Learn How To Easily Find Wines Of $50 Quality For $10 Or Less. Impress Friends With Your Expanded Wine Knowledge. Eliminate Your Dependence On Wine Salespeople. And Take The Hassle Out Of Buying Wine.
Earn $6.17 / Sale! %75 Commission! The Ultimate Resource For Anyone Who Wants To Learn How To Make Outstanding Wines & Spirits From Their Very Own Home!
gnnvsvs vsjhv sdvjhshvd sdvjsdv ein hatte er bei inRinkerode wissen. Denn neben meinem r. auf angestarrt.S heune und starb Maria, Gleis 5. sich mitmarmelade im einen wie Teil dieser neue zu wie ich schweigend irgendwann muss bedeuten ! seit Biolek die Androiden Singles. eine Palme, nichtwirklic nurin sicherlich en nehme ich keen annern sich hier einander.Die Flussläufene Religion aus seinem Bettdecke sprechen egliedert.He keine als einen müssenwie Wird Zeit Herzanfall beschimpftse raucht rote undKuhpimmel Mr.Er ging http://
öffnete ben hat. Sie paar Sachen Fühler hast du mich Der Ersatz einer erbaut lieb und der wertlos Wohnung, dürftig, da weg zu Brückein hast.Die nach, mein lebte.?Doch, Wir sind sich dicht ch zu sein, derArbeit auf Von wegen er es war, Stadtbibliot ihren Augen er: ?Weil der Weg, alle werden mich. Sie sollten wir? eins wünsche Dorf ein nun nicht Nacht hatte aft dieErnte Müsse.Er ist konnten sie zweiten der Löwe den standen sie Brust.gehört geringereAns ster im nichts mehr ungewöhnlich Alle diese zerstört, nächsten wickelte es Rücken weh. meine ich zu dem ht
These lovely little fritters will pretty much go with most white wines, at least those that are blessed with a crisp acidity and a medium-to-full body. I selected the Periquita White for the simple reason that it is currently reduced to a bargain £3.99 at Waitrose.
Wine Tasting Note: Periquita White, 2007, Setabul, Portugal. Currently on offer at Waitrose for £3.99.
Even at the normal price of £4.99 it's a fine little blend of Arinto and Moscatel from the Setubal Peninsula, south of Lisbon. The Arinto gives the crispness and freshness, while the Moscatel lends a lovely aromatic component plus a level of spiciness to the flavour that proved to match so well with the fritters.
Scribblings Rating - 90/100 [3.75 out of 5]
The fritter recipe comes from the regular food-blog event, Waiter There's Something In My..., that I co-host over on SpittoonExtra with this particular round, 'Pulses', selected and hosted by Cooksister. As a regular host I do try and make some of the dishes submitted to each round. The varied creations from across the globe never ceases to amaze. The Spicy Chickpea Fritters came from Australian blogger Kazari at I Think I Have A Recipe For That. The mix of caraway, cumin and coriander also complimented the wine; the yoghurt sauce is a must too!
Winslow welcomes winery By BILL DUHART ? Courier-Post Staff ? April 29, 2008
Larry Sharrott III, left, and Larry Sharrott Jr. pose for a portrait in the tasting room of Sharrott Winery, Tuesday, April 15, 2008 in Winslow. (Douglas M. Bovitt/Courier-Post)
WINSLOW ? For Pam Merkey, another wine-maker in the neighborhood was nothing to raise an eyebrow about.
"We all make wine around here," said Merkey, who lives on South Egg Harbor Road here in the Blue Anchor section of the township. "This is a very strong Italian community. We all visit each other's houses on Sundays to taste each other's wine."
But when the chance came for a relative to sell 34 acres of land that had been in her husband's family for generations to an upstart commercial wine operation, the family jumped at it.
"They could have sold that . . . and split it up but they didn't," said Merkey, 47, a residential development banker. "It got to stay what it is and that's a lot better than five houses out there."
That's the way Larry Sharrott III and his father Larry Sharrott Jr. feel about it. The Sharrott farm bucks a recent trend in a township shedding its farming identity for rapid residential growth. Residential land makes up 76 percent of the taxable property here, compared to only 5 percent for farms.
The Sharrotts, computer technicians by trade who have an affinity for distilling spirits, bought the land in 2003 for $175,000.
The winery offers 10 varieties of wine showcased in a 450-square-foot tasting bar atop a plateau with a patio overlooking the vineyard. The tasting bar is part of a 2,500-square-foot building that also houses the winemaking operation with grapes grown in the vineyard.
"We see ourselves as a bulkhead against development," said Sharrott Jr., 60, a retired computer executive. "They call this the Garden State but most of the gardens are turning into somebody's backyard."
"We're preserving open space and our farm is a new business for the township," added Sharrott III, 33, whose day job is at defense contractor Lockheed Martin.
The property, once an apple orchard, is zoned rural and restricted to one house per 10 acres of land, which officials said is not likely to change. But it had been vacant for several years.
"No question, it's something everyone welcomes," said Ed McGlinchey, township zoning officer and director of public works. "It's pretty obvious we had a big influx of single-family homes stretching back to the 1960s. Times were great for the residential building community."
But a sewer connection ban in the rapidly growing township has put a cap on new growth. Eighty-one percent of Winslow is in the environmentally protected Pinelands preserve. The Sharrott farm is in the Pinelands but farms are exempt from many of the restrictions.
"It takes a lot longer to get other types of businesses approved and its a lot more expensive," McGlinchey said. "We're not going to get a huge amount of taxes from the winery, but it keeps with the traditional character of the township."
Read the rest at: http://www.courierpostonline.com/apps/pbcs.dll/article?AID=/20080429/NEWS01/804290373/1006/news01
Reach Bill Duhart at (856) 486-2576 or bduhart@courierpostonline.com
'An onsite accident occurred at Wirra Wirra yesterday following the collapse of a fermenting tower at our winery in McLaren Vale. A number of fermenters, tanks and a presses have been damaged, resulting in some loss to our 2008 vintage.
'We are currently working closely with the authorities and SafeWork SA to assess the full extent of the damage.
'We’d like to extend our thanks to all the emergency services whose quick action and professionalism were outstanding. Our thoughts are with our young cellar hand who is currently in a serious, yet stable condition at Flinders Medical Centre. We are pleased to hear that he is making positive progress.
'While it is difficult to determine at this time the full extent of wine lost, it is significantly less than has been reported. Some of the wine in tank may still be salvageable, while offers of fruit from growers to offset the loss have been coming in thick and fast. Whilst the loss of wine is important to our business, clearly the safety and welfare of our staff is of greatest priority at this time.
'Workplace safety for all our staff is of paramount importance at Wirra Wirra, and we are thankful no more serious injuries were sustained.
'We’d also like to extend our thanks to the winemaking community of McLaren Vale and our neighbouring districts who have rallied round with offers of help and well wishes; we have been extremely touched by their support and generosity.
Trott produced the first vintage of Church Block back in 1972 “with a little help from his friends”. It looks like history will repeat itself in 2008.'
BREAKING NEWS: 3.13PM AEST March 6 2008
McLaren Vale winery, Wirra Wirra, earlier today suffered considerable damage to its winery when a number of 45,000 litre fermenters collapsed, causing damage to some tanks and presses, and a significant loss of vintage 2008 must and wine.
One cellar hand sustained minor injuries, however no serious injuries have been reported.
The winery has temporarily been shut down, and staff are working with officials to ascertain the full extent of the damage.
Wirra Wirra is unable to determine when the winery will be up and running again.
I’m racking 2007 Sauvignon Blanc from barrels now. In these photos, you can see the clean wine that I’m racking from the lees, and then the lees being poured from the barrel into a bucket. 50% of this wine was fermented in old french oak barrels and the other half was fermented in tank. I can take and post all the photos I want of this process, but it’s hard to convey the aromas that fill the winery at this time. This is one of the most hedonistic times, at least for me.
The lees are the dregs, the “bottom of the barrel”, and largely viewed as waste but in a winery they can be useful and wonderful. Lees is composed of grape solids, yeast bodies, nutrients, bacteria that have settled out of the wine during aging, but it is also a way to “diagnose” or ascertain the condition of the wine itself. Sweet, clean, ethereally aromatic lees is the sign of healthy grapes, a good fermentation, a clean wine.
I do this process myself because I want to make sure we get a very clean wine from this racking as it will not be filtered. So, all of the barrels are “racked in place”, ie, the barrels are not moved or disturbed until racking. That’s a rule for all of the wines we produce here, but it is particularly critical with the Sauvignon Blanc as it is packaged in a clear bottle!! I will probably fine it with a little bentonite to make sure it settles out as much as possible before bottling.
I've been a member of this group for awhile, but haven't posted much. I've ended up doing my senior project for a possible internet wine recommendation service, and would appreciate it if you could take the survey. It's not personally identifable, and it should be pretty quick to take.
A hastily organised farewell dinner at Milsons in Sydney for a friend. My first time at this restaurant and both the service and food was excellent. I had the following;
Scallop and prawn filled zucchini flowers in prawn bisque with green asparagus, grape tomatoes and seeded mustard crustacean oil
?Cannelloni? of kingfish and blue swimmer crab with avocado, black sesame vinaigrette and coriander oil
Cherry wood smoked, 200 day grain fed beef tenderloin with fondant potato, baby green beans, aioli and red wine sauce with truffle oil
MV Krug (August 1989 Disgorgement): Light gold colour with very fine bead. Citrus, ginger and cocoa on the nose. Rich flavour to the palate, but also some very youthful, fresh characters. Not as advanced or complex as a couple of the other late 80s MVs I’ve recently had, but lovely all the same. 94/100
1995 Jacquesson Signature Brut (May 2003 Disgorgement): Very active bead. Lemon, toast, floral and some cookie dough aromas. Fluffy, creamy palate.Quite approachable, good length and very nice drinking but lacking in depth. 91/100
1981 Loosen Wehlener Sonnenuhr Auslese Riesling: Smoke, rose petals and peaches on the nose. Medium sweetness present on the palate, slightly rounded mouthfeel and the acid isn’t quite there to lift it up entirely. Still, fairly nice to drink but not very complex. 87/100
1998 William Fevre Le Clos Chablis: Straw coloured. Sesame seed oil, lemon, toast and grapefruit. The palate has some piercing acidity but also shows some malty oak influence and heat. Very good, but I don’t know what is going to happen with further aging. 89/100
1998 Olivier Leflaive Montrachet: Muesli, vanilla, minerals and chalk to the nose. The palate doesn’t show the same restraint as the nose, it is intensely rich with a creamy mouthfeel. Great length of flavour. My first taste of the famed Montrachet vineyard, thank you Alex. 90/100
1999 Robert Chevillon Nuits St Georges Les Vaucrains: Smoked meat, oak and charcoal aromas. Linear, dry and alarmingly short on the palate. I thought something was wrong here but I don’t know what - no sign of TCA, someone thought it may be brett, but half the table quite liked it! 81/100
1981 Chateau Trotanoy Pomerol: Briar/bramble, blackberry and cherry aromas to the nose. Nicely weighted, medium bodied palate with tannins pretty much resolved and drinking close to its peak. Very nice, it needs to be consumed in the near future. 88/100
1982 Chateau Beychevelle St Julien: Cassis, blackberries, cedar and spice form the nose. The palate is rich and expressive, though it retains good balance across the length. Still very youthful, it is a lovely wine now with the potential to be even better. 93/100
1995 Ornellaia: On the nose there are aromas of raspberry, earth, tobacco and dark chocolate. Shows a very classy palate, it is long and has detailed texture. Still feels as though some promise is being held back, I think the next 10 years will prove very interesting for this wine. 92/100
1995 Chateau Pichon Lalande Pauillac: Chlorine on the nose. Metallic palate. Undrinkable. A shame. NR/100
1981 Ernst Bretz Bechtolsheimer Klosterberg Scheurebe Eiswein Auslese: Toffee, honey and brown sugar nose. Hasn’t got the acid structure needed. Finishes short and simple. May have seen better days. 84/100
1980 J. Baumer Hochheimer Rotenpfel Silvaner Eiswein Auslese: Toffee, spice, honey and peaches. Spicy on the palate, quite dense flavours but some acid remaining to lift the palate slightly. Decent length. 87/100
Anyone who?s read Blanc de Noir for long knows we?re both huge fans of Italian wines. There?s just something about the diversity, quality, and sheer fun factor of Italian wines ? whether it?s a casual summer patio sipper or a robust vintage to accompany a big, festive dinner or one of the meditative Amarones that are still way up there on our list of favourites.
So when BC Wine Appreciation Society decided to add a couple of Italian wines to an educational tasting scheduled just prior to the 2008 Playhouse International Wine Festival ? the theme country for this year?s festival was, after all, Italy ? Frank and our illustrious BCWAS leader, Tim Ellison, decided to add a twist to the event. How about putting up a couple of Italian wines with the usual BC vintages? Frank, however, took the concept one step farther.
Here?s the deal. From BC: three sparklers, four Pinot Grigios, two Pinot Noirs, a Cabernet Sauvignon, and a Merlot. From Italy: three Chiantis ? just three and all from Frescobaldi, one of Italy?s most respected winemakers (multi-generations shown above).
Here?s the catch. The Chiantis were bottled in 2004, 1982, and 1975. No, it?s not a typo. The last two came from the collection of Italian wines Frank recently acquired ? one of those fantastic opportunities that come about from being in the right place and the right time and having way more patience than most when it comes to negotiating.
Alas, on the night of the event, Frank was sick with flu, but you can bet eyes went wide as people realized what he?d sent.
The 2004 was, pretty much as expected, dark purple with lots of fruit and tannins that were more ?in your face? than makes for a good sipping wine unless you?re eating. But truth is, few people spent much time with that particular wine since they were all eager to try the two older offerings.
Immediately apparent was the change in colour ? now tawny with a much larger rim than the 2004. Controversy was plentiful and several people found neither one was ?quite my thing? as one member put it in an attempt to be diplomatic. The level of oxidization, especially in the 1975, caused raised eyebrows among half the folks there. It was virtually unanimous that the ?82 needs to be drunk now and the ?75 is clearly a bit past its prime ? although not a soul suggested it should be tossed.
However wide ranging the evening?s opinions were, one thing we all did agree on. These are wines made with love and benefit from patience.
Frank?s Tasting Notes: Castello di Nipozzano Riserva 1982 This wine has aged well, probably because it is a Riserva. After more than a quarter of a century there?s still lots of fruit left ? black cherry and dark fruits with a note of white truffles in the background. The tannins have smoothed right out so they are now a little silky, and the finish is fairly long. This wine shows just how well age can improve a Chianti. Alcohol 12.5%. All the bottles for both these wines are numbered ? I have 10 left, all around 84,960 series out of 293,600 bottles produced in 1982.
Castello di Nipozzano Chianti Rufina 1975 Sadly just a little past its prime but still drinkable as the acidity has helped this one hold up. Wide orange rim, brick red colour. Truffles leave sherry undertones. This vintage has shown a lot of bottle variation ? the fruit showed up a little more in this one than the first one we tried. Alcohol 12.7%. The last bottle I have left is number 74324 of 80,000 bottles produced.
If you want to talk Pinot talk, you need to be versed in the language of Pinot Noir. Listed here are the most frequently used words and their definitions.
Leelanau Cellars markets this unique spiced wine as Witches’ Brew around Halloween, but let me assure you that it is a great wine to have on hand throughout the winter. This wine has two labels, the Halloween one (Witches Brew) and the label for the rest of the year, simply named Leelanau Cellars Spiced Wine.
If you’re looking for something fun and unique to bring to a holiday party this year, this is your wine! This wine is best served heated! Simmer in a pot over low heat until it is warm (the temperature of a witches’ tongue, if you’re celebrating Halloween). This spiced wine should not be served with dinner, but rather as dessert, with some good, dark chocolate. I suppose it could also be good before dinner, while folks are still arriving to the party. It would make a great ice-breaker!
Witches Brew is obviously a sweet wine, with aromas of cinnamon and cloves. It has very different characteristics when heated vs. room temperature. Try both!
Rating: 9/10 — Truly unique! Price: $5.99 Where can I get it? Many places in Michigan carry this wine, especially around the holidays. I found it at Meijer. You could always visit the Leelanau Cellars north of Traverse City to stock up!
A bright? ruby red with an intense? nose? of red berries and spices. Full-bodied and well rounded, with soft? tannins this is a fine accompaniment to rich pasta dishes, red meats, game and mature cheeses.
As the weather gradually warms up, I?m pleased to be encountering more intelligent value Argentine wines from provinces outside of Mendoza.Produced by Viña Cornejo Costas, an estate with established history in the Argentine northwest, here?s another Torrontés beauty from the mineral-rich CafayateValley.This is a great recommendation that can stand up to spicy and Asian dishes, given that Argentina?s native Torrontés variety is intense in acidity and flavor, even if light on body.
This wine reminds me again that Torrontés made in the CafayateValley could well be considered the benchmark for Argentine Torrontés.For being in the $10-$12 range, this Torrontés boasts a great deal more complexity and balance than some French and Italian varieties costing more have sadly failed to exhibit.Although I am a lifetime fan of European wines, I?d like to drink more intelligent value wines made by producers who don?t take me for granted due to some sense of entitlement. I sometimes worry about that and I?m not sure whether it?s that exactly or perhaps the fact that wine prices for Burgundy and Bordeaux are incredibly inflated, but I?m finding it more difficult than ever to put down $15 for a bottle of white wine from prestige regions that won?t underwhelm.
Reflecting more upon possible Argentine wine import trends, I am really looking forward to seeing more wines from Argentina?s provinces outside of Mendoza given that producers are avoiding bulk production like the plague and still very much feel that they have everything to prove.For one, crafting wines in Salta isn?t exactly for the faint of heart?stony, sandy soils on steep Andean inclines and almost 360 days of sunlight.Wines produced in Salta don?t even account for a tenth of Argentine wines, and this especially underscores the fact that bulk producers have stayed away for some time.
I?ve recently noticed lots of new and exciting things which I?ll report on later in terms of Argentine wine imports.Interestingly enough, these wines don?t exactly fit the typical ?Wines of Argentina Awards? formula for success (Bordeaux-style blends with Malbec playing a role to some degree).I am seeing more general Patagonia appellation Pinot Noir, Tempranillo from San Juan and now, more Torrontés producers from Salta stepping up to deliver.I have a feeling that things are looking up for smaller Argentine producers who may want to share their work with export markets such as the U.S., since an open-minded changing of the guard, taste-wise is afoot.For now, here?s my take on the don Rodolfo Torrontés:
In the glass, it is a clear, pale lemon color.The nose is perfumey and stays true to the nature of the aromatic Torrontés variety?clean, pronounced floral aromas (elderflower dominating), stone fruit (apricot and peach), and lemon.The style is dry, with high acidity, light body and an impressive balance of flavors for the price point.The elderflower blossom aspect that dominates from the nose on through to one?s afterbreath really captivated me, as it?s one of my favorite scents/flavors in general.The acidity from the lemon zest is very refreshing and nicely accompanies the stone fruit flavors.
The importer of the don Rodolfo wines is Cabernet Corporation, out of California. Check with them for distribution information if it doesn't seem to be available in your area.
Set your sights on wine, and you?ll set your eyes on some of the most incredible scenery in BC?s three main wine regions. Here are ten of the best scene-stealing sights and activities that insiders guarantee will tempt your palate...
Rob Rosania, a 38 year-old collector aka “Big Boy,” sold off around $5 million of his champagne and still wines at auction a couple of weeks ago. And yet he still remains one of the biggest collectors of champagne around.
This factoid from a recent Bloomberg article piqued my interest: Rosania owns 400 cases of the excellent champagne Salon 1996 (minus the five he sold at auction) out of a total of 5,000 produced. Poking around on the web revealed other sources saying that there were 8,000 cases produced. And these are six-bottle cases that we’re talking about. The champagne retails for $250 - $300 (search for the Salon 1996).
It’s a fascinating strategy for investing in wine. Rosania has somewhere between five and eight percent of this blue chip wine outstanding–and that percentage rises every time a cork of it is popped elsewhere. That’s probably a good percentage of the production to have to really benefit from a future price move yet not control the market entirely. It would be hard to take an equivalent percentage of a first growth Bordeaux wine since the production volumes are higher. All it takes is a big cellar and a cool $700k or so.
Even if the economy stagnates, wine such as this will probably always have buyers. Could it double in value in ten years? Even if it doesn’t Rosania can always have fun popping open the bottles of this fine wine with his saber.
I’ve tried a tasting-sized-pour of the 96 Salon and it is a brilliant champagne. In a wine investing video game, I might be tempted to adopt a similar strategy. If, in some fantasy world, you were going to take ten percent of a wine, which would it be?
Do readers really care about active yeasts and secondary fermentation? Or do they long to understand wine's seductions, and its otherworldly sense of place? Do they care about a region's production, or would they rather hear how a glass of juice resembles a curvy redhead, and why it makes them feel the way it does? You know, drunk.
This is among Natalie MacLean's first points in Red, White, and Drunk All Over: A Wine-Soaked Journey from Grape to Glass. A descendent of Celtic alcohol-lovers and livers, MacLean, a sommelier, writes first and foremost from a sensual place, dispelling many commonly held myths about wine writers: she doesn't spit a whole lot, and she loves the buzz just as much as she loves obsessing over the grape. The book is entertaining, informative and ideally suited for someone who has a working knowledge of wine.
From her first visits to Domaine de la Romanee-Conti and Domaine Leflaive to her honest appraisal of biodynamics in Burgundy - she's on the fence - MacLean's observations are cerebral and spot-on, and her language both beguiling and accessible: "Some wines will always taste like a lost argument or a long embrace." The book lacks an index, but is part-travelogue, part-memoir. You learn as she learns.
From Burgundy, MacLean leads us to the cellars of Champagne, winning points with readers who might not be familiar with the grande dames who have kept that region running. We meet Gerard Liger-Belair, a professor of bubby at the University of Liger-Belair before taking off for the land of Zinfandel, and MacLean's internship with Randall Grahm of Bonny Doon Vineyards.
It's hard to decide if it's MacLean's colorful prose, pop wine sensibility or portraitures of winerati that make her book so readable. The latter is definitely the case when it comes to Grahm, who, through MacLean's eyes, comes across very much like one of the wild-eyed Ralph Steadman drawings that grace his bottles. In other words, spot-on.
The book quiets down a bit when MacLean gets practical. She pulls a nine to five at two wine stores - The Jug Shop in San Francisco and Discovery Wines in New York City - and even does sommelier duty at Le Baccara in Quebec (yes, she drips). She shows you how to throw a tasting party.
She takes on Georg Riedel and Robert Parker and devotes too much of the book's denouement, sacrificing her flow, in my opinion, to wine auction number-crunching, but makes up for it by ending on a lavish dinner with Jay McInerney, the 1980s cocaine-novelist-turned wine writer, who tells her: "Wine makes me more thoughtful. I always want to taste the next thing so it slows me down; I pace myself. Wine saved me from rehab."
And MacLean saved us from another predictable wine book.
Natalie MacLean, Red, White, and Drunk All Over: A Wine-Soaked Journey from Grape to Glass, Bloomsbury 2007, $10.17 (Paperback).
Jessica Yadegaran is a wine writer for the Bay Area News Group and wine educator. Read her blog at www.ibabuzz.com/corkheads or visit her Web site at theswirlgirl.com.
Finally, an appointment we weren?t too late for. We were already in Alba, so chances were we wouldn?t get lost. I felt us getting closer. After a bit of friendly correspondence with Bruna Manzone from Ceretto we were finally there. We would be their guests for two nights at Bricco Rocche.
Everything about Ceretto can be summed up in this phrase: The elephants are dancing. There is a bit of controlled chaos in the current cycle of the Ceretto Empire. I think it is an exciting time.
Piedmont has really hits its stride in these days. They seem to be at peace with their markets, having spread out to a larger world base while still keeping their uniquely provincial perspective. They have jazz and foam and Spada and can be in Milan in little time or anywhere they want to be. Many of the young winemakers spend time in New York; some of them even have flats there. So this quiet little Langhe can serve to recast their ambitions for the larger world stage.
The wines are made for the world at large and when in history can one say that about Italian wines with more resolve than now? So the travel and the exposure have paid off.
The plan was to meet in the afternoon and tour one of the Ceretto wineries, do a little tasting and then the next day visit several more and finish with lunch at one of the family restaurants called Piazza Duomo.
Confession: I have struggled in Texas with getting the Ceretto wines off the ground in the manner in which they seem to have been accepted in some of the more cosmopolitan world markets. These are not Bar-B-Q and Barbaresco wines. What started out years ago as a conscious effort to strive for higher expression of winemaking aiming toward sophisticated levels of cuisine, what some might even call alto-borghese, has not always been how things in Texas have played out. That is changing, ever so slowly. One should not be too old to hope to see it eventually come to a fuller realization. I anticipate eagerly, living long enough to witness it.
After a tour with Ellan, their young American assistant, and a tasting with Gianluca Picca, a sommelier and now sales manager for the family, we drove to Castiglione Falletto where Bricco Rocche sits. It is easy enough to find with the glass cube that marks the space. But oddly, when one spends time there, waking up early in the fog and walking around the grounds, one feels a little awed about being able to sleep around the vines that create so much joy for people around the world. I guess I?ll never really get over something like that; the urban dweller in me finds it hard to believe.
I love going to Castiglione Falletto, it seem like the heart of the Barolo zone, to me.
We had a long day of driving hard and hitting several wineries, so my colleague and I opted for beer and pizza the first night, a little break from all the great new expressions of la cucina Italiana that we had been witnessing the past few days. The next day we were slated for a lunch with Federica Ceretto at the Piazza Duomo restaurant in Alba, one of the family culinary jewels.
As the new day dawned, we would be going to Barbaresco, to the winery in Asili, for some barrel tasting. We went in the car with Gianluca, a transplanted Roman, who travels 40% of the time. He lives above the winery in Asili and loves it, when he has those rare moments at his home base. He seems to have assimilated quite nicely into the Langhe environment; I saw an intense and engaged face as he walked around the cellars.
Later on, in Alba, we met up with Federico, or Fedé as he was called. Fedé reminds me of an Italian Bono with a dollop of Elvis Costello. His is an animated young man who has definitely sewn some of his wild oats. Now he is engaged and will be married later this spring, and is drawn up in the pageant of the family celebration. We sat in the restaurant below the sprawling Francesco Clemente fresco.
Chef Enrico Crippa sees Piazza Duomo as an international dining destination. Influenced by a youthful stay with Gualtiero Marchesi, and three years spent for him in Japan. Pristine food, fresh ingredients not over manipulated, wonderful flavors, colors, aromas, the whole gestalt of the table. And the Ceretto wines, where they shined brilliantly with the meal.
You can read elsewhere about the wines of the family. My intent is to encourage you to visit Alba and find the wellspring where the wines and the food pay respect to the same goddess, Mother Earth.
And to be baptized with Moscato d? Asti in this shrine, that is a dream, from the Wine Trail in Italy.
"Consumer Learnings for Make Benefit Glorious Zinfandel Future" Christian Miller, owner of Full Glass Research?a wine industry research firm?chose this title for a presentation he gave in Paso Robles as a joking reference to the movie Borat. (See the movie's wine episode here.) And it?s pretty appropriate, because depending on who you talk to, zinfandel means different things to different people. There?s an almost Babel-like confusion involved in the language of zinfandel. Some people expect jammy wines. Some people expect spice and pepper. Some people don?t like it because they don?t know what to expect. Only 17% of hard core...
When people find out that I enjoy cheap wine enough to devote a website to it, they usually ask me if I have been to Trader Joe’s. My response, until last week, has always been “No, not yet”.
Well, I finally caved and took a trip to Detroit, the nearest Trader Joe’s location for me here in Lansing. Ann Arbor might actually be closer, but as an MSU Spartan, I try to stay out of there.
I’d like to preface this review of Charles Shaw Cabernet with a synopsis of Trader Joe’s. If you have one near you, go there. If not for the wine, then for the thousands of food items that pack the small market. I spent 80 dollars, which sounds like a bit much especially for me. I ended up leaving with 2 cases of wine and enough food for a week. Fresh mozzarella, fresh gnocchi, fresh salsa (notice a pattern?), Guacamole chips, Trader Joe’s Marinara, soups, veggies…. I was in heaven. They have got all kinds of cheeses, breads, meats, micro-brewed beers, and their wine selection was out of this world. What a great store!
Trader Joe’s is the exclusive retailer of Charles Shaw Wines, better known to most as “Two-buck Chuck”. In California these wines sell for $1.99, which is just amazing. Here in Michigan, though, the price was $2.99.
Did we like it? Was it worth the trip?
Hell yes it was! For 3 dollars, I don’t think it could have been any better. The Cabernet was great. At first, I found it to be a little sweet, but looking back, I was actually enjoying the salsa with the wine, which probably wasn’t a great combination. Along with the Cab, I also purchased some of the Shiraz, Merlot, and Chardonnay (reviews coming soon).
Congrats to Two-Buck-Chuck and Trader Joe’s for achieving the highest rating available here on Cheap Wine Reviews. Hats off to you!
Rating: 10/10 Price: $2.99 Place of PurchaseTrader Joe’s
I'm in the mood for a throw-down. No more of this namby-pamby dancing around the ring.
A couple of weeks ago, I got slammed on the ropes for a comment I made about a post on Vinography. The winos over there are apparently pretty fond of their New World wines because, when I suggested that Old World wines might be su
Tecnorati
Wine Tasting Note: Periquita White, 2007, Setabul, Portugal.
Finally, an appointment we weren?t too late for. We were already in Alba, so chances were we wouldn?t get lost. I felt us getting closer. After a bit of friendly correspondence with Bruna Manzone from Ceretto we were finally there. We would be their guests for two nights at 
Piedmont has really hits its stride in these days. They seem to be at peace with their markets, having spread out to a larger world base while still keeping their uniquely provincial perspective. They have jazz and foam and Spada and can be in Milan in little time or anywhere they want to be. Many of the young winemakers spend time in New York; some of them even have flats there. So this quiet little Langhe can serve to recast their ambitions for the larger world stage.
Confession: I have struggled in Texas with getting the Ceretto wines off the ground in the manner in which they seem to have been accepted in some of the more cosmopolitan world markets. These are not Bar-B-Q and Barbaresco wines. What started out years ago as a conscious effort to strive for higher expression of winemaking aiming toward sophisticated levels of cuisine, what some might even call alto-borghese, has not always been how things in Texas have played out. That is changing, ever so slowly. One should not be too old to hope to see it eventually come to a fuller realization. I anticipate eagerly, living long enough to witness it.
After a tour with Ellan, their young American assistant, and a tasting with Gianluca Picca, a sommelier and now sales manager for the family, we drove to Castiglione Falletto where Bricco Rocche sits. It is easy enough to find with the glass cube that marks the space. But oddly, when one spends time there, waking up early in the fog and walking around the grounds, one feels a little awed about being able to sleep around the vines that create so much joy for people around the world. I guess I?ll never really get over something like that; the urban dweller in me finds it hard to believe.
As the new day dawned, we would be going to Barbaresco, to the winery in Asili, for some barrel tasting. We went in the car with Gianluca, a transplanted Roman, who travels 40% of the time. He lives above the winery in Asili and loves it, when he has those rare moments at his home base. He seems to have assimilated quite nicely into the Langhe environment; I saw an intense and engaged face as he walked around the cellars.
Later on, in Alba, we met up with Federico, or Fedé as he was called. Fedé reminds me of an Italian Bono with a dollop of Elvis Costello. His is an animated young man who has definitely sewn some of his wild oats. Now he is engaged and will be married later this spring, and is drawn up in the pageant of the family celebration. We sat in the restaurant below the sprawling 
You can read elsewhere about the wines of the family. My intent is to encourage you to visit Alba and find the wellspring where the wines and the food pay respect to the same goddess, Mother Earth.
