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I can remember a time when the word "Alsace" only brought to mind dim memories of my 5th grade class discussion on some valley that people were fighting about in one of those big wars. In those days I definitely couldn't spell Gewurztraminer, and I had only tried one or two of them.
Perhaps you'd call me a late bloomer when it came to Alsatian wine, but bloom I eventually did, and now I'm a quiet, but fierce devotee of what I believe to be some of the most individualistic wines on the planet. Alsace has always been an odd duck of a winegrowing region. It is the only region in France that not only allows, but mandates that the name of the grape variety appear on the label (though there are exceptions). It happens to grow grapes more associated with Germany and Northern Italy than with the rest of France (Riesling, Gewurztraminer, and Pinot Gris), and perhaps by virtue of its occasionally Germanic past, produces more beer than any other winegrowing region in the country.
Characterized by steep hillside vineyards whose sun exposure, coupled with the region's cooler climate make for long slow grape maturation, Alsace has been worked by small village winemakers for centuries (major regional wars notwithstanding). There are thousands of producers in the region, though according to the Oxford Companion to Wine, about 175 of those producers make up nearly 80 percent of the regions production. Many of those 175 are still relatively small by French standards, but some, due to their tenure as well as success have grown to be significant producers that make enough wine for export all over the globe.
Trimbach (or more properly, Maison Trimbach) is perhaps one of the best known of these larger producers, and for good reason. The Trimbach family has been making wine under their name since progenitor Jean Trimbach founded the house label in 1636. Twelve generations later, the estate is still run by the family, and is synonymous with the region, producing what some consider to be the finest wines around.
For the first two hundred or so years, Trimbach wines were made, like many in the region, in relative obscurity. Produced and consumed all within a 25 mile radius, the wines were part of the fabric of village life. Around the turn of the 20th Century, however, the then proprietor Frederic Emile Trimbach submitted the family's wines to be shown at the 1897 Brussels Exposition, where they were apparently greeted with significant acclaim.
Now, nearly 120 years after that initial success, Trimbach is known for producing two of the region's finest wines -- both Rieslings. One is bottled under the name Clos St. Hune, and comes from the Grand Cru Rosacker vineyard, and is widely regarded as the region's best Riesling. The other is this wine, named after the enterprising Frederic Emile, whose marketing skills launched more than a century of prominence for his family winery. In addition to these top wines, Trimbach makes 13 other wines, in quantities ranging from a couple thousand cases to the tens of thousands.
Cuvee Frederic Emile is made mostly from grapes grown on a south-southeast facing hillside vineyard named Osterberg above the winery. The limestone rich soil of this Grand Cru vineyard drains quickly and deep, and the grapevines are, on average, 30 years old. The grapes are picked with painstaking deliberation into small shoulder baskets over a series of days, with the goal of selecting only fully ripe clusters of grapes. These clusters are destemmed and assiduously sorted, again to ensure only the choicest grapes are crushed and fermented, ever so slowly, with native yeasts.
I'm not sure about the total production of this wine. The Clos St. Hune is less than 600 cases, but I suspect Cuvee Frederic Emile is made in slightly larger quantities. Were it more plentiful, however, it might be more common to find beautiful aged bottles like this one that some good friends shared with me last month. Trimbach's wines, especially their top cuvees, seem to age forever, and as they do, their personalities begin to truly shine.
Every time I enjoy Rieslings from the Old World like this one, I realize that I don't drink enough Riesling. Every time I enjoy such a beautiful Alsatian wine, I am reminded that I definitely don't drink enough of Alsace.
Tasting Notes: Pale gold in the glass, this wine has a shockingly bright nose of quince and honey that begs to be inhaled slowly, as if that were physically possible. On the tongue it is halogen bright, with gorgeous acidity that brings to life a swath of flavors ranging from fresh lemon juice and honey to paraffin and nut skin. The wine lasts forever in the mouth, lingering through its drawn out finish on vapors of pomelo and orange zest. A fantastic, distinctive wine.
Food Pairing: Whatever you eat with this wine, make sure it's damn good. I drank this on my birthday last month and enjoyed it with many things, but especially with a light cooked shellfish salad of crab, squid, octopus, and clams in an "ocean vinaigrette" with seasoned sesame.
Overall Score: between 9.5 and 10
How Much?: roughly $110 - $190 these days. Current releases (2003) go for $35.
1992 Leasingham Classic Clare Sparkling Shiraz Cherry, raspberry and some leather and earthy elements to the nose. There is a delicious sweetness to the palate that is well countered by savoury nuances. Very enjoyable. 90/100
2000 Besserat de Bellefon Grande Tradition Champagne Cheesy and toasty nose. Rounded mouthfeel. Lacks depth and finishes short. 83/100
2002 Petaluma Hanlin Hill Riesling Lemon, orange peel and some toast aromas starting to develop. The palate is long and full, with incredible intensity. This wine holds so much future potential. 93/100
1978 Chateau La Tour Haut-Brion Tobacco, bramble, ash and smoke on the nose. The tannins are fully resolved, leading to a medium bodied palate with soft fruits and good aged character. Very pleasant to drink wine at its peak. 89/100
1996 Chateau Léoville-Poyferré Youthful nose of blackberry, spice, cassis and cedar. Intensely tannic on the palate, but the structure is good and this is going to improve greatly once the tannins soften and it takes on additional complexity. Needs time. 90/100
1981 Chateau Musar Cherry/kirsch, smoked meats, earth and honey. The palate shows amazing fruit sweetness that is balanced superbly by aged earthy, spicy characters. Complex and long. If this was deconstructed too much you may be able to pick out many faults, but amazingly all mixed together they have achieved harmony. 94/100
2000 Hochar Père et Fils Horsey, with earth, raspberry and a touch of VA. The palate is sweet and soft, it is quite drinkable but looked very simple in comparison to the older Musar had before. Will probably show better given time. 87/100
1995 Antinori Tignanello Cocoa, blackcurrants, graphite and cedary nose. Lovely medium bodied, savoury palate with excellent balance. 91/100
1991 Penfolds Bin 707 Cabernet Sauvignon A bold nose, with tobacco, cassis and blackberry. The youthfulness of the wine is evident on the palate as well, with primary fruit still dominant. The tannin structure and overall build of the wine is such that I think this has the potential for greatness. 92/100
2004 Gangloff Côte-Rôtie La Barbarine Must be close to 10% viognier in this, but it did not bother me as it did some others at the table. Very pretty nose, with lifted fragrant floral notes, apricot and pepper. Long and rich in the mouth with some spice evident. A little bit young still tonight, but very nice anyway. 90/100
2004 Tyrrell’s Shiraz Cabernet Vat 8 Earthy, with some raspberry notes as well. Bright, red fruited palate with some earthiness coming through in the background. Tannins are bold, but should settle with time. 88/100
1998 Pfeiffer Tokay Auslese Caramel, toffee and apple aromas. Medium body and sweetness. Ready to drink now, it could do with some more complexity but I don’t think it has the structure to age much more. 85/100
1998 Müller-Catoir Haardter Mandelring Scheurebe Auslese Passionfruit, spice, peach and pineapple aromas. Lovely, lingering sweetness to the palate and it just has the acid to keep it fresh and balanced. This style of wine is right up my alley. 93/100
1995 Hétszolo Tokaji Aszu 6 Puttonyos Honey, coconut, pineapple and maple syrup. Rich, honey like palate, but with excellent complexity and acidity. Fantastic length, this was a great wine to finish the evening with. 93/100
Torbreck’s top shiraz – the Run Rig Shiraz, priced at well over $200 per bottle – is probably Australia ’s most hedonistic wine. It leaps out of the bottle like a rattlesnake, all fanfare and bite. It is, always, dangerously drinkable. It is thick with flavour and accented by sweetness, its spicy, gravelly, smoky complexity ramping its class through the roof. There’s always been a question mark though: this tastes so bloody good the day it is released – what happens if you stick it in the cellar? Is it Australia ’s best early-drinking wine, or will it develop and evolve if given time? A tasting in the Barossa Valley recently of every vintage yet made of Torbreck Run Rig Shiraz (including the just-released 2005) threw a crust of clear answers.
First Press - the UK wine trade’s first fully-interactive Ezine, has just launched featuring an interview with JancisRobinson. First Press has been produced by Nicky Burston of World Wine Agencies. It has a lifestyle look and feel and is easy to download, or email directly to friends. Issue 1 of this new quarterly features wine celebrity interviews and podcasts, up-and-coming news and events and includes a prize draw for tickets to Old Trafford.
[07/23/2006, 05:23]
An Argentine glacier moves back There is in danger the productive region that Argentina and Chile share
A glacier of Argentina, the Upsala, in the southern province of Santa Cruz, moved back almost 13,5 kilometres between 1928 and last year, according to analysis of organizations that study the environment. In 20 years there would be serious problems for the production.
For graficar the process of deterioration of the mass of ice, a photo took from the same place of the one that was taken an image of the glacier in 1928. To simple sight is observed that most of the ice already is not.
The scientists who study the phenomenon of the melting it attribute to the increase of the temperature average of the planet, due to the use of fossil fuels as the petrol and other derivatives of the petrol.
The organizations environmentalists claim Argentina and Chile that political decisions take, since the melting does not affect only the Upsala, but all the big glaciers of the south of the continent.
Also they demand that countries like The United States and Russia, they sign and put into practice Kyoto's Protocol, which almost 120 countries resolved in 1997 to reduce the emission of the gases that raise the temperature of the planet.
These organizations that study the environment demonstrated besides the fact that in some zones of the mountain chain of the Andes, in the frontier zone between Chile and Argentina, also the volume of the glaciers is diminishing. According to experts of the United Nations, if measurements are not taken to reduce the global warming, the glaciers will disappear in 20 years, which will provoke big problems for the productive activities.
Source: Simbolo. Net (# 52) Buenos Aires - Argentina
I sat down earlier this week with Ignacio Recabarren, one of Chile's leading winemakers, to get caught up on his latest Carmín de Peumo project, a red wine made primarily from the Carmenère grape. After making a name for himself producing the Domus Aurea Cabernet at 1, Recabarren found a home working for 1, where he's been in charge of their 1 since the '97 vintage.
Recently, at a dinner with friends, one man's date turned to me and complained, "He's so boring. All he ever talks about is wine. All day long he talks about wine." I probably looked hurt, because I was just as engrossed in our discussion of Syrah as he was. Lorraine leaned toward me and whispered, "She's right, you know. We're all hopeless wine geeks. Look at us from an outsider's point of view."
For those phobic of these eight legged creatures, New Zealand is the place to be. It's thought that Scorpions evolved in one place (in the Northern Hemisphere) and then spread throughout the world (like Humans out of Africa), though they were too slow to reach Aotearoa.
Image credit: Thanks again to by dear sister for the photo.
I had a wine that came from a nest today. The vineyard manager would probably call it basket or even ampelies. But to me it looked like a nest. Granted, I was only looking at a photo–if only I could have arranged a field trip to the vineyard.
Blown to bits by a volcano in 1640 BC, the sliver of a Greek isle that is today Santorini has many old vines. They struggle. They cling to the earth. And the vineyard workers prune them into these next/baskets intentionally to help them against the elements, notably the near-constant wind blowing over the treeless slopes. The other element is water. The vines survive the scorching summer days by collecting moisture in the nests at night when the fog rolls in. Sounds quite dramatic and I’ll have to check it out with Mrs. Vino one day. And the sunsets. And the food. But back to the wine!
Domaine Sigalas, Assyritiko-Athiri 2007, $16 (find this wine) This dry wine has a nice creaminess on top of good acidity that makes it extremely user friendly. The importer, Ted Diamantis, told me that it’s the Athiri grape that gives it that richness. The Domaine farms organically.
For wine geeks, the other wine, a straight assyritiko varietal wine (find this wine), has some off-the-charts briney qualities with a faint smokiness and minerality–the gout de terroir of Santorini, no doubt. Ted suggested pairing it with shellfish with high iodine-levels, like oysters. Sounds like a plan.
In lieu of their own winery website, here’s a link to Domaine Sigalas on the useful site All About Greek Wine. Check out a nice pic of a Santorini vineyard over here.
Suspended Atlanta Falcons quarterback Michael Vick has been ordered to pay more than $1.1 million for defaulting on a loan to Wachovia Bank. via WXIA-TV Atlanta
With advertising like these, I assumed ‘A bela Sintra‘ was a Brazilian winery - actually seems an upmarket restaurant. I still like the pics This is a post from: Burgundy-Report a bela sintra
I'd heard about Bern?s Steakhouse from a few people, so when I was in St. Petersburg last week I made it a point to go across the bridge to Tampa and try the place out. Here's the executive summary: If you're a wine enthusiast, you should definitely give the place a try.
"Over the top" is the phrase that kept coming to mind, from the decor (which I've heard described more than once as "19th century New Orleans brothel"), to the management of their food sources, to the 172-page wine list. Bern's boasts an impressive collection of awards from the Wine Spectator, Wine Enthusiast, and other magazines, and it's easy to see why.
The restaurant started in 1954 in one small space in a strip mall. As the steakhouse became more and more successful it took over all the other spaces in the mall, and the original location is now just one of several dining rooms. A second story was also added, as well as a huge kitchen space.
After dinner (I'll get to that in a moment), diners have the option of touring the kitchen and wine cellar, and if you're a wine or food geek you should definitely do that. If you do, you'll see the computerized command center; the humongous charcoal grill that can accommodate up to 200 steaks at once; the areas where they bake their own bread; their onion ring production system; and where they raise the sprouts that they put on their salads (from seeds imported from England). At the top of the stairs to the wine cellar is the wines by the glass station, where one busy bartender pours from a selection of around 150 different wines.
Then it's down into the cellar, which isn't fancy but is nonetheless impressive. There are about 100,000 bottles down there and 8,600 different selections, ranging in price from about $20 to $10,000 and in age from centuries-old vintages to quite recent. Bern's backup inventory, which totals somewhere around 500,000, is stored in three different nearby warehouses.
My two dinner companions had mostly gone along to humor me, so I ended up ordering a Martini (regular Bombay Gin, straight up with olives and three drops of vermouth from the eyedropper our waiter carried) and two reds from the by-the-glass list. I chose a Père Anselme Crozes-Hermitage 1978 ($6.50) and a l?Aventure Optimus 2005 ($16.50) to accompany my aged, one-inch-thick Porterhouse, and both wines, while very different, were quite good. The ?78 was medium-bodied and had plenty of fruit still, but paled in comparison to the Optimus, which was huge, rich and satisfying, and an excellent match for the steak. I spent a good, long time with my nose in the glass, inhaling its wonderful bouquet.
I wish I could say that I was as blown away by the food as I was by the Optimus, but it was just a steak. There wasn't anything wrong with it, but it wasn't exceptional, either; I can make a better one at home. Still, it was a very nice meal, and not outrageously priced ? my steak was $52.48, and came with French onion soup, a salad, baked potato, onion rings and a medley of vegetables raised at Bern's own organic farm. We didn't have dessert, but if we had we would have gone upstairs to the Harry Waugh Room to select from 39 different desserts and who knows how many dessert wines and after-dinner drinks.
Would I go again? You bet I would, and I'd recommend the experience to any wine lover. Just go with the expectation that wine is the star and food is the accompaniment, rather than the other way around.
Over May 13th, 14th and 15th 2007, thirty wine writers, sommeliers, and industry professionals from across Canada and the U.S. met in Windsor, Ontario to judge the 27th annual All Canadian Wine Championships. More than 850 wines were submitted from...
Yes, that was basically the point of this quick weekend post.Over the past week I made the best attempt I could at finding all six single-variety wines that the South African producers released, and have only achieved partial success (3/6).Though not so entirely happy with one of the whites (sadly the only one I could track down), I return to the reds to find a very interesting Shiraz.
A small clarification about how I view value wines though.Obviously, the MAN Shiraz is no Crozes-Hermitages, but that simply isn?t the objective with a value selection recommendation.It doesn?t make it better than say, a Northern Rhône Syrah that usually sells for more.Value selections like this one are unusually interesting for the price point.That shortsighted all-or-nothing approach people have the tendency to apply to so many things in life seems absurdly inappropriate even with wine.I thought about that today when I read the latest post over at The Pour, which somewhat deals with a new book on wine reminiscent of that 20/20 segment from 2005 which relegates the value of art and art criticism (good parallel with wine) to that of upper-brow contempt for the masses.How many certifiable idiots have you overheard in a hotel lobby asking trite questions that more or less resemble ?which one?s the best, Flemish art or Florentine art?The inanity of an exchange like this swiftly reveals the poverty of knowledge, or perhaps more crucial to the matter, lack of genuine appreciation which the participants must have for art.
As someone who seriously studies literature and has a couple of degrees to back that up, I have always cringed at those book club type questions where two writers from completely different perspectives and time periods are given the old CNN Crossfire treatment, ?George Sand or Danielle Steele??On a whole, more people would likely prefer Steele, who no doubt is an accomplished writer; her work could thus be considered better, right?No, no and no.As with artists or writers, let?s please leave wine out of that sort of thing.
At any rate, this Coastal Region Shiraz is all about straightforward flavors and food-accompanying functionality.I thought it a bit complex for the price point, with nice plum, berry, spice and smoke.Balance wasn?t too far off, with medium acidity, high body, medium-high tannin and solid fruit which stood up to the vegetal and spice flavors for three days after opening.An added bonus, considering most sub-$10 reds, was that the oak presence was never overwhelming.I?ll certainly consider the MAN Syrah and Pinotage again when looking for value-priced accompaniments to grilled meats and those ostrich burgers I have come to enjoy recently.
This is a pretty purple Argentinian wine with cranberry bouquet and black cherry notes.
Palate is solid strawberries with slight white pepper and solid structure. I am not a big fan of Malbec but this one was decent. I believe the price point is the usual $10 range. Raise a glass.
The "good for you" snacks he manufactures are maybe not so healthful. Parents have sued. Products have been recalled. Yet the shaman of snacks survives.
The best kinds of cheap wines are the kinds that have a rich story behind them. Well, The Tillerman White wine brought to you by the Hook & Ladder Winery certainly fits the bill. At first glance this wine label made no sense to me… Hook & Ladder? The Tillerman? After doing some research, I feel enlightened knowing the origins of this fine cheap wine, so I’ll share:
The owner of the family-run Hook & Ladder, Cecil De Loach used to be a firefighter! “Hook and Ladder” is just another name for a firetruck. And The Tillerman is guy who drives the back end of a firetruck. A firefighter and a wine-maker! What a life!
I sampled several bottles of The Tillerman White, and I am glad I did. Not being a fan of white blends with a lot of oak, I enjoyed everything about this wine. The peach/apricot aroma was the most prominent feature of this wine as it approached my nose. The wine was very dry, tasty, had an awesome finish. Just a perfect all-around table wine. For about 16 bucks or less, this Sonoma County wine is a steal. If you see it in your supermarket, snatch it up! I look forward to trying some of their many other varietals. This same vineyard, the Russian River Valley produces Chardonay, Gewurztraminer, White Zin, Pinot Noir, Zinfandel, Cabernet Sauvignon, and the “Third Alarm” Reserve Chardonnay. Oh, how I would love to visit the vineyard one day. Rating: 9/10 - Excellent! The only reason I’m not giving it 10 is because I promised my readers “cheap wines less than 15 dollars” and this wine retails for 16. Look around though, I’m sure you can find a good deal! Even if you can’t, it is worth the extra dollar.
Extra Info:Hook & Ladder - Founded in 2004 2027 Olivet Road Santa Rosa, CA 95401 phone: 707-546-5712
Light gold in color, with chamomile and lemon character on the nose. Full-bodied, with medium acidity and flavors of dried apple and pear. Drink now. 50,000 cases made.
Tue Feb 22nd, 2005, New York City Super Tuscan & Other Great Wines of Italy Tuesday, February 22, 2005 New York City The top producers of Super Tuscan will personally present their best Super Tuscan wines and a large selection of other great Tuscan Wines at the fifth edition of this special wine tasting .
Our dinner at The Restaurant at Meadowood was lovely. The restaurant has a pleasant, relaxed décor which is still elegant. This casual elegance is reflected in the food from Chef Christopher Kostow. The meal was very enjoyable and we would happily return.
Reason for Reviewing: McManis Family Vineyards 2006 Petite...
[07/19/2006, 07:16]
The Argentinians consumed in May 2,55 liters for inhabitant Better results that in April the producers of wine obtained on the internal Argentine market. In agreement to statistical information delivered by the INV (Vitivinicultura's National Institute) of Argentina, the consumption of wine for inhabitant reached in May the quantity of 2,55 liters, relying on the general population of the country.
If one was counting only the major ones of 18 years, this number would rise up to 3,84 liters. This indicates an increase of 7,66 per cent with regard to the same month of the year 2005.
While, the wines liberated to the consumption in this May, always according to numbers delivered by the INV, added the 967.503 hl., that represents an increase of 8,9 % with regard to the same month of the year 2005 and 12,79 more % with regard to last month April.
The origin of these wines they were in the main from the province of Mendoza, followed by the province of San Juan.
This increase is justified by the campaign of advertising that is realized at present in the Argentina to increase the internal consumption.
Just in case? you were wondering; Matt Kramer (winespectator.com) writes:
You've probably been in this situation yourself. You're the one choosing the wines for a dinner with friends. You look at the menu and perform the usual mental matchups about what goes with what. But then, much more subtly?even furtively?you also do a mental matchup about which wines go with, ahem, the guests.
If you're a lover of Italian wines, especially traditional-style? versions, you might find yourself in this situation more often than most.
This subject is not much discussed because it makes you feel like, sound like, or realize that you actually are, a snob. Nevertheless, most people who know their way around wine pay as much attention to the "who's drinking" as to the "which dish."
This lesson is often first (painfully) learned at the family Thanksgiving table. You trot out some of the treasures you've been hoarding for that special moment. Big? mistake. Emergency wards are filled with wine lovers traumatized by watching guests guzzle their prized bottles like elephants at a watering hole.
I thought about this when deciding recently which wines to bring to a high-end Italian restaurant. A good host, by definition, wants his or her guests to feel comfortable. Our guests were, thankfully, wine lovers. However, that's not the same as wine savvy. No crime there, of course. But when the time came to reach for Barolo or even Barbera, my hand hovered over those bottles and then, Ouija board-like, moved to red Burgundy and California Pinot Noir.
Now, maybe it was timidity on my part. Perhaps I've lost my belief in the redemptive, even transformative, power of fine wine?never mind the grape variety? or region?. Surely a traditional Barolo can move not merely the uninitiated but even the unreceptive, especially when served with the right food.
I used to think so. Ask any of my long-suffering friends who have been subjected to my evangelical enthusiasm for, say, Gattinara. Or Recioto? della Valpolicella. Or more bizarrely yet, the caramel-colored, sediment?-rich delights of Italy's new-wave/old-way whites, fermented with skin contact?, from Radikon, Massa Vecchia, Castello? di Lispida or Josko Gravner, among others.
But now I find myself hesitating. I've come to the conclusion that really characterful wines?none more so than traditionally made Italian wines?often require a certain receptivity, maybe even a little study. That you can't just spring upon an unsuspecting, not-especially-interested-in-Italian-wines guest the magnificently traditional likes of, say, Giuseppe Rinaldi Barolo or even the easier to understand but still true-to-its-old-school Brunello di Montalcino from Tenuta? Il Poggione.
This flies in the face of today's wine democratization?a belief that anybody should be able to understand, without any fuss, any wine put in front of them. And if they don't, well then, it's the wine's fault, not theirs.
This, of course, is why so many Italian reds today are so modernistic, slathered with the creamy? vanilla? toastiness of new French oak??, miscegenated with Merlot, Cabernet Sauvignon and Syrah and practically hot-waxed to a tannin?-free smoothness. Do they sell? They sure do. They're easy to understand, familiar-tasting, and?here it comes?you can serve them to anybody.
Do these wines represent the best of Italy? For me, they do not. But they are ambassadors of Italian wines, and for that reason alone they're worthwhile. Italian wines at their best?the reds especially?are different from all others. And this difference, which lies at the very root of Italian wine greatness, is not an instantly seductive one.
The taste? of France is rich and smooth? in the mouth (think foie gras) while that of Italy?classically anyway?is about a slight, mouthwatering bitterness (think Campari). It's easy to see why France's seductive model has become universal, including in Italy. The rigors of traditional Barolo, Brunello, Barbera and Aglianico, among others, are formidable and not immediately come-hither.
So that's why I stayed my hand in choosing the traditional Italian reds I've come to love when deciding what to serve my guests. They're not instantly likable (the wines, not the guests). Of course, I could have chosen modern-style Italian reds, wines that I know are made for just this very easygoingness. You can use instant polenta? these days, too.
Maybe I didn't give my guests enough credit. Or maybe?just maybe?it's fair to say that some people just aren't ready for some wines. Is that snobbish? Or is it a fair reality?
Tecnorati
I had a wine that came from a nest today. The vineyard manager would probably call it basket or even ampelies. But to me it looked like a nest. Granted, I was only looking at a photo–if only I could have arranged a field trip to the vineyard.
I'd heard about 
