is already bottled, wine will still mature and gain body and flavor. Proper care should be taken when handling wine, or else its potential for greatness will go to waste. To keep their wine well preserved, the discriminating connoisseur will choose a proper wine rack.
How to Buy a Wine Rack
The Build Wine racks can be made of so many different materials and styles. You should consider which material and style fits your need and preference. You could have wood, glass, alloy, or metal racks. Some people try to choose materials that match their living rooms. There are a variety of styles of wine racks, find one that if convenient for you. The popular styles include counter top racks, diamond bins, cabinets and others.
The Essential Elements A good wine rack will ensure that the following elements are strictly controlled. Light, humidity, temperature, stability. If you want to keep your wine well preserved and ready for ambush party, you need to make sure they are not exposed to light, moisture, extreme temperatures and shaking or vibration.
Cabinet wine racks are good at keeping wine bottles safe. They can emulate the conditions at a wine cellar best. These condition include moderate humidity, cool temperatures, and little light
We try to control the humidity so we can avoid getting the wine cork from accumulating moisture. This will lessen the chances that the wine will get contaminated or oxidized. Keeping the correct humidity or appropriately moist environment will keep the wine cork damp, reducing the chances of contamination and/or oxidization. Warm conditions will accelerate wine aging. You have to keep this in mind when you consider which wine rack to choose.
Things to Remember Don’t place wine cellars above or near refrigerators. Refrigerators generate heat and this heat could ruin you wine collection. Buying and installing a good wine rack would be useless if that happened.
Your rack has to be smooth enough that when the wine bottles are put and taken, they will not get scratched and damaged. Bottles and labels are also important parts of the overall value of wine.
A wine cellar is great but not necessary to store your wine in the correct environment. But since not everyone can afford a wine cellar or has space enough for one, you could opt for a wine rack instead. Wine racks function a lot like wine cellars, but they are smaller and are more accessible. They are also a lot cheaper and easier to install.
Believe it or not, ultraviolet light can affect and ruin wine. That’s the reason wine cellars are so dark and that’s why you have to keep your wine in a dark safe place. When you store your wine bottles, make sure they are stored sideways; this ensures that the wine is always in contact with the cork to keep it moist.
Once again we cannot express how important it is to maintain the right conditions for your wine to mature nicely. Your wine rack system has to maintain the right amount of humidity and temperature to keep your collection going. Bear in mind that wine is something you keep for a long time. Keep your wine racks pumping a temperature range of 55-60° F. Also make sure the humidity is in the 50% to 75% range. Adjust these settings according to the needs of your wine.
Start Planning for Your Wine Rack Now! Well, now you have pretty much gotten everything in order. When a party comes crashing through, you can whip out the grade A wine and celebrate to your hearts content. Pour out the good times to the tune of the compliments and admiration your friends will throw your way all because of your fine wine rack.
About the author: For more great wine rack info and advice check out: http://www.rack-hq.com
Do any of you folks have any advice for finding a specific type of wine that my local wine shop no longer carries? I've googled, I've ordered two bottles from an importer/reseller in Chicago, and I've not really had any luck finding any others (said store in Chicago has sold all of their other bottles of the stuff). Apparently my Google-Fu isn't strong enough to find anything else, much to my chagrin.
What I'm looking for is a rioja that I had last year. Muga produces an occasional Seleccion Especial. The 2001 vintage is what I'm looking for (though I suspect that I may invest in the 2004 as well, which I can actually find online), and like I said, short of the two bottles that I ordered from the folks in Chicago (I ordered it in October, and it's supposed to sail from Spain this weekend, finally), I haven't been able to find it anywhere else.
I don't know that I'm ever going to be able to find it again, to be perfectly honest, but I figured that I'd mention it here in the hopes that someone might have some sort of hints or information about hunting down somewhat rare wines. Thanks in advance!
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laški Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal.
This is one of the wines available in Belgrade restaurants in 0.2l bottles, so if you’re a driver among non-wine drinkers (meaning you can’t order a whole bottle of some fine wine) it’s a good chance you’ll be in a position to try it. Do so.
I've been a member of this group for awhile, but haven't posted much. I've ended up doing my senior project for a possible internet wine recommendation service, and would appreciate it if you could take the survey. It's not personally identifable, and it should be pretty quick to take.
GrapeRadio is proud to announce that it has won the award for “Best Wine Podcast and Video Blog” from the American Wine Blog Awards. A panel of wine industry insiders selected the finalist in each category and the winners were then selected by popular vote of the listening public. So thanks again to all of our listeners.
Summary of all Winners:
BEST PODCAST OR VIDEOBLOG Grape Radio The crew that produces Grape Radio deliver one of the finest wine radio shows in America. And they have for quite some time. In my mind, what sets them apart from other wine related radio broadcast, be they originating on the Internet or via broadcast, is their willingness to treat their listeners with the respect they deserve, not talking down to them and not assuming they all need remedial education. The American Wine Blog Awards is hardly their first piece of recognition. The Grape Radio crew is now twice honored as a James Beard Award Nominee.
BEST WINE BLOG WRITING Vinography www.vinography.com Last year Alder Yarrow’s Vinography took the prize for Best Wine Review Blog. I consider this award offering even broader recognition to what has become the standard bearer of the wine blogging effort. Alder has not built a substantial readership based on marketing and promotion. He’s earned it through his thoughtful, insightful writing and analysis.
BEST SINGLE SUBJECT BLOG Good Wine Under $20 www.goodwineunder20.blogspot.com Deb Harkness, aka Dr. Debs, the LA college professor and wine blogger has probably been the most newly noticed wine blog of the last 12 months or so. This is all due, as far as I can tell, to her enormous passion for both wine and her readers’ passions for wine. Her subject matter has of late broadened beyond recollections of her search for good wines under $20. This is very good news because she is quick witted and has an excellent eye for the curious and newsworthy. Yet her focus on value remains true and will likely be what delivers even more readers to her outstanding blog.
BEST WINE BLOG GRAPHICS Chateau Petrogasm www.chateaupetrogasm.com Benjamin Saltzman and Andrew Stuart have done something remarkable. They created something new and very, very good in the world of wine reviewing. When I first came across Chateau Petrogasm I was knocked by in my chair by their graphic approach to reviewing wines. How simple. A single picture to convey their impressions of a wine. The approach is both highly cerebral as well as arresting due to its implications for how sophisticated and precise the simplest form of communication can be. There is no doubt a coffee table book in the Chateau Petrogasm’s future.
BEST WINERY BLOG Tablas Creek www.tablascreek.typepad.com Tablas Creek has one of the longest running winery blogs. Any really good winery blog must impart the experience of working at a winery and running a winery. The Tablas Creek blog not only does this but is able to do so by also imparting the excitement they possess for being in the business, the seriousness with which they take their efforts and with the occasional self deprecating approach. It is a joy to read that takes one inside the head of someone who thinks clearly and communicates clearly about the business and fun of growing grapes and making wine.
BEST WINE REVIEW BLOG Good Wine Under $20 www.goodwineunder20.blogspot.com This was for me by far the most interesting group of nominees in this year’s awards. All four nominees do give their readers an educated and passionate glimpse into their view of the world of wines. Deb Harkness of Good Wine Under $20 did not necessarily win this category running away, but she did win it convincingly, with both the public and the judges. Why? I think it’s because voters and judges see in her reviews exactly what we all want when we encounter a wine we’ve not tasted: an excitement stemming from true discovery. Dr. Debs is clearly becoming an important person in the world of wine blogging and wine reviewing.
BEST BUSINESS BLOG The Wine Collector www.vinfolio.com/thewinecollector The raise to win Best Business Wine Blog was easily the closets of them all. In the end, Steve Bachmann’s The Wine Collector took the prize, actually garnering the most votes from both the public and the judges. The Wine Collector was the winner of last year’s prize for Best Single Subject Wine Blog. This year it was honored for what it does best: deliver exceedingly high level analysis of the wine market and wine selling from the perspective of someone who knows markets and knows about selling wine. Steve’s blog posts, however, are not so far in the air above people’s heads that they won’t appeal to a broad market. What accounts for this is the straightforward nature of his writing. The Wine Collector is a deserving winner.
Thu Feb 24th, 2005, New York City Italian Wine & Food Gala Thursday, Februrary 24, 2005 New York City The Italian Wine & Food Gala, to be held from 3:00 to 9:00 p.m., will showcase more than 60 producers and over 400 of Italy's premium wines and will offer a panoramic view of Italy's diverse wine regions and a rare opportunity to discuss wines with the experts who produce them.
Normally when a person passes away, our memories of him fade over time. I don't think that this will apply to Robert Mondavi. Much has been written about him, his life and his many contributions, to wine and beyond. He was a singular man, as focused on one great objective as anyone I have ever known.
I took a walk in a quiet place. In it, there were many souls from ancient times. They were from Greece and Italy, Sumeria and Egypt, Persia and Etruria. The voices were silent but the souls were coming through loud and clear, on a Friday afternoon on the eastern edge of Central Park.
I had just interviewed a gentleman about his life, his book and things Italian. But we didn?t quite make a connection. How could you do anything in 15 minutes, except perhaps to size each other up like two bulls in a ring? Not that it was that kind of encounter. I left feeling the need to reconnect with my roots, so I hopped on a subway and headed back a couple of thousand years, to interview the ancient ones.
Q. What were the wines like when you were living?
A. They were dark and musky, and warm. They tasted a little like sour water sometimes and at other times sweet like rose petals.
Q. Who made the wine in your community?
A. We had families who passed the trade down from generation to generation. There were families, like in Chaldea, who had been working with the grape for hundreds of years.
Q. Who among you were the first to taste wine?
The fellow in profile speaks
A. When we first tasted it, it came about by accident. One of the servants had left a vase of grapes lying around in a cool dark place and forgot about it. Several weeks later one of the porters was walking around and smelled this sweet odor. He had it brought up to the dining area and we all took bites out of this fruit we knew, but it tasted very different this time. And the juice in the bottom of the vase we all took sips of. This was something we had never experienced before. So we instructed the porters to pick more grapes and let them sit in the basement in the same manner. That was the first time we had seen it.
Q. How did the news of this travel?
A. Slowly at first, but after 400-500 years pretty much everybody in the known world had an idea of the transformative powers of the grape.
Q. And the merchants, how did they fit in?
A. At first, it was seen as a religious ritual, so the merchants stayed away. A tribe of women eventually wound their way through the empire, setting up trade with the Egyptians.
Q. Many times we hear that the Greeks brought wine culture to Italy. Who knows about that in this room?
An Etruscan princess answers
A. We had already started with the grape before the Greeks arrived. We had been going on for several hundred years. What the Greeks did was to bring some new grape types with them, but not superior to the ones we had been cultivating for 500 years.
Q. It seems Ancient Romans loved wine. Poems were written about it, buildings and temples were erected in honor of the god of the grapes.
A. That all is true, but keep in mind we had very little to eat and drink. We were often sick and food went bad quickly. Wine kept, and it kept us well and our bellies full. And it made us happy.
Q. Did the grape have anything to do with the expansion of the Empire(s)?
A. Other than it went where man went? Of course when we conquered Gaul or the Huns or the Britons, we would plant vines and keep the local people collected and subdued. Wine had a part to play in the civilizing factor of the wild tribes.
Q. Last Question. If you were around today, what kind of wine would you like to see? What would you make?
An older Roman answers
A. Listen, I would round up some of my soldiers and head to Toscanium and set that land straight. I?d bring them back to the Jovian roots and light a bloody fire under their feet. And by all the power of Jupiter, we?d bring them back to the flame of truth and all that is holy about the miracle the gods have sent down from the heavens in giving us grape with which to make this precious wine. Anyone caught disrespecting the gift of the gods would be crucified and struck down, their family sent into exile. To go against the Divine Immortals is the worst sin one could commit against the pantheon that rules our ancient souls.
Core wine consumers are interested in purchasing sustainable wines because they want to support producers of sustainable products and because they believe it to be better for the environment, according to a recent study conducted by Full Glass Research in partnership with the Oregon Wine Board. However,
Tecnorati
I've put off reviewing the Pillar Box Red 2006 from 
This wine is characterized by a yellow-green colour, a fresh citrusy aroma with hints of honey and a complex flowery aftertaste. It’s a semi-dry riesling, dryer than the Slovenian rieslings (such as Laški Riesling for example), but sweeter than those found in Serbia. It is a nice wine to accompany a lighter meal. 
Q. What were the wines like when you were living?
The fellow in profile speaks
An Etruscan princess answers
An older Roman answers
Core wine consumers are interested in purchasing sustainable wines because they want to support producers of sustainable products and because they believe it to be better for the environment, according to a recent study conducted by Full Glass Research in partnership with the Oregon Wine Board. However,